348:, closed the Church Street premises in 1982, and relocated the gallery's collection and inventory to a private studio, from which she continued to operate. In 1978 she was appointed Approved Commonwealth Valuer for Australian and International photography from the 19th Century to the present day for the Australian Government's Cultural Gifts Program. Evans continued acting as a specialist adviser on photography for a number of public institutions and prominent private collectors in Australia.
589:
89:, B.A., Dip. Soc. Stud. (21 December 1929 – 20 April 2019) was an Australian photographer active as an amateur from the 1950s and professional photographic artist from the 1980s, director of the Church Street Photography Centre in Melbourne (1976–1982), art curator and collector, and tertiary photography lecturer.
286:
The gallery also housed a bookshop that stocked a range of local and international books on photography and the latest specialist photographic periodicals and supplied
Melbourne's schools, colleges and tertiary institutions. In 1981, in order to keep their gallery solvent Evans sold off her inventory
360:
in 1982, then devoted her time to photography, undertaking portraiture, documentary and landscape. In the latter genre her work includes an extended photo essay on roadside verges where she found wildlife road kills and fatalities. Completed between 1988 and 1996, Evans made the shots with a
484:; was appointed inaugural assistant director of Waverley City Gallery (now Monash Gallery of Art), 1990–1991, the first municipal public collection in Melbourne to specialise in photography; inaugurated a course on the History of Photography taught by Daniel Palmer and was appointed
324:
In 1975, when
Australian photography was developing a higher profile and becoming collectible, Horsham Regional Art Gallery Director Jean Davidson made the decision that the gallery would specialise in the medium, and during the following years consulted on purchases with the
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that emphasised the psychological connexion between the sitter and his or her own space. They form a diverse cross-section of
Australian society from anonymous sitters to intelligentsia and personalities, among them Marianne Baillieu;
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F7 35mm panoramic camera held in a vertical orientation and she often rotated the camera about the axis of its swiveling lens to produce distortion. The photo-book
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camera by her wealthy father and her earliest surviving photography is from 1949 to 1951 and records marches, demonstrations and youth events including the 1949
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The gallery space was also used to present visiting speakers and for photographic workshops, tutored by photographers and writers of the era including
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of books and magazines; they became a foundation for 'The
Printed Image' bookshop, which also specialised exclusively in photography.
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492:(1997–2010). Evans continued conducting lectures and photographic workshops, predominantly in Melbourne and regional Victoria.
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Evans, Joyce (July–August 1982). Misani, Marco (ed.). "Joyce Evans, Church Street
Photographic Center, Melbourne, Australia".
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In 1976 Evans opened Church Street
Photographic Centre, a specialist photography gallery and bookshop in Church Street,
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of photographers who had shown in the gallery since 1977, then, despite the gallery being profiled in the
European
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Evans played an educational role in
Australian photography. She taught history of photography at Melbourne's
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We had such high hopes : student activism and the peace movement 1949-1952 : a photographic memoir
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We had such high hopes : student activism and the peace movement 1949-1952 : a photographic memoir
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and with Evans, who was then running Church Street
Gallery. One of the works she later acquired was Evans’
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at the Bakery Art School, Sydney in 1967/1968, but much later 'fell in love' with photography at the
1020:"An Interview With Joyce Evans - Photographer - Educator - Valuer - Commercial Photographic Gallery"
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Evans's portrait photographs were taken mainly in black and white, at close range, and were usually
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Phiction : lies, illusion and the phantasm in photography : Stories, truth or fiction?
1379:"Review: 'Joyce Evans: Edge of the road' at the Monash Gallery of Art, Wheelers Hill, Melbourne"
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and framing facilities (which were used by artists and photographers, notably by German artist
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1072:"Obituraries—John Williams: Self-taught photographer captured Sydney's 'rough' side"
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Joyce Evans' photograph collection of demonstrations and youth events, 1949-1951
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152:(1973) and showcased International 19th and 20th Century photography including
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and for over ten years documented
Australian country towns and events for the
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1523:"Joyce Evans | Obscura Gallery - Exhibitions, Venue Hire, Photography …"
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Distortions' show a new perspective,' The Age, Friday November 1978, p.2
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Bradley, Derrick and Leiss, Louise, Barbara, Peter (9 February 2018).
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In Her Words : A NETS Touring Exhibition curated by Olivia Poloni
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Significant Australians were also shown, including Venise Alstergren,
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Internet Archive: Imaging the Spiritual 1980-2010 at Obscura Gallery
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Evans' work is held in the following permanent public collections:
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participating in demonstrations in 1951. She studied painting with
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Phiction: Lies, Illusion and the Phantasm in Australia Photography
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992:"Joyce Evans: Photographer of Influence and Outstanding Merit"
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Exhibition prints from the Joyce Evans collection, 1991-2011
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Exhibition prints from the Joyce Evans collection, 1951-2012
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was made by Evans in the small Balcombe Estuary Reserve at
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After closing the Church Street Gallery, Evans enrolled at
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Beatrice Faust, 'Four different views of life and loves,'
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Evans, Joyce; Dickerson Gallery (Melbourne, Vic.) (2007),
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McCulloch's Encyclopedia of Australian Art, 2006 ed, 409
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Print of the Year Award, IAPP Victorian Division (1991)
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Print of the Year Award, IAPP Victorian Division (1985)
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McArdle, James; Horsham Regional Art Gallery (2001),
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Church Street Photographic Centre Archives, 1976–1982
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Robert Jacks, with Victor Majzner and Leslie Dumbrel
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1428:"Eternal Prague: Joyce Evans photography exhibition"
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Geoff Strong, 'In a dark age behind the camera,' in
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731:Kinross-Smith, Graeme, 1936-; Evans, Joyce (1987),
1684:(Alan and Susan McCulloch, eds, 2006); p. 409
1775:Recipients of the Medal of the Order of Australia
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901:Evans, Joyce; Harmsen, Andrew, (author.) (2019).
809:Evans, Joyce; Harmsen, Andrew, (author.) (2019),
460:Evans worked as an honorary photographer for the
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300:, UK; Jean-Marc Le Pechoux, publisher/editor of
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787:, exhib. cat., Melbourne: Obscura Gallery, 2010
413:; and the old Jewish cemetery in the centre of
1578:"Streetwise – Women Photographers at Photonet"
1512:, exhib. cat. Melbourne: Obscura Gallery, 2010
340:Over November and December 1981, Evans held a
558:Hasselblad Masters (Landscape Division), 1985
457:; Jill Reichstein; and Chris Wallace-Crabbe.
1510:Joyce Evans: Imaging the Spiritual 1980–2010
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1107:: CS1 maint: multiple names: authors list (
1046:"Photographer brought excellence to gallery"
975:: CS1 maint: multiple names: authors list (
785:Joyce Evans: Imaging the Spiritual 1980–2010
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754:: CS1 maint: multiple names: authors list (
533:, Photonet Gallery, Fairfield, February 1–22
1682:McCulloch's Encyclopaedia of Australian Art
617:. Unsourced material may be challenged and
128:Art Fair, which led first to a career as a
854:Syndikas, Alexander; Evans, Joyce (1983),
758:) CS1 maint: numeric names: authors list (
509:2010: Obscura Gallery, St Kilda East, Vic.
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938:CS1 maint: multiple names: authors list (
845:CS1 maint: multiple names: authors list (
654:Musée de la Photographie, Mougins, France
637:Learn how and when to remove this message
313:Church Street also housed a photographic
1636:Castlemaine Art Museum Collection Online
107:2nd World Festival of Youth and Students
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544:Regional Art Gallery 2 March – 19 May;
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1688:Dictionary of Australian Women Artists
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1133:Corrie Perkin, 'A camera on history,'
733:Window to Australia : photographs
409:; vineyards and rural villages in the
321:during his Australian visit in 1981).
1377:Bunyan, Dr Marcus (20 October 2013).
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953:Evans, photographer.), Joyc (1949),
615:adding citations to reliable sources
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393:and outback Australia, most notably
18:Church Street Centre for Photography
1658:"PUBLICATIONS & CREATIVE WORKS"
1044:Bradley, Louise (30 January 2018).
905:. Australian Scholarly Publishing.
813:, Australian Scholarly Publishing,
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27:Australian photographer (1929–2019)
24:
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506:National Trust Gallery, Melbourne.
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1785:People from Elsternwick, Victoria
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1529:. 30 January 2013. Archived from
1434:. 17 January 2013. Archived from
1217:The Age, Friday 10 Aug 1979, p.38
1091:"RIP William Heimerman 1950-2017"
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526:Broken Hill Regional Art Gallery.
136:Church Street Photographic Centre
1780:20th-century women photographers
1556:, Horsham Regional Art Gallery,
673:State Library of New South Wales
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462:Department of Aboriginal Affairs
381:. She also photographed in the
192:, Martin Lacis, James Newberry,
1732:Eternal Prague: Joyce Evans in
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1233:, Monday, Nov 30, 1981, page 10
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1070:Grace, Helen (11 August 2016).
880:"Vale Joyce Evans Photographer"
794:Joyce Evans : my Australia
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715:Selby Daffodils (Cotswald Farm)
568:Medal of the Order of Australia
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1770:Australian women photographers
1704:The World's Who's Who of Women
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1717:National Library of Australia
1698:Who's Who of Australian Women
1656:Barilo von Reisberg, Eugene.
1024:michaels camera video digital
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701:Immigration Museum, Melbourne
675:(Mitchell Library Collection)
658:National Library of Australia
572:2019 Queen's Birthday Honours
548:Art Gallery, 01 Nov – 15 Dec.
470:National Library of Australia
445:; Joan Kerr; Ellen Koshland;
429:; Baron Avid von Blumenthal;
92:
1765:Photographers from Melbourne
1297:, Monday 02 March 1981, p.10
1277:'My Melbourne: Photographer
1208:, Thursday 28 May 1981, p.10
1148:"An Early Christmas Present"
719:Australian Tapestry Workshop
688:Horsham Regional Art Gallery
663:National Gallery of Victoria
327:National Gallery of Victoria
7:
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574:for service to photography.
358:Photography Studies College
97:Evans was presented with a
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1582:The Culture Concept Circle
1346:, Friday 13 Nov 1981, p.45
1281:talks to Janne Apelgren,'
996:The Culture Concept Circle
679:Jewish Museum of Australia
1254:Monday, 10 Aug 1981, p.10
1137:, Monday 18 Jun 1979, p.8
1050:The Sydney Morning Herald
668:State Library of Victoria
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150:The Photographers Gallery
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1760:Australian photographers
1285:Friday 12 Jun 1981, p.43
1193:Tuesday 18 Apr 1978, p.2
490:University of Melbourne
476:Education and lecturing
422:environmental portraits
1734:Australian Photography
684:Castlemaine Art Museum
451:Dame Elisabeth Murdoch
162:Julia Margaret Cameron
1480:Evans, Joyce (1991),
1457:Evans, Joyce (1951),
1403:Evans, Joyce (2003),
1076:Sydney Morning Herald
767:Evans, Joyce (2003),
735:, Deakin University,
691:Monash Gallery of Art
166:Henri Cartier-Bresson
1095:ProCounter Australia
611:improve this section
379:Chris Wallace-Crabbe
375:Mornington Peninsula
115:Melbourne University
1665:BvR Arts Management
1576:McDowall, Carolyn.
990:McDowall, Carolyn.
857:Optical deformation
797:, Dickerson Gallery
342:Final Retrospective
1607:honours.pmc.gov.au
1603:"Joyce Olga Evans"
1533:on 30 January 2013
1438:on 17 January 2013
1405:Only one kilometre
931:has generic name (
838:has generic name (
769:Only one kilometre
695:Museum of Victoria
443:Elena Kats-Chernin
367:Only One Kilometre
310:; and Ian Cosier.
142:Richmond, Victoria
1722:Picture Australia
1563:978-0-9579962-0-5
1414:978-0-7344-0583-8
1407:, Lothian Books,
912:978-1-925801-85-9
820:978-1-925801-85-9
778:978-0-7344-0583-8
742:978-0-7300-0498-1
647:
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514:Group exhibitions
466:Central Australia
331:Jennie Boddington
170:Imogen Cunningham
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427:Barbara Blackman
383:Dandenong Ranges
257:Laurence Le Guay
214:Alfred Stieglitz
210:Frederick Sommer
182:Hill and Adamson
113:, 1949; and the
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82:Joyce Olga Evans
45:21 December 1929
36:Joyce Olga Evans
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399:Oodlawirra
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