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49:'s exquisite songs are typical of rural America". Although the piece seems to have been intended as part of a series of 'Sentimentals', Grainger never wrote any other pieces in this series. Unlike many of Grainger's other compositions, the melodies of
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in 1911 as a piano piece as a gift to his mother, Rose. Of his piece, Grainger wrote that it was "an attempt to write a melody as typical of the
Australian countryside as
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33:. Although Grainger created versions for different types of musical ensembles, its most commonly used version today is for concert band.
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wrote: "My dear
Grainger, you have achieved the almost impossible! You have written the worst piece of modern times". However,
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The Winds of Change: The
Evolution of the Contemporary American Wind Band/Ensemble and its Conductor
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in several other versions. Among the versions published during
Grainger's life include:
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wind ensemble, included it in a list of 73 "meritorious" compositions. Noted conductor
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had gained acceptance among wind band conductors. Frank
Battisti, conductor
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disliked the piece, as did critics. Upon hearing the piece in 1914, Sir
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had been recorded by several college and university wind ensembles.
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was received more positively in
America. During his service in the
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392:(1983). "Basic Band Repertory: Colonial Song by Percy Grainger".
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Although originally written as a piano solo, Grainger arranged
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is a musical composition written by
Australian composer
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are not based on folk song, but are original melodies.
355:. Galesville, Maryland: Meredith Music Publications.
328:
235:, Grainger re-worked the piece for military band.
435:. White Plains, New York: Pro/Am Music Resources.
631:
481:
433:A Source Guide to the Music of Percy Grainger
417:. Evanston, Illinois: The Instrumentalist Co.
259:identified it as "basic band repertoire" in
488:
474:
152:, 1st, 2nd and 3rd B♭ Cornet (2nd and 3rd
452:International Music Score Library Project
374:(3rd ed.). Oxford University Press.
204:Harp and Piano (multiple players ad lib.)
415:Percy Grainger: The Inveterate Innovator
412:
350:
322:
294:
15:
388:
334:
632:
90:2 voices (soprano and tenor) and piano
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243:By the end of the twentieth century,
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219:was not positive. Fellow composer
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265:. By the late twentieth century,
118:; 1st, 2nd and 3rd B♭ Clarinets;
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293:from Grainger. 1959. Quoted in
645:Compositions by Percy Grainger
605:Percy Grainger Home and Studio
431:Lewis, Thomas P., ed. (1991).
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283:
1:
272:
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413:Slattery, Thomas C. (1974).
159:); 1st, 2nd, 3rd and 4th E♭
7:
655:Compositions for solo piano
448:"Colonial Song" by Grainger
351:Battisti, Frank L. (2002).
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10:
671:
613:
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552:I'm Seventeen Come Sunday
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461:United States Marine Band
41:Grainger initially wrote
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253:New England Conservatory
87:, and symphony orchestra
309:"Anecdotes". Quoted in
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19:
569:" (1918 arrangement)
554:" (1912 arrangement)
523:" (1905 arrangement)
506:List of compositions
93:Violin, cello, piano
650:Concert band pieces
394:The Instrumentalist
370:Bird, John (1999).
325:, pp. 150–151.
262:The Instrumentalist
221:H. Balfour Gardiner
215:Early reception of
163:; 1st, 2nd and 3rd
528:Molly on the Shore
390:Fennell, Frederick
307:Grainger, Percy A.
233:United States Army
144:Baritone Saxophone
72:Symphony orchestra
22:
20:Grainger, c. 1910s
640:1911 compositions
627:
626:
582:Lincolnshire Posy
381:978-0-19-816652-8
362:978-0-634-04522-6
291:Frederick Fennell
257:Frederick Fennell
132:Soprano Saxophone
662:
619:
618:
593:Related articles
574:Children's March
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450:: Scores at the
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102:Woodwinds: 2 D♭
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600:Grainger Museum
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567:Country Gardens
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424:Further reading
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239:Later reception
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211:Early reception
148:Brass: Solo B♭
140:Tenor Saxophone
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497:Percy Grainger
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442:External links
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380:
372:Percy Grainger
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313:, p. 175.
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225:Thomas Beecham
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198:in B♭ and E♭;
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136:Alto Saxophone
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47:Stephen Foster
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31:Percy Grainger
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559:In a Nutshell
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544:Colonial Song
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323:Battisti 2002
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297:, p. 91.
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295:Slattery 1974
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267:Colonial Song
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245:Colonial Song
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229:Colonial Song
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124:Bass Clarinet
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120:Alto Clarinet
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97:Military band
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63:Colonial Song
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43:Colonial Song
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26:Colonial Song
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344:Bibliography
335:Fennell 1983
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318:
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200:Glockenspiel
186:Percussion:
181:Sarrusophone
99:scored for:
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60:
50:
42:
40:
25:
24:
23:
536:Mock Morris
190:; Cymbals;
179:and Contra
177:String Bass
634:Categories
521:Brigg Fair
289:Letter to
273:References
188:Snare Drum
171:; Basses (
154:Flugelhorn
114:; Solo B♭
75:2 voices (
69:Solo piano
37:Background
457:Recording
406:0020-4331
400:: 14–19.
311:Bird 1999
165:Trombones
621:Category
249:emeritus
183:ad lib.)
169:Baritone
128:Bassoons
116:Clarinet
104:Piccolos
57:Versions
459:by the
251:of the
196:Timpani
157:ad lib.
77:soprano
585:(1937)
577:(1918)
562:(1916)
547:(1911)
539:(1910)
531:(1907)
404:
378:
359:
150:Cornet
108:Flutes
106:, 2 C
513:Works
278:Notes
173:Tubas
161:Horns
112:Oboes
81:tenor
402:ISSN
376:ISBN
357:ISBN
192:Gong
126:; 2
110:, 2
85:harp
79:and
83:),
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398:37
396:.
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175:,
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122:;
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519:"
489:e
482:t
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408:.
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365:.
337:.
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