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Clockwork Immortality

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wrote that "From the first notes of the opener "Addicted" down to the cheesy power ballad in "Epilogue", the album invokes the glory days of power metal, but with a fresh take." Feeling that all of the songs are recognizable and catchy, he cited "The Final Collision" and "Rising" as standouts showing
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in Helsinki, Finland. Also returning, The EasyRabbit CreArtions provided the cover art of a wolf smashing through an hourglass; illustrated by Spanish artist David López Gómez and designed by Gómez and Carlos Vincente León. The wolf, which also appeared on the band's previous two releases, symbolizes
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Miho wrote the lyrics to "Journey to the Otherside" about her family, while those of "The Final Collision" seek to inspire from a personal suffering she was going through at the time. The bassist also said that with "Journey to the Otherside" she was partially able to create a chorus that could be
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The final ballad track "Epilogue" is the first metal song Asami has ever written. Miyako admitted that despite its few notes, it was the song that took the most takes to record her guitars for as the slightest mistake was noticeable. Its outro subtly includes the theme from the opening track,
236:. Several of the songs began during the making of the EP. The band created a list of what "qualities" they wanted to include on the album before Miho, Miyako, and Asami started writing in their own teams with their frequent collaborator, 1372: 301:
that by playing the non-mainstream genre of heavy metal Lovebites are a "lone wolf" in the music scene. Midori described the art as visualizing the meaning of the album title; "treasure every moment of your time."
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is without a bad song as each "stands tall and defiant, brilliantly crafted and memorable in its own right." They finished by stating "Believe the hype, ladies and gentlemen. Lovebites are the full package."
289:." But she noted that they did experiment with acoustic guitars and adopted a different approach to some songs in order to add a "little variation" to their sound in addition to including their first 353:"M.D.O." was made specifically so an audience could sing along live. Its title stands for "Most Destructive Outset" and its lyrical theme was inspired by the Resurrection arc of the manga series 1380: 726:
Giving the album a near perfect 9.5/10, Andy Thorley of Maximum Volume Music believes it proves Lovebites are one of the finest metal bands around and suggested that
398:. The album was supported by the six-date Clockwork Immortality Tour in Japan 2019, from January 12 to February 23. Victor released a limited edition 2-disc vinyl 793:
represents another step closer towards Lovebites finding its unique blend of power metal "with a range of stylistic strengths at the core of the various tracks."
1863: 1803: 757:." He called Lovebites one of the strongest Japanese bands that "could seriously make a solid dent into international success based on their output." 317:
Miho described the opening riff of "Pledge of the Saviour" as a good mixture between melodic power metal and the musicality from Midori and Miyako's
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gave the album a 7/10 and praised the skills of the guitarists and Asami's vocals, but felt several aspects were predictable and "cookie-cutting."
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Like all of their releases, it was mixed by Mikko Karmila and mastered by Mika Jussila at
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For the piano and vocal part in the middle of "Rising", Miyako wanted to pay respect to
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With this second album, Asami said that she has gotten used to writing English lyrics.
1470: 390:. Limited editions of the album include either a DVD or Blu-ray of the concert video 339:, but did not pass the EP's final song selection and was instead kept for the album. 332: 760:
Citing "Mastermind 01" and "Pledge of the Saviour" as highlights, Dannii Leivers of
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keyboardist Mao. Miyako recorded all of her guitar parts at her home studio using a
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sung in unison with a live audience, inspired by an experience she had playing
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Dead Rhetoric's Matt Coe wrote that the album reminds him of the best of
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might be the greatest metal album ever recorded by an all-woman group.
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s Top Albums Sales chart, which is based only on physical sales.
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and stayed on the chart for six weeks. It peaked at number 23 on
346:. Asami's fast vocal delivery slightly reminded both of them of 1921: 1314: 325: 267:, with the "speedy and melodic elements" of their first album, 209: 1666:"Lovebites return with video for blistering new single Rising" 1529:"Future Triumph Meets Past Glory: A LOVEBITES NWOBHM Playlist" 196:, and in Europe, Australia, and New Zealand two days later by 371:'s "See You in Hell" at an event she was disc jockeying for. 36: 2026: 809:
All lyrics are written by Asami, except tracks 6–8 by Miho
192:. The album was released in Japan on December 5, 2018, by 1974:"Billboard Japan Top Albums Sales│Charts│Billboard JAPAN" 263:
as featuring "the strongest, most powerful elements" of
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released it in the United Kingdom on January 18, 2019.
1442:"Interview – Lovebites' international metal ambitions" 1804:"New Music Review: Lovebites 'Clockwork Immortality'" 782:
Calling the songs engaging, inventive and inspiring,
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s Hot Albums chart. However, it reached number 21 on
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before the June 6, 2018 release of their second EP,
1947:"Billboard Japan Hot Albums│Charts│Billboard JAPAN" 1723:"Album Review: Clockwork Immortality – Lovebites" 208:on January 18, 2019. It reached number 21 on the 2197: 1864:"Lovebites - Clockwork Immortality album review" 1246:Miyako – guitars, acoustic guitars and keyboards 403: 335:track "Empty Daydream" was originally made for 490: 410: 386:was released in Japan on December 5, 2018, by 2042: 1717: 1715: 643: 536: 1941: 1939: 1751:"Lovebites – "Clockwork Immortality" (2018)" 1745: 1743: 1584:"LOVEBITES、Arising Empireとの契約を発表。新曲の配信もスタート" 1342: 1340: 1338: 1336: 607: 1858: 1856: 1773: 1771: 432:in August 2018 earned them a contract with 417:in Japanese, on November 6, 2019, with new 2049: 2035: 1712: 1689: 1687: 394:, which was recorded on June 28, 2018, at 27: 1936: 1911: 1909: 1830: 1828: 1740: 1403: 1401: 1399: 1397: 1333: 1887: 1853: 1837:"Lovebites -Clockwork Immortaliy (2019)" 1796: 1768: 1466:"LOVEBITES「CLOCKWORK IMMORTALITY」インタビュー" 753:records, and "the magnificence of early 308: 1834: 1684: 1578: 1576: 281:and featuring "notable influences from 184:is the second studio album by Japanese 2198: 1906: 1825: 1498: 1496: 1494: 1492: 1490: 1488: 1458: 1439: 1435: 1433: 1431: 1394: 1209: 1198: 1187: 1176: 1165: 1154: 1143: 992: 259:Bassist and bandleader Miho described 2030: 1917:"クロックワーク・イモータリティ(完全生産限定盤A) LOVEBITES" 1663: 1132: 1121: 1110: 1099: 1088: 1077: 1066: 1055: 1044: 1009: 975: 958: 941: 924: 907: 890: 873: 856: 839: 779:the musicians' musical capabilities. 453: 1573: 1556:"LOVEBITES、「進化が凝縮された」2ndフルアルバムをリリース" 428:Lovebites' performance at Germany's 1890:"Lovebites - Clockwork Immortality" 1485: 1428: 492: 13: 645: 538: 252:6505 for the lead and solos and a 14: 2232: 1995: 1779:"Lovebites Clockwork Immortality" 1664:Munro, Scott (15 November 2018). 1609:"悠久の歯車(原題:CLOCKWORK IMMORTALITY)" 609: 2221:English-language Japanese albums 1024:Limited edition DVD or Blu-ray: 803: 689: 684: 679: 674: 669: 664: 659: 654: 649: 644: 628: 623: 618: 613: 608: 582: 577: 572: 567: 562: 557: 552: 547: 542: 537: 511: 506: 501: 496: 491: 277:described it as still rooted in 1966: 1881: 1657: 1632: 1601: 1348:"INTERVIEW: Midori – Lovebites" 1259:Mao – keyboards and programming 1888:Loffredo, Fabio (2020-01-26). 1548: 1521: 1365: 1032: 821: 16:2018 studio album by Lovebites 1: 2056: 1617:(in Japanese). Archived from 1326: 402:version of the album, titled 221: 1835:Thorley, Andy (2019-01-02). 1810:. 2018-12-03. Archived from 1440:Pasman, Kevin (2018-11-01). 1379:. 2019-01-28. Archived from 1223: 443: 226:Lovebites started recording 7: 2216:Victor Entertainment albums 404: 10: 2237: 2166:Glory, Glory, to the World 945:"Journey to the Otherside" 789:s Audrey Gerrard believes 378: 2175: 2143: 2104: 2064: 1590:(in Japanese). 2018-11-08 1562:(in Japanese). 2018-09-26 1510:(in Japanese). 2018-12-06 1309: 1295: 1288: 1285: 1272: 1262:Steve Jacobs – production 1039: 1036: 1031: 834: 831: 828: 825: 820: 703:reached number 21 on the 461: 458: 411: 304: 140: 132: 122: 110: 94: 82: 56: 48: 35: 26: 21: 2159:Battle Against Damnation 2003:Music video for "Rising" 1268:Mika Jussila – mastering 750:Keeper of the Seven Keys 337:Battle Against Damnation 265:Battle Against Damnation 233:Battle Against Damnation 147:Battle Against Damnation 2211:Lovebites (band) albums 1504:"LOVEBITES 激ロック インタビュー" 860:"Pledge of the Saviour" 244:USA Icon guitar before 212:chart and number 23 on 1265:Mikko Karmila – mixing 314: 2120:Clockwork Immortality 2016:Clockwork Immortality 1280:Clockwork Immortality 1278:Chart performance of 1180:"Don't Bite the Dust" 1147:"The Hammer of Wrath" 1114:"Above the Black Sea" 962:"The Final Collision" 814:Clockwork Immortality 791:Clockwork Immortality 768:Clockwork Immortality 728:Clockwork Immortality 701:Clockwork Immortality 384:Clockwork Immortality 312: 261:Clockwork Immortality 228:Clockwork Immortality 181:Clockwork Immortality 156:Clockwork Immortality 22:Clockwork Immortality 2113:Awakening from Abyss 1841:Maximum Volume Music 1614:Victor Entertainment 592:Maximum Volume Music 449:Professional ratings 388:Victor Entertainment 344:Awakening from Abyss 270:Awakening from Abyss 194:Victor Entertainment 1282: 1202:"Edge of the World" 1191:"Under the Red Sky" 1028: 817: 705:Oricon Albums Chart 450: 204:released it in the 2184:Golden Destination 2127:Electric Pentagram 1755:Hardwired Magazine 1296:Japan Hot Albums ( 1277: 1237:Miho – bass guitar 1026:Battle in the East 1023: 812: 448: 392:Battle in the East 315: 165:Electric Pentagram 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Guitarist 268: 264: 260: 258: 231: 227: 225: 213: 180: 179: 178: 163: 155: 154: 145: 128:Steve Jacobs 37:Studio album 2206:2018 albums 832:Arrangement 747:'s classic 438:JPU Records 419:liner notes 369:Grim Reaper 287:speed metal 279:power metal 202:JPU Records 186:power metal 89:Power metal 2200:Categories 1984:2019-07-18 1959:2019-07-18 1929:2019-07-18 1899:2022-05-04 1874:2019-07-18 1846:2019-07-18 1818:2019-07-18 1789:2019-07-18 1761:2019-07-18 1733:2019-07-18 1705:2019-07-18 1677:2019-07-18 1650:2019-07-18 1625:2019-08-29 1594:2019-07-18 1566:2019-07-18 1541:2021-06-11 1514:2019-07-18 1478:2019-07-18 1451:2019-07-18 1446:Kevy Metal 1421:2019-07-18 1387:2019-07-18 1358:2019-07-18 1327:References 999:Asami, Mao 996:"Epilogue" 843:"Addicted" 248:, using a 222:Background 136:chronology 72:DSW Studio 69:MIT Studio 66:CPR Studio 2058:Lovebites 1894:TuttoRock 1508:Geki-Rock 1299:Billboard 1291:position 1243:– guitars 1229:Lovebites 1224:Personnel 1125:"Inspire" 965:Miho, Mao 948:Miho, Mao 931:Miho, Mao 776:Hardwired 745:Helloween 639:TuttoRock 486:Hardwired 444:Reception 400:LP record 348:rap music 319:metalcore 246:re-amping 190:Lovebites 134:Lovebites 42:Lovebites 928:"M.D.O." 877:"Rising" 784:Hysteria 766:claimed 532:Infrared 522:Hysteria 254:Marshall 124:Producer 49:Released 39: by 2176:Singles 2022:YouTube 2008:YouTube 1534:Decibel 1471:Natalie 736:Visions 379:Release 356:Phoenix 169:(2020) 160:(2018) 151:(2018) 2081:Miyako 2075:Midori 2069:Haruna 1922:Oricon 1315:Oricon 1273:Charts 1241:Midori 1216:  1205:  1194:  1183:  1172:  1161:  1158:"Liar" 1150:  1139:  1128:  1117:  1106:  1095:  1084:  1073:  1062:  1051:  1040:Length 914:Miyako 897:Miyako 880:Miyako 863:Miyako 846:Miyako 835:Length 595:9.5/10 462:Rating 459:Source 326:Chopin 305:Themes 291:ballad 275:Midori 250:Peavey 210:Oricon 117:Victor 95:Length 57:Studio 2086:Asami 1588:Barks 1560:Barks 1254:Other 1037:Title 1015:53:26 829:Music 826:Title 787:' 755:Angra 739:-era 721:' 714:' 412:悠久の歯車 188:band 112:Label 84:Genre 2097:Miho 2091:Fami 1289:Peak 1005:7:07 988:5:29 971:5:45 954:4:46 937:4:16 920:4:19 903:5:16 886:5:45 869:5:18 852:5:25 526:7/10 480:7/10 470:9/10 285:and 242:Dean 2020:on 2006:on 1320:21 1305:23 1210:16. 1199:15. 1188:14. 1177:13. 1166:12. 1155:11. 1144:10. 1033:No. 993:10. 982:Mao 822:No. 421:by 359:by 2202:: 1976:. 1949:. 1938:^ 1919:. 1908:^ 1892:. 1866:. 1855:^ 1839:. 1827:^ 1806:. 1781:. 1770:^ 1753:. 1742:^ 1725:. 1714:^ 1697:. 1686:^ 1668:. 1642:. 1611:. 1586:. 1575:^ 1558:. 1531:. 1506:. 1487:^ 1468:. 1444:. 1430:^ 1411:. 1396:^ 1375:. 1350:. 1335:^ 1317:) 1302:) 1133:9. 1122:8. 1111:7. 1100:6. 1089:5. 1078:4. 1067:3. 1056:2. 1045:1. 976:9. 959:8. 942:7. 925:6. 908:5. 891:4. 874:3. 857:2. 840:1. 743:, 425:. 363:. 350:. 328:. 293:. 218:. 200:. 104:26 100:53 2186:" 2182:" 2050:e 2043:t 2036:v 1987:. 1962:. 1932:. 1902:. 1877:. 1849:. 1821:. 1792:. 1764:. 1736:. 1708:. 1680:. 1653:. 1628:. 1597:. 1569:. 1544:. 1517:. 1481:. 1454:. 1424:. 1390:. 1361:. 1313:( 409:( 102::

Index


Studio album
Lovebites
Genre
Power metal
Label
Victor
Producer
Lovebites
Battle Against Damnation
Electric Pentagram
power metal
Lovebites
Victor Entertainment
Arising Empire
JPU Records
United Kingdom
Oricon
Billboard Japan
Battle Against Damnation
Light Bringer
Dean
re-amping
Peavey
Marshall
Awakening from Abyss
Midori
power metal
thrash metal
speed metal

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