469:, and was one of the main visual artists to document the Beat subculture, which felt an affinity with Frank's interest in documenting the tensions between the optimism of the 1950s and the realities of class and racial differences. The irony that Frank found in the gloss of American culture and wealth over this tension gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques.
461:, Kerouac's lover at the time, she met Frank while waiting for Kerouac to emerge from a conference with his editors, at Viking Press, looked at Frank's portfolio, and introduced them to each other. Kerouac immediately told Frank, "Sure I can write something about these pictures." He eventually contributed the introduction to the U.S. edition of
514:, for one, derided his images as "meaningless blur, grain, muddy exposures, drunken horizons and general sloppiness." Though sales were also poor at first, the fact that the introduction was by the popular Kerouac helped it reach a larger audience. Over time and through its inspiration of later artists,
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project), along with vintage contact sheets, letters to photographer Walker Evans and author Jack
Kerouac, and two early manuscript versions of Kerouac's introduction to the book. Also exhibited were three collages (made from more than 115 original rough work prints) that were assembled under Frank's
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Though he was initially optimistic about the United States' society and culture, Frank's perspective quickly changed as he confronted the fast pace of
American life and what he saw as an overemphasis on money. He now saw America as an often bleak and lonely place, a perspective that became evident in
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pictures made at upper-class entertainments and in factories, alongside the work of the 25 year-old Frank who had just returned to his native
Switzerland after two years abroad, with pages including some of his first pictures from New York. The magazine promoted the two as representatives of the 'new
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that was to be seen by 9 million visitors and with a popular catalogue that is still in print. Frank's contributions had been taken in Spain (of a woman kissing her swaddled babe-in-arms); of a bowed old woman in Peru; a rheumy-eyed miner in Wales; and the others in
England and the US, including two
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that his mother, Rosa (other sources state her name as Regina), had a Swiss passport, while his father, Hermann originating from
Frankfurt, Germany had become stateless after losing his German citizenship as a Jew. They had to apply for the Swiss citizenship of Robert and his older brother, Manfred.
442:
Guggenheim
Foundation. They really were primitive." He was told by the sheriff, "Well, we have to get somebody who speaks Yiddish." ... "They wanted to make a thing out of it. It was the only time it happened on the trip. They put me in jail. It was scary. Nobody knew where I was." Elsewhere in the
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Tuggener was a role model for the younger artist, first mentioned to him by Frank's boss and mentor, Zurich commercial photographer
Michael Wolgensinger (1913â1990) who understood that Frank was unsuited to the more mercenary application of the medium. Tuggener, as a serious artist who had left the
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Frank's journey was not without incident. He later recalled the anti-Semitism to which he was subject in a small
Arkansas town. "I remember the guy took me into the police station, and he sat there and put his feet on the table. It came out that I was Jewish because I had a letter from the
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nonetheless affected his understanding of oppression. He turned to photography, in part as a means to escape the confines of his business-oriented family and home, and trained under a few photographers and graphic designers before he created his first hand-made book of photographs,
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reportedly told Frank, "It's a fucking good film, Robert, but if it shows in
America we'll never be allowed in the country again." The Stones sued to prevent the film's release, and it was disputed whether Frank as the artist or the Stones as those who hired the artist owned the
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his later photography. Frank's own dissatisfaction with the control that editors exercised over his work also undoubtedly colored his experience. He continued to travel, moving his family briefly to Paris. In 1953, he returned to New York and continued to work as a freelance
179:"changed the nature of photography, what it could say and how it could say it. it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
692:. Frank said of the Stones, "It was great to watch them â the excitement. But my job was after the show. What I was photographing was a kind of boredom. It's so difficult being famous. It's a horrendous life. Everyone wants to get something from you."
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loft in New York. He acquired a reputation for being a recluse (particularly since the death of Andrea), declining most interviews and public appearances. He continued to accept eclectic assignments, however, such as photographing the 1984
742:, in 1972. This work has been described as a "visual autobiography", and consists largely of personal photographs. However, he largely gave up "straight" photography to instead create narratives out of constructed images and
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He soon left to travel in South
America and Europe. He created another hand-made book of photographs that he shot in Peru, and returned to the U.S. in 1950. That year was momentous for Frank, who, after meeting
870:; Museum of Modern Art, 1969. Revised and enlarged edition. With an introduction by Jack Kerouac, a brief introduction by Frank, and a survey of Frank's films, each represented by a page of film frame stills.
1919:. Steichen, Edward (organizer); Lionni, Leo (book designer); Stoller, Ezra (photographer). Published for the Museum of Modern Art by Simon and Schuster in collaboration with the Maco Magazine Corporation.
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Paris: Delpire, 1958. French. Includes text in French by Simone de Beauvoir, Erskine Caldwell, William Faulkner, Henry Miller and John Steinbeck about American political and social history, selected by
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in New York. The second section of the four-section, 2009, SFMOMA exhibition displays Frank's original application to the John Simon Guggenheim Memorial Foundation (which funded the primary work on
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Tokyo: Yugensha. Deluxe, slipcased edition. Edition of 1000 copies, 500 featured the slipcase photograph of "New York City, 1948", 500 featured the slipcase photograph of "Platte River, Tennessee".
1035:. The first of the "Visual Diaries" combining photos from Frank's early career with the more private pictures he made in the latter part of his life. Other titles in the series are marked with a *
701:. A court order restricted the film to being shown no more than five times per year, and only in the presence of Frank. Frank's photography also appeared on the cover of the Rolling Stones' album
563:, most photographs are uncropped (in contrast to the cropped versions in previous editions), and two photographs are replaced with those of the same subject but from an alternate perspective.
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devoted special issues 11 and 12 in 1983 to discussion of Robert Frank as a gesture of admiration for, and complicity with, his work, also to set forth his critical capacity as an artist.
881:. Most photographs are uncropped compared with cropped versions in previous editions, and two photographs are replaced with those of the same subject but from an alternate perspective.
746:, incorporating words and multiple frames of images that were directly scratched and distorted on the negatives. None of this later work has achieved an impact comparable to that of
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301:, he helped form what Jane Livingston has termed The New York School of photographers (not to be confused with the New York School of art) during the 1940s and 1950s.
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Yugensha, 1987. Edition of 1000 copies, 500 featured "Champs-ĂlysĂ©es, 1950 " tipped onto the front cover, 500 featured "Metro Stalingrad" tipped onto the front cover.
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979:. According to the back cover, "Photos have been taken within the context of the photographical project 'Beirut, city centre, 1991', Ăditions de CyprĂšs, Paris."
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in 2014, said "it is impossible to imagine photography's recent past and overwhelmingly confusing present without his lingeringly pervasive presence." and that
530:"changed the nature of photography, what it could say and how it could say it. it remains perhaps the most influential photography book of the 20th century."
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and others from the Beat circle. The Beats emphasized spontaneity, and the film conveyed the quality of having been thrown together or even improvised.
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595:, was published, the most in-depth examination of any photography book ever, at 528 pages. While working as a guard at the Metropolitan Museum of Art,
446:, he was told by a sheriff that he had "an hour to leave town." Those incidents may have contributed to the dark view of America found in the work.
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Though Frank continued to be interested in film and video, he returned to still images in the 1970s, publishing his second photographic book,
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supervision in 2007 and 2008, revealing his intended themes as well as his first rounds of image selection. An accompanying book, also titled
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was published in the United States in 1959, Frank had moved away from photography to concentrate on filmmaking. Among his films was the 1959
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After his move to Nova Scotia, Canada, Frank divided his time between his home there, in a former fisherman's shack on the coast, and his
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817:"). Frank produced both films and still images, and helped organize several retrospectives of his art. His work has been represented by
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that the film was actually carefully planned, rehearsed, and directed by him and Frank, who shot the film with professional lighting.
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commercial world behind, was the "one Frank really did love, from among all Swiss photographers," according to Guido Magnaguagno and
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Looking In: Robert Frank's The Americans: Expanded Edition, Sarah Greenough (Ed), National Gallery Of Art, Washington/Steidl, 2009,
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that Delpire positioned opposite Frank's photographs. It was finally published in 1959 in the United States, without the texts, by
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785:. Much of Frank's subsequent work dealt with the impact of the loss of both his daughter and subsequently his son, who died in an
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1063:. A transcript of Kerouac's narration from the film Pull My Daisy (1959) with film stills and an introduction by Jerry Tallmer.
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hospital in 1994. In 1995, in memory of his daughter he founded the Andrea Frank Foundation, which provides grants to artists.
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As some critics have pointed out, this is perhaps because Frank began playing with constructed images more than a decade after
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457:"at a New York party where poets and Beatniks were," and showed him the photographs from his travels. However, according to
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This divergence from contemporary photographic standards gave Frank difficulty at first in securing an American publisher.
1204:. By Sarah Greenough. With essays by Stuart Alexander, Phillip Brookman, Michel Frizot, Martin Gasser, Jeff L. Rosenheim,
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over the next two years, during which time he took 28,000 shots. 83 of these were selected by him for publication in
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Robert Frank: The Photographer Who Captured Americaâs Dark Side, by Lucas Reilly, January 1, 2015, Mental Floss
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in 1955 to travel across the United States and photograph all strata of its society. Cities he visited included
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323:) of six laughing women in the window of the White Tower Hamburger Stand on Fourteenth Street, New York City.
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3531:(University of New Mexico Press, 1995). Chapter 5, "Edward Steichen, Robert Frank, and American Modernism."
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2532:"Robert Frank, the Godfather of Snapshot Photography and a Pioneer of Everyday Realism, Has Died at Age 94"
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Robert Frank The Americans ARTBOOK | D.A.P. 2008 Catalog Steidl Books Exhibition Catalogues 9783865215840
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758:, Frank's later images simply were not beyond the pale of accepted technique and practice by that time.
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Leo, Vince. â "Robert Frank: From Compromise to Collaboration." Parkett, 1994, Issue 42, pp. 8â23.
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688:, is arguably his best known film. The film shows the Stones on tour, engaging in heavy drug use and
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Frank was born in ZĂŒrich, Switzerland, the son of Rosa (Zucker) and Hermann Frank. His family was
2756:"'Don't Blink â Robert Frank' profiles one of America's most iconic, idiosyncratic photographers"
1212:. Published to accompany an exhibition organised by the National Gallery of Art, Washington, D.C.
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207:, in 1946. Frank emigrated to the United States in 1947, and secured a job in New York City as a
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was accordingly praised for years as an improvisational masterpiece, until Frank's co-director,
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3008:"Robert Frank, Influential Photographer Who Evocatively Chronicled Life in America, Dies at 94"
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522:, and is the work with which Frank is most clearly identified. Critic Sean O'Hagan, writing in
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Pollak, Benjamin (2017). "Photography from the Inside Out: Robert Frank's Memorial Images".
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Though Frank and his family remained safe in Switzerland during World War II, the threat of
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11/12 and Special 3, âRobert Frank, la photographie, enfin,â 4th quarter, 1983; essays by
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of seven of his photographs (many more than most other contributors) in the world-touring
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3458:(Addison House, 1977). "Robert Frank" (transcript of a talk and interview conducted at
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319:(one atypically soft-focus) of his wife in pregnancy; and one (later to be included in
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By the Glow of the Juke Box: The Americans List, Jason Eskenazi (Ed), Red Hook, 2012,
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781:. Also around this time, his son, Pablo, was first hospitalized and diagnosed with
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559:, a new edition was released worldwide on May 30, 2008. For this new edition from
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2039:(Expanded ed.), National Gallery of Art ; : Steidl, p. 152,
931:. Catalogue for Hasselblad Award exhibition, Hasselblad Center, Goteborg, Sweden.
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presented the most comprehensive retrospective of Frank's work to date, entitled
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in Canada. In 1974, his daughter, Andrea, was killed in a plane crash in Tikal,
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Robert Frank: A Bibliography, Filmography, and Exhibition Chronology, 1946â1985
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3639:
Cinematography, Photography, and Literature: Robert Frank's Aesthetic Triptych
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Steichen, Edward; Sandburg, Carl; Norman, Dorothy (1955). Mason, Jerry (ed.).
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Tom Maloney U. S. Camera 1958. U. S. Camera Publishing, New York, 1957, p.115
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1669:"Robert Frank at 90: the photographer who revealed America won't look back"
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667:'s story was transformed to center on a woman working on a chicken farm in
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magazine, Walter Laubli (1902â1991), published a substantial portfolio of
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3633:'Walker Evans and Robert Frank: an Essay on Influence' by Tod Papageorge
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2217:"Master of the Photobook: Robert Delpire's Long and Legendary Influence"
2001:
430:, Illinois. He took his family along with him for part of his series of
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Allan, Blaine (1988). "The Making (and Unmaking) of "Pull My Daisy"".
1935:
Robert Frank's The Americans : the art of documentary photography
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for his fresh and nuanced outsider's view of American society. Critic
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3442:(Abrams, 1984). Chapter 5, "The Americans: Politics and Alienation."
1749:. Produced and Directed by Gerald Fox. 2004. Greenwich Entertainment.
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671:. It was originally supposed to be filmed in six weeks in and around
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Washington, D.C.: National Gallery of Art; Göttingen: Steidl, 2009.
267:(née Lockspeiser), with whom he had two children, Andrea and Pablo.
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941:, Washington, D.C., for an exhibition held May 10 â July 14, 2003.
362:(1938), and on the recommendation of Evans (a previous recipient),
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In 1955, Frank achieved further recognition with the inclusion by
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2673:"Robert Frank, revolutionary American photographer, dies aged 94"
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2809:"The Sin of Jesus â Robert Frank â The Film-Makers' Cooperative"
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in New York since 1984. In 1994, the National Gallery of Art in
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which was written and narrated by Kerouac and starred Ginsberg,
2190:"'You Got Eyes': Jack Kerouac and Robert Frank's Shared Vision"
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3620:, National Gallery of Art, 2014 (with "more than 430 images")
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Frank died on September 9, 2019, at his home in Nova Scotia.
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To mark the fiftieth anniversary of the first publication of
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American Photography: A Critical History 1945 to the Present
2645:"Robert Frank Dies; Pivotal Documentary Photographer Was 94"
1695:"Robert Frank Dies; Pivotal Documentary Photographer Was 94"
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Frank and Mary separated in 1969. He remarried, to sculptor
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In 1961, Frank received his first individual show, entitled
293:. Associating with other contemporary photographers such as
239:, as a photo book, was a model for Frank's Les Américains ('
2445:"Robert Frank: The Photographer Behind 'Exile On Main St.'"
2086:"Road Show: The journey of Robert Frank's "The Americans.""
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Encyclopedia of Twentieth-Century Photography, 3-Volume Set
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New York: Grove Press, 1959. Introduction by Jack Kerouac.
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3649:'Robert Frank: Dissecting The American Image' by Jno Cook
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2784:"Leaving Home, Coming Home â A Portrait Of Robert Frank"
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1857:
American witness : the art and life of Robert Frank
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Hasselblad Foundation International Award in Photography
3369:"Doctor of Fine Arts Honoris Causa of NSCAD University"
1989:, C. Scribner's sons ; London : B.T. Batsford
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Shortly after returning to New York in 1957, Frank met
3501:"Walker Evans and Robert Frank: An Essay on Influence"
3418:(Center for Creative Photography, 1986). OCLC 16798695
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2245:, Art Institute of Chicago; retrieved: June 24, 2017.
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1747:
Leaving Home, Coming Home: A Portrait of Robert Frank
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Leaving Home, Coming Home: A Portrait of Robert Frank
508:, where it initially received substantial criticism.
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Leaving Home, Coming Home: A Portrait of Robert Frank
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The family of man : the photographic exhibition
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introduced his silkscreen compositesâin contrast to
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Members of the American Academy of Arts and Letters
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2304:"A Glimpse at the Robert Frank Publishing Project"
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1831:American Witness: The Art and Life of Robert Frank
1803:"Influential photographer Robert Frank dies at 94"
518:became a seminal work in American photography and
3601:Robert Frank's Masterpiece: "The Americans" at 50
3263:International Documentary Film Festival Amsterdam
3063:International Documentary Film Festival Amsterdam
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642:, revealed in a November 28, 1968 article in the
607:and explain their choice, resulting in the book,
191:. Robert states in Gerald Fox's 2004 documentary
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1641:Nova Scotia College of Art and Design University
3452:Janis, Eugenia Parry and Wendy MacNeil, eds. â
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2740:. Vol. 320, no. 1916. pp. 67â73.
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2585:"Art: Evoking the World of Some Great Painters"
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1244:. Vol. 320, no. 1916. pp. 67â73.
1216:By the Glow of the Juke Box: The Americans List
603:exhibition to choose their favorite image from
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2493:
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2037:Looking in : Robert Frank's The Americans
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1071:Distant Closeness: A Tribute to Robert Walser.
860:. Part of the Encyclopédie Essentielle series.
675:, but Frank ended up shooting for six months.
609:By the Glow of the Jukebox: The Americans List
155:. His most notable work, the 1958 book titled
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3641:(MOPA, San Diego, 2000). (An online essay on
2732:"You got eyes: Robert Frank imagines America"
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1999:
1722:Encyclopedia of Twentieth-century Photography
1265:(2015). Documentary directed by Laura Israel.
1236:"You got eyes: Robert Frank imagines America"
599:asked other noted photographers visiting the
144:(November 9, 1924 â September 9, 2019) was a
3478:"When Fathers Die: Remembering Robert Frank"
2340:"Looking In: Robert Frank's "The Americans""
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2035:Greenough, Sarah; Alexander, Stuart (2009),
3159:"Robert Frank. C'est Vrai (One Hour). 1990"
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2065:. John Simon Guggenheim Memorial Foundation
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1230:, with contributions from 276 photographers
923:Göteborg, Sweden: Hasselblad Center, 1997.
161:, earned Frank comparisons to a modern-day
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3606:Looking In: Robert Frank's "The Americans"
2706:"Looking In: Robert Frank's The Americans"
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1879:Woodward, Richard B. (September 4, 1994).
1639:2015: Doctor of Fine Arts, honoris causa,
1273:(2004). Documentary directed by Gerald Fox
465:. Frank also became lifelong friends with
4072:People from Inverness County, Nova Scotia
3541:Tucker, Anne and Philip Brookman, eds. â
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2561:"Photographer Robert Frank Is Dead at 94"
2473:"Movie Review: 'Me and My Brother' Opens"
2208:
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2000:Evans, Walker; Kirstein, Lincoln (1938),
1612:John Simon Guggenheim Memorial Foundation
1194:Looking In: Robert Frank's The Americans.
1170:Critical studies, reviews and biographies
894:New York: Lustrum Press, 1972. Paperback.
765:, and in 1971, moved to the community of
380:John Simon Guggenheim Memorial Foundation
19:For other people named Robert Frank, see
3654:Illustrated book review of The Americans
2955:Hopkinson, Amanda (September 10, 2019).
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1956:
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593:Looking In: Robert Frank's The Americans
572:Looking In: Robert Frank's The Americans
4057:American people of Swiss-Jewish descent
3109:"Robert Frank. Home Improvements. 1985"
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183:Background and early photography career
16:Swiss-American photographer (1924â2019)
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3545:(Museum of Fine Arts, Houston, 1986).
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2643:Gefter, Phillip (September 10, 2019).
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1982:
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263:(MoMA); he also married fellow artist
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3543:Robert Frank: New York to Nova Scotia
3503:(Yale University Art Gallery, 1981).
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2419:"The Trouble With 'Cocksucker Blues'"
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2149:Gefter, Philip (December 12, 2008). "
1933:Day, Jonathan; Frank, Robert (2011),
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1693:Gefter, Philip (September 10, 2019).
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1067:Ferne NĂ€he: Hommage fĂŒr Robert Walser
4052:Swiss emigrants to the United States
4022:Film directors from New York (state)
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3462:on April 14, 1975), pp. 52â65.
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2671:Bakare, Lanre (September 10, 2019).
2342:. San Francisco Museum of Modern Art
2214:
2084:Lane, Anthony (September 14, 2009).
2083:
1881:"Where Have You Gone, Robert Frank?"
1752:
1367:'s brother) and his mental illness.
937:Published in collaboration with the
663:with a grant from Walter K. Gutman.
4087:21st-century American photographers
4082:20th-century American photographers
3343:"MacDowell Medal winners 1960â2011"
3283:âHauptpreis, dotiert mit EUR 3.500â
2505:"Movie Review, Hitting the Highway"
2188:Johnson, Joyce (October 25, 2019).
1073:Bern: Robert Walser-Zentrum, 2012.
13:
3645:with illustrations and film-clip.)
3476:Lyon, Danny (September 27, 2019).
3408:
3319:. MacDowell Colony. Archived from
3039:. The Museum of Fine Arts, Houston
2988:. The Museum of Fine Arts, Houston
2936:. The Museum of Fine Arts, Houston
2910:. The Museum of Fine Arts, Houston
1923:
580:San Francisco Museum of Modern Art
14:
4103:
3569:
3455:Photography Within the Humanities
3184:"Robert Frank. Last Supper. 1992"
1859:(First ed.), Da Capo Press,
1828:Smith, R. J. (November 7, 2017).
255:, participated in the group show
4042:Social documentary photographers
3612:Elson Lecture 2009: Robert Frank
3398:Snapshots From The American Road
2782:Young, Deborah (March 2, 2005).
2730:Prose, Francine (January 2010).
2694:– via www.theguardian.com.
2443:Gerber, Brady (August 3, 2015).
2151:Snapshots from the American Road
1960:Fabrik; ein Bildepos der Technik
1234:Prose, Francine (January 2010).
678:Frank's 1972 documentary of the
326:
243:') published ten years later in
3608:, National Gallery of Art, 2008
3361:
3335:
3309:
3276:
3251:
3226:
3201:
3176:
3151:
3126:
3101:
3076:
3051:
3025:
2974:
2922:
2896:
2882:"Conversations in Vermont IDFA"
2775:
2744:
2723:
2698:
2593:
2524:
2436:
2354:
2332:
2318:
2296:
2248:
2181:
2028:
2019:
1993:
1976:
1950:
1906:
1834:. Hachette Books. p. 104.
944:Zurich; New York: Scalo, 2003.
835:
726:(the last was co-directed with
574:, was displayed in 2009 at the
476:was first published in 1958 by
4047:American expatriates in Canada
3209:"Portail du film documentaire"
2503:James, Caryn (June 10, 1988).
2256:"The Americans â Robert Frank"
2196:. The New York Review of Books
1872:
1848:
1821:
1739:
1712:
1686:
1363:A film about Julius Orlovsky (
1280:
1176:Les Cahiers de la photographie
799:Democratic National Convention
651:In 1960, Frank was staying in
550:Les Cahiers de la photographie
1:
3637:Nericcio, William Anthony. â
3618:Robert Frank Collection Guide
2326:"Robert Frank: The Americans"
2215:Ladd, Jeffrey (May 9, 2012).
1647:
1418:controversial film about the
710:Other films by Frank include
231:photography' of Switzerland.
21:Robert Frank (disambiguation)
4077:People from New York (state)
3579:at Hamiltons Gallery, London
3134:"Robert Frank. Hunter. 1989"
2622:10.13110/criticism.59.1.0027
2614:10.13110/criticism.59.1.0027
2006:, The Museum of Modern Art,
1218:. New York: Red Hook, 2012.
7:
3234:"The Portable Robert Frank"
2130:The New York Times Magazine
335:The Americans (photography)
220:In 1949, the new editor of
98:Photography, film directing
10:
4108:
3390:
3059:"Energy and How to Get It"
2861:"Conversations in Vermont"
1937:, Intellect, p. 118,
1262:Don't Blink â Robert Frank
1254:
659:'s basement while filming
584:Metropolitan Museum of Art
535:Robert Frank: Photographer
332:
18:
3980:
3909:
3838:
3767:
3702:
3614:, National Gallery of Art
2159:. Retrieved July 5, 2015.
2126:"The Man Who Saw America"
1600:
1296:
1293:
1290:
1157:Göttingen: Steidl, 2019.
1143:Göttingen: Steidl, 2017.
1129:Göttingen: Steidl, 2016.
1115:Göttingen: Steidl, 2014.
1101:Göttingen: Steidl, 2013.
1087:Göttingen: Steidl, 2012.
1055:Göttingen: Steidl, 2011.
1041:Göttingen: Steidl, 2011.
1027:Göttingen: Steidl, 2010.
1013:Göttingen: Steidl, 2006.
1011:Zero Mostel Reads a Book.
999:Göttingen: Steidl, 2006.
985:Göttingen: Steidl, 2006.
971:Göttingen: Steidl, 2006.
955:Göttingen: Steidl, 2007.
873:Göttingen: Steidl, 2008.
578:in Washington, D.C., the
566:A celebratory exhibit of
480:in Paris, as part of its
339:Inspired by fellow Swiss
257:51 American Photographers
131:
116:
102:
94:
86:
59:
37:
30:
3515:Robert Frank: Storylines
3486:New York Review of Books
3188:The Museum of Modern Art
3163:The Museum of Modern Art
3138:The Museum of Modern Art
3113:The Museum of Modern Art
1957:Tuggener, Jakob (1943),
1460:Energy and How to Get It
1376:Conversations in Vermont
614:
541:. He also showed at the
539:Art Institute of Chicago
482:Encyclopédie Essentielle
275:for magazines including
4062:20th-century Swiss Jews
3529:Picturing An Exhibition
3423:Photography After Frank
3297:. Hasselblad Foundation
2957:"Robert Frank obituary"
787:Allentown, Pennsylvania
576:National Gallery of Art
400:St. Petersburg, Florida
370:, Edward Steichen, and
3870:Bernd and Hilla Becher
3238:bordercrossingsmag.com
1817:– via bbc.co.uk.
1768:Warren, Lynne (2005).
1719:Warren, Lynne (2006).
1630:Edward MacDowell Medal
1532:C'est vrai! (One Hour)
484:series, with texts by
3722:Henri Cartier-Bresson
3628:National Public Radio
3414:Alexander, Stuart. â
2930:"About Me: A Musical"
1983:Brandt, Bill (1936),
1855:Smith, R. J. (2017),
1623:Hasselblad Foundation
1608:Guggenheim Fellowship
1583:True Story (Kurzfilm)
887:The Lines of my Hand.
841:Publications by Frank
582:(SFMOMA), and at the
545:in New York in 1962.
376:Guggenheim Fellowship
247:by Delpire, in 1958.
153:documentary filmmaker
4037:Street photographers
3728:Manuel Ălvarez Bravo
3404:, December 14, 2008.
3213:film-documentaire.fr
3084:"THIS SONG FOR JACK"
2859:Coney, John (1969).
2538:. September 10, 2019
2242:Robert Frank: Photos
2003:American photographs
1809:. September 10, 2019
1667:(November 7, 2014).
819:Pace/MacGill Gallery
805:for artists such as
740:The Lines of My Hand
734:Later life and death
543:Museum of Modern Art
420:Salt Lake City, Utah
360:American Photographs
343:'s 1943 filmic book
310:Museum of Modern Art
261:Museum of Modern Art
209:fashion photographer
4067:Swiss photographers
3499:Papageorge, Tod. â
3347:The Daily Telegraph
3317:"Medal Day History"
3088:Library of Congress
2839:Library of Congress
2813:film-makerscoop.com
1986:The English at home
1963:, Rotapfel-verlag,
1636:, Peterborough, NH.
1400:About Me: A Musical
1287:
752:Robert Rauschenberg
548:The French Journal
511:Popular Photography
368:Alexander Leiberman
352:The English at Home
3817:Christer Strömholm
3563:Frank Bibliography
3425:(Aperture, 2009).
3421:Gefter, Philip. â
3402:The New York Times
2650:The New York Times
2589:The New York Times
2510:The New York Times
2478:The New York Times
2156:The New York Times
2122:Dawidoff, Nicholas
1885:The New York Times
1745:Documentary film,
1699:The New York Times
1643:, Halifax, Canada.
1477:This Song For Jack
1285:
1210:Anne Wilkes Tucker
1127:What We Have Seen.
771:Cape Breton Island
767:Mabou, Nova Scotia
486:Simone de Beauvoir
388:Dearborn, Michigan
374:, Frank secured a
4009:
4008:
3947:Wolfgang Tillmans
3894:Graciela Iturbide
3823:William Eggleston
3758:SebastiĂŁo Salgado
3694:Laureates of the
3565:(via UC Berkeley)
3527:Sandeen, Eric. â
3460:Wellesley College
3431:978-1-59711-095-2
3323:on August 6, 2012
2904:"Life-raft Earth"
2761:Los Angeles Times
2754:(July 28, 2016).
2366:978-0-984195-48-0
2124:(July 14, 2012).
2046:978-3-86521-806-3
2013:978-0-87070-835-0
1970:978-3-86521-493-5
1944:978-1-84150-315-8
1866:978-0-306-82336-7
1841:978-0-306-82337-4
1781:978-1-135-20536-2
1732:978-1-57958-393-4
1598:
1597:
1489:Home Improvements
1358:Me and My Brother
1316:. Adapted from a
1224:978-0-984195-48-0
1202:978-3-86521-806-3
1163:978-3-95829-550-6
1079:978-3-9523586-2-7
879:978-3-86521-584-0
713:Me and My Brother
704:Exile on Main St.
392:Savannah, Georgia
364:Alexey Brodovitch
315:The Family of Man
139:
138:
63:September 9, 2019
4099:
4000:Carrie Mae Weems
3935:Joan Fontcuberta
3852:Hiroshi Sugimoto
3696:Hasselblad Award
3688:
3681:
3674:
3665:
3664:
3517:(Steidl, 2004).
3496:
3494:
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3379:
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3358:
3356:
3354:
3349:. April 13, 2011
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1591:
1413:Cocksucker Blues
1333:The Sin of Jesus
1288:
1284:
1245:
1155:Good Days Quiet.
939:Corcoran Gallery
823:Washington, D.C.
815:Summer Cannibals
801:, and directing
685:Cocksucker Blues
661:The Sin of Jesus
494:William Faulkner
490:Erskine Caldwell
105:
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48:November 9, 1924
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3959:Rineke Dijkstra
3941:Miyako Ishiuchi
3905:
3882:David Goldblatt
3876:Lee Friedlander
3846:Boris Mikhailov
3834:
3763:
3710:Lennart Nilsson
3698:
3692:
3594:discography at
3572:
3513:Penman, Ian. â
3490:
3488:
3436:Green, Jonathan
3411:
3409:Further reading
3396:Philip Gefter,
3393:
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2843:
2841:
2835:"O.K. END HERE"
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1388:Life-Raft Earth
1320:play, starring
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253:Edward Steichen
214:Harper's Bazaar
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3570:External links
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3557:Bibliographies
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2388:(3): 185â205.
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2306:. photoeye.com
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2177:978-3865218063
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2091:The New Yorker
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1479:
1474:
1470:
1469:
1466:Rudy Wurlitzer
1462:
1457:
1453:
1452:
1450:
1448:Life Dances On
1445:
1441:
1440:
1437:Rudy Wurlitzer
1433:
1428:
1424:
1423:
1416:
1409:
1405:
1404:
1402:
1397:
1393:
1392:
1390:
1385:
1381:
1380:
1378:
1373:
1369:
1368:
1365:Peter Orlovsky
1361:
1354:
1350:
1349:
1347:
1342:
1338:
1337:
1335:
1330:
1326:
1325:
1322:Allen Ginsberg
1310:
1303:
1299:
1298:
1295:
1292:
1286:List of films
1282:
1279:
1275:
1274:
1266:
1256:
1253:
1252:
1251:
1231:
1228:Jason Eskenazi
1213:
1191:
1171:
1168:
1167:
1166:
1152:
1149:978-3958293113
1138:
1135:978-3958290952
1124:
1121:978-3869307954
1110:
1107:978-3869305851
1096:
1093:978-3869304182
1082:
1064:
1061:978-3865216731
1053:Pull My Daisy.
1050:
1047:978-3869301983
1036:
1033:978-3869301013
1025:Tal Uf Tal Ab.
1022:
1019:978-3865215864
1008:
1005:978-3865216922
994:
991:978-3865215246
980:
966:
965:
964:
961:978-3865213624
953:
932:
918:
912:
911:
910:
895:
892:
884:
883:
882:
871:
864:
861:
847:Les Américains
842:
839:
837:
834:
748:The Americans.
735:
732:
728:Rudy Wurlitzer
723:Candy Mountain
680:Rolling Stones
616:
613:
597:Jason Eskenazi
502:John Steinbeck
478:Robert Delpire
474:Les Américains
467:Allen Ginsberg
424:Butte, Montana
414:, California;
372:Meyer Schapiro
341:Jakob Tuggener
333:Main article:
330:
325:
228:Jakob Tuggener
184:
181:
175:in 2014, said
163:de Tocqueville
146:Swiss American
137:
136:
133:
129:
128:
118:
114:
113:
106:
100:
99:
96:
95:Known for
92:
91:
90:Swiss-American
88:
84:
83:
69:
67:(aged 94)
61:
57:
56:
50:
39:
35:
34:
31:
15:
9:
6:
4:
3:
2:
4104:
4093:
4090:
4088:
4085:
4083:
4080:
4078:
4075:
4073:
4070:
4068:
4065:
4063:
4060:
4058:
4055:
4053:
4050:
4048:
4045:
4043:
4040:
4038:
4035:
4033:
4030:
4028:
4025:
4023:
4020:
4019:
4017:
4001:
3998:
3995:
3992:
3989:
3986:
3985:
3983:
3979:
3972:
3969:
3966:
3963:
3960:
3957:
3954:
3951:
3948:
3945:
3942:
3939:
3936:
3933:
3930:
3927:
3924:
3921:
3918:
3915:
3914:
3912:
3908:
3901:
3898:
3895:
3892:
3889:
3886:
3883:
3880:
3877:
3874:
3871:
3868:
3865:
3864:Malick Sidibé
3862:
3859:
3856:
3853:
3850:
3847:
3844:
3843:
3841:
3837:
3830:
3829:Cindy Sherman
3827:
3824:
3821:
3818:
3815:
3812:
3809:
3806:
3803:
3800:
3797:
3794:
3791:
3788:
3785:
3782:
3779:
3776:
3775:William Klein
3773:
3772:
3770:
3766:
3759:
3756:
3753:
3750:
3747:
3744:
3741:
3738:
3735:
3732:
3729:
3726:
3723:
3720:
3717:
3714:
3711:
3708:
3707:
3705:
3701:
3697:
3689:
3684:
3682:
3677:
3675:
3670:
3669:
3666:
3660:
3657:
3655:
3652:
3650:
3647:
3644:
3643:Pull My Daisy
3640:
3636:
3634:
3631:
3629:
3625:
3622:
3619:
3616:
3613:
3610:
3607:
3604:
3602:
3599:
3597:
3593:
3590:
3588:
3584:
3581:
3578:
3574:
3573:
3564:
3561:
3560:
3556:
3555:
3552:
3551:0-8212-1623-6
3548:
3544:
3540:
3538:
3537:0-8263-1558-5
3534:
3530:
3526:
3524:
3523:3-86521-041-4
3520:
3516:
3512:
3510:
3509:0-89467-015-8
3506:
3502:
3498:
3487:
3483:
3479:
3474:
3471:
3469:
3468:0-89169-013-1
3465:
3461:
3457:
3456:
3451:
3449:
3448:0-8109-1814-5
3445:
3441:
3437:
3434:
3432:
3428:
3424:
3420:
3417:
3413:
3412:
3403:
3399:
3395:
3394:
3374:
3373:Steidl Verlag
3370:
3364:
3348:
3344:
3338:
3322:
3318:
3312:
3296:
3290:
3284:
3279:
3268:September 11,
3264:
3260:
3259:"Paper Route"
3254:
3243:September 11,
3239:
3235:
3229:
3218:September 11,
3214:
3210:
3204:
3193:September 11,
3189:
3185:
3179:
3168:September 11,
3164:
3160:
3154:
3143:September 11,
3139:
3135:
3129:
3118:September 11,
3114:
3110:
3104:
3093:September 11,
3089:
3085:
3079:
3068:September 11,
3064:
3060:
3054:
3043:September 11,
3038:
3034:
3028:
3017:September 11,
3013:
3009:
3003:
2992:September 11,
2987:
2983:
2977:
2966:September 11,
2962:
2958:
2951:
2940:September 11,
2935:
2931:
2925:
2914:September 11,
2909:
2905:
2899:
2888:September 11,
2883:
2877:
2866:September 11,
2862:
2855:
2844:September 11,
2840:
2836:
2830:
2819:September 11,
2814:
2810:
2804:
2793:September 27,
2789:
2785:
2778:
2763:
2762:
2757:
2753:
2747:
2739:
2738:
2733:
2726:
2715:September 11,
2711:
2707:
2701:
2690:September 10,
2686:
2682:
2678:
2674:
2667:
2656:September 10,
2652:
2651:
2646:
2639:
2631:
2627:
2623:
2619:
2615:
2611:
2607:
2603:
2596:
2590:
2586:
2581:
2570:September 11,
2566:
2562:
2556:
2554:
2542:September 10,
2537:
2533:
2527:
2512:
2511:
2506:
2499:
2497:
2480:
2479:
2474:
2468:
2466:
2454:September 11,
2450:
2446:
2439:
2424:
2423:Rolling Stone
2420:
2414:
2412:
2403:
2399:
2395:
2391:
2387:
2383:
2376:
2374:
2367:
2363:
2357:
2341:
2335:
2327:
2321:
2310:September 11,
2305:
2299:
2288:September 11,
2284:
2283:
2276:
2265:September 11,
2261:
2260:Steidl Verlag
2257:
2251:
2244:
2243:
2237:
2226:September 14,
2222:
2218:
2211:
2195:
2191:
2184:
2178:
2174:
2168:
2166:
2158:
2157:
2152:
2146:
2135:September 15,
2131:
2127:
2123:
2117:
2115:
2113:
2111:
2109:
2093:
2092:
2087:
2080:
2064:
2058:
2056:
2048:
2042:
2038:
2031:
2022:
2015:
2009:
2005:
2004:
1996:
1988:
1987:
1979:
1972:
1966:
1962:
1961:
1953:
1946:
1940:
1936:
1929:
1927:
1918:
1917:
1909:
1894:
1890:
1886:
1882:
1875:
1868:
1862:
1858:
1851:
1843:
1837:
1833:
1832:
1824:
1813:September 12,
1808:
1804:
1798:
1787:September 11,
1783:
1777:
1774:. Routledge.
1773:
1772:
1764:
1762:
1760:
1758:
1756:
1748:
1742:
1734:
1728:
1725:. Routledge.
1724:
1723:
1715:
1704:September 10,
1700:
1696:
1689:
1674:
1670:
1666:
1665:O'Hagan, Sean
1660:
1658:
1653:
1642:
1638:
1635:
1631:
1627:
1624:
1620:
1616:
1613:
1609:
1605:
1604:
1594:
1592:
1589:
1584:
1580:
1577:
1576:
1573:
1571:
1568:
1565:
1564:
1561:
1559:
1556:
1553:
1552:
1549:
1547:
1546:
1542:
1539:
1538:
1535:
1533:
1530:
1527:
1526:
1523:
1521:
1518:
1515:
1514:
1510:
1506:
1504:
1503:
1499:
1496:
1495:
1492:
1490:
1487:
1484:
1483:
1480:
1478:
1475:
1472:
1471:
1467:
1463:
1461:
1458:
1455:
1454:
1451:
1449:
1446:
1443:
1442:
1438:
1434:
1432:
1429:
1426:
1425:
1421:
1417:
1415:
1414:
1410:
1407:
1406:
1403:
1401:
1398:
1395:
1394:
1391:
1389:
1386:
1383:
1382:
1379:
1377:
1374:
1371:
1370:
1366:
1362:
1360:
1359:
1355:
1352:
1351:
1348:
1346:
1345:O.K. End Here
1343:
1340:
1339:
1336:
1334:
1331:
1328:
1327:
1323:
1319:
1315:
1314:Alfred Leslie
1311:
1309:
1308:
1307:Pull My Daisy
1304:
1301:
1300:
1289:
1278:
1272:
1271:
1267:
1264:
1263:
1259:
1258:
1249:
1248:The Americans
1243:
1242:
1237:
1232:
1229:
1225:
1221:
1217:
1214:
1211:
1207:
1203:
1199:
1195:
1192:
1190:, and others.
1189:
1188:Alain Bergala
1185:
1181:
1177:
1174:
1173:
1164:
1160:
1156:
1153:
1150:
1146:
1142:
1141:Leon of Juda.
1139:
1136:
1132:
1128:
1125:
1122:
1118:
1114:
1111:
1108:
1104:
1100:
1097:
1094:
1090:
1086:
1083:
1080:
1076:
1072:
1068:
1065:
1062:
1058:
1054:
1051:
1048:
1044:
1040:
1037:
1034:
1030:
1026:
1023:
1020:
1016:
1012:
1009:
1006:
1002:
998:
995:
992:
988:
984:
981:
978:
977:9783865212610
974:
970:
967:
962:
958:
954:
951:
950:9783908247678
947:
943:
942:
940:
936:
935:London/Wales.
933:
930:
929:9783931141554
926:
922:
919:
916:
913:
908:
907:9780394552552
904:
900:
896:
893:
890:
889:
888:
885:
880:
876:
872:
869:
865:
862:
859:
858:Alain Bosquet
854:
853:
852:
851:The Americans
848:
845:
844:
833:
830:
828:
824:
820:
816:
812:
809:("Run"), and
808:
804:
800:
795:
790:
788:
784:
783:schizophrenia
780:
776:
772:
768:
764:
759:
757:
756:The Americans
753:
749:
745:
741:
731:
729:
725:
724:
719:
715:
714:
708:
706:
705:
700:
695:
691:
687:
686:
681:
676:
674:
673:New Brunswick
670:
666:
662:
658:
654:
649:
647:
646:
645:Village Voice
641:
640:Alfred Leslie
637:
636:Pull My Daisy
633:
632:Gregory Corso
629:
627:
626:Pull My Daisy
622:
621:The Americans
612:
610:
606:
605:The Americans
602:
598:
594:
589:
588:The Americans
585:
581:
577:
573:
569:
568:The Americans
564:
562:
558:
557:The Americans
553:
551:
546:
544:
540:
536:
531:
529:
528:The Americans
525:
521:
517:
516:The Americans
513:
512:
507:
503:
499:
495:
491:
487:
483:
479:
475:
470:
468:
464:
463:The Americans
460:
459:Joyce Johnson
456:
452:
447:
445:
439:
437:
436:The Americans
433:
429:
425:
421:
417:
413:
409:
406:, Louisiana;
405:
401:
397:
393:
389:
385:
381:
377:
373:
369:
365:
361:
357:
353:
349:
346:
342:
336:
329:
328:The Americans
324:
322:
321:The Americans
317:
316:
311:
307:
302:
300:
296:
292:
291:
286:
285:
280:
279:
274:
268:
266:
262:
258:
254:
248:
246:
242:
241:The Americans
238:
232:
229:
225:
224:
218:
216:
215:
210:
206:
201:
196:
195:
190:
180:
178:
177:The Americans
174:
173:
169:, writing in
168:
164:
160:
159:
158:The Americans
154:
150:
147:
143:
134:
130:
127:
122:
119:
115:
112:
111:
110:The Americans
107:
101:
97:
93:
89:
85:
80:
76:
72:
62:
58:
54:, Switzerland
53:
40:
36:
29:
26:
22:
3988:Alfredo Jaar
3953:Stan Douglas
3917:Sophie Calle
3900:Robert Adams
3811:Robert Frank
3810:
3793:Sune Jonsson
3642:
3624:Robert Frank
3592:Robert Frank
3583:Robert Frank
3542:
3528:
3514:
3489:. Retrieved
3481:
3454:
3439:
3422:
3415:
3401:
3397:
3376:. Retrieved
3372:
3363:
3353:November 20,
3351:. Retrieved
3337:
3327:November 20,
3325:. Retrieved
3321:the original
3311:
3301:December 26,
3299:. Retrieved
3289:
3278:
3266:. Retrieved
3262:
3253:
3241:. Retrieved
3237:
3228:
3216:. Retrieved
3212:
3203:
3191:. Retrieved
3187:
3178:
3166:. Retrieved
3162:
3153:
3141:. Retrieved
3137:
3128:
3116:. Retrieved
3112:
3103:
3091:. Retrieved
3087:
3078:
3066:. Retrieved
3062:
3053:
3041:. Retrieved
3037:www.mfah.org
3036:
3027:
3015:. Retrieved
3011:
3002:
2990:. Retrieved
2986:www.mfah.org
2985:
2976:
2964:. Retrieved
2961:The Guardian
2960:
2950:
2938:. Retrieved
2934:www.mfah.org
2933:
2924:
2912:. Retrieved
2908:www.mfah.org
2907:
2898:
2886:. Retrieved
2876:
2864:. Retrieved
2854:
2842:. Retrieved
2838:
2829:
2817:. Retrieved
2812:
2803:
2791:. Retrieved
2787:
2777:
2765:. Retrieved
2759:
2746:
2735:
2725:
2713:. Retrieved
2709:
2700:
2688:. Retrieved
2677:The Guardian
2676:
2666:
2654:. Retrieved
2648:
2638:
2608:(1): 27â48.
2605:
2601:
2595:
2588:
2580:
2568:. Retrieved
2564:
2540:. Retrieved
2535:
2526:
2514:. Retrieved
2508:
2483:. Retrieved
2476:
2452:. Retrieved
2448:
2438:
2426:. Retrieved
2422:
2385:
2382:Film History
2381:
2356:
2346:December 27,
2344:. Retrieved
2334:
2320:
2308:. Retrieved
2298:
2286:. Retrieved
2281:
2275:
2263:. Retrieved
2259:
2250:
2241:
2236:
2224:. Retrieved
2210:
2198:. Retrieved
2193:
2183:
2154:
2145:
2133:. Retrieved
2097:December 27,
2095:. Retrieved
2089:
2079:
2067:. Retrieved
2036:
2030:
2021:
2002:
1995:
1985:
1978:
1959:
1952:
1934:
1915:
1908:
1896:. Retrieved
1884:
1874:
1856:
1850:
1830:
1823:
1811:. Retrieved
1806:
1797:
1785:. Retrieved
1770:
1746:
1741:
1721:
1714:
1702:. Retrieved
1698:
1688:
1678:December 27,
1676:. Retrieved
1673:The Guardian
1672:
1581:
1569:
1557:
1543:
1531:
1519:
1500:
1488:
1476:
1459:
1447:
1430:
1411:
1399:
1387:
1375:
1356:
1344:
1332:
1318:Jack Kerouac
1305:
1276:
1268:
1260:
1247:
1239:
1215:
1193:
1180:Walker Evans
1154:
1140:
1126:
1112:
1098:
1084:
1070:
1066:
1052:
1039:Pangnirtung.
1038:
1024:
1010:
996:
982:
968:
934:
920:
914:
886:
850:
846:
836:Publications
831:
826:
803:music videos
791:
760:
755:
747:
739:
737:
721:
717:
711:
709:
702:
683:
677:
660:
657:George Segal
650:
643:
635:
624:
620:
619:By the time
618:
608:
604:
600:
592:
587:
571:
567:
565:
556:
554:
547:
534:
532:
527:
524:The Guardian
523:
515:
509:
498:Henry Miller
481:
473:
471:
462:
455:Jack Kerouac
448:
440:
435:
416:Reno, Nevada
359:
356:Walker Evans
354:(1936), and
351:
344:
338:
327:
320:
313:
303:
288:
282:
276:
269:
256:
249:
236:
233:
221:
219:
212:
204:
192:
186:
176:
172:The Guardian
170:
167:Sean O'Hagan
157:
149:photographer
142:Robert Frank
141:
140:
109:
104:Notable work
65:(2019-09-09)
32:Robert Frank
25:
4032:2019 deaths
4027:1924 births
3965:Oscar Muñoz
3929:Paul Graham
3734:Irving Penn
3716:Ansel Adams
3575:VR tour of
3378:October 14,
2982:"Keep Busy"
2767:October 25,
2536:artnet News
1586: [
1570:Paper Route
1545:Last Supper
1422:1972 tour.
1281:Filmography
1184:Gilles Mora
1099:Park/Sleep.
969:Come Again.
811:Patti Smith
775:Nova Scotia
694:Mick Jagger
665:Isaac Babel
520:art history
506:Grove Press
412:Los Angeles
404:New Orleans
396:Miami Beach
348:Bill Brandt
312:exhibition
299:Diane Arbus
295:Saul Leiter
87:Nationality
79:Nova Scotia
75:Cape Breton
4016:Categories
3923:Walid Raad
3888:Nan Goldin
3740:Ernst Haas
3345:. London:
2516:January 4,
2485:January 4,
2428:January 4,
1898:January 4,
1648:References
1578:2004/2008
1353:1965/1968
1226:Edited by
1206:Lucy Sante
1085:You Would.
915:Flower isâŠ
897:New York:
866:New York:
827:Moving Out
669:New Jersey
601:Looking In
432:road trips
265:Mary Frank
123:(divorced)
121:Mary Frank
44:1924-11-09
3858:Jeff Wall
3482:NYR Daily
2685:0261-3077
2630:192427109
2602:Criticism
2394:0892-2160
2328:. Steidl.
2194:NYR Daily
1893:0362-4331
1621:from the
1610:from the
1431:Keep Busy
921:Flamingo.
807:New Order
779:Guatemala
763:June Leaf
718:Keep Busy
699:copyright
690:group sex
570:, titled
537:, at the
410:, Texas;
378:from the
126:June Leaf
117:Spouse(s)
71:Inverness
2737:Harper's
2200:June 26,
1807:BBC News
1246:Reviews
1241:Harper's
1113:Partida.
899:Pantheon
868:Aperture
744:collages
278:McCall's
205:40 Fotos
132:Children
81:, Canada
3596:Discogs
3391:Sources
2788:Variety
2710:nga.gov
2402:3815117
2069:July 5,
655:artist
453:writer
428:Chicago
408:Houston
384:Detroit
345:Fabrik,
290:Fortune
259:at the
4002:(2023)
3996:(2022)
3990:(2020)
3973:(2019)
3967:(2018)
3961:(2017)
3955:(2016)
3949:(2015)
3943:(2014)
3937:(2013)
3931:(2012)
3925:(2011)
3919:(2010)
3902:(2009)
3896:(2008)
3890:(2007)
3884:(2006)
3878:(2005)
3872:(2004)
3866:(2003)
3860:(2002)
3854:(2001)
3848:(2000)
3831:(1999)
3825:(1998)
3819:(1997)
3813:(1996)
3807:(1995)
3801:(1994)
3795:(1993)
3789:(1992)
3783:(1991)
3777:(1990)
3760:(1989)
3754:(1988)
3748:(1987)
3742:(1986)
3736:(1985)
3730:(1984)
3724:(1982)
3718:(1981)
3712:(1980)
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3491:May 3,
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2815:. 1961
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1601:Awards
1520:Hunter
1297:Notes
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3981:2020s
3910:2010s
3839:2000s
3768:1990s
3703:1980s
2626:S2CID
2618:JSTOR
2565:Vogue
2398:JSTOR
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1566:2002
1554:1994
1540:1992
1528:1990
1516:1989
1507:with
1497:1988
1485:1985
1473:1983
1464:with
1456:1981
1444:1980
1435:with
1427:1975
1408:1972
1396:1971
1384:1969
1372:1969
1341:1963
1329:1961
1312:with
1302:1959
1294:Name
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2994:2019
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2890:2019
2868:2019
2846:2019
2821:2019
2795:2023
2769:2016
2717:2019
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2572:2019
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2518:2018
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