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and published in a deluxe folio in Paris in 1724. Coypel created twenty-eight small paintings for these tapestries over a number of years. Each of the paintings was used as the centrepiece of a larger area that was richly decorated with birds, small animals, and garlands of flowers on a patterned
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to the Duke of Orléans when his father died in 1722. He became
Premier Peintre du Roi and Director of the Académie Royale in 1747. He worked on several commissions for paintings for the royal
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301:. Coypel was just twenty-one years old, but he had skipped the customary journey to Rome made by history painters, and perhaps more importantly, his father was Director at the time.
373:), allegorical comedy in three acts, the artist compared the qualities of both arts. The painter also realized works on the theme of the theater, including portraits of the
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220:(Keeper of the paintings and drawings of the king), a function which combined the role of director and curator of the king's art collection. He was mainly active in
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Under the tutelage of his father, Coypel showed a genuine talent for painting early in life. He had the rare distinction of being named an
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series were woven between 1714 and 1794. He received a commission to design a series of theatrical scenes for tapestries for the queen of
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Coypel was born in Paris on 11 July 1694 to a highly successful and influential family of history painters. His grandfather,
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Blumer, Marie-Louise (1961). "Coypel (Charles-Antoine)". In Roman d'Amat, Jean-Charles; et al. (eds.).
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Art in Europe 1700-1830: A History of the Visual Arts in an Era of
Unprecedented Urban Economic Growth
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the following year. Philippe Coypel (1703-1777), Antoine Coypel's second son, would become the King's
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as well as a three thousand square foot studio space, all of which Coypel would eventually inherit.
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in a sophisticated manner. These illustrations were painted as cartoons for tapestries, and were
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for almost his entire life, beginning when he was three years old, when his father received a
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Coypel's Don
Quixote Tapestries: Illustrating a Spanish Novel in Eighteenth-Century France
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Alongside his painting career, Coypel wrote some forty plays between 1717 and 1747. Only
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Lefrançois, Thierry (1999). "Coypel, Charles". In Kasten, Eberhard; et al. (eds.).
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Charles-Antoine Coypel, premier peintre de Louis XV et auteur dramatique (1694-1752)
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in 1747. Coypel also wrote prose, several comedies, two tragedies, and some poetry.
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Stein, Perrin (April 2001). "A Newly
Discovered Pastel by Charles Coypel".
866:(2nd ed.). New York, London: Garland. p. 79, entries nos. 2340–2343.
637:"Philippe Coypel (1703-1777), valet de chambre du roi, frère de l'artiste"
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30:
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by the Académie Royale on the same day in 1715 for his reception work
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208:; 11 July 1694 – 14 June 1752) was a French painter, art critic, and
1061:(in German). Vol. 22. München, Leipzig: Saur. pp. 99–101.
664:"A Curator at the Louvre: Charles Coypel and the Royal Collections"
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263:. He would also become Director of the Académie Royale in 1714 and
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999:(in French). Vol. 9. Paris: Letouzey et Ané. cols. 1146–1147.
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212:. He became court painter to the French king and director of the
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972:. Vol. 8. New York: Grove's Dictionaries. pp. 92–93.
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Members of the Académie royale de peinture et de sculpture
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Coypel's reception piece for the Académie Royale, now at
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He inherited his father’s design and painting duties as
1021:. Vol. 8. Leipzig: E. A. Seemann. pp. 26–28.
16:
French painter, art critic, and playwright (1694–1752)
328:. His most successful tapestries were created from a
1042:. Vol. 2. New York: McGraw-Hill. p. 166.
784:Don Quixote in England: The Aesthetics of Laughter
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923:Charles Coypel: Peintre du Roi : 1694-1752
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1566:18th-century French dramatists and playwrights
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708:10.1093/benz/9780199773787.article.B00043957
1135:Académie Royale de Peinture et de Sculpture
361:(1720) was published. It was staged at the
346:background. Over two hundred pieces of the
253:Académie Royale de Peinture et de Sculpture
237:Self-Portrait with his son, Charles-Antoine
131:Académie Royale de Peinture et de Sculpture
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1018:Allgemeines Lexikon der bildenden Künstler
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826:"Portrait of Philippe Coypel and His Wife"
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805:The Cambridge History of Western Textiles
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324:designer. He designed tapestries for the
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534:Portrait of Philippe Coypel and His Wife
467:Portrait of Philippe Coypel and His Wife
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997:Dictionnaire de biographie française
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218:Garde des tableaux et dessins du roi
888:La Revue de l'art ancien et moderne
882:Ingersoll-Smouse, Florence (1920).
13:
1387:Nicolas de Largillière (1738–1742)
1081:. New York: The Frick Collection.
954:
852:
847:
786:, Johns Hopkins University Press,
746:(1177): 220–223 – via JSTOR.
14:
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1050:– via the Internet Archive.
1029:– via the Internet Archive.
990:– via the Internet Archive.
576:Klingsöhr-Leroy, Cathrin (2003).
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1601:18th-century French male artists
1586:18th-century French male writers
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1233:Louis Ferdinand Elle the Younger
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1359:acting as director (1733–1735)
894:: 143–154, 285–292 – via
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1485:Académie Royale d'Architecture
1038:. In Myers, Bernard S. (ed.).
1034:Gallenkamp, George V. (1969).
907:(in French). Paris: Hachette.
860:Freitag, Wolfgang M. (1997) .
807:, Cambridge University Press,
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461:Musée des Beaux-Arts d'Orléans
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1384:Guillaume Coustou (1735–1738)
1040:McGraw-Hill Dictionary of Art
696:Benezit Dictionary of Artists
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97:Marie-Jeanne Bidault (mother)
1556:18th-century French painters
920:Lefrançois, Thierry (1994).
261:Philippe II, Duke of Orléans
216:. He inherited the title of
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1225:Louis Du Guernier the Elder
1058:Allgemeines Künstlerlexikon
558:, Oxford University Press,
247:, had been Director of the
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1622:
1480:Académie Royale de Musique
1445:Jean-Baptiste Marie Pierre
1178:Michel Corneille the Elder
1077:Vignon, Charlotte (2015).
662:Bell, Esther (Fall 2016).
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205:[ʃaʁlɑ̃twankwapɛl]
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1036:"Coypel, Charles-Antoine"
1009:"Coypel, Charles-Antoine"
966:. In Turner, Jane (ed.).
692:"Coypel, Charles Antoine"
274:Coypel would live in the
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1421:Jacques Dumont le Romain
964:"Charles-Antoine Coypel"
926:(in French). Preface by
903:Jamieson, Irene (1930).
884:"Charles-Antoine Coypel"
606:Garnier, Nicole (2003).
477:Art Institute of Chicago
411:Painting Ejecting Thalia
367:La Poésie et la Peinture
320:Coypel was an excellent
239:(1698) by Antoine Coypel
72:Paris, Kingdom of France
1571:French tapestry artists
782:Paulson, Ronald, 1998,
740:The Burlington Magazine
700:Oxford University Press
616:Oxford University Press
586:Oxford University Press
554:Craske, Matthew, 1997,
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94:Antoine Coypel (father)
1470:French Academy in Rome
1403:Charles-Antoine Coypel
1368:Nicolas de Largillière
764:Charles-Antoine Coypel
491:Charles-Antoine Coypel
420:Chrysler Museum of Art
401:Schloss Charlottenburg
359:Les Folies de Cardenio
265:Premier Peintre du Roi
249:French Academy in Rome
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197:Charles-Antoine Coypel
23:Charles-Antoine Coypel
1439:Jean-Baptiste Lemoyne
969:The Dictionary of Art
962:Barker, Emma (1996).
803:Jenkins, D.T., 2003,
641:collections.louvre.fr
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201:French pronunciation:
1561:French male painters
1463:Related Institutions
1397:Pierre-Jacques Cazes
670:. Louvre Local (2).
475:of 1742, now at the
431:J. Paul Getty Museum
371:Allegory of Painting
330:series illustrating
326:Gobelins manufactory
310:Palace of Versailles
293:and subsequently an
165:Pierre-Jacques Cazes
1596:French art curators
1576:Painters from Paris
1336:Corneille Van Clève
1312:Charles de La Fosse
1246:Hans van der Burcht
383:Adrienne Lecouvreur
113:Noël-Nicolas Coypel
1581:Writers from Paris
1409:Louis de Silvestre
1348:Louis de Boullogne
1282:Antoine de Ratabon
1168:Laurent de La Hyre
930:. Paris: Arthéna.
769:2007-03-14 at the
379:Charlotte Desmares
280:brevêt de logement
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1373:Guillaume Coustou
1201:Gérard van Opstal
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1191:Eustache Le Sueur
1163:Sébastien Bourdon
773:The Getty Museum.
717:978-0-19-977378-7
677:10.30610/2.2016.6
608:"Coypel, Antoine"
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1302:(1690–1695)
1296:(1683–1690)
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1217:académistes
1005:Cornu, Paul
643:(in French)
435:Los Angeles
348:Don Quixote
338:Don Quixote
332:Don Quixote
295:académicien
245:Noël Coypel
160:Preceded by
109:Noël Coypel
1540:Categories
1271:Directeurs
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542:References
413:(1732) –
210:playwright
1353:The four
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