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A City of Sadness

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well as her money, and then beat her over the head with a pistol while attempting to arrest her. An angry crowd swarmed the agents, prompting one official to open fire on the crowd, killing a bystander. The news triggered mass protests the following morning on February 28; more people were killed by the police and it quickly turned into a large-scale riot. While many local Taiwanese took this as an opportunity to seek revenge on mainlanders, Governor Chen Yi issued martial law and requested Nationalist troops to be sent over from mainland to suppress the incident. For the following 38 years, Taiwan was placed under martial law in a period that is now known as the "White Terror" period. Consequently, a generation of Taiwanese local elites were arrested and killed. It was estimated that between 10,000 and 20,000 people died as a result of the 2/28 incident, with more and more people dying or going missing during the White Terror. The trauma of 2/28 haunted Taiwan's politics and society and soured the relationship between the Taiwanese and mainlanders for several decades.
486:), fourth brother, a doctor and photographer. Wen-ching is the youngest son in the Lin family. He is deaf-mute because of an accident in his childhood. He communicates with others mainly by writing, especially with Hiromi. He is arrested following the 2/28 event. After he is released, he does two things. First, he delivers the final messages of executed cellmates. Second, he goes to find Hiroe and wants to join him as a revolutionary, however, he is convinced by Hiroe and goes back home to marry Hiromi. Wen-heung opens a photo studio so Wen-ching can support Hiroe, and after the guerilla forces are defeated, Wen-ching gets arrested and never comes back, leaving Hiromi and their child. 459:
cultural and economic adjustment. Cultural and social tension built up between the Taiwanese and mainlanders during these years. Political distrust was also intensifying between Taiwanese elites and the Provincial Administration headed by Governor Chen Yi. Meanwhile in the late 1940s, the Nationalist government was engaged in a civil war against the Communists on the mainland. The Chinese economy deteriorated rapidly and the post-war economic situation in Taiwan worsened each day. An increasing number of illegal activities took place across the Taiwan Strait and social disturbances, as a result of unemployment, food shortages, poverty, and housing issues, became imminent.
683:, a former Japanese and declined gold mining town that continued to operate in the postwar period until the 1960s. Jiufen is located in the northeast of Taiwan, an area isolated from the rest of Taipei County and Yilan County. There are only rough county roads and a local commuter railway line connecting Jiufen to the outside world, which designated a low priority for urban revitalization and land development. Jiufen's hillside communities were constructed before the modern zoning codes were put in place, and therefore provided a small Taiwanese town feeling and atmosphere that symbolizes the historical period that is presented in the plot of 928:
past have mushroomed, as the people in Taiwan feel the urgent need to remember, reconstruct, and rewrite that part of their history.” June Yip noted that the Taiwan Trilogy marked a “autobiographical impulse” to reclaim the history that was now acceptable with the lifting of martial law. Another critic, Jean Ma, also noted the method of displaying trauma by Hou felt "real" and could connect to global audiences everywhere from the "Truth and Reconciliation Commission of South Africa, the desaparecidos of Argentina, and the Armenian massacre as instances in which memory bears the ethical burden of a disavowed or denied history."
426:. When Taiwan regained its sovereignty, people were full of joy. A large number of people from the mainland went to Taiwan such as Kuomintang troops, gangsters and people with socialist ideas. Meanwhile, Lin Wen-hsiung, who runs a bar called "Little Shanghai" and is the eldest of the Lin's four sons, awaits the birth of his child. The second son disappeared in the Philippines during the war. The fourth and youngest son, Wen-ching, is a doctor and photographer with leftist leanings who became deaf following a childhood accident; he is close friends with Hiroe and Hiroe's sister, Hiromi. 768:
reflection, but politicians like to use this tragedy as an ATM, making a withdrawal from it whenever they want. It's awful. So no matter what point of view I took with the film, people would still criticize it. I was filming events that were still taboo, I had a point of view, and no matter what, I was filming from the point of view of people and a family… Of course it's limited by the filmmaker's vision and attitude. I can only present a part of the atmosphere of the time."
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When he recovered, he met his old acquaintance. He began to engage in illegal activities, including the theft of Japanese currency notes and a smuggling operation run by Shanghainese gangsters. Wen-hsiung eventually learns of this and stops Wen-liang. However, this leads the Shanghainese mob to arrange for Wen-liang's imprisonment on false charges of collaboration with the Japanese. While in prison, Wen-liang is tortured and suffers brain damage as a result.
711:, Hou relied primarily on foreign investment, particularly from Japan. Japanese technology, techniques, and facilities were used in the post-production and resulted in what critic and producer Zhan Hongzhi described as an aspect of "high-quality" that could draw in international viewership. Another aspect of this plan was star power, reflected in one of the principal characters, Wen-ching, being played by then rising Hong Kong film star 450:
bears a child. The couple supports Hiroe's resistance group, but the guerilla forces are defeated and executed. They manage to inform Wen-ching of the fact and encourage him to escape, but Hiromi later recounts that they did not have anywhere to go. As a result, Wen-ching is soon arrested by the Kuomintang for his involvement with the guerillas, and there are only Hiromi and her son left at home.
42: 780:, the top Taiwanese Opera actress in real-life) in 1970s. Hou and Chu then extended the story to involve substantial flashbacks of the calamity of the woman's family in late 1940s (where the woman was the teenage daughter of Chen Song-Yong's character). They then abandoned the former premise and instead focused on the 1940s' story. 510:), third brother, traumatised by his time in the war. After his release from hospital, he goes into business with Shanghai gangsters. After causing them more trouble than he is worth, Wen-leung is framed by the gangsters and goes to prison where he is beaten and suffers brain damage before being released. 467:
One of the restrictions implemented at the time was the ban of cigarette trading. The immediate story begins in the front of a tea house in Taipei the day before, on February 27, 1947, when agents from the Tobacco Monopoly Bureau confiscated a Taiwanese female cigarette vendor's illegal cigarettes as
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to suppress dissenters. The wounded pour into the neighborhood clinic, and Wen-ching is arrested but eventually released. Hiroe heads for the mountains to join the leftist guerillas. Wen-ching expresses his desire to join Hiroe, but Hiroe convinces Wen-ching to return and marry Hiromi, who loves him.
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Sound plays an important role in the film as the opening scene is shot in darkness, with the only sound being Emperor Hirohito on the radio broadcast. Throughout the film, the use of Japanese language is cultural, as it represents the experiences of the Taiwanese and their cultural identity. Most of
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as Hiroe (Japanese pronunciation of his Chinese name: 吳寬榮), friend of Wen-Ching, brother of Hiromi and a school teacher. A progressive. Because the Taiwan government arrested a large number of progressives and killed innocent people indiscriminately, he establishes an anti-government organization in
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deals with the past, but is not trapped by the past, and is able to achieve a sense of objectiveness and authenticity." The use of dialects and historical facts can make audiences have a connection to characters within the film, and ensure the objectiveness and authenticity. The film also functions
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When Lin Wen-hsiung is gambling at a casino one day, a fight breaks out with one of the Shanghainese who previously framed Wen-liang. This results in Wen-hsiung being shot and killed by a Shanghainese mafia member. Following Wen-hsiung's funeral, Wen-ching and Hiromi marry at home, and Hiromi later
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but never explicitly depicting the event, the film was consequently criticized as politically ambiguous, as well as overly difficult to follow. It was also criticized for not depicting the events of February 28 well, instead presenting the events in a subtle and elliptical manner. It is now widely
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Critics have noted how this film (as well as the other 2 films that form the trilogy) started a larger discussion into memory and reconciliation for the 228 Incident and the White Terror on Taiwan. Sylvia Lin commented that "literary, scholarly, historical, personal, and cinematic accounts of the
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began as an expedient way to disguise Tony Leung's inability to speak Taiwanese (or Japanese—the language taught in Taiwan's schools during the 51-year Japanese rule), but wound up being an effective means to demonstrate the brutal insensitivity of Chen Yi's ROC administration. As he communicated
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as Hiromi (Japanese pronunciation of her Chinese name: 吳寬美), sister of Hiroe, and is a nurse in the hospital. She knows Wen-ching through her brother Hiroe. She usually communicates with Wen-ching by writing. After she quits her job at the hospital, she marries Wen-ching after he is released from
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The third son, Lin Wen-liang, had been recruited by the Japanese to Shanghai as an interpreter. After the defeat of Japan, he was arrested by the Kuomintang government on charges of treason. As a result, his mental condition was stimulated and he had been in hospital since he returned to Taiwan.
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The cause of anger with citizens was the deterioration of freedoms and rights, the increased feeling of policing, and the imposition of a foreign power's sovereignty over a newly integrated location. This is a characteristic Rochelle highlights as similar in both Taiwan and Hong Kong and is what
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in 1988 and the lifting of martial law the year prior made it an appropriate time to address the 228 Incident, which Hou felt had been covered up by the government. He noted how books were not available on the subject and he wanted to provide a vantage point about the story through the lens of a
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During the Japanese colonial period (1895–1945), Taiwan had limited contact with mainland China. Thus when the control of Taiwan was given to the Republic of China (ROC) led by the Kuomintang (KMT) government at the end of the Second World War, the people on Taiwan faced major political, social,
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The 228 Incident was already known, so I was more interested in filming a time of transition, and the changes in a family during a change in regime. This was the main thing I wanted to capture… There's been too much political intervention. We should go back to history itself for a comprehensive
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Hou remembers Jiufen fondly as he traveled to Jiufen through a tourist gaze when he was young. The shooting of the scenes of train travel to Jiufen particularly evoked his nostalgic rhetoric and joyful memories of a high school trip to Jiufen with his school friends. Hou noted that the train in
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by scholars. Academic Tina L. Rochelle has associated the term with how Hong Kong's trajectory mirrors the trajectory of Taiwan during the 228 Incident and the White Terror. Much like in the case of the 228 Incident, the Umbrella movement was fueled by building resentment of the way Hong Kong
955:(the office responsible for government censorship/media) to send a copy of the rough cut to Japan for post-production where it was processed and sent directly to the Venice Film Festival without being authenticated by Taiwanese censors from the GIC. The winning of the Golden Lion and 498:), eldest brother, and owner of a trading company and restaurant. After his restaurant is closed down following the 2/28 event, he falls into drinking and gambling, and is eventually shot to death in a spur of the moment revenge attack for Wen-leung. 341:
in the late 1940s, during which thousands of Taiwanese and recent emigres from the Mainland were rounded up, shot, and/or sent to prison. The film was the first to deal openly with the KMT's authoritarian misdeeds after its 1945 takeover of
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the characters would not be able to understand much Japanese as they would not have lived through 51 years of Japanese rule. This is why the native characters speak Taiwanese with some Japanese words mixed into their speech.
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Taiwan is a very important mode of transportation and he would ride the train a lot. It is very hard for him to forget the connection between him and the trains, so the train tracks appear multiple times in the film.
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as a way to promote the cultural diversity of the cast and reflectively, of Taiwan to a global audience, which stands in contrast to many earlier films being only in Mandarin Chinese, due to the
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By the 1980s, the New Taiwanese Cinema movement was moving towards not just creating films for the people of Taiwan, but also for a larger, international audience. Directors Hou Hsiao-hsien and
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Hou Hsiao-hsien was interested in creating a film that could tell a story about a family, specifically during the 228 Incident and the White Terror by a few reasons. He cited how the death of
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through other means (photographs, pen and paper) he is often playing the role of an observer. His inability to speak could mirror Taiwan being silenced by its oppressors.
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of 1947 occurs, in which thousands of Taiwanese people are massacred by Kuomintang troops. The Lin family follows announcements related to the event via radio, in which
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Rawnsley, Ming-Yeh. "Rawnsley, M.T. (2012). Cinema, Identity, and Resistance: Comparative Perspectives on A City of Sadness and The Wind that Shakes the Barley".
947:. The Taiwanese language policy about promoting Mandarin made making films in other minority dialects and languages limited to only a third of the total script. 763:"Everybody knew about the 228 Incident. Nobody would say anything, at least in public, but behind closed doors everyone was talking about it, especially in the 411:, Taiwan from 1945 to 1949, the period after the end of 50 years of Japanese colonial rule and before the establishment of a government-in-exile in Taiwan by 1444: 3864: 2996: 532: 963:
violated then rules about national language usage in films. The success of the film however, renewed interest in Taiwanese Hokkien and became part of the
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According to scriptwriter Chu Tien-Wen's book, the original premise of the film was the reunion of an ex-gangster (which Hou Hsiao-Hsien intended to cast
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to prominence and to a global audience. The usage of Taiwanese Hokkien in the film has been noted to be in direct conflict with the then-rule regarding
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blend revelation and opacity; his favorite trope is to shoot through doorways, as if straining to capture the action over impassable spans of time." In
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was a major commercial success in Taiwan, but critics were largely ambivalent toward the work. Having been advertised as a film about the
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trilogy as well as the first installment in a loose trilogy of Hsiao-Hsien's films that deal with Taiwanese history, which also includes
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reported that 100% of critics have given the film a positive review based on 13 reviews, with an average rating of 9.30/10. In the
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one of the ten greatest films ever made, placing it at #117 in the critics' poll and #322 in the directors' poll.
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considered a masterpiece, and has been described as "probably the most significant film to have emerged out of
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is a great film, one that will be watched as long as there are people who care about the movies as an art."
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as a form of resistance as those with less power are able to diminish claims by other classes.
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however, was filmed mostly in Taiwanese Hokkien. Hou Hsiao-hsien's film was allowed by the
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Lo, Dennis (2020). "A Home in Becoming: Forging Taiwan's Imagined Community in Jiufen".
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Representing Atrocity in Taiwan: The 2/28 Incident and White Terror in Fiction and Film
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and started a resurgence of films from Taiwan that utilized minority languages such as
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The term "City Of Sadness" has been used to describe the state of Hong Kong after the
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explains that "by representing the political reality of the late 1940s indirectly,
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List of Taiwanese submissions for the Academy Award for Best Foreign Language Film
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marked a first for Chinese-speaking films, but also were controversial, since
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List of submissions to the 62nd Academy Awards for Best Foreign Language Film
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The Authorship of Place: A Cultural Geography of the New Chinese Cinemas
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viewership. The film also used an array of different languages, chiefly
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Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
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Speaking in Images: Interviews with Contemporary Chinese Filmmakers
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the mountains. However, they are defeated and arrested at the end.
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of 1947, in which thousands of people were massacred by the KMT.
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argued, "Hou's extraordinarily controlled and well-constructed
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Films whose director won the Best Director Golden Horse Award
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1997 handover of Hong Kong to the Peoples Republic of China.
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for the role) and his former lover (supposedly played by
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Nominated: Best Screenplay – Chu T’ien-wen, Wu Nien-jen
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The film follows the Lin family in a coastal town near
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This film is regarded as the second installment in the
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The film starts on August 15, 1945, with the voice of
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noted that they wanted to emulate the popularity of
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was the first (of three) Taiwanese films to win the
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Mainichi Film Award for Foreign Film Best One Award
325:. It tells the story of a family embroiled in the " 1902: 876:lauded Hou as "a master of long takes and complex 788:The movie includes many Chinese dialects, such as 939:has been touted as one of the few films to bring 3806: 2896:A Pigeon Sat on a Branch Reflecting on Existence 1968: 1747:Melancholy Drift: Marking Time in Chinese Cinema 1642:"Bei qing cheng shi (A City of Sadness) (1989)" 932:Resurgence of Taiwanese Hokkien (Taiyu) in film 1186:Trauma and Cinema: Cross-Cultural Explorations 1088:Nominated: Best Foreign Film – Hou Hsiao-hsien 1077:: Best Foreign Language Film – Hou Hsiao-hsien 1063:: Best Foreign Language Film – Hou Hsiao-hsien 657: 632: 619: 3598: 3004: 2363: 1995: 644: 598: 517: 505: 493: 481: 462: 62: 1617:"Taiwanese 'Sadness' Filmmaking At Its Best" 993:makes Hong Kong a "modern City of Sadness." 715:. The intention behind this was to increase 555:as Mr. Lin. A progressive friend of Hiromi. 3605: 3591: 3011: 2997: 2370: 2356: 2002: 1988: 1439: 1437: 978: 441:, the chief executive of Taiwan, declares 40: 3789:"The Electric Princess Picture House" in 2295:Three Billboards Outside Ebbing, Missouri 1138: 1049:Nominated: Best Editing – Liao Ching-song 996: 915:poll, 14 critics and two directors named 3221:Secret Love for the Peach Blossom Spring 1877:"The awards of the Venice Film Festival" 1820: 1675:. British Film Institute. Archived from 1222: 453: 346:, which had been relinquished following 3865:Films with screenplays by Chu T’ien-wen 2677:Rosencrantz & Guildenstern Are Dead 1900: 1434: 1322:10.5790/hongkong/9789888528516.003.0005 828: 14: 3807: 1473: 1040:: Best Leading Actor – Sung Young Chen 988:citizens were being treated after the 27:1989 Taiwanese film by Hou Hsiao-hsien 3875:Films about the White Terror (Taiwan) 3860:Films with screenplays by Wu Nien-jen 3586: 2992: 2351: 1983: 1967: 1816: 1814: 1785:Modern Chinese Literature and Culture 1778: 1739: 1737: 1588: 1381: 1139:Xiao, Zhiwei; Zhang, Yingjin (2002). 833: 380:, but was not accepted as a nominee. 3667:The Time to Live and the Time to Die 3422:Warriors of the Rainbow: Seediq Bale 3121:The Battle for the Republic of China 2570:Artists Under the Big Top: Perplexed 1614: 1504: 1449:Harvard Faculty of Arts and Sciences 1408: 1351: 1349: 1261: 1218: 1216: 1214: 1189:. Hong Kong University Press. 2008. 1179: 1177: 1175: 1173: 1171: 746: 1697: 923:History, trauma, and reconciliation 24: 1894: 1811: 1743: 1734: 1307: 783: 25: 3891: 3855:Films directed by Hou Hsiao-hsien 1924: 1562: 1531: 1346: 1268:Foreign Policy Research Institute 1211: 1168: 1034:: Best Director – Hou Hsiao-hsien 741:governments promotion of Mandarin 205:Era Communications (Int'l rights) 2960:All the Beauty and the Bloodshed 2379:Venice Film Festival Golden Lion 1474:Linden, Sheri (23 August 2019). 3028:Best International Feature Film 1869: 1772: 1691: 1665: 1634: 1608: 1582: 1556: 1525: 1505:Shaw, Tristan (28 March 2015). 1498: 1467: 1402: 1382:Berry, Michael (October 2005). 1289:"A City of Sadness by S.E.N.S." 522:), patriarch of the Lin family. 424:Japan's unconditional surrender 337:(KMT) after their arrival from 3643:The Green, Green Grass of Home 3301:Crouching Tiger, Hidden Dragon 2661:The Legend of the Holy Drinker 1750:. Hong Kong University Press. 1375: 1281: 1255: 1223:Rawnsley, Ming-Yeh T. (2011). 1159: 1132: 973:Taiwanese indigenous languages 662:~Dedicated To Hou Hsiao-Hsien 645: 599: 354:, and the first to depict the 313: 304: 63: 13: 1: 3830:1980s Mandarin-language films 3091:The Legend of the Six Dynasty 1909:. London: British Film Inst. 1704:. Columbia University Press. 1673:""City of Sadness, A" (1989)" 1388:. Columbia University Press. 1125: 953:Government Information Office 694: 671: 573:as singer (cameo appearance). 529:prison and they have a child. 1698:Lin, Sylvia Li-chun (2007). 1142:Encyclopedia of Chinese Film 7: 3774:Segments in anthology films 1615:Kehr, Dave (22 June 1990). 1108: 945:national language in Taiwan 10: 3896: 1901:Reynaud, Bérénice (2002). 1827:Social Indicators Research 1821:Rochelle, Tina L. (2015). 1145:. Routledge. p. 190. 1027:Golden Horse Film Festival 743:as the national language. 679:was filmed on location in 668:Sourced from Xiami Music. 463:The February 28th Incident 374:Best Foreign Language Film 329:" that was wrought on the 218:4 September 1989 3820:Taiwanese war drama films 3773: 3755:Flight of the Red Balloon 3621: 3523: 3312: 3101: 3034: 2783: 2580: 2385: 2017: 1977: 1839:10.1007/s11205-014-0592-z 1084:Independent Spirit Awards 658: 633: 620: 518: 506: 494: 482: 266: 258: 248: 209: 201: 187: 177: 167: 157: 135: 125: 111: 101: 97: 93: 83: 79: 71: 55: 51: 39: 34: 3880:Films scored by S.E.N.S. 3825:Taiwanese-language films 3780:"The Son's Big Doll' in 3261:Tonight Nobody Goes Home 2167:Postmen in the Mountains 2119:The Shawshank Redemption 2047:The Purple Rose of Cairo 577: 3402:Cannot Live Without You 3141:Old Mao's Second Spring 2629:A Year of the Quiet Sun 2039:A Sunday in the Country 1779:Zhang, Yingjin (2013). 1314:Oxford University Press 979:Contemporary references 965:Taiyu Language Movement 471: 402: 3870:1989 crime drama films 3840:Films set in the 1940s 3792:To Each His Own Cinema 3715:Goodbye South, Goodbye 3651:The Boys from Fengkuei 2506:Last Year at Marienbad 2175:Devils on the Doorstep 1422:Cite journal requires 1095:Political Film Society 1070:Mainichi Film Concours 997:Awards and nominations 985:2014 Umbrella Movement 907:British Film Institute 770: 759:Hou Hsiao-hsien wrote: 317:) is a 1989 Taiwanese 3835:1980s war drama films 3659:A Summer at Grandpa's 3211:A Brighter Summer Day 2800:The Magdalene Sisters 2653:Au revoir les enfants 2554:The Battle of Algiers 2111:Farewell My Concubine 2055:The Trip to Bountiful 1589:Rosenbaum, Jonathan. 1241:10.1386/AC.22.2.196_1 761: 454:Historical background 335:Kuomintang government 46:Taiwanese film poster 3707:Good Men, Good Women 3683:Daughter of the Nile 3472:Hang in There, Kids! 3181:My Mother's Teahouse 3082:Eight Hundred Heroes 3020:Taiwanese submission 2605:Marianne and Juliane 2482:General Della Rovere 2199:Flags of Our Fathers 1262:Shattuck, Thomas J. 1043:Nominated: Best Film 1004:Venice Film Festival 843:February 28 Incident 829:Reception and impact 802:Ming-Yeh T. Rawnsley 435:February 28 Incident 396:Good Men, Good Women 370:Venice Film Festival 356:February 28 Incident 228:Venice Film Festival 3845:Golden Lion winners 3723:Flowers of Shanghai 3342:Goodbye, Dragon Inn 3281:Flowers of Shanghai 3241:Eat Drink Man Woman 3231:The Wedding Banquet 3161:The Heroic Pioneers 3072:Execution in Autumn 2709:Three Colours: Blue 2693:The Story of Qiu Ju 2613:The State of Things 2530:Hands over the City 2498:Tomorrow Is My Turn 2151:Shakespeare in Love 2135:The English Patient 1591:"A City of Sadness" 1565:"A City of Sadness" 1537:"A City of Sadness" 1445:"A City of Sadness" 1316:. pp. 98–117. 1056:Kinema Junpo Awards 957:Golden Horse Awards 848:Taiwan's New Cinema 603:~A City Of Sadness 583: 478:Tony Leung Chiu-wai 378:62nd Academy Awards 140:Tony Leung Chiu-wai 3613:Films directed by 3553:Marry My Dead Body 3432:Touch of the Light 3291:March of Happiness 3111:If I Were for Real 2976:The Room Next Door 2920:The Shape of Water 2912:The Woman Who Left 2824:Brokeback Mountain 2757:The Way We Laughed 2621:First Name: Carmen 2087:Dances with Wolves 1455:on 25 October 2018 874:Jonathan Rosenbaum 834:Critical reception 611:Hiromi~Flute Solo 582: 504:as Lin Wen-leung ( 492:as Lin Wen-heung ( 480:as Lin Wen-ching ( 3802: 3801: 3691:A City of Sadness 3580: 3579: 3574: 3573: 3492:The Great Buddha+ 3362:The Wayward Cloud 3332:The Best of Times 3201:Song of the Exile 3191:A City of Sadness 3151:Kuei-Mei, a Woman 2986: 2985: 2669:A City of Sadness 2345: 2344: 2239:The King's Speech 2143:L.A. Confidential 2079:A City of Sadness 1971:A City of Sadness 1954:A City of Sadness 1943:A City of Sadness 1932:A City of Sadness 1905:A City of Sadness 1757:978-988-8028-05-4 1744:Ma, Jean (2010). 1728:10.7312/lin-14360 1710:10.7312/lin-14360 1679:on 20 August 2012 1511:Los Angeles Times 1395:978-0-231-13330-2 1196:978-962-209-624-0 961:A City of Sadness 949:A City of Sadness 941:Taiwanese Hokkien 937:A City of Sadness 917:A City of Sadness 912:Sight & Sound 899:review aggregator 892:A City of Sadness 839:A City of Sadness 806:A City of Sadness 747:Conceptualization 725:Taiwanese Hokkien 709:A City of Sadness 685:A City of Sadness 677:A City of Sadness 666: 665: 362:A City of Sadness 296:A City of Sadness 292: 291: 233:October 1989 35:A City of Sadness 16:(Redirected from 3887: 3783:The Sandwich Man 3731:Millennium Mambo 3699:The Puppetmaster 3675:Dust in the Wind 3607: 3600: 3593: 3584: 3583: 3567: 3557: 3547: 3537: 3516: 3506: 3496: 3486: 3476: 3466: 3456: 3446: 3436: 3426: 3416: 3406: 3396: 3386: 3376: 3366: 3356: 3346: 3336: 3326: 3305: 3295: 3285: 3275: 3265: 3255: 3251:Super Citizen Ko 3245: 3235: 3225: 3215: 3205: 3195: 3185: 3175: 3165: 3155: 3145: 3135: 3125: 3115: 3094: 3086: 3076: 3066: 3056: 3046: 3013: 3006: 2999: 2990: 2989: 2522:Ivan's Childhood 2450:Romeo and Juliet 2372: 2365: 2358: 2349: 2348: 2004: 1997: 1990: 1981: 1980: 1965: 1964: 1920: 1908: 1888: 1887: 1885: 1883: 1873: 1867: 1866: 1818: 1809: 1808: 1776: 1770: 1769: 1741: 1732: 1731: 1695: 1689: 1688: 1686: 1684: 1669: 1663: 1662: 1660: 1658: 1638: 1632: 1631: 1629: 1627: 1612: 1606: 1605: 1603: 1601: 1586: 1580: 1579: 1577: 1575: 1560: 1554: 1553: 1551: 1549: 1529: 1523: 1521: 1519: 1517: 1502: 1496: 1495: 1493: 1491: 1486:on 29 April 2022 1482:. 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Index

City of Sadness

Chinese
Hanyu Pinyin
Hou Hsiao-hsien
Chu T’ien-wen
Wu Nien-jen
Chiu Fu-sheng
Tony Leung Chiu-wai
Chen Sung-young
Jack Kao
Li Tian-lu
Chen Hwai-en
Liao Ching-song
S.E.N.S.
Venice Film Festival
Taiwanese
Mandarin
Japanese
Cantonese
Shanghainese
Chinese
pinyin
historical drama
Hou Hsiao-hsien
White Terror
Taiwanese people
Kuomintang government
mainland China
Taiwan

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