231:
37:
320:
In recent years, an alternative view has arisen among film historians, such as
Lawrence Napper, who have argued that the quota quickie has been too casually dismissed, and is of particular cultural and historical value because such films often contained performances unique to British popular culture,
248:
An Act to make further provision for securing the renting and exhibition of a certain proportion of
British cinematograph films, and for restricting blind booking and advance booking of cinematograph films; to make provision as to the wages and conditions of employment of persons employed by makers
162:
The act introduced a requirement for
British cinemas to show a quota of British films for a duration of 10 years. Its supporters believed that it would promote the emergence of a vertically integrated film industry, with production, distribution and exhibition infrastructure controlled by the same
174:
By creating an obligatory market-section for
British films, it was hoped that the increased economic activity in the production sector would lead to the growth of a self-sustaining industry. The quota was initially set at 7.5% for exhibitors but was raised to 20% in 1935. The films included those
206:— films that promised quick financial return despite modest production investment. They were mostly low-cost, low-quality, quickly produced films, commissioned by American distributors active in the UK or Canada, or by British cinema owners purely to satisfy the quota requirements.
191:
At least 75% of the salaries must be paid to
British subjects, excluding the costs of two persons, at least one of whom must be an actor. (That provision allowed for a British film to include a highly paid non-British star, producer or director but still be regarded as a British
201:
The act is not generally considered a success. It fostered speculative investment in lavishly budgeted features for which production costs could not have been recouped on the domestic market, and it was criticised for the emergence of opportunistic
54:
An Act to restrict blind booking and advance booking of cinematograph films, and to secure the renting and exhibition of a certain proportion of
British films, and for purposes connected therewith.
171:, the intention was to counter Hollywood's perceived economic and cultural dominance by promoting similar business practices among British studios, distributors and cinema chains.
317:, which removed films shot in British Empire countries from the quota. It was, in turn, amended by further acts, and it was eventually repealed by the Films Act 1960.
538:
523:
115:
513:
368:
254:
59:
548:
543:
235:
143:
394:
188:
The author of the scenario or the original work on which the screenplay was based must be a
British subject.
147:
305:
528:
441:, James Curran & Vincent Porter (eds.), London, Weidenfeld & Nicolson, 1983, pp. 59–73.
533:
338:
462:'The British Film Industry's Production Sector Difficulties in the Late 1930s', John Sedgwick,
518:
243:
49:
8:
408:
The Epic That Never Was ~ I, Claudius (1937) ~ Charles
Laughton ~ 1965 BBC-TV Documentary
249:
of cinematograph films; and to provide for purposes connected with the matters aforesaid.
139:
282:
135:
87:
64:
498:
344:
479:(2nd edition), Robert Murphy (ed.), London, BFI Publishing, 2001, pp. 37–47.
259:
41:
453:, Margaret Dickinson & Sarah Street, London, British Film Institute, 1985.
406:
185:
Studio scenes must be photographed within a film studio in the
British Empire.
507:
164:
326:
272:
151:
77:
475:
Lawrence Napper, 'A Despicable
Tradition? Quota Quickies in the 1930s' in
470:
The Unknown 1930s: An Alternative History of the British Cinema 1929–1939
168:
322:
445:
The Age of the Dream Palace: Cinema and Society in Britain, 1930–39
395:
Summary of film-related legislation on the UK parliament's website
451:
Cinema and State: The Film Industry and the Government, 1927–1984
349:
182:
The film must be made by a British or British-controlled company.
437:
Michael Chanan, 'State Protection of a Beleaguered Industry' in
178:
A British film was defined according to the following criteria:
167:
had rapid growth in the years immediately following the end of
110:
434:, Jeffrey Dell, London & Toronto, William Heinemann, 1939.
329:, that would not have been filmed under normal circumstances.
154:
on 22 December 1927 and came into force on 1 April 1928.
175:
shot in British dominions such as Canada and Australia.
472:, Jeffrey Richards, Manchester, I.B. Tauris (2001).
484:Quota Quickies: The Birth of the British ‘B’ Film
505:
464:Historical Journal of Film, Radio and Television
457:Dissolving Views: Key Writings on British Cinema
341:, a list of films produced to fulfill this quota
459:, Andrew Higson (ed.), London, Cassell, 1996.
447:, Jeffrey Richards, London, Routledge, 1984.
165:vertically integrated American film industry
539:History of mass media in the United Kingdom
524:Repealed United Kingdom Acts of Parliament
16:Act to stimulate the British film industry
466:, vol. 17, no. 1 (1997), pp. 49–66.
486:(London: British Film Institute, 2007)
514:United Kingdom Acts of Parliament 1927
506:
379:
306:Text of statute as originally enacted
146:designed to stimulate the declining
13:
14:
560:
492:
236:Parliament of the United Kingdom
229:
35:
425:
382:An Introduction to Film Studies
196:
399:
388:
373:
362:
157:
1:
355:
315:Cinematograph Films Act 1938
313:The act was modified by the
300:Cinematograph Films Act 1927
218:Cinematograph Films Act 1938
132:Cinematograph Films Act 1927
105:Cinematograph Films Act 1938
25:Cinematograph Films Act 1927
7:
332:
10:
565:
211:United Kingdom legislation
21:United Kingdom legislation
384:. Routledge. p. 325.
304:
296:
291:
281:
271:
266:
253:
242:
228:
223:
216:
121:
109:
101:
96:
86:
76:
71:
58:
48:
34:
29:
549:1920s in British cinema
544:1930s in British cinema
477:The British Cinema Book
339:Category:Quota quickies
499:In Praise of the Quota
439:British Cinema History
432:Nobody Ordered Wolves
380:Nelmes, Jill (2003).
148:British film industry
26:
163:companies. As the
136:17 & 18 Geo. 5
65:17 & 18 Geo. 5
24:
529:Media legislation
311:
310:
292:Other legislation
224:Act of Parliament
128:
127:
97:Other legislation
30:Act of Parliament
556:
482:Steve Chibnall,
419:
418:
417:
415:
403:
397:
392:
386:
385:
377:
371:
366:
345:Canadian content
260:1 & 2 Geo. 6
233:
232:
219:
214:
213:
138:. c. 29) was an
123:Status: Repealed
82:22 December 1927
39:
38:
27:
23:
564:
563:
559:
558:
557:
555:
554:
553:
504:
503:
495:
428:
423:
422:
413:
411:
405:
404:
400:
393:
389:
378:
374:
367:
363:
358:
335:
238:
230:
217:
212:
199:
160:
124:
44:
36:
22:
17:
12:
11:
5:
562:
552:
551:
546:
541:
536:
534:Quota quickies
531:
526:
521:
516:
502:
501:
494:
493:External links
491:
490:
489:
480:
473:
467:
460:
454:
448:
442:
435:
427:
424:
421:
420:
398:
387:
372:
360:
359:
357:
354:
353:
352:
347:
342:
334:
331:
309:
308:
302:
301:
298:
294:
293:
289:
288:
285:
279:
278:
275:
269:
268:
264:
263:
257:
251:
250:
246:
240:
239:
234:
226:
225:
221:
220:
210:
204:quota quickies
198:
195:
194:
193:
189:
186:
183:
159:
156:
150:. It received
126:
125:
122:
119:
118:
116:Films Act 1960
113:
107:
106:
103:
99:
98:
94:
93:
90:
84:
83:
80:
74:
73:
69:
68:
62:
56:
55:
52:
46:
45:
42:United Kingdom
40:
32:
31:
20:
15:
9:
6:
4:
3:
2:
561:
550:
547:
545:
542:
540:
537:
535:
532:
530:
527:
525:
522:
520:
517:
515:
512:
511:
509:
500:
497:
496:
487:
485:
481:
478:
474:
471:
468:
465:
461:
458:
455:
452:
449:
446:
443:
440:
436:
433:
430:
429:
410:
409:
402:
396:
391:
383:
376:
370:
365:
361:
351:
348:
346:
343:
340:
337:
336:
330:
328:
324:
318:
316:
307:
303:
299:
295:
290:
286:
284:
280:
277:30 March 1938
276:
274:
270:
265:
261:
258:
256:
252:
247:
245:
241:
237:
227:
222:
215:
209:
207:
205:
190:
187:
184:
181:
180:
179:
176:
172:
170:
166:
155:
153:
149:
145:
144:UK Parliament
141:
137:
133:
120:
117:
114:
112:
108:
104:
100:
95:
91:
89:
85:
81:
79:
75:
70:
66:
63:
61:
57:
53:
51:
47:
43:
33:
28:
19:
519:1927 in film
483:
476:
469:
463:
456:
450:
444:
438:
431:
426:Bibliography
412:, retrieved
407:
401:
390:
381:
375:
364:
327:variety acts
319:
314:
312:
287:1 April 1938
283:Commencement
273:Royal assent
208:
203:
200:
197:Consequences
177:
173:
161:
152:royal assent
131:
129:
92:1 April 1928
88:Commencement
78:Royal assent
18:
169:World War I
158:Description
111:Repealed by
508:Categories
414:24 October
356:References
323:music hall
244:Long title
102:Amended by
50:Long title
333:See also
321:such as
255:Citation
60:Citation
369:Hansard
350:B movie
262:. c. 17
142:of the
67:. c. 29
297:Amends
192:film.)
267:Dates
72:Dates
416:2023
325:and
130:The
140:act
510::
488:]
134:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.