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wrote that "From the first notes of the opener "Addicted" down to the cheesy power ballad in "Epilogue", the album invokes the glory days of power metal, but with a fresh take." Feeling that all of the songs are recognizable and catchy, he cited "The Final
Collision" and "Rising" as standouts showing
300:
in
Helsinki, Finland. Also returning, The EasyRabbit CreArtions provided the cover art of a wolf smashing through an hourglass; illustrated by Spanish artist David López Gómez and designed by Gómez and Carlos Vincente León. The wolf, which also appeared on the band's previous two releases, symbolizes
366:
Miho wrote the lyrics to "Journey to the
Otherside" about her family, while those of "The Final Collision" seek to inspire from a personal suffering she was going through at the time. The bassist also said that with "Journey to the Otherside" she was partially able to create a chorus that could be
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The final ballad track "Epilogue" is the first metal song Asami has ever written. Miyako admitted that despite its few notes, it was the song that took the most takes to record her guitars for as the slightest mistake was noticeable. Its outro subtly includes the theme from the opening track,
236:. Several of the songs began during the making of the EP. The band created a list of what "qualities" they wanted to include on the album before Miho, Miyako, and Asami started writing in their own teams with their frequent collaborator,
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that by playing the non-mainstream genre of heavy metal
Lovebites are a "lone wolf" in the music scene. Midori described the art as visualizing the meaning of the album title; "treasure every moment of your time."
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is without a bad song as each "stands tall and defiant, brilliantly crafted and memorable in its own right." They finished by stating "Believe the hype, ladies and gentlemen. Lovebites are the full package."
289:." But she noted that they did experiment with acoustic guitars and adopted a different approach to some songs in order to add a "little variation" to their sound in addition to including their first
353:"M.D.O." was made specifically so an audience could sing along live. Its title stands for "Most Destructive Outset" and its lyrical theme was inspired by the Resurrection arc of the manga series
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Giving the album a near perfect 9.5/10, Andy
Thorley of Maximum Volume Music believes it proves Lovebites are one of the finest metal bands around and suggested that
398:. The album was supported by the six-date Clockwork Immortality Tour in Japan 2019, from January 12 to February 23. Victor released a limited edition 2-disc vinyl
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represents another step closer towards
Lovebites finding its unique blend of power metal "with a range of stylistic strengths at the core of the various tracks."
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757:." He called Lovebites one of the strongest Japanese bands that "could seriously make a solid dent into international success based on their output."
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Miho described the opening riff of "Pledge of the
Saviour" as a good mixture between melodic power metal and the musicality from Midori and Miyako's
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gave the album a 7/10 and praised the skills of the guitarists and Asami's vocals, but felt several aspects were predictable and "cookie-cutting."
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342:"Mastermind 01" was the last song that Miyako wrote for the album and Miho compared it to "Scream for Me" off of
436:. The label released the album in Europe, Australia, and New Zealand two days after its Japanese release. While
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Like all of their releases, it was mixed by Mikko
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With this second album, Asami said that she has gotten used to writing
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Citing "Mastermind 01" and "Pledge of the
Saviour" as highlights, Dannii Leivers of
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keyboardist Mao. Miyako recorded all of her guitar parts at her home studio using a
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sung in unison with a live audience, inspired by an experience she had playing
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Dead Rhetoric's Matt Coe wrote that the album reminds him of the best of
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might be the greatest metal album ever recorded by an all-woman group.
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s Top Albums Sales chart, which is based only on physical sales.
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and stayed on the chart for six weeks. It peaked at number 23 on
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1666:"Lovebites return with video for blistering new single Rising"
1529:"Future Triumph Meets Past Glory: A LOVEBITES NWOBHM Playlist"
196:, and in Europe, Australia, and New Zealand two days later by
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All lyrics are written by Asami, except tracks 6–8 by Miho
192:. The album was released in Japan on December 5, 2018, by
1974:"Billboard Japan Top Albums Sales│Charts│Billboard JAPAN"
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as featuring "the strongest, most powerful elements" of
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released it in the United Kingdom on January 18, 2019.
1442:"Interview – Lovebites' international metal ambitions"
1804:"New Music Review: Lovebites 'Clockwork Immortality'"
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Calling the songs engaging, inventive and inspiring,
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s Hot Albums chart. However, it reached number 21 on
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before the June 6, 2018 release of their second EP,
1947:"Billboard Japan Hot Albums│Charts│Billboard JAPAN"
1723:"Album Review: Clockwork Immortality – Lovebites"
208:on January 18, 2019. It reached number 21 on the
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1556:"LOVEBITES、「進化が凝縮された」2ndフルアルバムをリリース"
428:Lovebites' performance at Germany's
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1617:(in Japanese). Archived from
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402:version of the album, titled
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1835:Thorley, Andy (2019-01-02).
1810:. 2018-12-03. Archived from
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1379:. 2019-01-28. Archived from
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945:"Journey to the Otherside"
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1590:(in Japanese). 2018-11-08
1562:(in Japanese). 2018-09-26
1510:(in Japanese). 2018-12-06
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2016:Clockwork Immortality
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1114:"Above the Black Sea"
962:"The Final Collision"
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270:Awakening from Abyss
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1191:"Under the Red Sky"
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2134:Judgement Day
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2105:Studio albums
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2019:
2017:
2011:
2009:
2005:
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1999:
1980:(in Japanese)
1979:
1975:
1969:
1955:(in Japanese)
1954:
1953:
1948:
1942:
1940:
1925:(in Japanese)
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1918:
1912:
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1814:on 2019-07-15
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1699:Dead Rhetoric
1696:
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1621:on 2019-08-29
1620:
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1474:(in Japanese)
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1383:on 2019-07-17
1382:
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1286:Chart (2018)
1284:
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1103:"Shadowmaker"
1102:
1098:
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1080:
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1059:"The Crusade"
1058:
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1011:Total length:
1008:
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819:
816:track listing
815:
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804:Track listing
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772:
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467:Dead Rhetoric
466:
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454:Review scores
452:
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331:The slightly
329:
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321:backgrounds.
320:
311:
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276:
272:
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256:for backing.
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238:Light Bringer
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75:Miyako Studio
74:
71:
68:
65:
62:
61:
59:
55:
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38:
34:
30:
25:
20:
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2125:
2119:
2118:
2111:
2090:
2085:
2080:
2073:
2068:
2015:
2014:Trailer for
1982:. Retrieved
1977:
1968:
1957:. Retrieved
1950:
1927:. Retrieved
1920:
1897:. Retrieved
1893:
1883:
1872:. Retrieved
1870:. 2019-01-22
1868:Metal Hammer
1867:
1844:. Retrieved
1840:
1816:. Retrieved
1812:the original
1807:
1798:
1787:. Retrieved
1785:. 2018-12-07
1782:
1759:. Retrieved
1757:. 2019-12-04
1754:
1731:. Retrieved
1729:. 2019-01-30
1726:
1703:. Retrieved
1701:. 2018-12-16
1698:
1675:. Retrieved
1671:Metal Hammer
1669:
1659:
1648:. Retrieved
1646:. 2019-12-07
1643:
1634:
1623:. Retrieved
1619:the original
1612:
1603:
1592:. Retrieved
1587:
1564:. Retrieved
1559:
1550:
1539:. Retrieved
1537:. 2021-06-08
1532:
1523:
1512:. Retrieved
1507:
1476:. Retrieved
1469:
1460:
1449:. Retrieved
1445:
1419:. Retrieved
1417:. 2018-11-15
1412:
1385:. Retrieved
1381:the original
1376:
1367:
1356:. Retrieved
1354:. 2019-01-11
1351:
1297:
1279:
1253:
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1228:
1227:
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763:Metal Hammer
761:
759:
748:
741:Stratovarius
734:
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727:
725:
717:
708:
700:
699:
638:
602:Metal Hammer
600:
531:
521:
485:
475:
427:
423:Masanori Ito
391:
383:
382:
375:"Addicted".
373:
365:
361:Osamu Tezuka
354:
352:
343:
341:
336:
330:
323:
316:
295:
283:thrash metal
273:. Guitarist
268:
264:
260:
258:
231:
227:
225:
213:
180:
179:
178:
163:
155:
154:
145:
128:Steve Jacobs
37:Studio album
2206:2018 albums
832:Arrangement
747:'s classic
438:JPU Records
419:liner notes
369:Grim Reaper
287:speed metal
279:power metal
202:JPU Records
186:power metal
89:Power metal
2200:Categories
1984:2019-07-18
1959:2019-07-18
1929:2019-07-18
1899:2022-05-04
1874:2019-07-18
1846:2019-07-18
1818:2019-07-18
1789:2019-07-18
1761:2019-07-18
1733:2019-07-18
1705:2019-07-18
1677:2019-07-18
1650:2019-07-18
1625:2019-08-29
1594:2019-07-18
1566:2019-07-18
1541:2021-06-11
1514:2019-07-18
1478:2019-07-18
1451:2019-07-18
1446:Kevy Metal
1421:2019-07-18
1387:2019-07-18
1358:2019-07-18
1327:References
999:Asami, Mao
996:"Epilogue"
843:"Addicted"
248:, using a
222:Background
136:chronology
72:DSW Studio
69:MIT Studio
66:CPR Studio
2058:Lovebites
1894:TuttoRock
1508:Geki-Rock
1299:Billboard
1291:position
1243:– guitars
1229:Lovebites
1224:Personnel
1125:"Inspire"
965:Miho, Mao
948:Miho, Mao
931:Miho, Mao
776:Hardwired
745:Helloween
639:TuttoRock
486:Hardwired
444:Reception
400:LP record
348:rap music
319:metalcore
246:re-amping
190:Lovebites
134:Lovebites
42:Lovebites
928:"M.D.O."
877:"Rising"
784:Hysteria
766:claimed
532:Infrared
522:Hysteria
254:Marshall
124:Producer
49:Released
39: by
2176:Singles
2022:YouTube
2008:YouTube
1534:Decibel
1471:Natalie
736:Visions
379:Release
356:Phoenix
169:(2020)
160:(2018)
151:(2018)
2081:Miyako
2075:Midori
2069:Haruna
1922:Oricon
1315:Oricon
1273:Charts
1241:Midori
1216:
1205:
1194:
1183:
1172:
1161:
1158:"Liar"
1150:
1139:
1128:
1117:
1106:
1095:
1084:
1073:
1062:
1051:
1040:Length
914:Miyako
897:Miyako
880:Miyako
863:Miyako
846:Miyako
835:Length
595:9.5/10
462:Rating
459:Source
326:Chopin
305:Themes
291:ballad
275:Midori
250:Peavey
210:Oricon
117:Victor
95:Length
57:Studio
2086:Asami
1588:Barks
1560:Barks
1254:Other
1037:Title
1015:53:26
829:Music
826:Title
787:'
755:Angra
739:-era
721:'
714:'
412:悠久の歯車
188:band
112:Label
84:Genre
2097:Miho
2091:Fami
1289:Peak
1005:7:07
988:5:29
971:5:45
954:4:46
937:4:16
920:4:19
903:5:16
886:5:45
869:5:18
852:5:25
526:7/10
480:7/10
470:9/10
285:and
242:Dean
2020:on
2006:on
1320:21
1305:23
1210:16.
1199:15.
1188:14.
1177:13.
1166:12.
1155:11.
1144:10.
1033:No.
993:10.
982:Mao
822:No.
421:by
359:by
2202::
1976:.
1949:.
1938:^
1919:.
1908:^
1892:.
1866:.
1855:^
1839:.
1827:^
1806:.
1781:.
1770:^
1753:.
1742:^
1725:.
1714:^
1697:.
1686:^
1668:.
1642:.
1611:.
1586:.
1575:^
1558:.
1531:.
1506:.
1487:^
1468:.
1444:.
1430:^
1411:.
1396:^
1375:.
1350:.
1335:^
1317:)
1302:)
1133:9.
1122:8.
1111:7.
1100:6.
1089:5.
1078:4.
1067:3.
1056:2.
1045:1.
976:9.
959:8.
942:7.
925:6.
908:5.
891:4.
874:3.
857:2.
840:1.
743:,
425:.
363:.
350:.
328:.
293:.
218:.
200:.
104:26
100:53
2186:"
2182:"
2050:e
2043:t
2036:v
1987:.
1962:.
1932:.
1902:.
1877:.
1849:.
1821:.
1792:.
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1736:.
1708:.
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1628:.
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1569:.
1544:.
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1424:.
1390:.
1361:.
1313:(
409:(
102::
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