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Clearing (Fred Frith album)

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For longtime Frith fans, Clearing is a no-brainer pickup, certainly the most thoroughly enjoyable of the albums spotlighting his guitar playing in many a year. But it's also a fine introduction to the work of one of the more outstanding and influential experimental guitarists of the last 30 years and
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Derk Richardson, writing for CT Insider, commented: "Some tracks are delicate and fragile, some are dense thickets of sonic thistles, some tiptoe with elegance and grace, some bully their way through time. However abstract or heady, none achieve anything less than absorbing grandeur."
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sound was achieved on "Blue" by placing microphones close to the electric guitar strings. Chopsticks were jammed between the guitar strings on "Gaifu Kaisei". "Minimalism" was performed entirely by striking the guitar strings with drumsticks.
299:, revisiting areas explored on that album but not developed further at the time. He also included two additional tracks, "Gaifu Kaisei" and "This Earth is a Flower" that had been recorded earlier. 1342: 602: 1494: 1246: 1350: 624: 613: 378: 362: 591: 580: 1187: 728: 1645: 771: 1386: 1070: 1410: 1077: 1159: 1063: 957: 217: 1234: 1180: 1166: 1137: 1640: 1262: 1091: 1045: 1038: 922: 355: 859: 854: 806: 1286: 1123: 1031: 936: 1635: 1510: 915: 1462: 1418: 1358: 1003: 869: 449: 1430: 764: 1239: 996: 929: 1590: 1579: 1306: 1534: 1378: 1024: 234: 152: 1630: 1557: 1474: 1454: 1130: 1010: 978: 813: 653: 170: 249:
in 1996 and 2000, and one was recorded live at the Konstrukcja w Procesie Festival VII in
8: 1609: 1539: 1330: 757: 617: 1017: 679: 598: 729:"Beyond Jazz 2001 / A subjective take on the best of this year's avant-garde and jazz" 1526: 1398: 1366: 1323: 891: 330: 91: 1194: 971: 964: 349: 344: 336: 609:, Poland in association with Mózg and the International Artists' Museum, June 2000 1442: 1435: 1391: 1371: 886: 834: 311: 280: 238: 127: 1299: 221:(1982) and his first solo guitar studio recording since his landmark 1974 album 30: 1515: 1467: 1423: 1335: 1105: 950: 702: 371: 340: 307: 270: 119: 1624: 1487: 1212: 1098: 864: 849: 326: 209: 1584: 1519: 1267: 1251: 908: 881: 874: 820: 322: 303: 275: 223: 114: 1482: 1447: 1294: 1279: 1274: 1255: 191: 86: 1502: 1403: 1084: 827: 780: 631: 566: 553: 546: 539: 532: 525: 518: 511: 504: 497: 490: 483: 381:– Japanese guitarist that appeared on a compilation of Japanese music, 212: 139: 132: 43: 1311: 841: 799: 792: 606: 584: 288: 266: 250: 242: 201: 78: 1173: 460: 413: 205: 1318: 292: 246: 198: 310:
tin on the guitar strings and dropped a chain into the tin. An
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when recording the album. On "Chains", Frith placed a
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at Jankowski Studio, Stuttgart, Germany, January 1996
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Frith dedicated four of the tracks on the album to:
269:commissioned Frith to make a guitar solo album for 215:. It was Frith's first solo guitar recording since 468:an accessible entryway for newcomers. Recommended. 1622: 1351:Live in Trondheim, Berlin & Limoges, Vol. 2 418: 765: 241:by Frith. Ten of the tracks were recorded in 233:comprises eleven tracks of unaccompanied and 1204: 703:"Avant-Garde / Experimental / Euroclassical" 605:at the Konstrukcja w Procesie Festival VII, 531:"Gaifu Kaisei (in memory of Akira Iijima)" ( 353:(2001) for which Frith made the soundtrack, 1549: 1390:(with Lesli Dalaba, Eric Glick Rieman and 772: 758: 726: 673: 671: 29: 1530:(with Nicolas Humbert and Marc Parisotto) 668: 651: 1623: 343:landscape sculptor and subject of the 1188:All Is Always Now – Live at The Stone 753: 727:Richardson, Derk (20 December 2001). 399: 677: 573: 333:, in which Frith played bass guitar; 1387:Dalaba Frith Glick Rieman Kihlstedt 420: 369:guitarist that appeared on Frith's 18:2001 studio album by Fred Frith 13: 1411:50th Birthday Celebration Volume 5 645: 627:at Foothill Digital, New York City 616:at Headless Buddha Mastering Lab, 295:in July 2000 in a similar vein as 273:as a follow-up to his 1974 album, 14: 1657: 510:"Minimalism (for Tomoko Itani)" ( 1605: 1604: 700: 482:"White (for Andy Goldsworthy)" ( 476: 439: 434: 429: 424: 419: 1167:Stone, Brick, Glass, Wood, Wire 517:"Not With Love But With Fear" ( 385:(1986) that Frith had produced. 1346:(with François-Michel Pesenti) 779: 720: 694: 612:Sequenced and pre-mastered by 1: 1646:Albums produced by Fred Frith 1263:Live in Prague and Washington 1039:Field Days (The Amanda Loops) 638: 260: 860:French Frith Kaiser Thompson 579:Tracks 1-7,9,11 recorded by 560: 389: 7: 1032:Nowhere, Sideshow, Thin Air 552:"Blue (for Bill Frisell)" ( 10: 1662: 1511:Angels on the Edge of Time 1422:(with Carla Kihlstedt and 597:Track 10 recorded live to 545:"This Earth is a Flower" ( 1600: 1572: 1419:The Compass, Log and Lead 1226: 1151: 1115: 1055: 988: 900: 870:Fred Frith Guitar Quartet 787: 407: 404: 146: 138: 126: 113: 97: 85: 73: 65: 50: 37: 28: 23: 1431:Duo (Victoriaville) 2005 463:said this of the album: 302:Frith used a variety of 1310:(with Bob Ostertag and 1235:With Friends Like These 997:The Technology of Tears 930:Cheap at Half the Price 329:guitarist for the band 1591:Step Across the Border 1580:Fred Frith discography 1071:Step Across the Border 470: 1641:Tzadik Records albums 1558:Friends & Enemies 1535:Laying Demons to Rest 1379:2 Gentlemen in Verona 1025:The Happy End Problem 707:Tom Hull – on the Web 603:Grzegorz Kazimierczak 583:at Jankowski Studio, 465: 450:Tom Hull – on the Web 153:2 Gentlemen in Verona 1518:, Gianni Gebbia and 1498:(with ARTE Quartett) 1475:The Art of Memory II 1455:The Stone: Issue Two 1131:Freedom in Fragments 1078:Middle of the Moment 1011:The Previous Evening 979:Guitar Solos / Fifty 590:Track 8 recorded by 587:, Germany, July 2000 395:Professional ratings 383:Welcome to Dreamland 171:Freedom in Fragments 1540:Susana Santos Silva 1458:(with Chris Cutler) 1382:(with Chris Cutler) 1354:(with Chris Cutler) 1331:Live Improvisations 1290:(with Henry Kaiser) 1064:The Top of His Head 652:Westergaard, Sean. 618:Oakland, California 396: 1287:Who Needs Enemies? 569:– prepared guitars 394: 77:Jankowski Studio, 1636:Fred Frith albums 1618: 1617: 1568: 1567: 1561:with Henry Kaiser 1527:Cut Up the Border 1463:The Sugar Factory 1399:What Leave Behind 1367:Traffic Continues 1359:The Art of Memory 1324:Ferdinand Richard 1222: 1221: 1147: 1146: 678:Olewnick, Brian. 574:Sound and artwork 458: 457: 283:, Frith recorded 183: 182: 179: 178: 92:Experimental rock 1653: 1608: 1607: 1547: 1546: 1506:(with John Zorn) 1478:(with John Zorn) 1414:(with John Zorn) 1362:(with John Zorn) 1247:Voice of America 1202: 1201: 1092:Rivers and Tides 986: 985: 972:Clearing Customs 965:To Sail, to Sail 774: 767: 760: 751: 750: 744: 743: 741: 739: 724: 718: 717: 715: 713: 698: 692: 691: 689: 687: 675: 666: 665: 663: 661: 649: 503:"The Bow Moon" ( 444: 443: 442: 438: 437: 433: 432: 428: 427: 423: 422: 397: 393: 356:Rivers and Tides 350:Rivers and Tides 345:documentary film 337:Andy Goldsworthy 281:prepared guitars 239:prepared guitars 237:music played on 148: 147: 109: 108: 104: 61: 59: 33: 21: 20: 1661: 1660: 1656: 1655: 1654: 1652: 1651: 1650: 1621: 1620: 1619: 1614: 1596: 1564: 1545: 1495:The Big Picture 1443:Ironic Universe 1436:Anthony Braxton 1392:Carla Kihlstedt 1372:Ensemble Modern 1218: 1200: 1143: 1111: 1051: 989:Music for Dance 984: 896: 835:Fred Frith Trio 783: 778: 748: 747: 737: 735: 725: 721: 711: 709: 699: 695: 685: 683: 676: 669: 659: 657: 650: 646: 641: 630:Cover photo by 620:, December 2000 576: 563: 479: 440: 435: 430: 425: 392: 263: 174: 165: 156: 106: 102: 101: 57: 55: 46: 19: 12: 11: 5: 1659: 1649: 1648: 1643: 1638: 1633: 1616: 1615: 1613: 1612: 1601: 1598: 1597: 1595: 1594: 1587: 1582: 1576: 1574: 1570: 1569: 1566: 1565: 1563: 1562: 1553: 1551: 1544: 1543: 1531: 1523: 1516:Lindsay Cooper 1507: 1499: 1491: 1479: 1471: 1468:Evelyn Glennie 1459: 1451: 1439: 1427: 1424:Stevie Wishart 1415: 1407: 1395: 1383: 1375: 1363: 1355: 1347: 1343:Helter Skelter 1339: 1336:Tim Hodgkinson 1327: 1315: 1307:Attention Span 1303: 1291: 1283: 1271: 1259: 1243: 1230: 1228: 1227:Collaborations 1224: 1223: 1220: 1219: 1217: 1216: 1208: 1206: 1199: 1198: 1191: 1184: 1177: 1170: 1163: 1155: 1153: 1149: 1148: 1145: 1144: 1142: 1141: 1134: 1127: 1119: 1117: 1113: 1112: 1110: 1109: 1106:Eye to Ear III 1102: 1095: 1088: 1081: 1074: 1067: 1059: 1057: 1056:Music for Film 1053: 1052: 1050: 1049: 1042: 1035: 1028: 1021: 1014: 1007: 1000: 992: 990: 983: 982: 975: 968: 961: 954: 947: 940: 933: 926: 919: 912: 904: 902: 898: 897: 895: 894: 889: 884: 878: 877: 872: 867: 862: 857: 855:Duck and Cover 852: 846: 845: 838: 831: 824: 817: 810: 803: 796: 788: 785: 784: 777: 776: 769: 762: 754: 746: 745: 719: 693: 667: 656:. AllMusic.com 654:"Guitar Solos" 643: 642: 640: 637: 636: 635: 628: 621: 610: 595: 588: 575: 572: 571: 570: 562: 559: 558: 557: 550: 543: 538:"Road Movie" ( 536: 529: 522: 515: 508: 501: 494: 489:"Open Ocean" ( 487: 478: 475: 456: 455: 452: 446: 445: 416: 410: 409: 406: 402: 401: 391: 388: 387: 386: 376: 372:Guitar Solos 3 360: 334: 271:Tzadik Records 262: 259: 181: 180: 177: 176: 167: 158: 144: 143: 136: 135: 130: 124: 123: 117: 111: 110: 99: 95: 94: 89: 83: 82: 75: 71: 70: 67: 63: 62: 52: 48: 47: 42: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 1658: 1647: 1644: 1642: 1639: 1637: 1634: 1632: 1629: 1628: 1626: 1611: 1603: 1602: 1599: 1593: 1592: 1588: 1586: 1583: 1581: 1578: 1577: 1575: 1571: 1560: 1559: 1555: 1554: 1552: 1548: 1541: 1537: 1536: 1532: 1529: 1528: 1524: 1521: 1517: 1513: 1512: 1508: 1505: 1504: 1500: 1497: 1496: 1492: 1489: 1488:ARTE Quartett 1485: 1484: 1480: 1477: 1476: 1472: 1469: 1465: 1464: 1460: 1457: 1456: 1452: 1449: 1445: 1444: 1440: 1437: 1433: 1432: 1428: 1425: 1421: 1420: 1416: 1413: 1412: 1408: 1405: 1401: 1400: 1396: 1393: 1389: 1388: 1384: 1381: 1380: 1376: 1373: 1369: 1368: 1364: 1361: 1360: 1356: 1353: 1352: 1348: 1345: 1344: 1340: 1337: 1333: 1332: 1328: 1325: 1321: 1320: 1316: 1313: 1309: 1308: 1304: 1301: 1297: 1296: 1292: 1289: 1288: 1284: 1281: 1277: 1276: 1272: 1269: 1265: 1264: 1260: 1257: 1253: 1249: 1248: 1244: 1241: 1237: 1236: 1232: 1231: 1229: 1225: 1215: 1214: 1210: 1209: 1207: 1205:Composer only 1203: 1197: 1196: 1192: 1190: 1189: 1185: 1183: 1182: 1178: 1176: 1175: 1171: 1169: 1168: 1164: 1162: 1161: 1160:Live in Japan 1157: 1156: 1154: 1150: 1140: 1139: 1135: 1133: 1132: 1128: 1126: 1125: 1121: 1120: 1118: 1116:Composer only 1114: 1108: 1107: 1103: 1101: 1100: 1099:Eye to Ear II 1096: 1094: 1093: 1089: 1087: 1086: 1082: 1080: 1079: 1075: 1073: 1072: 1068: 1066: 1065: 1061: 1060: 1058: 1054: 1048: 1047: 1043: 1041: 1040: 1036: 1034: 1033: 1029: 1027: 1026: 1022: 1020: 1019: 1015: 1013: 1012: 1008: 1006: 1005: 1001: 999: 998: 994: 993: 991: 987: 981: 980: 976: 974: 973: 969: 967: 966: 962: 960: 959: 958:Eleventh Hour 955: 953: 952: 948: 946: 945: 941: 939: 938: 934: 932: 931: 927: 925: 924: 920: 918: 917: 913: 911: 910: 906: 905: 903: 901:Studio albums 899: 893: 890: 888: 885: 883: 880: 879: 876: 873: 871: 868: 866: 865:Death Ambient 863: 861: 858: 856: 853: 851: 850:The Orckestra 848: 847: 844: 843: 839: 837: 836: 832: 830: 829: 825: 823: 822: 818: 816: 815: 814:Skeleton Crew 811: 809: 808: 804: 802: 801: 797: 795: 794: 790: 789: 786: 782: 775: 770: 768: 763: 761: 756: 755: 752: 734: 730: 723: 708: 704: 697: 681: 674: 672: 655: 648: 644: 633: 629: 626: 622: 619: 615: 611: 608: 604: 600: 596: 593: 589: 586: 582: 578: 577: 568: 565: 564: 555: 551: 548: 544: 541: 537: 534: 530: 527: 523: 520: 516: 513: 509: 506: 502: 499: 495: 492: 488: 485: 481: 480: 477:Track listing 474: 469: 464: 462: 453: 451: 448: 447: 417: 415: 412: 411: 403: 400:Review scores 398: 384: 380: 377: 374: 373: 368: 364: 361: 358: 357: 352: 351: 346: 342: 338: 335: 332: 328: 327:United States 324: 321: 320: 319: 316: 313: 309: 305: 304:found objects 300: 298: 294: 290: 286: 282: 278: 277: 272: 268: 258: 256: 252: 248: 244: 240: 236: 232: 228: 226: 225: 220: 219: 218:Live in Japan 214: 211: 207: 203: 200: 196: 193: 189: 188: 173: 172: 168: 164: 163: 159: 155: 154: 150: 149: 145: 141: 137: 134: 131: 129: 125: 121: 118: 116: 112: 100: 96: 93: 90: 88: 84: 80: 76: 72: 68: 64: 53: 49: 45: 40: 36: 32: 27: 22: 16: 1589: 1585:Fred Records 1556: 1550:Compilations 1533: 1525: 1520:Lars Hollmer 1509: 1501: 1493: 1481: 1473: 1461: 1453: 1441: 1429: 1417: 1409: 1397: 1385: 1377: 1365: 1357: 1349: 1341: 1329: 1317: 1305: 1300:René Lussier 1293: 1285: 1273: 1268:Chris Cutler 1261: 1252:Bob Ostertag 1245: 1240:Henry Kaiser 1233: 1211: 1193: 1186: 1181:Storytelling 1179: 1172: 1165: 1158: 1138:Back to Life 1136: 1129: 1122: 1104: 1097: 1090: 1083: 1076: 1069: 1062: 1044: 1037: 1030: 1023: 1016: 1009: 1002: 995: 977: 970: 963: 956: 949: 943: 942: 935: 928: 921: 914: 909:Guitar Solos 907: 882:Aksak Maboul 875:Maybe Monday 840: 833: 826: 821:Keep the Dog 819: 812: 805: 798: 791: 736:. Retrieved 732: 722: 710:. Retrieved 706: 696: 684:. Retrieved 658:. Retrieved 647: 625:Allan Tucker 623:Mastered by 614:Myles Boisen 471: 466: 459: 382: 379:Tomoko Itani 370: 363:Akira Iijima 354: 348: 323:Bill Frisell 317: 301: 297:Guitar Solos 296: 284: 276:Guitar Solos 274: 264: 230: 229: 224:Guitar Solos 222: 216: 186: 185: 184: 169: 161: 160: 151: 39:Studio album 15: 1631:2001 albums 1483:Still Urban 1448:Janet Feder 1295:Nous Autres 1280:Lol Coxhill 1275:French Gigs 1256:Phil Minton 1152:Live albums 701:Hull, Tom. 686:27 February 660:21 November 592:Peter Hardt 581:Peter Hardt 524:"Theatre" ( 192:guitar solo 1625:Categories 1503:Late Works 1404:Toychestra 1085:Eye to Ear 1046:Propaganda 1018:Accidental 923:Speechless 892:Naked City 828:Cosa Brava 781:Fred Frith 733:CT Insider 682:. AllMusic 680:"Clearing" 639:References 632:Fred Frith 567:Fred Frith 496:"Chains" ( 331:Naked City 261:Background 235:improvised 213:Fred Frith 210:improvisor 142:chronology 140:Fred Frith 133:Fred Frith 69:1996, 2000 44:Fred Frith 1312:John Zorn 842:Henry Now 800:Art Bears 793:Henry Cow 607:Bydgoszcz 585:Stuttgart 561:Personnel 528:) – 10:09 390:Reception 289:Stuttgart 267:John Zorn 265:In 2000, 257:in 2000. 251:Bydgoszcz 243:Stuttgart 202:guitarist 81:, Germany 79:Stuttgart 1610:Category 1195:Woodwork 1174:Impur II 1124:Pacifica 944:Clearing 937:Quartets 887:Material 807:Massacre 556:) – 3:12 549:) – 3:52 542:) – 2:12 535:) – 2:50 521:) – 6:03 514:) – 5:07 507:) – 4:00 500:) – 2:00 493:) – 5:12 486:) – 9:28 461:AllMusic 414:AllMusic 367:Japanese 312:acoustic 308:lozenger 285:Clearing 279:. Using 231:Clearing 206:composer 187:Clearing 162:Clearing 128:Producer 66:Recorded 51:Released 41: by 24:Clearing 1573:Related 1319:Dropera 916:Gravity 738:27 July 712:27 July 359:(2002); 341:British 293:Germany 247:Germany 199:English 175:(2002) 166:(2001) 157:(2000) 56: ( 1538:(with 1514:(with 1486:(with 1466:(with 1446:(with 1434:(with 1402:(with 1370:(with 1334:(with 1322:(with 1298:(with 1278:(with 1266:(with 1250:(with 1238:(with 1004:Allies 951:Prints 408:Rating 405:Source 255:Poland 120:Tzadik 98:Length 74:Studio 1213:Impur 554:Frith 547:Frith 540:Frith 533:Frith 526:Frith 519:Frith 512:Frith 505:Frith 498:Frith 491:Frith 484:Frith 195:album 190:is a 115:Label 87:Genre 1254:and 740:2022 714:2022 688:2007 662:2006 208:and 122:(US) 58:2001 54:2001 601:by 599:DAT 287:in 197:by 1627:: 731:. 705:. 670:^ 454:B+ 365:– 347:, 339:– 325:– 291:, 253:, 245:, 227:. 204:, 107:05 103:54 1542:) 1522:) 1490:) 1470:) 1450:) 1438:) 1426:) 1406:) 1394:) 1374:) 1338:) 1326:) 1314:) 1302:) 1282:) 1270:) 1258:) 1242:) 773:e 766:t 759:v 742:. 716:. 690:. 664:. 634:. 375:; 105:: 60:)

Index


Studio album
Fred Frith
Stuttgart
Genre
Experimental rock
Label
Tzadik
Producer
Fred Frith
Fred Frith
2 Gentlemen in Verona
Freedom in Fragments
guitar solo
album
English
guitarist
composer
improvisor
Fred Frith
Live in Japan
Guitar Solos
improvised
prepared guitars
Stuttgart
Germany
Bydgoszcz
Poland
John Zorn
Tzadik Records

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