Knowledge

Clash cymbals

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There are several ways to hold the cymbals after the crash. Some practitioners hold the cymbals up and vertically with the inside of the cymbal facing the audience. This actually shortens the sustain as the sound is transferred up rather than out and causes the hands to be in contact with the cymbal.
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In an orchestral context, the cymbals are held by their straps with the thumb and index finger closest to the bell, not unlike holding a drumstick. The cymbals are held at a 45-degree angle with the dominant hand holding the cymbal over the other. To crash, there is a brief prep motion in which the
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clash cymbals need no handles as the squared bells can be held quite securely without them and are often joined by a cord through the holes in their bells which allows the percussionist to release the bells after striking, producing less damping and greater sustain, and swing the cymbals producing
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composers developed a notation to differentiate between clash and suspended cymbals in which a + (plus sign) is written over a note to be played on suspended cymbal and a ° (open circle) is written over a note to be played with clash cymbals.
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straps passed through the holes in their bells, leading to four tails which are knotted inside the bell, to allow the percussionist to hold them. Marching cymbal lines use leather pads placed on the bell to cushion the hands.
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Instruments in all weights range in size from 14" to 22" in diameter. The smallest and thickest tend to have the higher pitch, the thinner ones allow for greater expression, and the largest, the greatest volume.
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Composers will often condense the clash cymbals and a suspended cymbal into the same part. There are a number of techniques used to indicate which is desired. Whenever
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arms move away from each other, before finally dropping the dominant handed cymbal on top of the bottom cymbal. Properly played crashes will be played like a
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Other practitioners hold the cymbals parallel to the floor. This allows for the most sound to reach the audience as the sound is transferred horizontally.
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where the bottom of the cymbals touch before meeting at the top. This is done to prevent any air pockets from occurring.
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to combine the roles of a bass drummer, snare drummer, and cymbalist into one player, eventually forming the modern
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This article is about a specific type of cymbals played in pairs. For the general use of the term, see
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is written, a suspended cymbal is used. A return to clash cymbals can be specified with the
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played in matched pairs by holding one cymbal in each hand and striking the two together.
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There has been a trend in recent years to replace the cymbal line with cymbals in the
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as well as clashed together using the pedal. The hi-hat arose out of the need for
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Clash cymbals come in matched pairs. They are commonly found in three weights:
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How to Write for Percussion: A Comprehensive Guide to Percussion Composition
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The Cymbal: Its Standard and Special Use in Contemporary Marching Ensembles
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normally contains one pair of clash cymbals mounted on a pedal-operated
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score, then for historical reasons this is often also indicated
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In foreign language scores, such types of cymbals are known as
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Cymbalisms: A Complete Guide for the Orchestral Cymbal Player
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A Dictionary for the Modern Percussionist and Drummer
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Two sets of clash cymbals in use in a marching band
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Centerstream Publishing. p. 22. 544: 507: 1298: 935:List of percussion instruments by type 639:University of Massachusetts at Amherst 629: 470: 894: 796: 288:Garfield Cadets Drum and Bugle Corps 477:Rowman & Littlefield Publishers 13: 266:Marching Percussion § Cymbals 242: 14: 1347: 1321:Orchestral percussion instruments 1336:Unpitched percussion instruments 1280:List of vibraphone manufacturers 259: 173:to indicate a suspended cymbal. 25: 1331:European percussion instruments 453:, a type of Indian clash cymbal 106:clash cymbals after a big crash 55:Hornbostel–Sachs classification 16:Unpitched percussion instrument 931:List of percussion instruments 686: 653: 623: 575: 538: 501: 464: 447:, also known as finger cymbals 415:Orchestral clash cymbals have 132: 1: 1285:List of timpani manufacturers 1275:List of marimba manufacturers 762:The Ultimate Guide to Cymbals 587:The Art of Percussion Playing 457: 411:Playing Chinese clash cymbals 1326:Asian percussion instruments 1311:Vessel concussion idiophones 1265:List of cymbal manufacturers 471:Strain, James Allen (2017). 229: 7: 693:Pinksterboer, Hugo (1993). 508:Solomon, Samuel Z. 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Sonner, Robert (Ed.). 341: 759:Petrella, Nick (2002). 660:Aldridge, John (1994). 545:Epstein, Frank (2007). 514:Oxford University Press 125:, they are also called 922:Percussion instruments 662:Guide to Vintage Drums 412: 351: 239: 222: 216: 210: 204: 118: 107: 1170:Electronic percussion 824:Concussion idiophones 410: 349: 238:Playing clash cymbals 237: 113: 102: 38:Percussion instrument 1197:Percussion groupings 1047:Unpitched percussion 153:, is required in an 145:or sometimes simply 1229:Percussion ensemble 1209:Marching percussion 952:Keyboard percussion 311:Hi-hat (instrument) 21: 1224:Percussion section 943:Pitched percussion 641:. pp. 35–37. 583:Cirone, Anthony J. 413: 352: 240: 119: 108: 19: 1293: 1292: 1260:Percussion mallet 1041: 1040: 888: 887: 708:978-1-4768-6639-0 560:978-0-634-06329-9 523:978-0-19-992035-8 486:978-0-8108-8693-3 272:marching ensemble 220:(in German), and 65: 64: 1343: 948: 947: 915: 908: 901: 892: 891: 817: 810: 803: 794: 793: 788: 745: 739: 733: 727: 721: 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101: 97: 95: 91: 90:crash cymbals 87: 84: 80: 77:(also called 76: 75:Clash cymbals 70: 69:Crash cymbals 58: 56: 52: 48: 46: 42: 39: 35: 28: 23: 20:Clash cymbals 1178:Drum machine 970:Glockenspiel 854: 767:Carl Fischer 761: 737: 725: 694: 688: 661: 655: 634: 631:Hannum, Thom 625: 613: 586: 577: 546: 540: 509: 503: 472: 466: 426: 414: 397: 392: 388: 384: 379: 375: 371: 366: 362: 358: 353: 321:hi-hat stand 314: 292: 274:, such as a 269: 254: 246: 223:les cymbales 201: 189: 181: 177: 175: 170: 166: 162: 158: 146: 142: 136: 127:hand cymbals 126: 120: 89: 85: 82: 78: 74: 73: 1234:Drum circle 699:Hal Leonard 551:Hal Leonard 325:drum sticks 182:with mallet 133:Terminology 1300:Categories 1255:Drum stick 1160:Wood block 1135:Tambourine 1125:Snare drum 995:Vibraphone 717:1098563299 458:References 329:vaudeville 276:drum corps 264:See also: 217:die Becken 178:with stick 155:orchestral 83:orchestral 49:Percussion 1115:Mark tree 1080:Castanets 1055:Bass drum 1000:Xylophone 985:Tubaphone 850:Clapstick 835:Castanets 569:166368068 532:936117814 495:974035735 389:Wagnerian 230:Technique 1204:Drum kit 1155:Triangle 1150:Timbales 1023:Steelpan 1013:Handbell 965:Crotales 960:Carillon 785:52365873 680:32097991 647:11413855 633:(1984). 605:70782197 439:See also 385:Germanic 372:Viennese 336:drum set 317:drum kit 284:drumline 104:Zildjian 1306:Cymbals 1188:Octapad 1140:Tam-tam 1110:Maracas 1100:Cymbals 1095:Cowbell 1060:Bodhrán 1033:Timpani 1018:Handpan 975:Marimba 865:Clapper 428:Chinese 417:leather 363:leggero 305:Hi-hats 211:cinelli 196:Russian 188:phrase 186:Italian 163:cymbals 159:cymbals 143:cymbals 94:cymbals 86:cymbals 59:111.142 1105:Djembe 1085:Claves 1070:Cabasa 1065:Bongos 875:Paiban 860:Claves 783:  773:  715:  705:  678:  668:  645:  603:  593:  567:  557:  530:  520:  493:  483:  403:Straps 380:medium 359:French 205:piatti 171:cymbal 115:Paiste 92:) are 1243:Other 1130:Taiko 1120:Parai 1090:Conga 1075:CajĂłn 1028:Tabla 880:Spoon 870:Guban 840:Ching 752:Books 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Index


Percussion instrument
Classification
Hornbostel–Sachs classification
Crash cymbals
cymbals

Zildjian

Paiste
suspended cymbal
musical scores
suspended cymbal
orchestral
Italian
a due
Russian

flam
Marching Percussion § Cymbals
marching ensemble
drum corps
marching band
drumline
Garfield Cadets Drum and Bugle Corps
front ensemble
indoor percussion ensembles
Hi-hat (instrument)
drum kit
hi-hat stand

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