385:
315:
25:
852:
829:
549:, then the best-selling pop music act on the roster of the parent Columbia label. Partly as a result of the immense popularity of this release, Columbia Masterworks also released a spoken-word recording of excerpts from the soundtrack of the Dustin Hoffman film
263:". Three recordings by quartets were also part of that initial offering. More releases followed in March 1925, and a staggering 18 sets were added that fall. The prices of these sets varied with the number of included discs, from $ 4.50 to $ 10.50.
226:
for domestic sale in
America, the label was still a year away from an "electrical" recording process. In November 1924, the first eight releases had been recorded acoustically. These first eight sets included five symphonic
452:. This was released in 1945 as a 17-record 78-RPM album in two binders (M-MM-554), and afterwards as a three-LP set (SL-153). Many years later, in 1962, Columbia Masterworks would release a four-LP album of the complete
357:(Columbia Masterworks Set No. 325), recorded in March 1938 and released in 1939. Sales were such that Columbia engaged Welles and the Mercury Theatre to produce four Shakespeare plays (
270:, who later added the rest of the Columbia label to his portfolio, a great many notable classical artists made contributions to the Columbia Masterworks library, such as the conductors
430:, in 1951. Columbia Masterworks was also the first recording company to release an album of a nearly complete stage production—the record-breaking 1943 Broadway revival of
521:—featuring the same four stars, this time with the London cast—followed in 1959. And in 1964, Columbia Masterworks issued the film soundtrack album of the show, starring
676:
804:
210:. In 1980, it was separated from the Columbia label and renamed CBS Masterworks. In 1990, it was revived as Sony Classical after its sale to the
989:
42:
89:
610:
featuring the cast of an actual production of the show, not just one or two singers from it as had been done before. This 1946 revival of
61:
984:
68:
571:
994:
75:
821:
674:
Another genre that
Columbia Masterworks released some seminal albums in was electronic music. Early 1964 saw the release of
454:
57:
1004:
999:
932:
890:
108:
541:
979:
46:
724:
followed in 1971. The label also released several other classical-meets-synthesiser albums in the wake of the
844:
459:
260:
244:
82:
870:
472:
236:
232:
706:, was issued on Columbia Masterworks, which continued to release Carlos's output until the mid-1980s.
974:
789:
576:
381:) for the phonograph in 1939 and 1940. The sets were opulently bound and included a hardcover book.
631:
470:. And in 1964, Columbia Masterworks would release a complete album of the 1964 Broadway revival of
353:
323:
256:
252:
539:, released as OS-2070 in 1961 and being certified triple-platinum as of 2017. Next on the list is
787:
Jell, George
Clarence "Clare" (1881–1955) (October 1926). "The Columbia Library of Masterworks".
712:
634:, was the longest-running revival of a show up to that time. They also released a long series of
566:
248:
35:
798:
582:
365:
533:. The most successful film soundtrack release on Columbia Masterworks was the film version of
240:
882:
836:
768:
551:
919:
813:
752:
689:
546:
416:
and supervised by former CBS staffer J.G. Gude. The album would lead to three sequels, the
371:
228:
8:
491:
Columbia
Masterworks' most successful Broadway album was the original cast recording of
914:
640:
619:
588:
384:
851:
828:
680:, a compilation of avant-garde electronic compositions created at the famed studio by
314:
928:
910:
886:
875:
600:
421:
401:
344:
271:
267:
756:
745:
717:
703:
702:, containing transcriptions of a number of Bach's most famous compositions for the
698:
635:
594:
506:
413:
409:
336:
283:
211:
207:
135:
737:
646:
535:
463:
348:
318:
303:
223:
175:
959:
741:
685:
526:
477:
467:
332:
295:
275:
445:
347:
of historical significance was the
Masterworks release of ten scenes from the
968:
924:
560:
502:
359:
299:
906:
693:
522:
510:
498:
493:
481:
441:
393:
287:
279:
203:
558:
Columbia
Masterworks was also responsible for the original cast albums of
707:
681:
627:
623:
615:
530:
431:
340:
291:
740:
in 1980 and separated from the
Columbia label. In 1990, it was renamed
652:
426:
606:
449:
24:
751:
The
Masterworks name lives on in the label's Broadway album label,
658:
514:
604:(1960). In 1946, Columbia Masterworks released the first album of
436:
377:
222:
When
Columbia Records undertook the project of releasing great
905:
343:
recordings under the
Masterworks name. One of the first
545:, released in 1968 as OS-3180, featuring the music of
388:
Advertisement for the Columbia Masterworks release of
877:
Orson Welles: The Rise and Fall of an American Genius
331:
In addition to classical music, Columbia also issued
49:. Unsourced material may be challenged and removed.
874:
458:, starring its original Broadway cast: Uta Hagen,
966:
960:The Columbia Masterworks 78rpm Album Discography
408:album (Columbia M-800 and ML-4095), edited by
786:
266:Under the leadership of Columbia's president
580:(1957), and the original cast recordings of
803:: CS1 maint: numeric names: authors list (
780:
899:
793:. Vol. 1, no. 1. pp. 11–12.
755:as well as the name of the label's parent
744:because of the sale of CBS Records to the
677:Columbia-Princeton Electronic Music Center
306:also appeared conducting their own works.
109:Learn how and when to remove this message
865:
863:
404:was a 1948 Masterworks entry, the first
383:
313:
967:
869:
513:. This first album was issued only in
860:
822:National Recording Preservation Board
990:Record labels disestablished in 1980
716:was released in the summer of 1969.
570:(1949), as well as for the original
517:, but the first stereo recording of
47:adding citations to reliable sources
18:
696:'s landmark electronic-music album
669:
13:
424:in 1950 and the CBS-TV successor,
327:(Columbia Masterworks M-325, 1939)
309:
14:
1016:
985:Record labels established in 1924
953:
736:Columbia Masterworks was renamed
731:
850:
827:
810:
23:
455:Who's Afraid of Virginia Woolf?
34:needs additional citations for
941:
58:"Columbia Masterworks Records"
1:
995:Classical music record labels
845:Stanford University Libraries
809:Retrieved February 10, 2018.
774:
488:in Broadway history to date.
947:riaa.org searchable database
547:Paul Simon and Art Garfunkel
400:The first wildly successful
321:original cast recording for
7:
762:
638:of Broadway shows, such as
10:
1021:
497:(OL-5090, 1956), starring
351:'s Broadway production of
217:
1005:Spoken word record labels
790:Phonograph Monthly Review
189:
181:
171:
156:
141:
131:
126:
1000:Soundtrack record labels
713:A Rainbow in Curved Air
692:, and others. In 1968,
473:Richard Burton's Hamlet
980:American record labels
397:
366:The Merchant of Venice
328:
769:List of record labels
484:—the longest-running
387:
317:
253:E-Flat Major (No. 39)
16:American record label
920:This is Orson Welles
816:Via Internet Archive
753:Masterworks Broadway
690:Vladimir Ussachevsky
529:'s "singing voice",
200:Columbia Masterworks
127:Columbia Masterworks
43:improve this article
915:Rosenbaum, Jonathan
294:; and the organist
206:started in 1924 by
911:Bogdanovich, Peter
883:St. Martin's Press
641:The Student Prince
636:studio cast albums
620:Charles Fredericks
589:The Sound of Music
398:
345:spoken word albums
329:
245:From the New World
422:CBS Radio Network
406:I Can Hear It Now
402:spoken word album
337:soundtrack albums
272:Leonard Bernstein
268:Goddard Lieberson
197:
196:
182:Country of origin
119:
118:
111:
93:
1012:
975:Columbia Records
948:
945:
939:
938:
903:
897:
896:
880:
867:
858:
855:
854:
848:
847:). October 1926.
839:Via Google Books
832:
831:
825:
824:). October 1926.
808:
802:
794:
784:
757:Sony Masterworks
746:Sony Corporation
726:Switched-On Bach
718:Morton Subotnick
704:Moog synthesizer
699:Switched-On Bach
670:Electronic music
614:, which starred
595:Flower Drum Song
507:Stanley Holloway
480:and directed by
414:Fred W. Friendly
410:Edward R. Murrow
284:Walter Gieseking
212:Sony Corporation
208:Columbia Records
167:
165:
152:
150:
136:Columbia Records
124:
123:
114:
107:
103:
100:
94:
92:
51:
27:
19:
1020:
1019:
1015:
1014:
1013:
1011:
1010:
1009:
965:
964:
956:
951:
946:
942:
935:
904:
900:
893:
871:Higham, Charles
868:
861:
849:
835:
826:
812:
796:
795:
785:
781:
777:
765:
738:CBS Masterworks
734:
672:
647:The Desert Song
632:Kenneth Spencer
577:West Side Story
536:West Side Story
464:George Grizzard
420:program on the
349:Mercury Theatre
333:cast recordings
319:Mercury Theatre
312:
310:Broadway albums
304:Igor Stravinsky
224:classical music
220:
163:
161:
148:
146:
122:
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
1018:
1008:
1007:
1002:
997:
992:
987:
982:
977:
963:
962:
955:
954:External links
952:
950:
949:
940:
933:
898:
891:
859:
857:
856:
833:
778:
776:
773:
772:
771:
764:
761:
742:Sony Classical
733:
732:1980 and later
730:
686:Milton Babbitt
671:
668:
592:(again 1959),
552:Little Big Man
527:Audrey Hepburn
478:Richard Burton
468:Melinda Dillon
311:
308:
296:E. Power Biggs
276:Eugene Ormandy
219:
216:
195:
194:
191:
187:
186:
183:
179:
178:
173:
169:
168:
158:
154:
153:
143:
139:
138:
133:
132:Parent company
129:
128:
120:
117:
116:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1017:
1006:
1003:
1001:
998:
996:
993:
991:
988:
986:
983:
981:
978:
976:
973:
972:
970:
961:
958:
957:
944:
936:
934:0-06-016616-9
930:
926:
925:HarperCollins
922:
921:
916:
912:
908:
907:Welles, Orson
902:
894:
892:0-312-31280-6
888:
884:
879:
878:
872:
866:
864:
853:
846:
842:
841:
838:
834:
830:
823:
819:
818:
815:
811:
806:
800:
799:cite magazine
792:
791:
783:
779:
770:
767:
766:
760:
758:
754:
749:
747:
743:
739:
729:
727:
723:
719:
715:
714:
709:
705:
701:
700:
695:
691:
687:
683:
679:
678:
667:
665:
662:, and again,
661:
660:
655:
654:
649:
648:
643:
642:
637:
633:
629:
625:
621:
617:
613:
609:
608:
603:
602:
597:
596:
591:
590:
585:
584:
579:
578:
573:
569:
568:
567:South Pacific
563:
562:
561:Kiss Me, Kate
556:
554:
553:
548:
544:
543:
538:
537:
532:
528:
524:
520:
516:
512:
508:
504:
503:Julie Andrews
500:
496:
495:
489:
487:
483:
479:
475:
474:
469:
465:
461:
457:
456:
451:
447:
443:
439:
438:
433:
429:
428:
423:
419:
415:
411:
407:
403:
395:
391:
386:
382:
380:
379:
374:
373:
372:Julius Caesar
368:
367:
362:
361:
360:Twelfth Night
356:
355:
350:
346:
342:
338:
334:
326:
325:
320:
316:
307:
305:
301:
300:Aaron Copland
297:
293:
289:
285:
281:
277:
273:
269:
264:
262:
258:
254:
250:
246:
242:
238:
234:
230:
225:
215:
213:
209:
205:
201:
193:New York City
192:
188:
184:
180:
177:
174:
170:
159:
155:
144:
140:
137:
134:
130:
125:
113:
110:
102:
99:February 2010
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
943:
927:Publishers.
923:. New York:
918:
901:
881:. New York:
876:
840:
837:
817:
814:
788:
782:
750:
735:
725:
721:
711:
697:
694:Wendy Carlos
675:
673:
663:
657:
651:
645:
639:
611:
605:
599:
598:(1958), and
593:
587:
581:
575:
565:
559:
557:
550:
542:The Graduate
540:
534:
523:Rex Harrison
519:My Fair Lady
518:
511:Robert Coote
499:Rex Harrison
494:My Fair Lady
492:
490:
485:
482:John Gielgud
471:
453:
442:Paul Robeson
435:
425:
417:
405:
399:
394:Paul Robeson
389:
376:
370:
364:
358:
352:
330:
322:
298:. Composers
288:Oscar Levant
280:George Szell
265:
239:Symphonies,
221:
204:record label
199:
198:
121:Record label
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
708:Terry Riley
682:Bulent Arel
628:Ralph Dumke
624:Carol Bruce
616:Jan Clayton
564:(1948) and
531:Marni Nixon
476:, starring
460:Arthur Hill
446:José Ferrer
440:, starring
432:Shakespeare
418:Hear It Now
341:spoken-word
292:Glenn Gould
282:; pianists
257:Tchaikovsky
227:recordings—
969:Categories
775:References
722:Sidewinder
653:Girl Crazy
427:See It Now
261:Pathetique
69:newspapers
728:success.
664:Show Boat
612:Show Boat
607:Show Boat
574:album of
450:Uta Hagen
392:starring
229:Beethoven
176:Classical
917:(1992).
873:(1985).
763:See also
659:Oh, Kay!
586:(1959),
190:Location
601:Camelot
437:Othello
390:Othello
378:Macbeth
233:Seventh
218:History
162: (
157:Defunct
147: (
142:Founded
83:scholar
931:
889:
630:, and
486:Hamlet
396:(1945)
354:Caesar
339:, and
324:Caesar
255:, and
249:Mozart
241:Dvorak
237:Eighth
202:was a
85:
78:
71:
64:
56:
583:Gypsy
572:stage
172:Genre
90:JSTOR
76:books
929:ISBN
887:ISBN
805:link
525:and
515:mono
509:and
466:and
448:and
412:and
375:and
302:and
290:and
278:and
259:'s "
243:'s "
235:and
185:U.S.
164:1980
160:1980
149:1924
145:1924
62:news
843:. (
820:. (
720:'s
710:'s
434:'s
251:'s
247:",
231:'s
45:by
971::
913:;
909:;
885:.
862:^
801:}}
797:{{
759:.
748:.
688:,
684:,
666:.
656:,
650:,
644:,
626:,
622:,
618:,
555:.
505:,
501:,
462:,
444:,
369:,
363:,
335:,
286:,
274:,
214:.
937:.
895:.
807:)
166:)
151:)
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
