Che (2008 film) - Knowledge

1953:. Upon seeing the first image on the screen (a silhouette of Cuba), the crowd erupted into a raucous cry of "¡Viva, Cuba!" Following the film, and the standing ovation it received, Soderbergh appeared for a post program Q&A. During the sometimes contentious conversation with the audience, in which Soderbergh alternated between defensiveness and modesty, the director categorized Guevara as "a hard ass", to which one audience member yelled out, "Bullshit, he was a murderer!" The filmmaker settled down the crowd and explained, "It doesn't matter whether I agree with him or not—I was interested in Che as a warrior, Che as a guy who had an ideology, who picked up a gun and this was the result. He died the way you would have him die. He was executed the way you would say he executed other people". Soderbergh ended the 1 am Q&A session by noting that he was "agnostic" on Che's standing, but "loyal to the facts", which he insisted were all rigorously sourced. 1271:. Afraid that their multi-territory deals would fall apart, Bickford and Del Toro asked Steven Soderbergh, who was previously on board as producer, to direct. The filmmaker was drawn to the contrast of "engagement versus disengagement. Do we want to participate or observe? Once Che made the decision to engage, he engaged fully. Often people attribute that to a higher power, but as an atheist, he didn't have that. I found that very interesting". Furthermore, he remarked that Guevara was "great movie material" and "had one of the most fascinating lives" that he could "imagine in the last century". Bickford and Del Toro realized that there was no context for what made Guevara decide to go to Bolivia. They began looking for someone to rewrite the screenplay; Peter Buchman was recommended to them because he had a good reputation for writing about historical figures, based on a script he worked about 1509:, he wanted to show everyday tasks, "things that have meaning on a practical level and on an ideological level", as a "way of showing what it might have been like to be there". While addressing the issue after at the Toronto International Film Festival, Soderbergh remarked that he was trying to avoid what he felt were typical scenes for a biographical film and that he would tell screenwriter Peter Buchman, that he was "trying to find the scenes that would happen before or after the scene that you would typically see in a movie like this". Soderbergh was not interested in depicting Guevara's personal life because he felt that "everybody on these campaigns has a personal life, they all left families behind, that doesn't make him special and why should I go into his personal life and nobody else's?" 1338:

point, nobody wanted to step up". The director defended his decision to shoot almost all of the film in Spanish in an interview: "You can't make a film with any level of credibility in this case unless it's in Spanish. I hope we're reaching a time where you go make a movie in another culture, that you shoot in the language of that culture. I'm hoping the days of that sort of specific brand of cultural imperialism have ended". Both films were financed without any American money or distribution deal; Soderbergh remarked, "It was very frustrating to know that this is a zeitgeist movie and that some of the very people who told me how much they now regret passing on

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events. La Cabana was really turned into a Roman circus, where I think even the people in power look back on that as excessive. However, every regime, in order to retain power when it feels threatened, acts excessively ... This is what people do when they feel they need to act in an extreme way to secure themselves". The filmmaker noted as well that, "with a character this complicated, you're going to have a very polarized reaction". Furthermore, he was not interested in depicting Guevara's life as "a bureaucrat", stating that he was making a

5871: 1222:, and with several guerrillas who fought alongside him in Cuba. While researching for both films, Soderbergh made a documentary of his interviews with many of the people who had fought alongside Guevara. In his encounters with people ranging from fellow guerrillas to Guevara's driver, Del Toro described the reaction as "always the same", stating that he was "blown away" by the "bucketful of love" they still harbored for Guevara. In an interview, Del Toro described Guevara as "a weird combination of an intellectual and an action figure, 6064: 1239: 6343: 1318:, Urbano and Benigno—three men who met Guevara during the Cuban Revolution, followed him to Bolivia, and survived. They interviewed them individually and then Pombo and Benigno together about their experiences in Cuba and Bolivia. Urbano was an adviser while they were filming in Spain and the actors often consulted with him and the others about specific details, like how to hold their guns in a certain situation, and very specific tactical information. 1902:, lamented that the film was shown, while declaring "we must not allow dissemination of this movie". When asked days later about the incident, Del Toro remarked that the ability to speak out was "part of what makes America great" while adding "I find it a little weird that they were protesting without having seen the film, but that's another matter". For his part, Soderbergh later stated that "you have to separate the 1860:, and Raúl Castro are still enmeshed. There will be plenty of time to argue about the film's (or films') political relevance or lack thereof, to call Soderbergh names for this or that historical omission, for this or that ideological error. He's made something that people will be eager to see and eager to talk about all over the world, something that feels strangely urgent, something messy and unfinished and amazing". 728:, is captured at Muyupampa by the Bolivian Army along with two of Che's last contacts with the outside world. A Bolivian airstrike then occurs against Che's guerrillas on Day 219, driving them deeper into hiding. By this time, Che has split his forces; his best fighters travel with him in one column, while another column contains other personnel, including Tania, and carries much of the remaining supplies. 2326:. After dismounting the prize (which was a literal camel), Longoria remarked that "this is real, this is what Benicio and Steven tried to tell in the movie. It's right here, a people fighting a war for their dignity and their land. The principles of Che Guevara are very important to them." However, Longoria returned the live animal before departing, opting for a camel statuette. 1453:. I want it to look nice but simple. We'll work with a very small group: basically me, the producer Gregory Jacobs and the unit production manager". According to the director, the portion set in Cuba was written from the victor's perspective and as a result he adopted a more traditional look with classical compositions, vibrant color and a warm palette. With 2161:, Claudia Puig wrote, "With its lyrical beauty and strong performances, the film can be riveting. Its excessive length and rambling scenes also make it maddening. It is worth seeing for its attention to visual detail and ambitious filmmaking, but as a psychological portrait of a compelling historical figure, it is oddly bland and unrevealing". 685:, who subsequently drives into the mountains to meet his men. The film is organized by the number of days that he was in the country. On Day 26, there is solidarity among Guevara's men despite his status as a foreigner. By Day 67, Guevara, however, has been set up for betrayal. He tries to recruit some peasants only to be mistaken for a 1676:, it had grossed $ 164,142 in one weekend, at 35 locations in North America and $ 20 million from a half-dozen major markets around the world, led by Spain at $ 9.7 million. As of May 2009, it has grossed $ 1.4 million in North America and $ 29.8 million in the rest of the world for a worldwide total of $ 30 million. Eventually, 1502:) he could without sounding "stiff". Prior to shooting the film's final scenes that depict Guevara's time in Bolivia at the end of his life, Del Toro shed 35 pounds to show how ill Guevara had become. The actor shaved the top of his head rather than wear a bald cap for the scenes depicting Guevara's arrival in Bolivia in disguise. 1738:, wrote, "Perhaps it will even come to be seen as this director's flawed masterpiece: enthralling but structurally fractured—the second half is much clearer and more sure-footed than the first—and at times frustratingly reticent, unwilling to attempt any insight into Che's interior world". In his less favorable review for 1418:

after the fact and, according to the director, "with a certain hindsight and perspective and a tone that comes from being victorious", while the Bolivian diaries were "contemporaneous, and they're very isolated and have no perspective, at all. It's a much more tense read, because the outcome is totally unclear".

1468:. In filming the sequence, Soderbergh balked at the digital effects solution and managed to reallocate $ 500,000 from the overall $ 58 million budget to build a real set of tracks and a train powered by two V-8 car engines. To film the scene, they had six rehearsals, and could only shoot the scene once. 2046:

is both action film and ongoing argument. Each new camera setup seeks to introduce a specific idea—about Che or his situation—and every choreographed battle sequence is a sort of algorithm where the camera attempts to inscribe the event that is being enacted". Hoberman compared Soderbergh's directing

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opened in single theaters in N.Y.C. and L.A. where it made $ 60,100 with sellouts of both venues. Based on this success, IFC Films executives added two weekends of exclusive runs for the roadshow version, starting 24 December in N.Y.C. and 26 December in L.A. This successful run prompted IFC Films to

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Del Toro and Soderbergh both attended the French premiere in late November 2008, where they took questions from the press. Del Toro remarked that the "legendary rebel" was still pertinent because "the things that he fought for in the late 1950s and mid 1960s are still relevant today", adding that "he

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with the idea of exploring Guevara's attempts to start a revolution in Bolivia. Del Toro has said that he previously only thought of Guevara as a "bad guy". For his role, Del Toro spent seven years "obsessively researching" Guevara's life, which made him feel like he "earned his stripes" to interpret

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with better cigars". However, Dargis notes that "Mr. Soderbergh cagily evades Che's ugly side, notably his increasing commitment to violence and seemingly endless war, but the movie is without question political—even if it emphasizes romantic adventure over realpolitik—because, like all films, it is

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had problems with Del Toro's portrayal of Guevara: "Del Toro—whose acting style often starts over the top and soars from there, like a hang-glider leaping from a skyscraper roof—is muted, yielding few emotional revelations, seemingly sedated here ... Che is defined less by his rigorous fighting

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were decorated with large posters of Del Toro in his role as the guerrilla fighter, unprecedented in the city's history. When questioned by the press on Guevara's ideas and use of violence, Del Toro stated that if he had lived during the 1960s, he would have agreed with Guevara, and that although he

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Each half of the film focuses on a different revolution, both fundamentally the same in theory but vastly different in outcome, reflecting the Marxist notion of dialectics. Soderbergh wanted the film's two parts to mimic the voice of the two diaries they were based on; the Cuban diaries were written

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Soderbergh replied to the criticism that he made an unconventional film: "I find it hilarious that most of the stuff being written about movies is how conventional they are, and then you have people ... upset that something's not conventional. The bottom line is we're just trying to give you a

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is depicted with Guevara demonstrating his tactical skill as the guerrillas engage in street-to-street fighting and derail a train carrying Cuban soldiers and armaments. Near the film's end, they are victorious. With the Cuban Revolution now over, Guevara heads to Havana, remarking "we won the war,

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at the Cannes Film Festival for his performance, and in his acceptance speech dedicated the award "to the man himself, Che Guevara and I want to share this with Steven Soderbergh. He was there pushing it even when there and pushing all of us". Guevara's widow Aleida March, who is president of the

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observes that "throughout the movie Mr. Soderbergh mixes the wild beauty of his landscapes with images of Che heroically engaged in battle, thoughtfully scribbling and reading, and tending to ailing peasants and soldiers". According to Dargis, "Che wins, Che loses, but Che remains the same in what

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James Rocchi described the biopic as "expressive, innovative, striking, and exciting" as well as "bold, beautiful, bleak and brilliant". Rocchi went on to brand it "a work of art" that's "not just the story of a revolutionary" but "a revolution in and of itself". Columnist and critic Jeffrey Wells

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Del Toro and Bickford hired screenwriter Benjamin A. van der Veen to write the screenplay's first drafts, and their extensive research took them to Cuba where they met with several of the remaining members of Guevara's team in Bolivia as well as the revolutionary's wife and children. It was during

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originally worked on a screenplay limited to Guevara's attempts to start a revolution in Bolivia. When financing fell through, Malick left the project, and Soderbergh subsequently agreed to direct the film. He realized that there was no context for Guevara's actions in Bolivia and decided that his

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as part of the Latin American Film Festival. Benicio Del Toro, who was in attendance, referred to the film as "Cuban history", while remarking that "there's an audience in there ... that could be the most knowledgeable critics of the historical accuracy of the film". The official state paper

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on 28 May 1957. After that, they begin to win over the rural peasant population of Cuba and receive increasing support, while battling both the government and traitors in their midst. Gradually, however, the government loses control of most of the rural areas. Soon afterward, the 26 July Movement

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because "there is no amount of accumulated barbarity that would have satisfied the people who hate him". Soderbergh addressed the criticism for this omission in a post release interview where he stated: "I don't think anybody now, even in Cuba, is going to sit with a straight face and defend the

748:) emerges to interrogate Che, but without success. The Bolivian high command then phones and orders Guevara's execution (using the code 'Order 600'). He is shot to death by a half-drunk Bolivian army sergeant on 9 October 1967, and his corpse lashed to a helicopter's landing skids and flown out. 2196:

awarded the film 3.5 out of 4 stars and addressed the film's length: "You may wonder if the film is too long. I think there's a good reason for its length. Guevara's experience in Cuba and especially Bolivia was not a series of events and anecdotes, but a trial of endurance that might almost be

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was going to be made in English and was met with a strong interest in financing; however, when the decision was made to make it in Spanish and break it up into two films, the studios' pay-TV deals, which were for English-language product only, "disappeared", according to Bickford, "and, at that

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in 1964. Buchman helped with the script's structure, which he gave three storylines: Guevara's life and the Cuban Revolution; his demise in Bolivia; and his trip to New York to speak at the U.N. Buchman found that the problem with containing all of these stories in one film was that he had to

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Todd McCarthy was more mixed in his reaction to the film in its present form, describing it as "too big a roll of the dice to pass off as an experiment, as it's got to meet high standards both commercially and artistically. The demanding running time forces comparison to such rare works as

1562:. The "special roadshow edition" in N.Y.C. and L.A. was initially planned as a one-week special engagement—complete with intermission and including a full-color printed program—but strong box-office results led to its re-opening for two weeks on 9 January 2009 as two separate films, titled 2014:

has a 78% rating, based on 53 reviews, with an average rating of 6.7/10. The website's critical consensus states, "The second part of Soderbergh's biopic is a dark, hypnotic and sometimes frustrating portrait of a warrior in decline, with a terrific central performance from Del Toro.". On

1744:, Stephen Garrett criticized the film for failing to show Guevara's negative aspects, "the absence of darker, more contradictory revelations of his nature leaves Che bereft of complexity. All that remains is a South American superman: uncomplex, pure of heart, defiantly pious and boring". 1768:

After Cannes, Soderbergh made a few minor adjustments to the film. This included adding a moment of Guevara and Fidel Castro shaking hands, tweaking a few transitions, and tacking on an overture and entr'acte to the limited "road show" version. Moreover, he removed the trial of guerrilla

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about two military campaigns, declaring the pictures "war films". Soderbergh said, "I'm sure some people will say, 'That's convenient because that's when he was at his worst.' Yeah, maybe—it just wasn't interesting to me. I was interested in making a procedural about guerrilla warfare".

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did not hide behind curtains ... he stood up for the forgotten ones". When asked why he made the film, Soderbergh stated, "I needed to make the film, and that is a different feeling. I felt like, if I am worth anything, I have to say yes. I can't say no". The following day, the

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community, the invitation-only screening was met with angry demonstrators. The organization Vigilia Mambisa, led by Miguel Saavedra, amassed an estimated 100 demonstrators to decry what they believed would be a favorable depiction of Guevara. Saavedra told reporters from the

1304:. We tried to go through all of it, we were overwhelmed with information. He means something different to everyone. At a certain point we had to decide for ourselves who Che was". The original source material for these scripts was Guevara's diary from the Cuban Revolution, 1814:, Keith Uhlich wrote, "The best to say about Del Toro's Cannes-honored performance is that it's exhausting—all exterior, no soul, like watching an android run a gauntlet (one that includes grueling physical exertions, tendentious political speechifying, and risible 1457:, he wanted a sense of foreboding with hand-held camerawork and a muted color palette. Soderbergh told his production designer Antxon Gomez that the first part would have green with a lot of yellow in it and the second part would have green with a lot of blue in it. 2224:" The director blamed piracy for the film's financial failure and felt that "It's a film that, to some extent, needs the support of people who write about films. If you'd had all these guys running around talking in accented English you'd your head taken off". 708:, Guevara's revolutionary contact has botched elaborate preparations and given away their identity. On Day 141, the guerrillas capture Bolivian soldiers that refuse to join the revolution and are free to return to their villages. Bolivian President and dictator 1260:

had been in Bolivia as a journalist in 1966 working on a story about Che. Malick came on as director and worked on the screenplay with van der Veen and Del Toro, but after a year-and-a-half, the financing had not come together entirely and Malick left to make

1210:, one of Guevara's favorites, and the first book published and given out free after the Cuban Revolution. Del Toro then personally met with people from different stages of Guevara's life, including Guevara's younger brother and childhood friends, traveling to 1199:. Actor Benicio del Toro and producer Laura Bickford optioned the film rights to Anderson's book. However, after two years they had not found a suitable writer and the rights expired. During this time, Del Toro and Bickford researched the events depicted in 1348:, a French production, distribution and foreign sales company put up 75% of the budget for the two films, tapping into a production and acquisition fund from financing and investment company Continental Entertainment Capitol, a subsidiary of the U.S.-based 1705:

proclaimed the film "brilliant", "utterly believable", and "the most exciting and far-reaching film of the Cannes Film Festival". In further praise, Wells referred to the film as "politically vibrant and searing" while labeling it a "perfect dream movie".

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Guevara grows sick and by Day 280 can barely breathe as a result of his acute asthma. Nevertheless, he continues to lead his group towards the other column of revolutionaries. On Day 302, the Bolivian Army wipes out the other column, killing Tania Bunke,

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in 1964 should also be depicted. Peter Buchman was hired to write the screenplay — the script was so long that Soderbergh decided to divide the film into two parts: one chronicling Cuba, the other depicting Bolivia. Soderbergh shot the installments

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Soderbergh described the Cuban Revolution as "the last analog revolution. I loved that we shot a period film about a type of war that can't be fought anymore". Soderbergh said he was open to making another film about Guevara's experiences in the

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condense time and this distorted history. Soderbergh found the draft Buchman submitted to him "unreadable" and after two weeks decided to split the script into two separate films. Buchman went back and with Del Toro expanded the Cuban story for

1325:, with a movie tie-in cover. The book's aim was to compile all the original letters, diary excerpts, speeches and maps on which Soderbergh relied for the film. The text is interspersed with remarks by Benicio del Toro and Steven Soderbergh. 1376:'s embargo. Doubling Santa Clara proved to be difficult because it was a certain size and had a certain look. Soderbergh spent four to five months scouting for a suitable replacement, looking at towns in Veracruz/Yucatán before settling on 1753:, Andrew O'Hehir praised Soderbergh for making "something that people will be eager to see and eager to talk about all over the world, something that feels strangely urgent, something messy and unfinished and amazing. I'd be surprised if 2268: 2094:, wrote, "in this flawed work of austere beauty, the logistics of war and the language of revolution give way to something greater, a struggle that may be defined by politics but can't be contained by it". In her review for 2175:

retains the air of a study exercise—of an interest brilliantly explored. How else to explain one's total flatness of feeling at the climax of each movie?" Taking a more positive stance, film critic Chris Barsanti compared

2006:, based on 142 reviews, and an average rating of 6.5/10. The website's critical consensus states, "Though lengthy and at times plodding, Soderbergh's vision and Benicio Del Toro's understated performance ensure that 2350:

in December 2009. However, the release date was rescheduled to 19 January 2010. The two-disc Blu-ray Disc release features 1080p video and a Spanish DTS-HD Master Audio 5.1 soundtrack (with English subtitles).

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two-and-a-half stars out of four and wrote, "The problem is that, despite his desire to sidestep Hollywood bio-hooey, the director is unable to turn his chilly stance into an ideological perspective, like

1230:, wrapped in one". After the film's production concluded, Del Toro professed that "when you tell the story of Che, you're telling a story of the history of a country, so you have to be very careful". 1314:. From there, he drew on interviews with people who knew Guevara from both of those time periods and read every book available that pertained to both Cuba and Bolivia. Bickford and Del Toro met with 1810:

seems to me almost the polar opposite of agitprop. It flat out does not ask for the kind of emotional engagement that more conventional epic biopics do, and that's a good thing". In his review for

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doesn't feel epic—just long". Anne Thompson wrote that Benicio del Toro "gives a great performance", but predicted that "it will not be released stateside as it was seen here". Glenn Kenny wrote, "

4587: 6995: 1773:, which Chicago film critic Ben Kenigsberg found "regrettable", stating that it was "not only one of the film's most haunting scenes but a key hint at the darker side of Che's ideology". 704:

to the revolutionaries' base camp, which contained vast stockpiles of food, much-needed supplies, and intelligence identifying much of the group as Cubans. Much to Che's disappointment

2275:, Penn expressed his dismay stating, "The fact that there aren't crowns on Soderbergh's and Del Toro's heads right now, I don't understand ... that is such a sensational movie, 2104:, is to let go of words like 'film' and 'movie', words that somehow seem inadequate to the task of describing such a mesmerizing, fully immersive cinematic experience. By the end of 1494:, and he describes the project as a "very contemplative movie", shot chronologically. While filming outdoors, Soderbergh used natural light as much as possible. Del Toro, who speaks 1410:

rather than 16 mm film because of its ability to replicate film stock digitally but initially, it was not going to be available on time. However, their Spanish work papers and

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moves from faith to impotence, which is certainly a valid reading of Communism in the 20th century. Yet as drama, that makes the second half of the film borderline deadly ...

1976:. The day prior Del Toro attended a screening of the film at a bullfighting ring-turned cultural center, where he was "mobbed by adoring fans". Del Toro then visited the state-run 1761:

sense of what it was like to hang out around this person. That's really it. And the scenes were chosen strictly on the basis of, 'Yeah, what does that tell us about his character?

5276: 1218:, who expressed that he was happy for the "serious" research being undertaken. Such research included collaborating with the three surviving guerrillas from Guevara's ill-fated 697:, refuse to support the armed struggle. On Day 100, there is a shortage of food and Guevara exercises discipline to resolve conflicts between his Cuban and Bolivian followers. 4502: 4465: 1852:

magazine, Andrew O'Hehir wrote, "What Soderbergh has sought to capture here is a grand process of birth and extinguishment, one that produced a complicated legacy in which

2108:, viewers will likely emerge as if from a trance, with indelibly vivid, if not more ambivalent feelings about Guevara, than the bumper-sticker image they walked in with". 1546:

Theatrical distribution rights were pre-sold to distributors in several major territories, including France, the United Kingdom, Scandinavia, Italy, and Japan (Nikkatsu);

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is finally not epic but romance. It takes great care to be true to the factual record, but it is, nonetheless, a fairy tale". Sheri Linden, in her review for the

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March 1957. Guevara deals with debilitating bouts of asthma as his group of revolutionaries meet up with Castro's. Together, they attack an army barracks in the

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Soderbergh found the task of researching such a popular historical figure as Guevara a daunting one: "If you go to any bookstore, you'll find an entire wall of

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in 1956, looking out over the ocean, as the Cuban Revolution is about to begin. He sees the Castro brothers alone at the bow of the ship; Fidel is talking and

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benefits greatly from certain Soderberghian qualities that don't always serve his other films well, e.g., detachment, formalism, and intellectual curiosity".

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in Havana's Yara Cinema, Del Toro was treated to a 10-minute standing ovation from the 2,000+ strong audience, many of whom were involved in the revolution.

1275:. He spent a year reading every available book on Guevara in preparation for writing the script. The project was put on hold when Bickford and Del Toro made 5052: 1471:

Many aspects of Guevara's personality and beliefs affected the filming process. For instance, close-ups of Del Toro were avoided due to Guevara's belief in

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forges alliances with other revolutionary movements in Cuba, and begin to assault towns and villages. Most fall to the rebels with little to no resistance.

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that "you cannot offend the sensitivities of the people", while describing the film as "a disgrace". A supporter of the demonstration, Miami Beach's mayor

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plays like a procedural about a charismatic leader, impossible missions and the pleasures of work and camaraderie", referring to the "historical epic" as "

2220:, Soderbergh has said that he now wishes that he had not made the film and remarked, "Literally I'd wake up and think, 'At least I'm not doing that today. 1414:

were late and Del Toro and Soderbergh were grounded in Los Angeles for a week. The director was meanwhile informed that the prototype cameras were ready.

3373: 1580:. The film was expanded to additional markets on 16 and 22 January both as a single film and as two separate films. IFC made the films available through 1933:

gave Del Toro a glowing review, professing that he "personifies Che" in both his physical appearance and his "masterly interpretation". After unveiling

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where Del Toro met Guevara's widow, family, and "tons of people that loved this man". The visit included a five-minute encounter at a book fair with

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is taking notes. Guevara hands a peeled orange to one of his comrades and returns his gaze to the lone brothers before the scene fades to black.

2507: 4927: 2299: 4082: 6990: 5944: 4304: 3614: 383:. Rather than follow a standard chronological order, the films offer an oblique series of interspersed moments along the overall timeline. 4182: 3171: 2658: 2590: 6970: 6381: 5768: 5404: 3699: 4665: 7130: 6980: 6411: 5704: 4339: 3828: 1980:, a film production facility President Chávez launched to help Venezuela produce its own movies as an alternative to what Chávez calls 5489: 5341: 7110: 7095: 7005: 7000: 4512: 4479: 3558: 4017: 3411: 2019:, the film has a collective weighted average score of 64 out of 100, based on 24 critics, indicating "generally favorable reviews". 677:

The second part begins on 3 November 1966 with Guevara arriving in La Paz, Bolivia disguised as a middle-aged representative of the

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Che Guevara Studies Center, sent a congratulatory note to Del Toro upon hearing the news of his award. Del Toro was awarded a 2009

2075:, Soderbergh makes a four-hour-plus biopic about a historical figure without providing a glimmer of charm or narrative coherence". 1558:

after production had completed and released it on 12 December 2008 in New York City and Los Angeles in order to qualify it for the

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as the 22nd-best film of 2008 in their "Best Films of 2008" poll. Film critics Roger Ebert, and James Rocchi went further, naming

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reportedly running over four hours. Following this screening, Soderbergh cut 5–7 minutes from each half. It was shown at the 46th

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was shown in its entirety, commercial and trailer free with an intermission and limited edition program book at every screening.

1373: 1306: 535: 5917: 5913: 5464: 7085: 6955: 5286: 3360: 3206: 3020: 6950: 6940: 6872: 5987: 5958: 3097: 2279:." In reference to what Penn deemed a snub, he added "Maybe because it's in Spanish, maybe the length, maybe the politics". 7055: 6965: 6158: 31: 4625: 7125: 7030: 7025: 1654:

would describe Soderbergh's narrative as a "magisterial ... compelling experience", with Del Toro's performance as "

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being extended in NYC and LA, and later expanded into additional markets. It was released as two separate films, titled

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did not support violent revolution now, in the '60s he may "have been another person and in agreement with armed war".

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as "a Hollywood movie" shot in widescreen 'scope aspect ratio, with the camera either fixed or moving on a dolly or a

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the character. Preparation included looking at Guevara's photographs and reading his personal writings. Del Toro read

7020: 2727: 2440: 2379: 1651: 1294: 6010: 4418: 4278: 4250: 6985: 6945: 5243: 4988: 3964: 5153: 5066: 3303: 846: 733: 542:, which holds all North American rights, initially released the combined film for one week on 12 December 2008 in 7135: 7040: 7035: 6374: 2540: 2272: 1365: 678: 636: 3254: 7105: 7045: 6406: 6280: 6133: 5714: 5668: 2128:

is twice as long as it needs to be, but it is also only half the movie it should have been". James Verniere of

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one of the best films of 2008. The film appeared on several critics' top ten lists of the best films of 2008.

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gave the film a B−, describing the work as a new genre of "arthouse guerrilla nostalgia", while lamenting

424: 7145: 7115: 2990: 2084:, A.O. Scott writes, "Mr. Soderbergh once again offers a master class in filmmaking. As history, though, 1981: 1361: 1301: 1104: 837: 713: 555: 4215: 2668: 1757:

doesn't win the Palme d'Or ... but be that as it may, nobody who saw it here will ever forget it".

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on 21 January on all major cable and satellite providers in both standard and high definition versions.

724:

activity and to train the Bolivian Army. On Day 169, Guevara's visiting friend, the French intellectual

7080: 7015: 6715: 6683: 6367: 5744: 5319: 690: 617:

who asks him if reform throughout Latin America might not blunt the "message of the Cuban Revolution".

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execution sentences of "suspected war criminals, traitors and informants" that Guevara reviewed at

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Early reviews were mixed, although there were several critics who spoke glowingly of the project.

1138: 643:, and defends the executions his regime has committed, declaring "this is a battle to the death." 6880: 5933: 5375: 4117: 3796: 2322: 1950: 1628: 1475:, with Soderbergh remarking, "You can't make a movie about a guy who has these hard-core sort of 815: 4316: 3640: 3183: 1991:

as "a totally Latin American movie" and stated that he had "a good meeting with the President".

1364:

underwent major renovations, Del Toro and Soderbergh shot the scenes of Guevara speaking to the

1321:

In December 2008, Ocean Press, in cooperation with the Che Guevara Publishing Project, released

6825: 6806: 6507: 6285: 5459: 5416: 5181: 4859: 4538: 4474: 4192: 4150: 3711: 3563: 3499: 2605: 1962: 1788: 1600: 1472: 828: 614: 4688: 3332: 6766: 6651: 6619: 6467: 6300: 6275: 6033: 6028: 5536: 4634: 4351: 3840: 2386:—a 1968 documentary by Brian Moser who was in Bolivia looking for Che when Che was executed. 2313: 2188: 1968:, himself a socialist and admirer of Che Guevara, greeted Del Toro and co-star Bichir at the 1465: 1293:. Additional research included reading Guevara's diaries and declassified documents from the 659: 176: 5349: 1344:

passed on this one too". Foreign pre-sales covered $ 54 million of the $ 58 million budget.

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gave a "B+" rating to the first half of the film and a "C−" rating to the second half, and

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show this version in nine additional markets on 16 January. For this theatrical promotion,

1596: 1571: 1495: 1450: 1026: 640: 531: 468: 5870: 4960: 1570:. Soderbergh said that the program's inspiration came from the 70 mm engagements for 8: 6935: 6790: 6627: 6579: 6539: 6531: 6515: 6267: 6118: 5029: 3535: 3423: 2783: 2663: 2250: 2146:. In Verniere's view, so much information was missing, that he recommended one first see 2143: 2096: 1899: 1499: 1340: 1277: 1272: 1268: 1110: 957: 900: 551: 2302:. Del Toro remarked that it was "an honor" to receive the award and thanked Soderbergh. 1086: 1059: 842: 6563: 6227: 5876: 5541: 5518: 4965: 4864: 4571: 4507: 4255: 4159: 3065: 2080: 2052: 1929: 1830: 1783: 1740: 1531: 1517: 1407: 1377: 1035: 987: 893: 854: 721: 629: 488: 476: 472: 5556: 1039: 709: 6555: 6523: 6390: 6108: 6053: 5822: 5811: 5281: 5216: 4997: 3282: 2955: 2637: 2312:, whose ceremony took place during the spring of 2009 in the Wilaya of Dakhla at the 2130: 2090: 1969: 1923: 1395: 1388: 810: 672: 655: 404: 380: 368: 108: 62: 5724: 4569:

Castañeda, Mireya (11 December 2008). "Benicio del Toro presents Soderbergh's Che".

3892: 3030: 884: 872: 6731: 6675: 6435: 6015: 5827: 5314: 4714: 3590: 3407: 2918: 2359: 2355: 1547: 1513: 1446: 1192: 1065: 975: 806: 779: 600: 575: 448: 432: 392: 162: 141: 126: 90: 1770: 1080: 888: 788: 700:

By Day 113, some of the guerrillas have deserted, and, upon capture, have led the

440: 6750: 6571: 6138: 6078: 5939: 5855: 5844: 5833: 5652: 4837: 4801: 4770: 4592: 4449: 4187: 3215: 3025: 2339: 2317: 2117: 2003: 1894: 1888: 1745: 1581: 1411: 1257: 1242: 1219: 1131: 969: 797: 741: 579: 571: 499: 444: 78: 6128: 5849: 5838: 4796: 4639: 1054: 1016: 725: 6699: 6603: 6251: 6093: 6020: 5158: 4932: 4806: 4775: 4765: 4443:

Chavez, Juan Carlos (4 December 2008). "Cuban exiles protesting the showing of

2264: 2167: 2061: 2048: 1977: 1820: 1792: 1576: 1476: 1285: 1007: 962: 950: 942: 866: 753: 647: 504: 452: 428: 6148: 6098: 2320:, attended to accept the award when Del Toro could not because of filming for 1965: 1159: 1071: 924: 801: 758: 6929: 6305: 5098: 4899: 2287: 2182: 2139: 2034: 1884: 1872: 1842: 1559: 1483: 1227: 833: 701: 543: 460: 436: 72: 5253: 4059: 2308:

was awarded "The White Camel", the top award handed out at the sixth annual

6798: 6491: 6451: 6327: 6113: 6103: 6088: 6048: 5953: 5380: 5248: 4742: 4126: 3645: 3308: 2754: 2549: 2512: 2347: 2201: 2162: 2066: 2056: 1919: 1857: 1734: 1642: 1487: 1223: 1215: 1152: 1146: 1011: 981: 914: 860: 824: 819: 792: 705: 625: 456: 396: 6063: 1421:

Soderbergh shot the films back-to-back in the beginning of July 2007 with

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Soderbergh wanted to incorporate Guevara's experiences in Cuba and at the

6707: 6659: 6547: 6475: 6234: 6083: 5996: 2298:. Named after a prolific Cuban filmmaker, the award was voted for by the 2295: 2193: 2039: 1876: 1853: 1717: 1206: 1125: 1044: 1030: 1020: 992: 932: 905: 783: 694: 621: 610: 547: 492: 484: 480: 376: 5816: 5805: 1464:, Soderbergh depicts Guevara's derailment of a freight train during the 1441:

was shot, according to Soderbergh, "in Super-16, 1.85:1. No dollies, no

1238: 586:

grossed US$ 40.9 million worldwide, against a budget of US$ 58 million.

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Olsen, Mark (11 December 2008). "Benicio Del Toro leads the charge for

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The Young Castro Comes Alive Through Actor Demian Bichir's Performance

1749:

skills and seductive intellect than by his asthma". In his review for

6896: 6864: 6499: 6290: 5130: 4626:"The Importance of Being Ernesto: Soderbergh Unspools Four-Hour-Plus 4379: 3960: 3477: 2462: 2246: 2157: 2024: 1880: 1838: 1834: 1681: 1638: 1551: 1479: 1434: 1349: 909: 539: 365: 184: 6359: 1554:

paid a low seven-figure sum to acquire all North American rights to

740:. Che is wounded and captured. The next day, a helicopter lands and 48: 5523: 2862:

Axmaker, Sean (15 January 2009). "Interview: Steven Soderbergh and

1429:

shot in Puerto Rico and Mexico for 39 days. The director conceived

1352:. Spain's Telecinco/Moreno Films supplied the rest of the budget. 4414: 3805: 3773: 2722: 1973: 1522: 686: 682: 372: 2047:

style and "non-personalized" historical approach on the film to

503:

participation in the Cuban Revolution and his appearance at the

6667: 2688: 2686: 1297:

about his trip to New York and memos from his time in Bolivia.

639:

in New York City, where he makes an impassioned speech against

628:. He listens to Castro's plans and signs on as a member of the 606: 5965: 5769:

Behold the Man: Steven Soderbergh's Epic Film Biography of Che

2382:

Camera technology that was used in the film's production, and

2186:", calling it "an exceptionally good" war film, which rivaled 2032:"nothing if not the movie of the year". In his review for the 1482:

principles and then isolate him with close-ups." According to

3473:"Weekend Estimates: Fox Searchlight Having Great MLK Weekend" 517: 2683: 6996:

Films featuring a Best Actor Goya Award-winning performance

6295: 6213: 1211: 635:

There is a return to 1964 for Guevara's address before the

400: 5490:"Penn Surprised over Toro's Absence from Nominations List" 2366:, and a 20-page booklet featuring an essay by film critic 1619:, where it was considered the festival's "must-see" film. 4547: 4151:"First Look from Cannes: A Review of Steven Soderbergh's 3172:"Viva La Revolution: Steven Soderbergh Rebels Again with 2985: 2346:

was originally scheduled to release the film on Region 1

2335: 1906:

that is centered in Miami from the rest of the country".

1611:

with a 15-minute intermission and as two separate films,

1256:

this phase of development that the filmmakers discovered

1191:

was intended to be a much more traditional film based on

4018:"Why You Should Take an Interest in Steven Soderbergh's 1406:

with spherical lenses. Soderbergh wanted to use the new

1394:

because, according to the director, it needed "a bit of

1372:

in Cuba, but was prevented from travelling there by the

1368:

in 1964. The director wanted to shoot the first part of

744:

CIA agent Alejandro Ramírez (a fictionalized version of

654:

On 15 October 1958, the guerrillas approach the town of

2370:. There are also three short documentaries on Guevara: 2259:, remarked that he was surprised and disappointed that 1641:

in November 2008. To mark the occasion, the streets of

1949:

was screened at New York City's sold out 1,100 person

30:"Guerrilla movie" redirects here. For other uses, see 5402: 5376:"Steven Soderbergh: 'I can see the end of my career'" 4663: 2051:'s observational use of the moving camera, or one of 1550:

bought the Spanish theatrical and home video rights.

32:

Guerrilla (disambiguation) § Film and television

5959:

Benicio del Toro on Che Guevara: "He was not Tarzan"

2282:

On 31 July 2009, Del Toro was awarded the inaugural

419:

to Bolivia and his demise. Both parts are shot in a

5126:

loses battle to get to the root of a revolutionary"

4664:Knegt, Peter; Eugene Hernandez (15 December 2008). 2286:prize at a Havana ceremony attended by U.S. actors 1803:predicated on getting, spending and making money". 5725:Che: The Inspiring Life of a Vibrant Revolutionary 3734:"Cinema of the World Brings Kaleidoscope of Drama" 2635:Thomas, William (August 2008). "The Big Preview". 2267:nominations. During his acceptance speech for the 2171:, wrote, "for all the movie's narrative momentum, 1538:made $ 100 million at the box office. It did not. 751:In a final flashback scene, Guevara is aboard the 5496:. Chennai, India. 8 February 2009. Archived from 4623: 2981:"Got 4 hours to kill? Steven Soderbergh can help" 2100:, Ann Hornaday wrote, "The best way to encounter 1956: 1490:, the cast "were improvising a lot" while making 538:, and the film received mostly positive reviews. 6927: 5671:by Amanda Mae Meyncke, Film.com, 15 January 2010 2435: 2433: 2431: 2429: 1398:but scruffier". He kept to his plan of shooting 1101:Carlos Acosta-Milian as Antonio Domínguez Flores 5403:Hernandez, Eugene; Brian Brooks (25 May 2008). 3665: 3663: 1498:, tried to speak the best Argentinean Spanish ( 5301: 4270: 4083:"The Revolution By Night: Steven Soderbergh's 2947:"Soderbergh takes a revolutionary approach to 2913: 2911: 2342:for 60 days as per an agreement with IFC. The 1887:, which is home to the United States' largest 1863: 1721:and other biohistorical epics. Unfortunately, 6375: 5981: 5685:Movie Can Clarify Vision of Rebel Che Guevara 4624:Abelson, Max; Matt Haber (15 December 2008). 3134: 3132: 3130: 3128: 3126: 2426: 2300:National Union of Writers and Artists of Cuba 1883:Festival. Taking place only a few miles from 512:starting at the beginning of July 2007, with 5438:"Che's Widow Congratulates P. Rican Actor". 5342:"Metacritic: 2008 Film Critic Top Ten Lists" 4366: 3946: 3944: 3660: 2374:—a documentary about the film's production, 1307:Reminiscences of the Cuban Revolutionary War 1245:helmed the project before departing to make 524:shot in Puerto Rico and Mexico for 39 days. 423:style, but each has different approaches to 5705:Soderbergh Brings his Guevara Epic to Miami 5641: 5639: 5637: 5537:A Desert Film Festival Complete With Camels 4961:"Saluting the Rebel Underneath the T-Shirt" 4884: 4882: 4789: 4372: 4213: 4183:"Soderbergh and Tarantino: Warrior Auteurs" 3297: 3295: 3293: 3050: 3048: 2908: 2652: 2650: 2648: 554:. Strong box office performance led to the 6382: 6368: 5988: 5974: 5869: 5369: 5367: 5050: 5044: 4619: 4617: 4615: 4494: 4015: 4009: 3885: 3444: 3438: 3138: 3123: 3091: 3089: 3087: 3085: 3083: 2874: 2857: 2855: 929:Andrés Manuel Munar as José Iglesias Leyva 530:was screened as a single film at the 2008 47: 7156:English-language biographical drama films 5604: 5431: 5396: 4568: 4438: 4436: 4244: 4242: 4240: 3941: 3586:"New York Film Festival Announces Lineup" 3556: 3550: 3492: 3406: 3400: 3236: 3014: 3012: 3010: 3008: 2919:"Che: The Diaries of Ernesto Che Guevara" 2770: 2692: 2538: 2501: 2499: 2497: 2495: 2493: 2491: 2489: 2487: 2485: 2483: 2216:Looking back at the experience of making 1879:'s Byron Carlyle Theatre, as part of the 1077:Pablo Durán as Alberto "Pancho" Fernández 566:, and further distribution followed. The 5634: 5578: 5484: 5482: 5455:"Camino Leads Goya Awards with Six Nods" 5179: 5173: 5087: 5081: 5025:: A Vivid Portrait of a Charismatic Man" 5018: 5012: 4888: 4879: 4659: 4657: 4585: 4579: 4532: 4530: 4399: 4251:"Revolutionary Hero, Relentless Heroine" 4115: 4109: 4045: 4039: 3950: 3923:"What Is Really The Story on Moneyball?" 3612: 3371: 3301: 3290: 3204: 3198: 3054: 3045: 2940: 2938: 2936: 2806: 2804: 2802: 2776: 2742: 2656: 2645: 2630: 2628: 2626: 2585: 2583: 2581: 2579: 2577: 2575: 2573: 2571: 2569: 2567: 2532: 2316:of 30,000 residents. Executive producer 1355: 1237: 1143:Giraldo Moisés as Israel "Braulio" Reyes 920:Kahlil Mendez as Leonardo "Urbano" Núñez 720:advisers arrive in Bolivia to supervise 594: 399:, Guevara, and other revolutionaries in 7071:Films with screenplays by Peter Buchman 6182:Episodes of the Cuban Revolutionary War 5646:Che: The Criterion Collection (Blu-ray) 5584: 5364: 5334: 5252:. January–February 2009. Archived from 5236: 4952: 4857: 4851: 4729: 4612: 4588:"Benicio Del Toro: Viva la revolution!" 4338:Croce, Fernando F (26 September 2008). 4180: 4174: 4148: 4142: 3788: 3752: 3269: 3169: 3163: 3139:Kenigsberg, Ben (13–19 November 2008). 3095: 3080: 2861: 2852: 2693:Carpenter, Cassie (19 November 2008). " 2508:"Guerrilla Filmmaking on an Epic Scale" 1833:did in his demythologized portraits of 1323:Che: The Diaries of Ernesto Che Guevara 1122:James D. Dever as Ralph "Pappy" Shelton 1119:Roberto San Martín as Gary Prado Salmon 1001: 947:Norman Santiago as Carlos "Tuma" Coello 773: 712:calls upon the United States for help. 14: 6928: 5373: 5307: 5199: 4986: 4980: 4919: 4758: 4735: 4703: 4562: 4500: 4463: 4457: 4442: 4433: 4302: 4296: 4248: 4237: 3985: 3979: 3920: 3861: 3855: 3820: 3794: 3758: 3694: 3692: 3638: 3632: 3615:"Toronto fest adds 20 films to lineup" 3500:"IFC Films announces release plan for 3365: 3239:"Edgar Ramirez talks about working on 3237:Weintreub, Steven (10 February 2008). 3230: 3018: 3005: 2975: 2973: 2750:"Soderbergh plans Guevara double bill" 2711: 2705: 2634: 2506:Taubin, Amy (September–October 2008). 2505: 2480: 2263:and Del Toro were not also up for any 1940: 1637:was screened in Guevara's homeland of 1380:, which had the elements they needed. 6389: 6363: 5969: 5928:video interview with Benicio Del Toro 5561:gets close theater, VOD, DVD release" 5548: 5479: 5452: 5446: 5274: 5268: 5205: 4958: 4925: 4654: 4536: 4527: 4337: 4331: 4276: 4207: 4080: 4074: 3826: 3726: 3669: 3578: 3528: 3522: 3470: 3464: 3445:McClintock, Pamela (8 January 2009). 3330: 3324: 3302:Jeffries, Stuart (16 December 2008). 3275: 3205:Phillips, Michael (22 January 2009). 2944: 2933: 2813:"New York Film Festival Dispatch #2: 2810: 2799: 2777:Johnston, Sheila (29 December 2008). 2623: 2564: 1116:Aaron Vega as José "Ricardo" Martínez 995:as U.N. interpreter and film narrator 417:Guevara's attempt to bring revolution 5908:CNN video interview: "Soderbergh on 5554: 5151: 5145: 5119: 5113: 4738:"Benicio del Toro meets Hugo Chávez" 4711:"Benicio del Toro meets Hugo Chávez" 4681:"Roadshow" Plays To Sold Out Crowds" 4586:Sullivan, Chris (12 December 2008). 3606: 3447:"Che' motors to extended run at IFC" 3372:Thompson, Anne (10 September 2008). 3331:Jones, Michael (29 September 2008). 3170:Kaufman, Anthony (5 December 2008). 3096:Guillen, Michael (17 January 2009). 2712:Amodio, Joseph V (11 January 2009). 2657:Johnston, Sheila (8 December 2008). 2545:doesn't make Apologies for its Hero" 2192:in its "you-are-there sensibility". 1512:Soderbergh decided to omit the post- 1425:shot first in Spain for 39 days and 666: 6991:Films directed by Steven Soderbergh 5587:"IFC, Criterion pact for homevideo" 5585:DeBruge, Peter (1 September 2009). 5088:Verniere, James (16 January 2009). 5051:Gleiberman, Owen (7 January 2009). 3689: 3559:"A Cannes of worms for indie films" 2970: 2539:Rodriguez, Rene (21 January 2009). 1909: 1623:made its sold-out L.A. premiere at 1605:Toronto International Film Festival 1595:was screened on 21 May at the 2008 24: 6971:American nonlinear narrative films 5555:Ault, Susanne (19 December 2008). 5308:Rocchi, James (17 December 2008). 5180:Barsanti, Chris (9 January 2009). 4987:Linden, Sheri (12 December 2008). 4926:White, Armond (10 December 2008). 4858:Foundas, Scott (29 October 2008). 4503:"The Revolutionary, The Filmmaker" 4373:O'Hehir, Andrew (6 October 2008). 4249:Dargis, Manohla (2 October 2008). 3710:. 19 November 2008. Archived from 3021:"Degraded Dupes Steven Soderbergh" 2892:. 13 February 2007. Archived from 2334:The film was released on Region 1 2310:Sahara International Film Festival 1994: 1732:Peter Bradshaw, in his review for 1692: 1627:on 1 November 2008 as part of the 173:(Germany, Austria and Netherlands) 25: 7167: 7131:Spanish nonlinear narrative films 6981:Epic films based on actual events 5799: 5453:Rolfe, Pamela (1 February 2009). 5019:Hornaday, Ann (16 January 2009). 4537:Neill, Morgan (9 December 2008). 4501:Taylor, Kate (15 February 2009). 4417:. 6 December 2008. Archived from 3925:. Movie City News. Archived from 3795:DiOrio, Carl (19 December 2008). 3759:DiOrio, Carl (14 December 2008). 3613:Thompson, Anne (13 August 2008). 3557:Goldstein, Gregg (31 July 2008). 3106:Interview with Steven Soderbergh" 2886:– Interview of Steven Soderbergh" 2364:Che Guevara: A Revolutionary Life 2338:in January 2009 exclusively from 1652:Dubai International Film Festival 1197:Che Guevara: A Revolutionary Life 407:'s dictatorship two years later. 7111:Spanish biographical drama films 7096:French nonlinear narrative films 7006:Films scored by Alberto Iglesias 7001:Films released in separate parts 6342: 6341: 6062: 5945:Behind the Scenes on the Set of 5662: 5519:Havana Ceremony Honours Del Toro 5275:Ebert, Roger (5 December 2008). 5206:Ebert, Roger (14 January 2008). 5152:Lane, Anthony (9 January 2009). 5120:Puig, Claudia (9 January 2009). 4464:DiOrio, Carl (7 December 2008). 4303:Uhlich, Keith (2 October 2008). 4181:Corliss, Richard (22 May 2008). 4149:Garrett, Stephen (22 May 2008). 4016:Billington, Alex (26 May 2008). 3862:McNary, Dave (30 January 2009). 3670:Olsen, Mark (14 November 2008). 3639:Howell, Peter (30 August 2008). 3529:Wells, Jeffrey (28 April 2008). 3471:Knegt, Peter (18 January 2009). 2845:CNN Video Report by Phil Black: 2714:"Fast Chat: Benicio Del Toro in 2444:Worldwide Gross = US$ 33,222,381 1806:Film critic Glenn Kenny wrote, " 1776: 1310:, and from his time in Bolivia, 937:Roberto "El Vaquerito" Rodríguez 403:to their successful toppling of 7076:French biographical drama films 5995: 5678: 5530: 5512: 5310:"James Rocchi's Picks for 2008" 4959:Scott, A.O (12 December 2008). 4889:Hoberman, J (9 December 2008). 4820: 4674:Lead Parade of Oscar Hopefuls, 4630:to Cheers, Cries of 'Murderer'" 4277:Kenny, Glenn (2 October 2008). 4214:O'Hehir, Andrew (22 May 2008). 4116:Bradshaw, Peter (22 May 2008). 3914: 3827:Knegt, Peter (8 January 2009). 3354: 2945:Olsen, Mark (31 October 2008). 2921:. Powell's Books. December 2008 2839: 2811:Alter, Ethan (2 October 2008). 2451:Worldwide Gross = US$ 7,720,750 2354:Additional supplements include 2010:always fascinates." Meanwhile, 1541: 1383:The original intention was for 679:Organization of American States 637:United Nations General Assembly 7121:English-language Spanish films 6976:American political drama films 5903:photo gallery: Del Toro as Che 5374:Barnes, Henry (14 July 2009). 4046:McCarthy, Todd (21 May 2008). 3951:Thompson, Anne (21 May 2008). 3921:Poland, David (21 June 2009). 3055:Thompson, Anne (19 May 2008). 2455: 2376:Che and the Digital Revolution 2120:wrote, "As political theater, 1957:Venezuela and President Chávez 1787:, based on a screening at the 1505:Soderbergh has said that with 1182: 431:and the visual look. It stars 27:2008 film by Steven Soderbergh 13: 1: 7086:English-language French films 6956:2008 biographical drama films 5934:Benicio Del Toro Takes On Che 5755:Benicio del Toro Talks About 3986:Rocchi, James (21 May 2008). 3864:"Rough road for Soderbergh's 2989:. 23 May 2008. Archived from 2419: 2414:List of Spanish films of 2009 2329: 2002:has a 68% approval rating at 1587: 1233: 1177: 6951:2000s Spanish-language films 6941:2000s English-language films 6612:And Everything Is Going Fine 5735:Che, Cannes and Hi-Def Video 5715:Revolution in Shades of Gray 5094:: Guerrilla Monkey Business" 4736:Brooks, Xan (5 March 2008). 4572:Digital Granma Internacional 4543:Film gets Thumbs Up in Cuba" 4375:"Doc Hudson vs. Che Guevara" 4081:Kenny, Glenn (22 May 2008). 3672:"Argentina Screens Che Film" 2779:"Benicio Del Toro interview" 2401:Media related to Che Guevara 1687: 1360:In 2006, shortly before the 1328: 663:the revolution starts now." 7: 7056:Films shot in New York City 6966:American multilingual films 5789:Che's Revolutionary Example 3531:"Lawrence of Latin America" 2389: 2152:to fill in the background. 2055:'s "serene" documentaries. 1864:Miami screening and protest 869:as Dariel "Benigno" Ramírez 851:Benjamín Benítez as Rodolfo 620:In 1955, at a gathering in 10: 7172: 7126:Spanish multilingual films 7031:Films set in South America 7026:Films set in New York City 5773:Virginian Quarterly Review 4279:"Caring versus Not Caring" 4216:"Soderbergh's spectacular 3019:Taubin, Amy (March 2007). 2602:Festival de Cannes program 2273:Screen Actors Guild Awards 2142:'s iconic 1960 photograph 1603:and was shown at the 33rd 1097:Jorge Vázquez "Loro" Viaña 1083:as David "Dario" Ardiazola 670: 598: 556:"special roadshow edition" 550:to qualify for the year's 278:27 February 2009 233:12 December 2008 218:5 September 2008 29: 7101:Guerrilla warfare in film 7091:French multilingual films 7061:Films shot in Puerto Rico 6915:Section Eight Productions 6907: 6873:The Girlfriend Experience 6848: 6817: 6742: 6596:The Girlfriend Experience 6427: 6420: 6397: 6337: 6319: 6260: 6244: 6207:Che (Part 1 & Part 2) 6191: 6157: 6071: 6060: 6003: 4928:"On a Revolutionary Road" 4511:. Toronto. Archived from 4466:"Benicio Del Toro brings 3801:extending theatrical run" 3769:solid in limited release" 2758:. London. 31 October 2006 2378:—a documentary about the 2227: 2065:, wrote, "Out-perversing 1625:Grauman's Chinese Theatre 1564:Che Part 1: The Argentine 1171: 999: 875:as Manuel "Miguel" Osorio 847:Juan Vitalio "Vilo" Acuña 771: 560:Che Part 1: The Argentine 349: 341: 331: 317: 297: 259:27 January 2009 194: 156: 150:Section Eight Productions 132: 122: 114: 104: 96: 84: 76:Benjamin A. van der Veen 68: 58: 46: 41: 7021:Films set in Mexico City 6444:Sex, Lies, and Videotape 6221:The Hands of Che Guevara 5695:Dammit, This Guy is Cool 5277:"The Best Films of 2008" 4596:. London. Archived from 3141:"Guerrillas in the Mist" 2847:"Che Guevara, Superstar" 2667:. London. Archived from 2358:on both films featuring 2180:to a "guerrilla take on 2059:, in his review for the 899:Roberto Luis Santana as 691:Bolivian Communist Party 568:Independent Film Channel 244:7 January 2009 6986:Films about Che Guevara 6946:2008 multilingual films 6716:Magic Mike's Last Dance 5759:: The Man And The Movie 5651:21 January 2010 at the 3641:"TIFF's must-see films" 3304:"Rebel Without a Pause" 3211:with Steven Soderbergh" 2439:Box Office Mojo links: 2138:as the film version of 1904:Cuban nationalist lobby 816:Catalina Sandino Moreno 764: 589: 570:released the films via 7136:Telecinco Cinema films 7041:Films set in the 1960s 7036:Films set in the 1950s 6200:The Motorcycle Diaries 6168:The Motorcycle Diaries 6124:Harry "Pombo" Villegas 5697:by Simon Hattenstone, 5669:DVD Review: Che Shines 5460:The Hollywood Reporter 4797:"Che: Part Two (2008)" 4766:"Che: Part One (2009)" 4475:The Hollywood Reporter 3564:The Hollywood Reporter 3247:for Steven Soderbergh" 3207:"Behind the scenes of 2604:. 2008. Archived from 2407:The Motorcycle Diaries 2232:Del Toro received the 2149:The Motorcycle Diaries 1789:New York Film Festival 1601:New York Film Festival 1316:Harry "Pombo" Villegas 1252: 1158:Cristhian Esquivel as 1091:Eliseo "Rolando" Reyes 1068:as Guido Peredo Liegue 986:Michael Countryman as 943:Harry "Pombo" Villegas 718:US Army Special Forces 624:, Guevara first meets 7106:Historical epic films 7046:Films shot in Bolivia 6767:Welcome to Collinwood 6652:Behind the Candelabra 6144:Canek Sánchez Guevara 6034:Battle of Santa Clara 6029:26th of July Movement 5655:by Christopher Long, 5612:"Criterion Announces 4891:"Steven Soderbergh's 4635:The New York Observer 3957:Meets Mixed Response" 3410:(30 September 2008). 3333:"NYFF: Soderbergh on 2314:Sahrawi refugee camps 2189:The Battle of Algiers 2042:wrote, "At its best, 2022:Scott Foundas of the 1987:. Del Toro described 1945:On 12 December 2008, 1680:made good profit for 1568:Che Part 2: Guerrilla 1548:Twentieth Century Fox 1466:Battle of Santa Clara 1366:U.N. General Assembly 1356:Principal photography 1295:U.S. State Department 1241: 1139:Alfredo Ovando Candía 784:Ernesto "Che" Guevara 660:Battle of Santa Clara 595:Part 1: The Argentine 578:DVD exclusively from 564:Che Part 2: Guerrilla 377:Ernesto "Che" Guevara 203:21 May 2008 177:Warner Bros. Pictures 7141:2000s American films 7051:Films shot in Mexico 7011:Films set in Bolivia 6044:Cuban Missile Crisis 6039:Bay of Pigs Invasion 5887:Criterion Collection 5791:by Stuart Munckton, 5749:The Austin Chronicle 5729:The Socialist Worker 5409:Wins the Palme d'Or" 5244:"Best Films of 2008" 5062:Entertainment Weekly 3388:on 19 September 2008 3057:"Buyers waiting for 2849:Aired on 29 May 2008 2344:Criterion Collection 2284:Tomas Gutierrez Alea 2241:as the best Spanish 2165:, in his review for 2113:Entertainment Weekly 1985:cultural imperialism 1963:Venezuelan President 1914:On 7 December 2008, 1868:On 4 December 2008, 1597:Cannes Film Festival 1572:Francis Ford Coppola 1496:Puerto Rican Spanish 1402:anamorphically, and 1302:Che-related material 1047:as Alejandro Ramírez 1027:Lou Diamond Phillips 1012:Tamara "Tania" Bunke 1002:Introduced in Part 2 774:Introduced in Part 1 706:Tamara "Tania" Bunke 641:American imperialism 532:Cannes Film Festival 469:Lou Diamond Phillips 435:as Guevara, with an 395:from the landing of 371:about the Argentine 241: (United States) 7151:2000s Spanish films 7066:Films shot in Spain 6961:American epic films 6412:Unrealized projects 6269:Guerrillero Heroico 6119:Simeon Cuba Sarabia 5783:The Huffington Post 5775:, Winter 2009 Issue 5763:The Huffington Post 5761:by Peter Kornbluh, 5717:by Andrew O'Hehir, 5689:Baltimore Chronicle 5405:"Laurent Cantent's 5322:on 18 December 2008 5289:on 20 February 2013 5030:The Washington Post 4940:on 15 December 2008 4907:on 11 December 2008 4691:on 17 December 2008 4600:on 12 December 2008 4407:"Angry protests at 4354:on 13 December 2008 3929:on 21 February 2014 3536:The Huffington Post 3508:IndependentFilm.com 3151:on 14 February 2009 2784:The Daily Telegraph 2664:The Daily Telegraph 2396:Che Guevara in film 2384:End of a Revolution 2269:Best Actor's trophy 2144:Guerrillero Heroico 2097:The Washington Post 1970:Presidential Palace 1941:New York City debut 1900:Matti Herrera Bower 1500:Rioplatense Spanish 1273:Alexander the Great 1269:Jamestown, Virginia 1137:Tomás del Estal as 1111:Juan Carlos Vellido 1107:as Carlos Fernández 1105:Antonio de la Torre 958:Richard C. Hottelet 941:Othello Rensoli as 901:Juan Almeida Bosque 534:. Del Toro won the 391:and focuses on the 364:is a two-part 2008 7146:2000s French films 7116:Spanish epic films 6281:In popular culture 6228:Che: Rise and Fall 5932:NPR audio report: 5739:Los Angeles Weekly 5737:by Scott Foundas, 5731:, 15 December 2008 5721:, 12 December 2008 5701:, 29 November 2008 5691:, 15 February 2008 5542:The New York Times 5539:by Andy Isaacson, 5467:on 5 February 2009 5419:on 10 October 2008 5352:on 27 January 2009 5256:on 22 January 2009 5224:on 19 January 2009 5182:"Guerrilla Patton" 4966:The New York Times 4865:Los Angeles Weekly 4860:"AFI Fest: A to W" 4508:The Globe and Mail 4482:on 9 December 2008 4421:on 7 December 2008 4256:The New York Times 3967:on 9 November 2014 3740:. 20 November 2008 3714:on 4 December 2008 3510:. 14 November 2008 3186:on 8 December 2008 2730:on 8 February 2009 2520:on 23 January 2013 2356:audio commentaries 2155:In her review for 2081:The New York Times 2078:In his review for 2053:Roberto Rossellini 1848:In his review for 1831:Roberto Rossellini 1784:The New York Times 1781:In her review for 1712:Lawrence of Arabia 1518:La Cabana Fortress 1445:, it's all either 1253: 1195:'s 1997 biography 1134:as Joaquín Zenteno 1051:Marc-André Grondin 1036:Joaquim de Almeida 988:Adlai Stevenson II 923:Marise Álvarez as 917:as Rogelio Acevedo 894:Alfredo De Quesada 689:smuggler, and the 630:July 26th Movement 613:is interviewed by 489:Alfredo De Quesada 473:Joaquim de Almeida 465:Marc-André Grondin 53:Promotional poster 7081:French epic films 7016:Films set in Cuba 6923: 6922: 6849:Television series 6844: 6843: 6692:Let Them All Talk 6391:Steven Soderbergh 6357: 6356: 6175:Guerrilla Warfare 6109:Camilo Cienfuegos 6054:Bolivian Campaign 5957:video interview: 5795:, 25 October 2009 5781:by Brad Balfour, 5765:, 2 February 2009 5751:, 23 January 2009 5741:, 14 January 2009 5711:, 9 December 2008 5659:, 16 January 2010 5622:. 16 October 2009 5282:Chicago Sun-Times 5217:Chicago Sun-Times 4998:Los Angeles Times 4319:on 5 October 2008 4283:Some Came Running 3833:Back on the Road" 3700:"Del Toro Brings 3426:on 2 October 2008 3416:Release Strategy" 3408:Longworth, Karina 3283:Los Angeles Times 3110:The Evening Class 3104:The Evening Class 2956:Los Angeles Times 2827:on 4 October 2008 2131:The Boston Herald 2091:Los Angeles Times 1961:On 3 March 2009, 1924:Karl Marx Theater 1387:to be shot using 1362:U.N. Headquarters 1281:with Soderbergh. 1220:Bolivian campaign 1175: 1174: 1167:as Father Schwarz 1128:as George A. Roth 1095:Ezequiel Díaz as 1062:as Ciro Algarañaz 953:as Eligio Mendoza 811:Camilo Cienfuegos 673:Bolivian Campaign 667:Part 2: Guerrilla 520:for 39 days, and 405:Fulgencio Batista 381:Steven Soderbergh 369:biographical film 357: 356: 63:Steven Soderbergh 16:(Redirected from 7163: 6908:Related articles 6676:High Flying Bird 6580:Ocean's Thirteen 6460:King of the Hill 6425: 6424: 6384: 6377: 6370: 6361: 6360: 6345: 6344: 6066: 6016:Cuban Revolution 5990: 5983: 5976: 5967: 5966: 5873: 5771:by J. Hoberman, 5747:by Marc Savlov, 5707:by Tim Elfrink, 5672: 5666: 5660: 5643: 5632: 5631: 5629: 5627: 5608: 5602: 5601: 5599: 5597: 5582: 5576: 5575: 5573: 5571: 5552: 5546: 5534: 5528: 5516: 5510: 5509: 5507: 5505: 5486: 5477: 5476: 5474: 5472: 5463:. Archived from 5450: 5444: 5443: 5435: 5429: 5428: 5426: 5424: 5415:. 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Archived from 2503: 2478: 2477: 2475: 2473: 2459: 2453: 2437: 2360:Jon Lee Anderson 2253:for his role in 2234:Best Actor Award 2223: 1951:Ziegfeld Theater 1910:Cuban homecoming 1764: 1703: 1193:Jon Lee Anderson 1149:as Andrés Selich 1087:Rubén Ochandiano 1066:Cristian Mercado 1060:Eduard Fernández 980:Javier Ortiz as 974:Joksan Ramos as 968:Jon De Vries as 863:as Colonel Rojas 843:Jorge Perugorría 807:Santiago Cabrera 780:Benicio del Toro 769: 768: 734:Juan Acuña Ñunez 601:Cuban Revolution 536:Best Actor Award 449:Santiago Cabrera 433:Benicio del Toro 425:linear narrative 393:Cuban Revolution 353:US$ 42.8 million 285: 283: 266: 264: 251: 249: 240: 238: 225: 223: 210: 208: 190: 182: 174: 168: 163:20th Century Fox 142:Telecinco Cinema 127:Alberto Iglesias 100:Benicio del Toro 91:Benicio del Toro 51: 39: 38: 21: 7171: 7170: 7166: 7165: 7164: 7162: 7161: 7160: 6926: 6925: 6924: 6919: 6903: 6840: 6813: 6751:The Daytrippers 6738: 6572:The Good German 6508:Erin Brockovich 6416: 6393: 6388: 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4838:CBS Interactive 4826: 4825: 4821: 4811: 4809: 4802:Rotten Tomatoes 4795: 4794: 4790: 4780: 4778: 4771:Rotten Tomatoes 4764: 4763: 4759: 4749: 4747: 4734: 4730: 4720: 4718: 4709: 4708: 4704: 4694: 4692: 4678: 4662: 4655: 4645: 4643: 4622: 4613: 4603: 4601: 4593:The Independent 4584: 4580: 4567: 4563: 4553: 4551: 4535: 4528: 4518: 4516: 4499: 4495: 4485: 4483: 4462: 4458: 4450:El Nuevo Herald 4441: 4434: 4424: 4422: 4405: 4404: 4400: 4390: 4388: 4371: 4367: 4357: 4355: 4336: 4332: 4322: 4320: 4301: 4297: 4287: 4285: 4275: 4271: 4261: 4259: 4247: 4238: 4228: 4226: 4212: 4208: 4198: 4196: 4179: 4175: 4165: 4163: 4147: 4143: 4133: 4131: 4114: 4110: 4100: 4098: 4097:on 24 July 2008 4079: 4075: 4065: 4063: 4062:on 28 July 2008 4044: 4040: 4030: 4028: 4014: 4010: 4000: 3998: 3984: 3980: 3970: 3968: 3949: 3942: 3932: 3930: 3919: 3915: 3905: 3903: 3891: 3890: 3886: 3876: 3874: 3860: 3856: 3846: 3844: 3825: 3821: 3811: 3809: 3793: 3789: 3779: 3777: 3757: 3753: 3743: 3741: 3732: 3731: 3727: 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6464: 6456: 6448: 6440: 6431: 6429: 6422: 6418: 6417: 6415: 6414: 6409: 6404: 6398: 6395: 6394: 6387: 6386: 6379: 6372: 6364: 6355: 6354: 6352: 6351: 6338: 6335: 6334: 6332: 6331: 6323: 6321: 6317: 6316: 6314: 6313: 6308: 6303: 6298: 6293: 6288: 6283: 6278: 6273: 6264: 6262: 6258: 6257: 6255: 6254: 6248: 6246: 6242: 6241: 6239: 6238: 6231: 6224: 6217: 6210: 6203: 6195: 6193: 6189: 6188: 6186: 6185: 6178: 6171: 6163: 6161: 6155: 6154: 6152: 6151: 6146: 6141: 6136: 6131: 6126: 6121: 6116: 6111: 6106: 6101: 6096: 6094:Aleida Guevara 6091: 6086: 6081: 6075: 6073: 6069: 6068: 6061: 6059: 6057: 6056: 6051: 6046: 6041: 6036: 6031: 6026: 6018: 6013: 6007: 6005: 6001: 6000: 5993: 5992: 5985: 5978: 5970: 5962: 5961: 5950: 5936: 5930: 5920: 5906: 5890: 5889: 5874: 5858: 5847: 5836: 5825: 5814: 5801: 5800:External links 5798: 5797: 5796: 5786: 5776: 5766: 5752: 5742: 5732: 5722: 5712: 5702: 5692: 5680: 5677: 5674: 5673: 5661: 5633: 5603: 5577: 5565:Video Business 5547: 5545:, 28 July 2009 5529: 5527:, 31 July 2009 5511: 5500:on 4 July 2009 5478: 5445: 5442:. 29 May 2008. 5430: 5395: 5363: 5333: 5300: 5267: 5235: 5198: 5172: 5159:The New Yorker 5144: 5112: 5080: 5069:on 7 July 2009 5043: 5011: 4979: 4951: 4933:New York Press 4918: 4878: 4850: 4819: 4807:Fandango Media 4788: 4776:Fandango Media 4757: 4728: 4717:. 5 March 2008 4702: 4653: 4642:on 5 July 2009 4611: 4578: 4561: 4526: 4493: 4456: 4432: 4398: 4387:on 5 July 2009 4365: 4330: 4295: 4269: 4236: 4206: 4195:on 25 May 2008 4173: 4141: 4108: 4073: 4038: 4008: 3978: 3940: 3913: 3884: 3854: 3843:on 7 July 2009 3819: 3787: 3751: 3725: 3688: 3659: 3631: 3605: 3577: 3549: 3521: 3491: 3463: 3437: 3399: 3364: 3353: 3323: 3289: 3268: 3229: 3197: 3162: 3122: 3079: 3044: 3004: 2993:on 26 May 2008 2969: 2932: 2907: 2896:on 20 May 2008 2873: 2851: 2838: 2798: 2769: 2741: 2704: 2682: 2644: 2641:. p. 104. 2622: 2563: 2531: 2479: 2454: 2424: 2423: 2421: 2418: 2417: 2416: 2411: 2403: 2398: 2391: 2388: 2331: 2328: 2229: 2226: 2168:The New Yorker 2062:New York Press 2049:Otto Preminger 1996: 1993: 1978:Villa del Cine 1958: 1955: 1942: 1939: 1922:5,000+ person 1911: 1908: 1889:Cuban American 1865: 1862: 1821:Slant Magazine 1799:Ocean's Eleven 1793:Manohla Dargis 1778: 1775: 1694: 1691: 1689: 1686: 1589: 1586: 1577:Apocalypse Now 1560:Academy Awards 1543: 1540: 1460:At the end of 1357: 1354: 1330: 1327: 1312:Bolivian Diary 1286:United Nations 1235: 1232: 1184: 1181: 1179: 1176: 1173: 1172: 1170: 1169: 1168: 1162: 1156: 1150: 1144: 1141: 1135: 1129: 1123: 1120: 1117: 1114: 1108: 1102: 1099: 1093: 1084: 1078: 1075: 1069: 1063: 1057: 1048: 1042: 1033: 1024: 1023:(el Argentino) 1014: 1008:Franka Potente 1003: 1000: 998: 997: 996: 990: 984: 978: 972: 966: 963:Stephen Mailer 960: 956:Jay Potter as 954: 951:Pedro Telemaco 948: 945: 939: 930: 927: 921: 918: 912: 903: 897: 891: 885:Elvira Mínguez 882: 881:as Jorge Sotús 876: 873:Néstor Rodulfo 870: 867:Armando Riesco 864: 858: 852: 849: 840: 831: 822: 813: 804: 795: 786: 775: 772: 766: 763: 742:Cuban American 722:anti-insurgent 668: 665: 648:Sierra Maestra 596: 593: 591: 588: 582:. As a whole, 552:Academy Awards 505:United Nations 453:Franka Potente 439:that includes 379:, directed by 375:revolutionary 355: 354: 351: 347: 346: 345:US$ 58 million 343: 339: 338: 333: 329: 328: 319: 315: 314: 301: 298: 295: 294: 292: 291: 275: 273: 272: 267: (France: 257: 252: (France: 242: 231: 216: 200: 198: 195: 192: 191: 158: 157:Distributed by 154: 153: 140: 138: 133: 130: 129: 124: 120: 119: 116: 112: 111: 106: 105:Cinematography 102: 101: 98: 94: 93: 88:Laura Bickford 86: 82: 81: 70: 66: 65: 60: 56: 55: 52: 44: 43: 26: 9: 6: 4: 3: 2: 7168: 7157: 7154: 7152: 7149: 7147: 7144: 7142: 7139: 7137: 7134: 7132: 7129: 7127: 7124: 7122: 7119: 7117: 7114: 7112: 7109: 7107: 7104: 7102: 7099: 7097: 7094: 7092: 7089: 7087: 7084: 7082: 7079: 7077: 7074: 7072: 7069: 7067: 7064: 7062: 7059: 7057: 7054: 7052: 7049: 7047: 7044: 7042: 7039: 7037: 7034: 7032: 7029: 7027: 7024: 7022: 7019: 7017: 7014: 7012: 7009: 7007: 7004: 7002: 6999: 6997: 6994: 6992: 6989: 6987: 6984: 6982: 6979: 6977: 6974: 6972: 6969: 6967: 6964: 6962: 6959: 6957: 6954: 6952: 6949: 6947: 6944: 6942: 6939: 6937: 6934: 6933: 6931: 6916: 6913: 6912: 6910: 6906: 6899: 6898: 6894: 6891: 6890: 6886: 6883: 6882: 6878: 6875: 6874: 6870: 6867: 6866: 6862: 6859: 6858: 6854: 6853: 6851: 6847: 6836: 6835: 6831: 6828: 6827: 6823: 6822: 6820: 6816: 6809: 6808: 6804: 6801: 6800: 6796: 6793: 6792: 6788: 6785: 6784: 6780: 6777: 6776: 6772: 6769: 6768: 6764: 6761: 6760: 6759:Pleasantville 6756: 6753: 6752: 6748: 6747: 6745: 6741: 6734: 6733: 6729: 6726: 6725: 6721: 6718: 6717: 6713: 6710: 6709: 6705: 6702: 6701: 6697: 6694: 6693: 6689: 6686: 6685: 6681: 6678: 6677: 6673: 6670: 6669: 6665: 6662: 6661: 6657: 6654: 6653: 6649: 6646: 6645: 6641: 6638: 6637: 6633: 6630: 6629: 6625: 6622: 6621: 6617: 6614: 6613: 6609: 6606: 6605: 6601: 6598: 6597: 6593: 6590: 6589: 6585: 6582: 6581: 6577: 6574: 6573: 6569: 6566: 6565: 6561: 6558: 6557: 6553: 6550: 6549: 6545: 6542: 6541: 6537: 6534: 6533: 6529: 6526: 6525: 6521: 6518: 6517: 6513: 6510: 6509: 6505: 6502: 6501: 6497: 6494: 6493: 6489: 6486: 6485: 6481: 6478: 6477: 6473: 6470: 6469: 6465: 6462: 6461: 6457: 6454: 6453: 6449: 6446: 6445: 6441: 6438: 6437: 6433: 6432: 6430: 6426: 6423: 6419: 6413: 6410: 6408: 6405: 6403: 6400: 6399: 6396: 6392: 6385: 6380: 6378: 6373: 6371: 6366: 6365: 6362: 6350: 6349: 6340: 6339: 6336: 6330: 6329: 6325: 6324: 6322: 6318: 6312: 6309: 6307: 6306:Alberto Korda 6304: 6302: 6299: 6297: 6294: 6292: 6289: 6287: 6284: 6282: 6279: 6277: 6274: 6272: 6270: 6266: 6265: 6263: 6259: 6253: 6250: 6249: 6247: 6243: 6237: 6236: 6232: 6230: 6229: 6225: 6223: 6222: 6218: 6216: 6215: 6211: 6209: 6208: 6204: 6202: 6201: 6197: 6196: 6194: 6190: 6184: 6183: 6179: 6177: 6176: 6172: 6170: 6169: 6165: 6164: 6162: 6160: 6156: 6150: 6147: 6145: 6142: 6140: 6137: 6135: 6132: 6130: 6127: 6125: 6122: 6120: 6117: 6115: 6112: 6110: 6107: 6105: 6102: 6100: 6097: 6095: 6092: 6090: 6087: 6085: 6082: 6080: 6077: 6076: 6074: 6070: 6065: 6055: 6052: 6050: 6047: 6045: 6042: 6040: 6037: 6035: 6032: 6030: 6027: 6025: 6023: 6019: 6017: 6014: 6012: 6009: 6008: 6006: 6002: 5998: 5991: 5986: 5984: 5979: 5977: 5972: 5971: 5968: 5964: 5960: 5956: 5955: 5951: 5949: 5948: 5943:photo essay: 5942: 5941: 5937: 5935: 5931: 5929: 5925: 5921: 5919: 5915: 5911: 5907: 5904: 5900: 5899:New York Post 5897: 5896: 5895: 5894: 5888: 5884: 5880: 5879: 5875: 5872: 5868: 5864: 5863: 5859: 5857: 5853: 5852: 5851:Che: Part Two 5848: 5846: 5842: 5841: 5840:Che: Part One 5837: 5835: 5831: 5830: 5826: 5824: 5820: 5819: 5818:Che: Part Two 5815: 5813: 5809: 5808: 5807:Che: Part One 5804: 5803: 5794: 5790: 5787: 5784: 5780: 5777: 5774: 5770: 5767: 5764: 5760: 5758: 5753: 5750: 5746: 5743: 5740: 5736: 5733: 5730: 5726: 5723: 5720: 5716: 5713: 5710: 5706: 5703: 5700: 5696: 5693: 5690: 5686: 5683: 5682: 5670: 5665: 5658: 5654: 5650: 5647: 5642: 5640: 5638: 5621: 5617: 5615: 5607: 5592: 5588: 5581: 5566: 5562: 5560: 5551: 5544: 5543: 5538: 5533: 5526: 5525: 5520: 5515: 5499: 5495: 5491: 5485: 5483: 5466: 5462: 5461: 5456: 5449: 5441: 5440:Prensa Latina 5434: 5418: 5414: 5410: 5408: 5399: 5383: 5382: 5377: 5370: 5368: 5351: 5347: 5343: 5337: 5321: 5317: 5316: 5311: 5304: 5288: 5284: 5283: 5278: 5271: 5255: 5251: 5250: 5245: 5239: 5223: 5219: 5218: 5213: 5211: 5202: 5187: 5183: 5176: 5161: 5160: 5155: 5148: 5133: 5132: 5127: 5125: 5116: 5101: 5100: 5099:Boston Herald 5095: 5093: 5084: 5068: 5064: 5063: 5058: 5056: 5047: 5032: 5031: 5026: 5024: 5015: 5000: 4999: 4994: 4992: 4983: 4968: 4967: 4962: 4955: 4939: 4935: 4934: 4929: 4922: 4906: 4902: 4901: 4900:Village Voice 4896: 4894: 4885: 4883: 4867: 4866: 4861: 4854: 4839: 4835: 4834: 4829: 4828:"Che Reviews" 4823: 4808: 4804: 4803: 4798: 4792: 4777: 4773: 4772: 4767: 4761: 4745: 4744: 4739: 4732: 4716: 4712: 4706: 4690: 4686: 4682: 4677: 4673: 4669: 4660: 4658: 4641: 4637: 4636: 4631: 4629: 4620: 4618: 4616: 4599: 4595: 4594: 4589: 4582: 4574: 4573: 4565: 4550: 4549: 4544: 4542: 4533: 4531: 4514: 4510: 4509: 4504: 4497: 4481: 4477: 4476: 4471: 4469: 4460: 4452: 4451: 4446: 4439: 4437: 4420: 4416: 4412: 4410: 4402: 4386: 4382: 4381: 4376: 4369: 4353: 4349: 4345: 4343: 4334: 4318: 4314: 4310: 4308: 4299: 4284: 4280: 4273: 4258: 4257: 4252: 4245: 4243: 4241: 4225: 4221: 4219: 4210: 4194: 4190: 4189: 4184: 4177: 4162: 4161: 4156: 4154: 4145: 4129: 4128: 4123: 4121: 4112: 4096: 4092: 4088: 4086: 4077: 4061: 4057: 4053: 4051: 4042: 4027: 4023: 4021: 4012: 3997: 3993: 3991: 3982: 3966: 3962: 3958: 3956: 3947: 3945: 3928: 3924: 3917: 3902: 3898: 3896: 3888: 3873: 3869: 3867: 3858: 3842: 3838: 3834: 3832: 3823: 3808: 3807: 3802: 3800: 3797:"Full-length 3791: 3776: 3775: 3770: 3768: 3764: 3755: 3739: 3735: 3729: 3713: 3709: 3705: 3703: 3695: 3693: 3677: 3676:Prensa Latina 3673: 3666: 3664: 3648: 3647: 3642: 3635: 3620: 3616: 3609: 3593: 3592: 3587: 3581: 3566: 3565: 3560: 3553: 3538: 3537: 3532: 3525: 3509: 3505: 3503: 3495: 3480: 3479: 3474: 3467: 3452: 3448: 3441: 3425: 3421: 3417: 3415: 3409: 3403: 3387: 3383: 3379: 3377: 3368: 3362: 3361:War is swell? 3357: 3342: 3338: 3336: 3327: 3311: 3310: 3305: 3298: 3296: 3294: 3285: 3284: 3279: 3272: 3256: 3252: 3248: 3246: 3242: 3241:The Argentine 3233: 3218: 3217: 3212: 3210: 3201: 3185: 3181: 3177: 3175: 3166: 3150: 3146: 3142: 3135: 3133: 3131: 3129: 3127: 3111: 3107: 3105: 3101: 3092: 3090: 3088: 3086: 3084: 3068: 3067: 3062: 3060: 3051: 3049: 3033:on 8 May 2008 3032: 3028: 3027: 3022: 3015: 3013: 3011: 3009: 2992: 2988: 2987: 2982: 2976: 2974: 2958: 2957: 2952: 2950: 2941: 2939: 2937: 2920: 2914: 2912: 2895: 2891: 2887: 2885: 2877: 2869: 2868:Parallax View 2865: 2858: 2856: 2848: 2842: 2826: 2822: 2818: 2816: 2807: 2805: 2803: 2786: 2785: 2780: 2773: 2757: 2756: 2751: 2745: 2729: 2725: 2724: 2719: 2717: 2708: 2700: 2696: 2689: 2687: 2670: 2666: 2665: 2660: 2653: 2651: 2649: 2640: 2639: 2631: 2629: 2627: 2607: 2603: 2596: 2594: 2586: 2584: 2582: 2580: 2578: 2576: 2574: 2572: 2570: 2568: 2552: 2551: 2546: 2544: 2535: 2519: 2515: 2514: 2509: 2502: 2500: 2498: 2496: 2494: 2492: 2490: 2488: 2486: 2484: 2468: 2464: 2458: 2452: 2450: 2445: 2443: 2442:The Argentine 2436: 2434: 2432: 2430: 2425: 2415: 2412: 2410: 2408: 2404: 2402: 2399: 2397: 2394: 2393: 2387: 2385: 2381: 2377: 2373: 2369: 2365: 2361: 2357: 2352: 2349: 2345: 2341: 2337: 2327: 2325: 2324: 2319: 2315: 2311: 2307: 2303: 2301: 2297: 2293: 2289: 2288:Robert Duvall 2285: 2280: 2278: 2274: 2270: 2266: 2265:Academy Award 2262: 2258: 2257: 2252: 2249:, who won an 2248: 2244: 2240: 2235: 2225: 2219: 2214: 2212: 2208: 2204: 2203: 2198: 2197:called mad". 2195: 2191: 2190: 2185: 2184: 2179: 2174: 2170: 2169: 2164: 2160: 2159: 2153: 2151: 2150: 2145: 2141: 2140:Alberto Korda 2137: 2133: 2132: 2127: 2123: 2119: 2115: 2114: 2109: 2107: 2103: 2099: 2098: 2093: 2092: 2087: 2083: 2082: 2076: 2074: 2073: 2068: 2064: 2063: 2058: 2054: 2050: 2045: 2041: 2037: 2036: 2035:Village Voice 2031: 2027: 2026: 2020: 2018: 2013: 2009: 2005: 2001: 1992: 1990: 1986: 1983: 1979: 1975: 1971: 1967: 1964: 1954: 1952: 1948: 1938: 1936: 1932: 1931: 1925: 1921: 1918:premiered at 1917: 1907: 1905: 1901: 1897: 1896: 1890: 1886: 1885:Little Havana 1882: 1878: 1874: 1871: 1861: 1859: 1855: 1851: 1846: 1844: 1840: 1836: 1832: 1827: 1823: 1822: 1817: 1813: 1809: 1804: 1801: 1800: 1794: 1790: 1786: 1785: 1777:NYFF reaction 1774: 1772: 1771:Lalo Sardiñas 1766: 1758: 1756: 1752: 1747: 1743: 1742: 1737: 1736: 1730: 1728: 1724: 1720: 1719: 1714: 1713: 1706: 1700: 1685: 1683: 1679: 1675: 1672:According to 1670: 1668: 1663: 1659: 1657: 1653: 1647: 1644: 1640: 1636: 1632: 1630: 1626: 1622: 1618: 1614: 1613:The Argentine 1610: 1606: 1602: 1598: 1594: 1585: 1583: 1579: 1578: 1573: 1569: 1565: 1561: 1557: 1553: 1549: 1539: 1537: 1533: 1527: 1524: 1519: 1515: 1510: 1508: 1503: 1501: 1497: 1493: 1492:The Argentine 1489: 1485: 1484:Edgar Ramirez 1481: 1478: 1474: 1469: 1467: 1463: 1462:The Argentine 1458: 1456: 1452: 1448: 1444: 1440: 1436: 1432: 1431:The Argentine 1428: 1427:The Argentine 1424: 1419: 1415: 1413: 1409: 1405: 1401: 1400:The Argentine 1397: 1393: 1390: 1386: 1385:The Argentine 1381: 1379: 1375: 1371: 1370:The Argentine 1367: 1363: 1353: 1351: 1347: 1343: 1342: 1336: 1326: 1324: 1319: 1317: 1313: 1309: 1308: 1303: 1298: 1296: 1292: 1291:The Argentine 1287: 1282: 1280: 1279: 1274: 1270: 1266: 1265: 1264:The New World 1259: 1250: 1249: 1248:The New World 1244: 1240: 1231: 1229: 1228:Steve McQueen 1225: 1221: 1217: 1213: 1209: 1208: 1202: 1198: 1194: 1190: 1166: 1163: 1161: 1157: 1154: 1151: 1148: 1145: 1142: 1140: 1136: 1133: 1130: 1127: 1124: 1121: 1118: 1115: 1112: 1109: 1106: 1103: 1100: 1098: 1094: 1092: 1088: 1085: 1082: 1081:Óscar Jaenada 1079: 1076: 1073: 1070: 1067: 1064: 1061: 1058: 1056: 1052: 1049: 1046: 1043: 1041: 1037: 1034: 1032: 1028: 1025: 1022: 1018: 1015: 1013: 1009: 1006: 1005: 994: 991: 989: 985: 983: 979: 977: 973: 971: 967: 965:as Paul Niven 964: 961: 959: 955: 952: 949: 946: 944: 940: 938: 934: 931: 928: 926: 922: 919: 916: 913: 911: 907: 904: 902: 898: 895: 892: 890: 889:Celia Sánchez 886: 883: 880: 877: 874: 871: 868: 865: 862: 859: 856: 855:Édgar Ramírez 853: 850: 848: 844: 841: 839: 838:Ramiro Valdés 835: 834:Vladimir Cruz 832: 830: 826: 823: 821: 817: 814: 812: 808: 805: 803: 799: 796: 794: 790: 789:Demián Bichir 787: 785: 781: 778: 777: 770: 762: 760: 756: 755: 749: 747: 743: 739: 735: 729: 727: 723: 719: 715: 711: 707: 703: 702:Bolivian Army 698: 696: 692: 688: 684: 681:hailing from 680: 674: 664: 661: 657: 652: 649: 644: 642: 638: 633: 631: 627: 623: 618: 616: 612: 608: 602: 587: 585: 581: 577: 573: 569: 565: 561: 557: 553: 549: 545: 544:New York City 541: 537: 533: 529: 525: 523: 522:The Argentine 519: 515: 511: 506: 501: 496: 494: 490: 486: 482: 478: 477:Édgar Ramírez 474: 470: 466: 462: 461:Vladimir Cruz 458: 454: 450: 446: 442: 441:Demián Bichir 438: 437:ensemble cast 434: 430: 426: 422: 421:cinéma vérité 418: 414: 410: 406: 402: 398: 394: 390: 389:The Argentine 386: 382: 378: 374: 370: 367: 363: 362: 352: 348: 344: 340: 334: 330: 327:United States 320: 316: 313:: 135 minutes 312: 308:: 132 minutes 307: 302: 296: 289: 286: (Spain: 277: 276: 270: 258: 255: 254:The Argentine 243: 232: 229: 228:The Argentine 226: (Spain: 217: 214: 202: 201: 199: 196:Release dates 193: 186: 178: 164: 159: 155: 151: 147: 143: 139: 131: 128: 125: 121: 117: 113: 110: 109:Peter Andrews 107: 103: 99: 95: 92: 87: 83: 80: 74: 73:Peter Buchman 71: 67: 64: 61: 57: 50: 45: 40: 37: 33: 19: 18:Che: Part Two 6895: 6887: 6879: 6871: 6863: 6855: 6832: 6824: 6805: 6797: 6791:Solitary Man 6789: 6781: 6773: 6765: 6757: 6749: 6730: 6722: 6714: 6706: 6698: 6690: 6682: 6674: 6666: 6658: 6650: 6644:Side Effects 6642: 6634: 6626: 6618: 6610: 6602: 6594: 6587: 6586: 6578: 6570: 6562: 6554: 6546: 6538: 6532:Full Frontal 6530: 6522: 6514: 6506: 6498: 6492:Out of Sight 6490: 6482: 6474: 6466: 6458: 6450: 6442: 6434: 6407:Bibliography 6346: 6328:Vida del Che 6326: 6268: 6233: 6226: 6219: 6212: 6206: 6205: 6199: 6180: 6174: 6167: 6129:Régis Debray 6114:Tamara Bunke 6104:Fidel Castro 6089:Aleida March 6049:Congo Crisis 6021: 5963: 5954:The Guardian 5952: 5946: 5938: 5923: 5909: 5898: 5892: 5891: 5881:an essay by 5877: 5860: 5850: 5839: 5828: 5817: 5806: 5792: 5785:, 8 May 2009 5782: 5772: 5762: 5756: 5748: 5745:Becoming Che 5738: 5728: 5718: 5708: 5699:The Guardian 5698: 5688: 5679:Bibliography 5664: 5656: 5624:. 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