341:
Palm served as the album's writer, vocalist, guitar and keyboard provider, Paul Bender provided guitar, keyboards and programming, Simon Mavin also provided keyboards, vocoder and percussion alongside Perrin Moss who provided keyboards, drums and percussion. Lead vocalist Nai Palm described the album as an "extension" of their debut, and stated she and the band had no intention to make a one genre body of work. During the recording the band wanted to pay tribute to the format of a mixtape, so they incorporated a range of interludes.
610:, Andy Kellman praised the album's genre mixture, that covered a variety of era's; "'50s bop to '60s MPB, or '70s art rock to '80s boogie, or '90s neo-soul to 2000s dubstep." and when comparing it to their previous album that "The band refines and broadens its attack. From track to track, one ingenious idea trails another. Vocal melodies and guitar wriggles sneak up and tickle the ears, burbling electronics mingle with spiny acoustic guitars, time signatures abruptly switch and stun." Reviewing the album for
345:
soundscapes." The band recorded the songs individually and then put them in order with the interludes. All the album's tracks were written by Nai Palm. The interludes were written and produced when the band would gather and just be "vibing as musicians." Some of the songs on the album– like “Fingerprints”– were written when she was 16 and “Jekyll” was one of the first songs she ever wrote. “Breathing
Underwater” is a song that Palm wrote when she and the band were on tour.
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524:
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449:
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316:'s recording "Something". In 2014, the band joined forces with hip hop artist Remi, the multi-faceted Kirkis, producer Silent Jay and vocalist Jace XL to embark on an Australia-wide tour titled 'The Sonic Architects National Conference'. Three additional backing vocalists: Jace, Loreli, and Jay Jay were added for this tour. During the tour Hiatus Kayiote met
371:
and stun." The album's lyrical content touches upon various themes including natural and supernatural topics as well as speaking about technological subjects. Other songs on the album speak of a more personal subject matter, "By Fire," is a burial song inspired in part by Palm's father's house-fire death.
360:
album consisting of eighteen tracks, lasting seventy minutes. The album's production is characterised as being filled with "brain-liquifying synth-grooves, arousingly-unsettling time signature shifts," and "agile polyrhythms." The album's music was described as not being one genre but instead taking
344:
When recording the album the band wanted to create a body of work that was not "temporary" stating that; "everyone is just looking to release the next hot single, this record is in tribute to listening to an album from start to finish where there is a narrative that takes you to all these different
340:
Recording sessions for the album took place in
Australia and the United States at various studios including Ghost Oak Studios in Mornington Peninsula, Australia, Headshell Hideout, Oakland Studios, Sound Park Studios, Willow Grove Studios all in Melbourne, Australia and Instrument Zoo in Miami. Nai
370:
Andy
Kellman of Allmusic described the album as being more refined than that of the band's debut, Kellman described the album as being built on "vocal melodies and guitar wriggles sneak up and tickle the ears, burbling electronics mingle with spiny acoustic guitars, time signatures abruptly switch
31:
657:, Everett True stated that "This is a love letter to the whole of nature, a self-indulgent trip to the other side of consciousness, an experience you have to fully immerse yourself in to appreciate. And the meanings behind the songs are as varied and spatial as the music itself."
275:
Upon release, the album was met with universal acclaim from music critics, who praised the album's production and musical structure, and was named as one of the year’s best albums. The album saw some commercial success and debuted at #22 on the
320:, whom they credit for bringing them international attention after catching the last part of Hiatus' set in January 2014. Not long after, Hiatus Kayiote was playing on air in Los Angeles and soon came to the attention of
1302:
636:
s Joshua Ashton commended the album's complexity and structure, stating the album's music bolts "in unexpected directions just as they seem to settle into a groove." In the review for
223:(2012) and their first Grammy nomination, Hiatus Kaiyote went on to tour throughout 2014. Over the span of two years, recording sessions took place in Australia and the United States.
642:, it was claimed that "At 70 minutes long, there's a lot to digest but it's worth persevering with as repeated listens gradually unveil a musical universe unlike any other." In
264:
grooves. Thematically, the album's songs touch upon topics such as the supernatural, technology and death. All members of the band contributed lyrics and production, while
1390:
1177:
1207:
1606:
361:
a variety of influences from a wide range of musical genres, including jazz, soul, R&B, West
African funk, samba and Latin. Ryan B. Patrick of
1310:
1710:
1258:
1232:
367:
described the album's sound as containing "elements of late '90s, early '00s neo-soul: kick snares, electronic organ and bass guitar."
281:
1356:
1516:
1394:
616:, Ural Garrett applauded the album's ability to create "fresh" soul from different "angles", and repeatedly called
1636:
627:
s Errol
Anderson praised the band for creating an album that is "both vibrant and uninhibited in its nature" ."
1787:
603:
has given the album a normalized rating of 87 out of 100, based on 7 reviews, indicating 'universal acclaim'.
666:
All lyrics are written by Nai Palm; all music is composed by Nai Palm, Paul Bender, Perrin Moss, Simon Mavin
1685:
1546:
1357:"Hiatus Kaiyote: Choose Your Weapon - Flying Buddha - SBMG 88875062482 - 8887506248 - HBDirect Hiphop"
1663:
1576:
1488:
1117:
285:
1762:
1744:
1722:
1440:
1417:
1149:
301:
1471:
1236:
1335:
1792:
1766:
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1730:
1121:
1103:
250:
8:
1360:
1280:
269:
147:
87:
321:
1551:
622:
470:
325:
246:
242:
216:
124:
1099:
638:
317:
134:
313:
305:
212:
162:
43:
1781:
1521:
1085:
631:
458:
1611:
1303:"Taylor McFerrin (US), Hiatus Kaiyote & The Gentlemen Of Leisure (sic)"
653:
545:
309:
296:
The band began receiving attention in 2013, when they were nominated for a
191:
113:
1517:"Hiatus Kaiyote expands its ornate "future soul" with Choose Your Weapon"
1154:
1073:
329:
277:
265:
261:
142:
74:
1607:"Hiatus Kaiyote: Choose Your Weapon review – psychedelic adventure land"
1492:
1178:"Exclusive: Salaam Remi Launches Louder Than Life Imprint Through Sony"
600:
398:
238:
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1738:
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1641:
1581:
961:
644:
612:
607:
583:
533:
421:
363:
357:
230:
82:
30:
980:
1664:"Reviews for Choose Your Weapon by Hiatus Kaiyote - Metacritic"
297:
1716:
233:
album that takes influence from a variety of genres including
257:
38:
1711:"Australiancharts.com – Hiatus Kaiyote – Choose Your Weapon"
648:, Ryan B. Patrick simply called the album "a solid groove."
1763:"Hiatus Kaiyote Chart History (Top R&B/Hip-Hop Albums)"
1704:
1208:"Independent Melbourne band Hiatus Kaiyote gets Grammy nod"
253:
234:
1281:"Hiatus Kaiyote, Remi and friends unite for national tour"
599:
was generally met with critical praise. Review aggregator
211:
is the second studio album by
Australian neo-soul quartet
1472:"AllMusic Review of Choose Your Weapon by Hiatus Kaiyote"
215:, first released in 1 May 2015 through Flying Buddha and
859:"Only Time All the Time: Making Friends with Studio Owl"
268:, the founder of Flying Buddha, served as the album's
1001:
Miguel Atwood-Ferguson – string arrangements, strings
1686:"Choose Your Weapon – Hiatus Kaiyote | Credits"
1391:"Interview: Nai Palm Discusses 'Choose Your Weapon'"
280:. The song "Breathing Underwater" was nominated for
1745:"Hiatus Kaiyote Chart History (Heatseekers Albums)"
1637:"Hiatus Kaiyote "Choose Your Weapon" Album Review"
1489:"Reviews for Choose Your Weapon by Hiatus Kaiyote"
976:Paul Bender – bass, guitar, keyboards, programming
219:. Following the release of the band's debut album
1235:. thedwarf.com. 19 September 2014. Archived from
1779:
1384:
1382:
1380:
1378:
1330:
1328:
985:Perrin Moss – bass, drums, keyboards, percussion
924:"Breathing Underwater (Roman Soto Cello Rework)"
1547:"Hiatus Kaiyote - Choose Your Weapon | Reviews"
1201:
1199:
1026:Laura Christoforidis – cover design, formatting
1415:
1227:
1225:
973:Hiatus Kaiyote – arranger, engineer, producers
426:
1483:
1481:
1418:"Album Review - Hiatus Kaiyote - The Gateway"
1375:
1325:
1032:Laneous "Lame-boy" the Lunchboxer – cover art
988:Nai Palm – artwork, guitar, keyboards, vocals
476:
1196:
551:
1601:
1599:
1466:
1464:
1462:
1460:
1458:
1222:
935:"Making Friends With Studio Owl (Club Mix)"
304:for their song "Nakamarra", performed with
1571:
1569:
1478:
1388:
1359:. Hbdirect.com. 4 May 2015. Archived from
998:Phil Noy-Engineer-Producer-Drum production
29:
1511:
1509:
1205:
1035:Jennifer Liebeskind – product development
1596:
1541:
1539:
1455:
1656:
1631:
1629:
1566:
1438:
18:2015 studio album by Hiatus Kaiyote
1780:
1713:. Hung Medien. Retrieved 7 July 2021.
1506:
1150:"Choose Your Weapon by Hiatus Kaiyote"
931:
920:
877:
866:
855:
844:
833:
822:
811:
800:
789:
1536:
1336:"Interview: Hiatus Kaiyote - ACCLAIM"
1259:"Grammys 2016: Full List of Nominees"
1233:"Hiatus Kaiyote at Federation Square"
979:Simon Mavin – keyboards, percussion,
942:
888:
778:
767:
756:
745:
734:
723:
712:
701:
690:
407:
384:
374:
1626:
1175:
1577:"Hiatus Kaiyote Choose Your Weapon"
1441:"Hiatus Kaiyote Choose Your Weapon"
428:
348:
13:
1393:. Revive-music.com. Archived from
478:
14:
1804:
1029:Laura Kszan – product development
553:
1016:Salaam Remi – executive producer
903:2022 Deluxe Reissue bonus tracks
660:
572:
567:
562:
557:
552:
522:
517:
512:
507:
502:
497:
492:
487:
482:
477:
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442:
437:
432:
427:
1723:"Hiatus Kaiyote Chart History (
1678:
1439:Patrick, Ryan B. (1 May 2015).
1432:
1409:
1283:. abc.net.au. 30 September 2014
620:one of the year’s best albums.
1416:Mergim Binakaj (17 May 2015).
1349:
1295:
1273:
1261:. latimes.com. 7 December 2015
1251:
1169:
1142:
1041:Roxanne Slimak – art direction
1038:Federico Ruiz – graphic design
908:
678:
651:When reviewing the record for
1:
1753:. Retrieved 27 October 2021.
1135:
1013:Salvador Persico – percussion
291:
1389:DanMichael (27 April 2015).
1128:
1110:
1092:
1078:
955:
335:
7:
10:
1809:
1118:Top R&B/Hip-Hop Albums
738:"Borderline with My Atoms"
1771:. Retrieved 7 July 2021.
1735:. Retrieved 7 July 2021.
1115:
1097:
1083:
1071:
1064:
1061:
1048:
1007:Andrei Eremin – mastering
1004:Phil Binotto – percussion
993:Other technical personnel
915:
912:
907:
705:"Shaolin Monk Motherfunk"
685:
682:
677:
415:
412:
392:
389:
169:
161:
133:
112:
96:
73:
65:
50:
37:
28:
23:
302:Best R&B Performance
282:Best R&B Performance
278:Australian albums chart
1054:Chart performance for
1010:Adam King – percussion
749:"Breathing Underwater"
1788:Hiatus Kaiyote albums
1420:. Thegatewayonline.ca
960:Credits adapted from
837:"Creations Part Two"
727:"Creations Part One"
694:"Choose Your Weapon"
380:Professional ratings
326:The Dirty Projectors
54:1 May 2015
1313:on 24 November 2015
1072:Australian Albums (
1058:
904:
881:"Building a Ladder"
674:
381:
88:alternative R&B
1100:Heatseekers Albums
1056:Choose Your Weapon
1053:
1044:Wilk – photography
902:
671:Choose Your Weapon
669:
618:Choose Your Weapon
597:Choose Your Weapon
379:
375:Critical reception
354:Choose Your Weapon
308:, but lost out to
286:58th Grammy Awards
270:executive producer
227:Choose Your Weapon
208:Choose Your Weapon
183:Choose Your Weapon
24:Choose Your Weapon
1133:
1132:
952:
951:
898:
897:
593:
592:
322:Animal Collective
204:
203:
200:
199:
151:
1800:
1772:
1760:
1754:
1742:
1736:
1720:
1714:
1708:
1702:
1701:
1699:
1697:
1682:
1676:
1675:
1673:
1671:
1666:. metacritic.com
1660:
1654:
1653:
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1649:
1633:
1624:
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1619:
1603:
1594:
1593:
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1501:
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1407:
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1402:
1386:
1373:
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1370:
1368:
1353:
1347:
1346:
1344:
1342:
1332:
1323:
1322:
1320:
1318:
1309:. Archived from
1299:
1293:
1292:
1290:
1288:
1277:
1271:
1270:
1268:
1266:
1255:
1249:
1248:
1246:
1244:
1229:
1220:
1219:
1217:
1215:
1203:
1194:
1193:
1191:
1189:
1176:Mitchell, Gail.
1173:
1167:
1166:
1164:
1162:
1146:
1059:
1052:
945:
910:
905:
901:
891:
804:"Prince Minikid"
680:
675:
668:
577:
576:
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571:
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452:
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431:
430:
385:Aggregate scores
382:
378:
349:Music and lyrics
247:progressive rock
217:Sony Masterworks
171:
170:
145:
125:Sony Masterworks
108:
107:
103:
61:
59:
33:
21:
20:
1808:
1807:
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1802:
1801:
1799:
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1778:
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1739:
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1705:
1695:
1693:
1684:
1683:
1679:
1669:
1667:
1662:
1661:
1657:
1647:
1645:
1635:
1634:
1627:
1617:
1615:
1605:
1604:
1597:
1587:
1585:
1575:
1574:
1567:
1557:
1555:
1545:
1544:
1537:
1527:
1525:
1515:
1514:
1507:
1497:
1495:
1487:
1486:
1479:
1474:. allmusic.com.
1470:
1469:
1456:
1446:
1444:
1437:
1433:
1423:
1421:
1414:
1410:
1400:
1398:
1397:on 19 June 2015
1387:
1376:
1366:
1364:
1363:on 19 June 2015
1355:
1354:
1350:
1340:
1338:
1334:
1333:
1326:
1316:
1314:
1301:
1300:
1296:
1286:
1284:
1279:
1278:
1274:
1264:
1262:
1257:
1256:
1252:
1242:
1240:
1231:
1230:
1223:
1213:
1211:
1206:Michael Dwyer.
1204:
1197:
1187:
1185:
1174:
1170:
1160:
1158:
1148:
1147:
1143:
1138:
1066:
1051:
958:
953:
943:
899:
889:
663:
573:
568:
563:
558:
523:
518:
513:
508:
503:
498:
493:
488:
483:
448:
443:
438:
433:
377:
351:
338:
318:Taylor McFerrin
294:
195:
186:
177:
157:
129:
105:
101:
100:
92:
57:
55:
46:
19:
12:
11:
5:
1806:
1796:
1795:
1790:
1774:
1773:
1755:
1737:
1715:
1703:
1677:
1655:
1625:
1595:
1565:
1535:
1505:
1477:
1454:
1431:
1408:
1374:
1348:
1324:
1294:
1272:
1250:
1239:on 18 May 2015
1221:
1195:
1168:
1140:
1139:
1137:
1134:
1131:
1130:
1127:
1113:
1112:
1109:
1095:
1094:
1091:
1081:
1080:
1077:
1069:
1068:
1063:
1050:
1047:
1046:
1045:
1042:
1039:
1036:
1033:
1030:
1027:
1018:
1017:
1014:
1011:
1008:
1005:
1002:
999:
990:
989:
986:
983:
977:
974:
957:
954:
950:
949:
946:
940:
939:
936:
933:
929:
928:
925:
922:
918:
917:
914:
911:
900:
896:
895:
892:
886:
885:
882:
879:
875:
874:
871:
868:
864:
863:
860:
857:
853:
852:
849:
846:
842:
841:
838:
835:
831:
830:
827:
824:
820:
819:
816:
813:
809:
808:
805:
802:
798:
797:
794:
791:
787:
786:
783:
782:"Fingerprints"
780:
776:
775:
772:
769:
765:
764:
761:
758:
754:
753:
750:
747:
743:
742:
739:
736:
732:
731:
728:
725:
721:
720:
717:
714:
710:
709:
706:
703:
699:
698:
695:
692:
688:
687:
684:
681:
664:
662:
659:
595:Upon release,
591:
590:
587:
579:
578:
549:
541:
540:
537:
529:
528:
474:
466:
465:
462:
454:
453:
424:
418:
417:
414:
410:
409:
405:
404:
401:
395:
394:
391:
387:
386:
376:
373:
350:
347:
337:
334:
314:Lalah Hathaway
293:
290:
213:Hiatus Kaiyote
202:
201:
198:
197:
188:
179:
167:
166:
163:Hiatus Kaiyote
159:
158:
156:
155:
154:Hiatus Kaiyote
152:
139:
137:
131:
130:
128:
127:
122:
118:
116:
110:
109:
98:
94:
93:
91:
90:
85:
79:
77:
71:
70:
67:
63:
62:
52:
48:
47:
44:Hiatus Kaiyote
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
1805:
1794:
1791:
1789:
1786:
1785:
1783:
1770:
1769:
1764:
1759:
1752:
1751:
1746:
1741:
1734:
1733:
1728:
1726:
1719:
1712:
1707:
1692:. 15 May 2015
1691:
1687:
1681:
1665:
1659:
1644:
1643:
1638:
1632:
1630:
1614:
1613:
1608:
1602:
1600:
1584:
1583:
1578:
1572:
1570:
1554:
1553:
1548:
1542:
1540:
1524:
1523:
1522:The A.V. Club
1518:
1512:
1510:
1494:
1490:
1484:
1482:
1473:
1467:
1465:
1463:
1461:
1459:
1442:
1435:
1419:
1412:
1396:
1392:
1385:
1383:
1381:
1379:
1362:
1358:
1352:
1337:
1331:
1329:
1312:
1308:
1304:
1298:
1282:
1276:
1260:
1254:
1238:
1234:
1228:
1226:
1209:
1202:
1200:
1183:
1182:billboard.com
1179:
1172:
1157:
1156:
1151:
1145:
1141:
1125:
1124:
1119:
1114:
1107:
1106:
1101:
1096:
1090:
1088:
1082:
1075:
1070:
1062:Chart (2015)
1060:
1057:
1043:
1040:
1037:
1034:
1031:
1028:
1025:
1024:
1023:
1022:
1015:
1012:
1009:
1006:
1003:
1000:
997:
996:
995:
994:
987:
984:
982:
978:
975:
972:
971:
970:
969:
965:
963:
947:
944:Total length:
941:
937:
934:
930:
926:
923:
919:
906:
893:
890:Total length:
887:
883:
880:
876:
872:
869:
865:
861:
858:
854:
850:
847:
843:
839:
836:
832:
828:
825:
821:
817:
814:
810:
806:
803:
799:
795:
792:
788:
784:
781:
777:
773:
771:"Swamp Thing"
770:
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1443:. Exclaim.ca
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1361:the original
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1311:the original
1307:allevents.in
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1793:2015 albums
1184:. Billboard
1155:Apple Music
330:Erykah Badu
266:Salaam Remi
143:Salaam Remi
1782:Categories
1493:Metacritic
1265:7 December
1136:References
870:"Molasses"
848:"The Lung"
601:Metacritic
399:Metacritic
292:Background
165:chronology
58:2015-05-01
1768:Billboard
1750:Billboard
1732:Billboard
1725:Billboard
1123:Billboard
1105:Billboard
1087:Billboard
1067:position
1021:Direction
968:Musicians
956:Personnel
826:"By Fire"
336:Recording
69:2013–2015
1690:AllMusic
1642:HipHopDX
1582:Exclaim!
1498:21 April
1287:5 August
962:AllMusic
793:"Jekyll"
760:"Cicada"
716:"Laputa"
645:Exclaim!
613:HipHopDX
608:AllMusic
584:HipHopDX
534:Exclaim!
422:AllMusic
364:Exclaim!
358:neo soul
231:neo soul
135:Producer
83:Neo soul
66:Recorded
51:Released
41: by
1696:19 June
1648:29 June
1618:29 June
1588:29 June
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1528:29 June
1447:19 June
1424:19 June
1401:19 June
1367:19 June
1188:6 March
1161:20 July
981:vocoder
815:"Atari"
284:at the
243:R&B
196:(2021)
187:(2015)
178:(2012)
56: (
1670:11 May
1243:13 May
1049:Charts
916:Length
686:Length
416:Rating
413:Source
403:87/100
393:Rating
390:Source
328:, and
298:Grammy
256:, and
97:Length
1727:200)"
1552:Clash
1214:5 May
948:80:37
913:Title
894:69:14
683:Title
623:Clash
471:Clash
356:is a
306:Q-Tip
262:Latin
258:samba
229:is a
148:exec.
114:Label
75:Genre
1698:2015
1672:2015
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1500:2017
1449:2015
1426:2015
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1369:2015
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1267:2015
1245:2015
1216:2015
1190:2016
1163:2018
1093:127
1074:ARIA
1065:Peak
938:5:56
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884:5:42
873:4:49
862:1:03
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763:0:38
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730:0:49
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708:5:51
697:1:34
639:Mojo
589:9/10
539:8/10
312:and
300:for
260:and
254:funk
239:soul
235:jazz
1129:11
1116:US
1098:US
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