412:
287:
279:
420:
54:
485:(some staggered examples are not original to the main building and may have been added in the 17th–18th century). These large buttresses support the lateral facades and are interspersed by cornices. The south facade has a single portico with semi-circular archway, comparable to the principal facade but in a smaller scale (but with four columns on capitals and with bird and flower motifs). Meanwhile, the northern portico has a similar design, but with other motifs on the capitals, and the tympanum is identifiable by a sculpted
1605:
1593:
334:, although archaeological proof of these statements have yet to be discovered on the site. References to Cedofeita continued throughout the 12th and 13th centuries, referring to the existence of a monastery in Cedofeita, alternating with dispatches about a religious college, continuing until the first quarter of the 13th century. The community of religious clerics adopted the orders of the
982:
505:
of the rest of the building. The nave is illuminated by the narrow windows on the nave and main facade and by a small rose window on the wall over the main chapel. Inserted into the wall is a Gothic inscription. It is likely that intervention of
Coimbra sandstone marks the importance of this temple
453:
The principal facade (oriented to the west) is marked by a single portico with three semi-circular arches, decorated with animals and birds, supported on rounded-columns. This triumphal arch entrance-way, is constructed over two limestone capitals and has a cubic appearance, extending from the main
492:
The main chapel has a series of blind arches on the wall (a remnant from the earlier, 11th century building) and is illuminated by three narrow windows. Two capitals of the triumphal arch (between the main chapel and the nave) were reused from an ancient building, possibly a 10th-century church in
364:
Between the 17th and 18th century, the church was remodelled, with the extension of lateral chapels from the fourth section of the nave. The front entranceway was tiled (hiding the original western facade), while a new bell-tower and a southern cloister were built, at the same time the chancel was
402:
appearance. It was during these restorations that the organ was disassembled and removed from the Church. Successively, the building was further restored through several periods of renovation, including in 1966, 1975, 1979, 1980, 1982, 1984 (when the chancel roof was re-tiled) and in 1991 (when
310:, in 868, constructed or rebuilt a temple (whose remaining two triumphal arch capitals were later reused in the Romanesque period). These capitals are one of the most important indicators of constructive dynamics that accompanied the first conquest of the territories along the
462:
construction (and has been the centre of historical speculation since the 17th century). The triumphal arch is surmounted by a
Romanesque slit-window, flanked by rounded capitals, and finally surmounted by a Neolithic cross on its apex. Within the cantilever
294:
The oldest document referring to the Church dates from 1087, when it was consecrated and funds allocated for its upkeep. From surveys of the building, at least two former structures occupied the same place: one built around the 10th century, from which two
314:
and stylistically relate to the late-Asturian construction (such as in the churches of São
Salvador and Valdediós Priesca, both from the beginning of the tenth century. One of the vestiges of this period was the use of soft limestone (from the region of
306:, from which the lower part of the main chapel has survived. The more remote vestiges, now preserved, suggest a dating to the late 9th, early 10th century. It has been debated that, following his reconquest of the city of Porto,
514:. The themes used to decorate the capitals reveal a transposition of Coimbran models, such as the use of carved birds, lions, while the tympanum, Agnus Dei and vegetable decoration continue many of the similar treatments.
431:, placing it in an urbanized environment with intense traffic, surrounded by a small garden, alongside the newer parochial church of Cedofeita (a church of grand dimensions that was constructed in the 1970s).
384:, and consecrated by the Bishop of Braga, Lucrécio (561–562). Although it was copied from a parchment found in the canon's archives in 1556, the original stone, on which it was based, has never been found.
319:), a fact that contrasts with the widespread use of granite in later public works. In the 11th century construction campaign that followed, supported and consecrated in 1087 by the Bishop of Braga (
398:(DGMEN), resulting in the identification of several additions to the church during the 17th and 18th century. These renovations removed many of the late Baroque additions and gave it a more
511:
506:
for Art
History: the phenomenon that developed from the dispersion of Coimbra's influence into the Romanesque churches can be seen the similarities to buildings such as the
73:
478:
942:
919:
896:
873:
850:
828:
805:
782:
759:
736:
361:
was one of the largest property-owners in the area of Porto, supported by land-rents from the district and donations from the faith community.
1639:
1634:
387:
In 1869, the college of canons was extinguished, although the building continued to function as a parochial church. By 1880, an organ by
1629:
221:
1281:
1425:
1176:
1073:
423:
Close-up of the 17th–18th century inscription copied from the original medieval parchment and dating the Church to 559 A.D.
1553:
262:. The Church is a rare architectural example of a single-nave vaulted-ceiling temple, and the only one in the traditional
1558:
1161:
17:
1390:
1236:
1156:
454:
facade of the church. Many of the decorations are thought to be reused elements from an older building, likely from a
612:
1440:
1395:
365:
extended by two metres, while its barrel ceiling was elaborated in stucco. In the middle of the 18th century, the
1450:
1261:
971:
1211:
1486:
1096:
411:
323:
Pedro), included the lower areas of the chancel, whose blind arcades were constructed in a more archaic style.
1385:
1337:
1171:
394:
Formal restoration of the Church began in 1930, and lasted the next five years, under the stewardship of the
326:
The truly
Romanesque phase actually began late, around the 13th century. A document during the reign of King
1029:
282:
The main facade of the Church of
Cedofeita, still maintaining the Romanesque elements and dark granite stone
1276:
1251:
1048:
263:
1296:
1405:
1226:
1068:
1014:
1306:
1101:
286:
1415:
1347:
1342:
1053:
1481:
1316:
1181:
1151:
1009:
999:
1352:
1507:
507:
381:
357:
in the beginning of the 13th century, which helped to develop the parish. By the 16th century, the
278:
403:
electricity was introduced into the structure and the roof over the main nave was reconstructed).
1375:
1357:
1291:
1201:
1063:
464:
377:
170:
584:(in Portuguese), Lisbon, Portugal: SIPA – Sistema de Informação para o Património Arquitectónico
579:
1596:
1548:
1471:
1420:
1380:
1286:
1221:
1141:
299:
255:
252:
148:
131:
116:
1271:
1196:
881:
Real, Manuel Luís (2001), "O Românico português na perspectiva das relações internacionais",
419:
327:
267:
53:
790:
Rosas, Lúcia Maria
Cardoso (1985–1986), "A Colegiada de S. Martinho de Cedofeita do Porto",
1533:
331:
1266:
1186:
8:
1517:
1191:
964:
234:
165:
1543:
1256:
1332:
1311:
1231:
1136:
1091:
708:(in Portuguese), Lisbon, Portugal: Direcção Geral dos Edifícios e Monumentos Nacionais
1435:
1146:
1058:
1041:
936:
913:
890:
867:
844:
822:
799:
776:
753:
730:
1466:
1111:
1563:
1476:
1430:
1246:
1106:
1036:
1004:
108:
1609:
1410:
1400:
1131:
388:
370:
302:
are preserved in the interior; and another consecrated in 1098, by the Bishop of
153:
59:
1538:
474:
aligned west-to-east, designed in two
Romanesque arches, and holding the bells.
307:
1579:
1512:
1502:
1241:
1116:
1024:
957:
493:
this same spot. These capitals, with sculptured vegetation motifs, are made of
366:
335:
296:
136:
415:
The western entranceway showing the three semi-circular arches and inscription
1623:
1216:
1206:
88:
75:
447:
339:
112:
1301:
1126:
481:
within the nave, the church facades are reinforced with lateral exterior
320:
904:
Real, Manuel Luís (1984), "Inéditos de arqueologia medieval portuense",
1019:
471:
1445:
1121:
494:
486:
428:
244:
482:
459:
450:
in articulated spaces covered by a tiled-roof typical in
Portugal.
342:; historically, references to the temple referred to a much larger
259:
769:
Introdução à Arquitectura Românica in História da Arte em
Portugal
839:(in Portuguese), vol. II, Lisbon, Portugal, 1993, p. 68
837:
Património Arquitectónico e Arqueológico Classificado, Inventário
616:
502:
498:
439:
316:
216:
748:(in Portuguese), vol. II, Porto, Portugal, pp. 208–211
717:(in Portuguese), Lisbon, Portugal: Ministério das Obras Públicas
380:
around 1767, stating that the Church was founded in 559 by King
330:
mentioned the construction of the building during the reign of
985:
949:
771:(in Portuguese), vol. 3, Lisbon, Portugal, pp. 8–48
455:
311:
303:
248:
704:
DGMEN, ed. (1935), "A Igreja de S. Martinho de Cedofeita",
443:
435:
353:
The religious community was supported by the founding of a
981:
699:, Madrid, Spain: Gerhard N Graf, Ediciones Encuentro, 1987
725:(in Portuguese), Lisbon, Portugal, 1976, pp. 452–453
794:(in Portuguese) (3ª Série ed.), Penafiel, Portugal
290:
The rear oblique profile of the symmetrical church body
58:
Oblique profile of the Romanesque church dedicated to
715:
Relatório da Actividade do Ministério no ano de 1952
373:
on its parishioners in order to rebuild the church.
396:
Direcção Geral dos Edifícios e Monumentos Nacionais
369:at Cedofeita were willing to impose a cost of one
908:(in Portuguese), Lisbon, Portugal, pp. 30–43
885:(in Portuguese), Lisbon, Portugal, pp. 30–48
860:Inventário Artístico de Portugal. Cidade do Porto
344:Convento dos Cónegos Regrantes de Santo Agostinho
1621:
348:Convent of the Canons Regular of Saint Augustine
858:Quaresma, Maria Clementina de Carvalho (1995),
931:(in Portuguese), vol. 1, Lisbon, Portugal
817:(in Portuguese), vol. II, Braga, Portugal
376:An inscription was made into the western door
243:) is a medieval church in the civil parish of
965:
767:Almeida, Carlos Alberto Ferreira de (1986),
746:Arquitectura Românica de Entre-Douro-e-Minho
744:Almeida, Carlos Alberto Ferreira de (1978),
470:Over the northern corner of the church is a
427:The church is located in the parish seat of
972:
958:
941:: CS1 maint: location missing publisher (
918:: CS1 maint: location missing publisher (
895:: CS1 maint: location missing publisher (
872:: CS1 maint: location missing publisher (
849:: CS1 maint: location missing publisher (
827:: CS1 maint: location missing publisher (
804:: CS1 maint: location missing publisher (
789:
781:: CS1 maint: location missing publisher (
758:: CS1 maint: location missing publisher (
735:: CS1 maint: location missing publisher (
266:region of Portugal. It is classified as a
607:
605:
603:
601:
599:
597:
595:
593:
591:
857:
467:there is an inscription dating to 1767.
418:
410:
285:
277:
812:
766:
743:
573:
571:
569:
567:
565:
563:
561:
559:
557:
555:
553:
551:
549:
547:
14:
1622:
588:
545:
543:
541:
539:
537:
535:
533:
531:
529:
527:
501:region, which contrasts with the dark
1426:Museum of Transport and Communication
953:
703:
613:"Igreja de São Martinho de Cedofeita"
1640:National monuments in Porto District
1592:
1282:Palacete of the Visconts of Balsemão
926:
903:
880:
673:Manuel Luís Real (1986), vol.1, p.60
646:Gerhard N. Graf (1986), vol.1, p.331
1635:Romanesque architecture in Portugal
1559:Oporto Cricket and Lawn Tennis Club
1167:Church of São Martinho de Cedofeita
712:
615:(in Portuguese). Lisbon, Portugal:
581:Igreja de São Martinho de Cedofeita
577:
524:
24:
1177:Convent of Santo António da Cidade
25:
1651:
1554:Estádio Engenheiro Vidal Pinheiro
862:(in Portuguese), Lisbon, Portugal
1630:Roman Catholic churches in Porto
1603:
1591:
1441:Portuguese Centre of Photography
1391:Casa-Museu Marta Ortigão Sampaio
980:
883:Românico em Portugal e na Galiza
52:
1451:Soares dos Reis National Museum
1237:Lighthouse of São Miguel-o-Anjo
723:Tesouros Artísticos de Portugal
578:Nóe, Paulo (1997), SIPA (ed.),
406:
1162:Church of São Bento da Vitória
1097:Beco dos Redemoinhos Residence
979:
815:A Arte Organística em Portugal
676:
667:
664:Manuel Luís Real (1974), p.165
658:
649:
640:
631:
13:
1:
1396:Casa-oficina António Carneiro
1386:Casa Museu Fernando de Castro
682:Manuel Luís Real (1974) p.165
637:Manuel Luís Real (1984), p.31
391:was installed in the church.
180:
1212:Fort of São Francisco Xavier
792:Boletim Municipal de Cultura
655:Carlos Almeida (2001), p.116
446:church is designed around a
264:Entre-Douro-e-Minho Province
7:
1406:Casa-Museu Guerra Junqueiro
1227:Infante Dom Henrique Bridge
697:Portugal/1: Europa Romanica
206:26.32 m (86.4 ft)
198:11.42 m (37.5 ft)
10:
1656:
1416:Municipal Library of Porto
1348:Fountain of Rua das Taipas
1343:Fountain of Passeio Alegre
689:
273:
1588:
1572:
1526:
1495:
1487:São João National Theatre
1459:
1366:
1325:
1297:São Bento railway station
1182:Devesas Factory Warehouse
1152:Church of Saint Ildefonso
1082:
992:
927:Graf, Gerhard N. (1986),
215:
210:
202:
194:
189:
176:
164:
159:
147:
142:
130:
122:
104:
70:
66:
51:
44:
39:
34:
29:Church in Norte, Portugal
1307:Tower of D. Pedro Pitões
1102:Campanhã railway station
813:Valença, Manuel (1990),
517:
89:41.1557917°N 8.6216972°W
1600:at Wikimedia Commons .
1376:Almeida Garrett Library
1358:Fountain of the Virtues
1292:Porto Convention Centre
1277:Palace of São João Novo
1157:Church of São Francisco
442:, the structure of the
1421:Museu Militar do Porto
1381:Casa da Rua de D. Hugo
1353:Fountain of São Miguel
1222:Funicular dos Guindais
1142:College of the Marists
424:
416:
291:
283:
256:Grande Porto Subregion
238:
94:41.1557917; -8.6216972
40:Church of Saint Martin
1338:Fountain of the Lions
1272:Palacete de Belomonte
1197:English Club of Porto
1172:Church of Santa Clara
434:Composed of a single
422:
414:
328:Afonso II of Portugal
289:
281:
1534:Circuito da Boavista
1252:Monument to Pedro IV
1147:Church of the Grilos
359:College of Cedofeita
332:Afonso I of Portugal
1610:Portugal portal
1518:Rotunda da Boavista
1496:Streets and squares
1192:Elevador da Ribeira
1074:Tourist attractions
240:Igreja de Cedofeita
231:Church of Cedofeita
85: /
46:Igreja de Cedofeita
35:Church of Cedofeita
18:Church of Cedofeita
1333:Chafariz da Colher
1312:Tower of Pedro-Sem
1262:Palácio da Justiça
1232:Kadoorie Synagogue
512:Church of Santiago
425:
417:
292:
284:
247:, municipality of
1617:
1616:
1549:Estádio do Dragão
1436:Porto Tram Museum
1287:Ponte de São João
1267:Palácio do Freixo
1187:Dom Luís I Bridge
713:MOP, ed. (1953),
268:National Monument
227:
226:
16:(Redirected from
1647:
1608:
1607:
1606:
1595:
1594:
1564:Super Bock Arena
1544:Estádio do Bessa
1508:Liberdade Square
1477:Coliseu do Porto
1431:Port Wine Museum
1317:Fernandine Walls
1257:Palácio da Bolsa
1247:Maria Pia Bridge
1202:Episcopal Palace
1107:Carrancas Palace
984:
974:
967:
960:
951:
950:
946:
940:
932:
923:
917:
909:
900:
894:
886:
877:
871:
863:
854:
848:
840:
832:
826:
818:
809:
803:
795:
786:
780:
772:
763:
757:
749:
740:
734:
726:
718:
709:
700:
683:
680:
674:
671:
665:
662:
656:
653:
647:
644:
638:
635:
629:
628:
626:
624:
609:
586:
585:
575:
438:and rectangular
222:Diocese of Porto
185:
182:
100:
99:
97:
96:
95:
90:
86:
83:
82:
81:
78:
56:
32:
31:
21:
1655:
1654:
1650:
1649:
1648:
1646:
1645:
1644:
1620:
1619:
1618:
1613:
1604:
1602:
1584:
1568:
1522:
1491:
1460:Performing arts
1455:
1411:Casa do Infante
1401:FC Porto Museum
1368:
1362:
1321:
1137:Clérigos Church
1092:Arrábida Bridge
1084:
1078:
988:
978:
934:
933:
911:
910:
888:
887:
865:
864:
842:
841:
835:
820:
819:
797:
796:
774:
773:
751:
750:
728:
727:
721:
695:
692:
687:
686:
681:
677:
672:
668:
663:
659:
654:
650:
645:
641:
636:
632:
622:
620:
611:
610:
589:
576:
525:
520:
409:
371:Portuguese real
340:Saint Augustine
276:
183:
154:Martin of Tours
93:
91:
87:
84:
79:
76:
74:
72:
71:
62:
60:Martin of Tours
47:
30:
23:
22:
15:
12:
11:
5:
1653:
1643:
1642:
1637:
1632:
1615:
1614:
1589:
1586:
1585:
1583:
1582:
1580:Sea Life Porto
1576:
1574:
1570:
1569:
1567:
1566:
1561:
1556:
1551:
1546:
1541:
1536:
1530:
1528:
1524:
1523:
1521:
1520:
1515:
1513:Ribeira Square
1510:
1505:
1503:Batalha Square
1499:
1497:
1493:
1492:
1490:
1489:
1484:
1482:Rivoli Theatre
1479:
1474:
1472:Cinema Batalha
1469:
1467:Casa da Música
1463:
1461:
1457:
1456:
1454:
1453:
1448:
1443:
1438:
1433:
1428:
1423:
1418:
1413:
1408:
1403:
1398:
1393:
1388:
1383:
1378:
1372:
1370:
1364:
1363:
1361:
1360:
1355:
1350:
1345:
1340:
1335:
1329:
1327:
1323:
1322:
1320:
1319:
1314:
1309:
1304:
1299:
1294:
1289:
1284:
1279:
1274:
1269:
1264:
1259:
1254:
1249:
1244:
1242:Livraria Lello
1239:
1234:
1229:
1224:
1219:
1214:
1209:
1204:
1199:
1194:
1189:
1184:
1179:
1174:
1169:
1164:
1159:
1154:
1149:
1144:
1139:
1134:
1129:
1124:
1119:
1117:Casa dos Maias
1114:
1112:Casa da Câmara
1109:
1104:
1099:
1094:
1088:
1086:
1085:and structures
1080:
1079:
1077:
1076:
1071:
1066:
1061:
1056:
1051:
1046:
1045:
1044:
1034:
1033:
1032:
1027:
1017:
1012:
1007:
1002:
996:
994:
990:
989:
977:
976:
969:
962:
954:
948:
947:
929:Portugal roman
924:
901:
878:
855:
833:
810:
787:
764:
741:
719:
710:
701:
691:
688:
685:
684:
675:
666:
657:
648:
639:
630:
587:
522:
521:
519:
516:
479:barrel ceiling
408:
405:
389:Peter Conacher
336:Canons Regular
297:Pre-Romanesque
275:
272:
225:
224:
219:
213:
212:
211:Administration
208:
207:
204:
200:
199:
196:
192:
191:
190:Specifications
187:
186:
178:
174:
173:
168:
162:
161:
157:
156:
151:
145:
144:
140:
139:
137:Roman Catholic
134:
128:
127:
124:
120:
119:
106:
102:
101:
68:
67:
64:
63:
57:
49:
48:
45:
42:
41:
37:
36:
28:
9:
6:
4:
3:
2:
1652:
1641:
1638:
1636:
1633:
1631:
1628:
1627:
1625:
1612:
1611:
1599:
1598:
1587:
1581:
1578:
1577:
1575:
1571:
1565:
1562:
1560:
1557:
1555:
1552:
1550:
1547:
1545:
1542:
1540:
1537:
1535:
1532:
1531:
1529:
1527:Sports venues
1525:
1519:
1516:
1514:
1511:
1509:
1506:
1504:
1501:
1500:
1498:
1494:
1488:
1485:
1483:
1480:
1478:
1475:
1473:
1470:
1468:
1465:
1464:
1462:
1458:
1452:
1449:
1447:
1444:
1442:
1439:
1437:
1434:
1432:
1429:
1427:
1424:
1422:
1419:
1417:
1414:
1412:
1409:
1407:
1404:
1402:
1399:
1397:
1394:
1392:
1389:
1387:
1384:
1382:
1379:
1377:
1374:
1373:
1371:
1365:
1359:
1356:
1354:
1351:
1349:
1346:
1344:
1341:
1339:
1336:
1334:
1331:
1330:
1328:
1324:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1298:
1295:
1293:
1290:
1288:
1285:
1283:
1280:
1278:
1275:
1273:
1270:
1268:
1265:
1263:
1260:
1258:
1255:
1253:
1250:
1248:
1245:
1243:
1240:
1238:
1235:
1233:
1230:
1228:
1225:
1223:
1220:
1218:
1217:Freixo Bridge
1215:
1213:
1210:
1208:
1207:Factory House
1205:
1203:
1200:
1198:
1195:
1193:
1190:
1188:
1185:
1183:
1180:
1178:
1175:
1173:
1170:
1168:
1165:
1163:
1160:
1158:
1155:
1153:
1150:
1148:
1145:
1143:
1140:
1138:
1135:
1133:
1130:
1128:
1125:
1123:
1120:
1118:
1115:
1113:
1110:
1108:
1105:
1103:
1100:
1098:
1095:
1093:
1090:
1089:
1087:
1081:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1043:
1040:
1039:
1038:
1035:
1031:
1028:
1026:
1023:
1022:
1021:
1018:
1016:
1013:
1011:
1008:
1006:
1003:
1001:
998:
997:
995:
991:
987:
983:
975:
970:
968:
963:
961:
956:
955:
952:
944:
938:
930:
925:
921:
915:
907:
902:
898:
892:
884:
879:
875:
869:
861:
856:
852:
846:
838:
834:
830:
824:
816:
811:
807:
801:
793:
788:
784:
778:
770:
765:
761:
755:
747:
742:
738:
732:
724:
720:
716:
711:
707:
706:DGMEN Boletim
702:
698:
694:
693:
679:
670:
661:
652:
643:
634:
618:
614:
608:
606:
604:
602:
600:
598:
596:
594:
592:
583:
582:
574:
572:
570:
568:
566:
564:
562:
560:
558:
556:
554:
552:
550:
548:
546:
544:
542:
540:
538:
536:
534:
532:
530:
528:
523:
515:
513:
509:
504:
500:
496:
490:
488:
484:
480:
477:Owing to the
475:
473:
468:
466:
461:
457:
451:
449:
445:
441:
437:
432:
430:
421:
413:
404:
401:
397:
392:
390:
385:
383:
379:
374:
372:
368:
362:
360:
356:
351:
349:
345:
341:
337:
333:
329:
324:
322:
318:
313:
309:
305:
301:
298:
288:
280:
271:
269:
265:
261:
257:
254:
250:
246:
242:
241:
236:
232:
223:
220:
218:
214:
209:
205:
201:
197:
193:
188:
179:
175:
172:
169:
167:
163:
158:
155:
152:
150:
146:
141:
138:
135:
133:
129:
125:
121:
118:
114:
110:
107:
103:
98:
69:
65:
61:
55:
50:
43:
38:
33:
27:
19:
1601:
1590:
1539:Dragão Arena
1166:
928:
905:
882:
859:
836:
814:
791:
768:
745:
722:
714:
705:
696:
678:
669:
660:
651:
642:
633:
621:. Retrieved
580:
491:
476:
469:
452:
448:barrel vault
433:
426:
407:Architecture
399:
395:
393:
386:
375:
363:
358:
354:
352:
347:
343:
325:
308:Vímara Peres
293:
239:
230:
228:
160:Architecture
132:Denomination
113:Grande Porto
80:8°37′18.11″W
77:41°9′20.85″N
26:
1369:and museums
1302:She Changes
1127:Casa Vicent
906:Arqueologia
623:25 December
184: 1087
177:Years built
92: /
1624:Categories
1049:Mass media
1030:Metro Area
483:buttresses
460:Visigothic
400:"medieval"
235:Portuguese
171:Romanesque
149:Dedication
1446:Serralves
1367:Libraries
1326:Fountains
1132:Cathedral
1122:Casa Tait
1083:Buildings
1069:Transport
1020:Geography
1015:Education
497:from the
495:sandstone
487:Agnus Dei
429:Cedofeita
382:Theodemar
251:, in the
245:Cedofeita
1059:Politics
1042:Timeline
1025:District
937:citation
914:citation
891:citation
868:citation
845:citation
823:citation
800:citation
777:citation
754:citation
731:citation
465:tympanum
378:tympanum
300:capitals
260:Portugal
253:northern
126:Portugal
105:Location
1037:History
1010:Economy
1005:Climate
1000:Culture
690:Sources
617:IGESPAR
503:granite
499:Coimbra
440:chancel
355:factory
317:Coimbra
274:History
217:Diocese
143:History
123:Country
1054:People
993:Topics
619:. 2011
472:belfry
367:canons
195:Length
1597:Porto
1064:Sport
986:Porto
518:Notes
456:Suebi
312:Douro
304:Braga
249:Porto
203:Width
166:Style
117:Norte
109:Porto
1573:Zoos
943:link
920:link
897:link
874:link
851:link
829:link
806:link
783:link
760:link
737:link
625:2011
510:and
444:apse
436:nave
229:The
350:).
338:of
258:of
1626::
939:}}
935:{{
916:}}
912:{{
893:}}
889:{{
870:}}
866:{{
847:}}
843:{{
825:}}
821:{{
802:}}
798:{{
779:}}
775:{{
756:}}
752:{{
733:}}
729:{{
590:^
526:^
508:Sé
489:.
321:D.
270:.
237::
181:c.
115:,
111:,
973:e
966:t
959:v
945:)
922:)
899:)
876:)
853:)
831:)
808:)
785:)
762:)
739:)
627:.
458:-
346:(
233:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
.jpg)
