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274:(1647–1709). After 1695, and until 1705, Chikamatsu wrote almost exclusively Kabuki plays, and then he abruptly almost completely abandoned that genre. The exact reason is unknown, although speculation is rife: perhaps the puppets were more biddable and controllable than the ambitious kabuki actors, or perhaps Chikamatsu did not feel kabuki worth writing for since Tōjūrō was about to retire, or perhaps the growing popularity of the puppet theater was economically irresistible.
870:" all the reliable sources I have found in Japan clearly state that Chikamatsu died in 1724, even while quoting the playwright's age at death as 72. In traditional Japanese calculations of age, a new born baby is one year old in its first year of life with a year added to its age every New Year's Day. Therefore, I feel that perhaps it should be explained that in terms of the Gregorian calendar Chikamatsu died aged 71 in 1724."
618:
229:, a masterless samurai. At some point in his teens, between 1664 and 1670, Chikamatsu moved to Kyoto with his father where he served for a few years as an obscure page for a noble family, but other than that, little is known about this period of Chikamatsu's life. He published his first known literary work in this period, a
42:
278:
argues that
Chikamatsu's collaborations with various performers affected his development as a playwright. His collaborations with kabuki practitioners led to more realistic characters, while his later collaboration with Takeda Izumo led to a heightened theatricality.
485:
said that the "vivid portrayal of interpersonal relations and individual personality provides excellent evidence why
Chikamatsu's domestic plays have become more popular than his historical dramas." "Devil’s Island", the second scene of the second act of
292:
in 1715, but thereafter the tastes of patrons turned to more sensational gore fests and otherwise more crude antics; Chikamatsu's plays would fall into disuse, so even the actual music would be lost for many plays. He died
January 6, 1725, in either
511:(literally, 'a story from Chikamatsu' but given titles in French "Les amants crucifiées" and in English "The Crucified Lovers"] is a 1954 film based on a domestic lover-suicide play by Chikamatsu called Daikyōji Mukashi Goyomi (1715).
430:(1715) is highly regarded. Kenneth P. Kirkwood argued that the work is somewhat thin in texture but “nevertheless reveals the playwright’s skill in making a dramatic plot out of the slightest materials.” In a review of Gerstle's
374:(history plays) were considered more important in his own time, the domestic tragedies are now “the main focus of critical attention and the more frequently performed”, praised as deeply drawn in their portrayals of commoners.
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states that "he moved in 1705 from Kyoto to Osaka to be nearer to Gidayu's puppet theatre, the
Takemoto-za. Chikamatsu remained a staff playwright for this theatre until his death." although Keene states he moved in
396:(1707) is “of considerable interest for its exploration of female sexuality and its implicit critique of the life of lower-level samurai”. Rei Sasaguchi listed the same play as one of Chikamatsu's most striking
286:. In 1705 or 1706, Chikamatsu left Kyoto for Osaka, where the puppet theater was even more popular. Chikamatsu's popularity peaked with his domestic plays of love-suicides, and with the blockbuster success of
426:(1721) have also been praised as works “of exceptional power”. The last of the three initially was not well-received, and acquired a high reputation only in the late 19th century. Robert Nichols wrote that
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378:(1703), one of the earliest domestic plays in puppet theater, was a hit that revived the fortunes of the Takemoto Theater in Osaka. While it is not considered as strong as his later play
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has written that he is "widely regarded as the greatest
Japanese dramatist". His most famous plays deal with double-suicides of honor bound lovers. Of his puppet plays, around 70 are
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is believed to have been
Chikamatsu's first play although sometimes 15 earlier anonymous plays are contended to have been by Chikamatsu as well. Chikamatsu also wrote plays for the
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325:
Currently, 130 plays have been verified to have been authored by
Chikamatsu, with another 15 plays (mostly early Kabuki works) suspected to also have been penned by him.
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608:
multimedia franchise, a puppet
Digimon by the name of Monzaemon—an obvious homage to Chikamatsu—was one of the first characters in the original line of virtual pets.
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254:
370:. Many have argued that his genius was “his masterful depiction of the passions, obsessions, and irrationality of the human heart.” While Chikamatsu's
208:
Matsudaira in
Echizen as a medical doctor. Chikamatsu's younger brother became a medical doctor, and Chikamatsu himself wrote a book on health care.
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445:(1715), however, ran for seventeen months and became the classical model for later history plays. It remains in the repertoires of both the
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490:(1719), became part of the kabuki repertory in the 19th century and today is usually performed in jōruri and kabuki as a single play.
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160:(世話物) (domestic tragedies). The domestic plays are today considered the core of his artistic achievement, particularly works such as
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465:(1702) are among the most renowned kabuki plays, though Keene argued that even they are “inferior in every respect” to the
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The histories are mostly considered weaker, with
Nichols writing that character in them tends to be subordinated to plot.
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771:(1738; written by a friend and preserving a number of statements by Chikamatsu on the art of the puppet theater)
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Kanazawa, Shizue; Kobayashi, Tadashi; Yoshikawa, Itsuji; Hōgetsu, Keigo; Sakamato, Tarō; Iwao, Seiichi (1975).
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praised the death passage as “one of the loveliest passages in Japanese literature”. Also, it was written in
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334:"Art is something that lies in the slender margin between the real and the unreal." — Chikamatsu Monzaemon,
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theatre between 1684 and 1695, most of which were intended to be performed by a famous actor of the day,
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17:
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599:, the first ninja puppeteer is named Chikamatsu Monzaemon, a reference to Chikamatsu's puppet plays.
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family. There is disagreement about his birthplace. The most popular theory suggests he was born in
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784:, translated and introduced by Donald Keene. NY: Columbia University Press. 1961/1990.
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World Within Walls: Japanese Literature of the Pre-modern Era, 1600-1867, Volume 1
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In 1705, Chikamatsu became a "Staff Playwright" as announced by early editions of
237:(近松寺) temple (long suggested as the origin of his pen name "Chikamatsu", which is
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that appeared in 1671. After serving as a page, he next appears in records of the
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With the production in 1683 of his puppet play in Kyoto about the Soga brothers (
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Tethered Steed and the Eight Provinces of Kanto (Kanhasshu tsunagi-uma, 1724)
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Bulletin of the School of Oriental and African Studies, University of London
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held samurai status. But Chikamatsu's father lost his office and became a
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Love Suicides on the Eve of the Kishin Festival (Shinju yoigoshin, 1722)
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by C. Andrew Gerstle. 1986 (a critical study of Chikamatsu's plays).
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is generally regarded as the greatest of his domestic plays, though
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1246:
Renaissance in Japan: A Cultural Survey of the Seventeenth Century
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101:
1055:"Guts and Tears: Kinpira Jōruri and Its Textual Transformations"
362:(domestic plays), came to be regarded as high literature in the
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1498:, translated by Asataro Miyamori and revised by Robert Nichols
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Battles at Kawa-nakajima (Shinsh kawa-nakajima kassen, 1721)
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Lovers Pond in Settsu Province (Tsu no kuni meoto-ike, 1721)
138:, the form of puppet theater that later came to be known as
316:; this became the basis of the later and much better-known
1484:"Chapter 4--Renaissance--CHIKAMATSU MONZAEMON (1653-1725)"
1471:
Circles of Fantasy: Convention in the Plays of Chikamatsu
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Early Modern Japanese Literature: An Anthology, 1600-1900
390:
Early Modern Japanese Literature: An Anthology, 1600-1900
172:(1721). His histories are viewed less positively, though
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traditions, and Donald Keene referred to it as the only
1373:"KUBO Mayako : Osan, from "Shinju Ten no Amejima""
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Encyclopedia of Literary Translation Into English: A-L
792:, translated by C. Andrew Gerstle. 2001. Consists of:
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conventions and takes as its basis Chikamatsu's play
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works written around the same period. Nichols listed
194:, but there are other plausible locations, including
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1275:
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Twins at the Sumida River (Futago sumidagawa, 1720)
308:In 1706, he wrote a three-act puppet play entitled
1548:18th-century Japanese dramatists and playwrights
1543:17th-century Japanese dramatists and playwrights
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202:. His father, Sugimori Nobuyoshi, served the
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956:
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284:The Mirror of Craftsmen of the Emperor Yōmei
262:), Chikamatsu became known as a playwright.
1172:Gassner, John; Quinn, Edward (2002-01-01).
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186:Chikamatsu was born Sugimori Nobumori to a
1205:. Columbia University Press. p. 425.
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1175:The Reader's Encyclopedia of World Drama
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527:) employs cinematic techniques based on
481:as the best histories. Anne Walthall at
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1331:"Review of Chikamatsu: Five Late Plays"
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965:"Review of Chikamatsu: Five Late Plays"
850:"Review of Chikamatsu: Five Late Plays"
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402:The Couriers of Love to the Other World
156:(時代物) (historical romances) and 24 are
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1296:"47. Chikamatsu Monzaemon (1653-1724)"
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438:(1720) through the various allusions.
219:In those days, doctors who served the
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1032:. Taylor & Francis. p. 275.
1178:. Courier Corporation. p. 125.
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730:The Woman-Killer and the Hell of Oil
424:The Woman-Killer and the Hell of Oil
215:Tomb of Chikamatsu at Kōsaiji temple
1243:Kirkwood, Kenneth P. (2012-08-21).
1137:"Master of life's joys and sorrows"
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665:Tamba Yosaku machiyo no komurobushi
660:The Night Song of Yosaku from Tamba
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479:Fair Ladies at a Game of Poem-Cards
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1538:Japanese writers of the Edo period
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621:Statue of Chikamatsu Monzaemon at
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1578:18th-century pseudonymous writers
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394:The Drum of the Waves of Horikawa
1489:"Four Major Plays of Chikamatsu"
1300:Dictionnaire Historique du Japon
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963:Saltzman-Li, Katherine (2002).
125:, 杉森 信盛, 1653 – 6 January 1725)
1199:Chikamatsu, Monzaemon (1990).
1062:University of Colorado Boulder
1019:
1011:Four Major Plays of Chikamatsu
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945:Four Major Plays of Chikamatsu
908:Four Major Plays of Chikamatsu
890:Encyclopædia Britannica Online
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493:
13:
1:
1588:Writers from Fukui Prefecture
1503:"Audio book read in Japanese"
1448:. Columbia University Press.
1406:. Columbia University Press.
1135:Sasaguchi, Rei (2002-02-20).
835:
749:The Courtesan on Buddha Plain
648:The Love Suicides at Sonezaki
588:References in popular culture
552:The Love Suicides at Sonezaki
544:The Love Suicides at Sonezaki
488:Heike and the Island of Women
376:The Love Suicides at Sonezaki
328:
1583:People from Fukui Prefecture
1442:Shirane, Haruo, ed. (2002).
718:The Love Suicides at Amijima
534:The Love Suicides at Amijima
471:The Courtesan’s Frankincense
457:“with real literary value”.
408:The Love Suicides at Amijima
381:The Love Suicides at Amijima
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169:The Love Suicides at Amijima
142:, and the live-actor drama,
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790:Chikamatsu: Five Late Plays
735:Onnagoroshi abura no jigoku
432:Chikamatsu: Five Late Plays
10:
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1424:Masterpieces of Chikamatsu
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1053:Kanemitsu, Janice Shizue.
593:In the fictional world of
581:New National Theatre Tokyo
356:) pieces, of which 24 are
95:
1558:18th-century male writers
1553:17th-century male writers
1202:Major Plays of Chikamatsu
782:Major Plays of Chikamatsu
776:Translations into English
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517:'s celebrated 1969 film,
436:Twins at the Sumida River
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82:
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1421:Nichols, Robert (2010).
825:List of Japanese authors
559:
507:'s black and white film
178:(1715) remains praised.
1494:English translation of
1329:Walthall, Anne (2002).
1100:"Chickamatsu Monzaemon"
995:Encyclopædia Britannica
687:Koi hakke hashiragoyomi
463:Keisei mibu dainembutsu
149:Encyclopædia Britannica
1400:Keene, Donald (1999).
694:The Battles of Coxinga
625:
579:that premiered at the
576:Shinjū: Ten no Amijima
521:(billed in English as
519:Shinjū: Ten no Amijima
443:The Battles of Coxinga
289:The Battles of Coxinga
216:
175:The Battles of Coxinga
1563:Japanese male writers
1249:. Tuttle Publishing.
969:Asian Theatre Journal
848:Kamikaji, Ai (2003).
756:Keisei hotoke no hara
723:Shinjū Ten no Amijima
620:
509:Chikamatsu Monogatari
459:Keisei hotoke no hara
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925:Chikamatsu Monzaemon
886:Chikamatsu Monzaemon
672:The Courier for Hell
413:The Courier for Hell
258:or "The Soga Heir";
163:The Courier for Hell
112:Chikamatsu Monzaemon
34:Chikamatsu Monzaemon
1335:Monumenta Nipponica
1026:Classe, O. (2000).
892:. 12 November 2006.
820:Japanese literature
711:Nebiki no Kadomatsu
683:The Almanac of Love
636:Kagekiyo Victorious
573:, an adaptation of
428:The Almanac of Love
264:The Soga Successors
255:The Soga Successors
27:Japanese playwright
1533:Kabuki playwrights
1496:The Tethered Steed
1377:www.nntt.jac.go.jp
1349:– via JSTOR.
983:– via JSTOR.
626:
565:Japanese composer
475:The Tethered Steed
217:
706:The Uprooted Pine
699:Kokusen'ya kassen
583:in February 2005.
419:The Uprooted Pine
400:works along with
314:Forty-seven rōnin
276:C. Andrew Gerstle
245:, in present-day
123:Sugimori Nobumori
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90:(aged 70–71)
53:Sugimori Nobumori
16:(Redirected from
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1523:1725 deaths
1518:1653 births
1306:(1): 33–35.
948:, p. 3
923:Mori, Shū,
911:, p. 4
613:Major works
567:Mayako Kubo
554:(1981 film)
546:(1978 film)
494:Adaptations
461:(1699) and
368:Taishō eras
319:Chūshingura
239:kun reading
166:(1711) and
69:(Currently
1512:Categories
1455:0231507437
1413:0231114672
1382:2020-11-08
1341:(2): 247.
1317:Keene 1999
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836:References
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241:of 近松) in
106:Chikamatsu
18:Chikamatsu
1347:0027-0741
981:0742-5457
888:". 2006.
866:0041-977X
569:'s opera
483:UC Irvine
455:jidaimono
372:jidaimono
342:Reception
295:Amagasaki
235:Gonshō-ji
182:Biography
154:jidaimono
132:dramatist
814:See also
689:) (1715)
416:(1711),
384:(1721),
359:sewamono
158:sewamono
129:Japanese
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1393:Sources
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602:In the
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398:bunraku
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188:samurai
140:bunraku
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303:Osaka
301:, or
299:Hyōgo
231:haiku
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