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Venetian ceruse

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374:. Rather, the pursuit of a fair complexion was largely driven by its associations with high status and wealth of the individual. This was because labour workers who performed outdoor work under direct sunlight often had tanned skin, whereas individuals in higher positions within society had the luxury of staying indoors and did not engage in employment. Elizabeth I of England was only ever depicted with fair white skin, as a result of Venetian ceruse, to emphasise her nobility and high status. Many portraits during the Elizabethan era also depicted servants with a dark complexion in the background, to contrast the "lightness" of the main subject with a fairer complexion. 282:
blood pressure and reduced fertility for both men and women. Long-term usage of Venetian ceruse caused problems from within, such as internal organ damage and in some cases eventual death. Lead toxicity has also been found to cause intellectual impairment and damage to the bones, kidneys and liver in particular. Superficial side effects included hair loss, particularly at the front of the hairline. It is suspected that the hair loss experienced by many women during the 16th century gave rise to the Elizabethan beauty ideal of possessing a high forehead. However, balding may also have been associated with contracting
274:(WHO) declared lead as one of the ten major chemicals of concern in cosmetics. Some sources state that small amounts of lead carbonate exposed to humans can elevate blood levels to high levels of toxicity. The WHO stated that side effects of lead are most prominent following either chronic exposure or short-term exposure to high doses. Long-term use of Venetian ceruse was detrimental to the human body as high amounts of lead were constantly absorbed by the skin. Use of this cosmetic involved the direct application of harmful lead carbonate compounds onto the face, causing regular users to experience 31: 353:, a side effect of using ceruse, was even associated with witchcraft during the 16th century. Although the use of ceruse was rather visibly noticeable upon the individual's face, many women chose to keep their use of Venetian ceruse a secret and did not disclose this information even to their families. The use of Venetian ceruse was largely for the purpose of enhancing beauty by creating a smooth, natural complexion. However, many non-users made commentary on its unnatural appearance and condemned women for using lead-based cosmetics despite their known adverse side effects. 378: 386: 257: 312: 190:
there were marked differences between the two variants of ceruse. In contrast to regular ceruse, Venetian ceruse was said to be made from pure white lead that was more intense and concentrated in its form. Due to the high demand of ceruse sourced straight from Venice, there may have been counterfeit items for sale on the market. The disingenuous ceruse was thought to contain a mixture of chalk or whiting, which compromised the whiteness, brittleness and weight in comparison to Venetian ceruse.
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compounds in Venetian ceruse allowed it to be dissolved in water to form a thick paste that could be easily absorbed by the body through the skin. When mixed with vinegar, the white lead composition of Venetian ceruse had a cooling and drying effect that would suck moisture from the skin of the individual's face and prevent inflammation. Therefore, ceruse was also commonly used for medicinal purposes by surgeons in the 16th century to dry up moist sores.
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acidic ingredients were more harsh, and would remove the superficial epidermis of the skin or stop the production of melanin altogether. Some sources state that the faithful application of ceruse by many was a result of the side effects caused by its lead compounds. The lead compounds caused human skin to
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individuals had little access to effective medicine for treatment of the many diseases that were rampant at the time. Having fair, clear skin free from blemishes was therefore very highly sought after as it was considered to be a social indicator of an individual in good health and fertility for women.
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The practice of deliberate skin lightening initially began in ancient Rome, where lead carbonate was used as a cosmetic product to whiten the skin. Light skin was thought to be a symbol of femininity, and the beauty ideals during that time favoured clarity of the individuals' skin. Lead carbonate was
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The process of manufacturing Venetian ceruse involved carefully placing lead sheets into clay pots partially filled with vinegar. The pots were then sealed with lead lids or packed straw and kept aside for several weeks, allowing lead acetate to form and produce lead carbonate once eventually exposed
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White lead was not only used in Venetian ceruse, but also several other 16th century cosmetics. They had presence in blush products for application on the cheeks and were used in lip stains, by combining red pigments such as vermilion or sandalwood and cinnabar, which contained more harmful compounds
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Symptoms of lead poisoning were painful and unpleasant for the affected individual, including but not limited to acute abdominal pain, muscle paralysis, mental confusion and uncontrollable convulsions. More common symptoms of lead poisoning include feeling nauseous, experiencing abdominal pain, high
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Variants of ceruse differ based on their proportions of lead carbonate and white lead. Some sources state that Venetian ceruse was almost identical to regular ceruse, however due to its origins in Venice it was able to be marketed as the best available product on the market. Other sources state that
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Apart from its adverse health effects on the human body, white lead had many qualities that made it a valuable ingredient for use in various cosmetic products during the 16th century. Its opaque nature made it an ideal product for concealing imperfections on the skin's surface. The presence of lead
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Although Venetian ceruse was certainly predominantly used by women, it was also thought to have been used by some men in royalty during the 16th century. A light skin complexion was sought after by men as it became a symbol of aristocracy, and suggested that the individual did not have to engage in
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Many users of Venetian ceruse were aware of its potential to cause adverse health side effects, however they continued to use the product regardless. It was not until the end of the 18th century that scientific studies officially concluded the severity of health problems caused by the presence of
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trade. The white lead present in ceruse was the exact same compound used in cosmetic products, as medicine and by artists to paint with on canvas. As such, its multiple uses meant the quality and purity of the ceruse was very important to the user. Some sources state that Venetian ceruse was much
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and peel with long-term usage, which left blemishes and scarring on the skin's surface. These blemishes could only be concealed by applying several more layers of the product itself, creating a cycle where women were dependent on Venetian ceruse for vanity on a daily basis. The product was also
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The reason Venetian ceruse was favoured over other 16th century cosmetic powders such as starch, alabaster and crushed mother-of-pearl, was predominantly due to its ease of application and ability to adhere to the skin easily. Other skin lighteners during the 16th century containing mercury and
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The ideal beauty standards during the late Middle Ages and early Renaissance saw women aiming to achieve a white complexion contrasted by bright red cheeks and lips. The complexion many women strived towards was one that was as "bright as moonlight" and "fair as snow". During the Middle Ages,
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Venetian ceruse was the most expensive and highly sought after form of ceruse, making it almost exclusive to high status individuals or the wealthy class. It was favoured by the European aristocracy due to its high quality and most notably, Venetian ceruse was thought to have been used quite
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exists to support the claim that Elizabeth used ceruse. It was thought that Elizabeth I's death may have been caused by chronic lead poisoning and the combined use of other dangerous chemicals present in her cosmetics, such as mercury and arsenic.
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The white lead present in ceruse originated from various locations around Europe, however Italy was the major manufacturer of corrosives and had been exporting ceruse since the 14th century. Following the powerful influence of the
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Even Venetian Ceruse, the notorious pale make-up used by Elizabethan actors and never found in the inventories of the queen herself, has been shown in reconstructions to blend lightly into the skin like a modern
73:, the global merchant capital at the time. It is similar to the regular ceruse, although it was marketed as better, more exclusive and more expensive than the regular ceruse variant. The regular ceruse white 215:(PbCO3·Pb(OH)2) also known as hydrocerrusite, which is a hydrate form of cerrusite. Cerrusite is also known as the heavy metal, lead carbonate (PbCO3), which encourages skin depigmentation. 303:
may have contracted smallpox in 1562, which left scarring on her skin and brought about her later faithful use of Venetian ceruse to hide the blemishes that remained.
329:. The basic ingredient of cerussa was white lead, and it was used by Roman women to cover blemishes and enhance skin colour. The Egyptians used lead sulphide in 1473:
Beck, Lucile; Caffy, Ingrid; Delqué-Količ, Emmanuelle; Moreau, Christophe; Dumoulin, Jean-Pascal; Perron, Marion; Guichard, Hélène; Jeammet, Violaine (2018).
406:"After 1558, Elizabeth I of England popularized the use of two toxins in face creams—arsenic and Venetian ceruse, a lead carbonate base dissolved in vinegar." 389:
The procession of Elizabeth I of England. She has been portrayed with a lightness about her and dons a very fair complexion, indicative of her nobility.
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The Handbook of Occupational and Environmental Medicine: Principles, Practice, Populations, and Problem-Solving, 2nd Edition [2 volumes]
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Despite the Elizabethan beauty ideals women faced, the wearing of cosmetics was not received well by the general public. Women who used
938:"The drying of linseed oil investigated by Fourier transform infrared spectroscopy: Historical recipes and influence of lead compounds" 69:. It was in great demand and considered the best available at the time, supposedly containing the best quality white lead sourced from 2371: 361:, disapproved and attempted to wipe the Venetian ceruse from her face in public. Cosmetics were also referred to as the Latin word 253:
more expensive than regular ceruse due to its higher purity and refinement, selling for up to twice as much as regular lead white.
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A portrait of Maria Coventry representing 18th-century beauty ideals of a clear, fair complexion with rouged cheeks and lips
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Skin lightening practices, such as the wearing of Venetian ceruse, may not have been directly racially motivated during the
354: 163: 1586: 856: 711: 650: 590: 534: 504: 248:. It was well known for its high-quality luxury goods available at lower prices and played a significant role in the 992:"Red, White and Black: Colors of Beauty, Tints of Health and Cosmetic Materials in Early Modern English Art Writing" 1524:"The Ideal of Feminine Beauty in Medieval Literature, Especially "Harley Lyrics", Chaucer, and Some Elizabethans" 173:, whose appearance demonstrated how ceruse caused permanent damage and premature ageing. In 1534, an account by 2607: 2586: 2576: 121:
A recipe from 1688 described the cosmetic as a mixture of water, vinegar, and lead. The cosmetic's use of
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commonly used to conceal scars like pimples or freckles, or blemishes left over from diseases including
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Venice in the 15th century, a global merchant capital famous for trade and high-quality merchandise
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user of Venetian ceruse, and critics including Anna Riehl and Kate Maltby have argued that little
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was said to have adopted the beauty ideals of the time while in Paris, however her husband,
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translating to "false colour", further suggesting that wearing makeup was "not natural".
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described her "smeared face" as "dishonestly ugly and even more dishonestly made up."
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White lead in the form of moulded tablets, once used as a cosmetic in Ancient Greece
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also used throughout ancient Egypt and Greece as a white cosmetic, known as
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de Viguerie, L.; Payard, P.A.; Portero, E.; Walter, P.; Cotte, M. (2016).
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Ceruse was also blamed for the death of an 18th-century London socialite,
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Nicholas Eastaugh; Valentine Walsh; Tracey Chaplin; Ruth Siddall (2007).
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labour work outdoors that would change the colour of their skin.
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Cerussite, the active ingredient present in Venetian ceruse
150:. However some sources state that she may only have been a 889:"Skin lightening and its motives: A historical overview" 851:. Westport, CT: Greenwood Publishing Group. p. 35. 449:. Theory in Forms. Duke University Press. p. pt26. 1425: 497:
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The primary active ingredient in Venetian ceruse was
1332:"Lead: Health Problems Caused by Lead | NIOSH | CDC" 667:"Why is Elizabeth I always depicted as a grotesque?" 599: 438: 436: 434: 432: 430: 428: 426: 424: 422: 2599: 1112:"Lead white from Venice: a whiter shade of pale" 524: 419: 1247:"Occupational Lead Exposure and Lead Poisoning" 703:Painted Faces: A Colourful History of Cosmetics 574: 1432:Journal of the Dermatology Nurses' Association 1244: 695: 693: 691: 572: 570: 568: 566: 564: 562: 560: 558: 556: 554: 77:is a basic lead carbonate of chemical formula 1580: 1109: 699: 578: 129:was detrimental to the human body and caused 1428:"Dapsone in the Management of Acne Vulgaris" 319: 193: 51: 1251:Journal of the American Medical Association 1165:"Skin lightening: causes and complications" 846: 688: 551: 488: 362: 169:Another devout user of Venetian ceruse was 1587: 1573: 893:Annales de Dermatologie et de VĂ©nĂ©rĂ©ologie 840: 638: 2043: 1490: 1299: 1162: 1007: 953: 904: 815: 804:QJM: An International Journal of Medicine 659: 605: 520: 518: 516: 1041: 632: 384: 376: 310: 270:lead in cosmetic products. 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2357:Morphe Cosmetics 2322:Make Up For Ever 2139:Carol's Daughter 2040: 2039: 1918:Artificial nails 1875:Styling products 1680:Permanent makeup 1610:Anti-aging cream 1589: 1582: 1575: 1566: 1565: 1560: 1559: 1519: 1513: 1512: 1494: 1470: 1464: 1463: 1423: 1414: 1413: 1385: 1374: 1373: 1353: 1347: 1346: 1344: 1343: 1328: 1322: 1321: 1303: 1284: 1275: 1274: 1242: 1236: 1235: 1233: 1232: 1218: 1209: 1208: 1160: 1147: 1146: 1126: 1120: 1119: 1107: 1092: 1091: 1071: 1060: 1059: 1039: 1030: 1029: 1011: 1002:(4–6): 397–427. 987: 968: 967: 957: 933: 927: 926: 908: 884: 863: 862: 844: 838: 837: 819: 795: 778: 777: 729: 718: 717: 697: 686: 685: 679: 678: 663: 657: 656: 636: 630: 629: 627: 626: 603: 597: 596: 576: 549: 548: 522: 511: 510: 492: 486: 484: 473: 467: 466: 464: 463: 440: 407: 404: 366: 359:Earl of Coventry 117: 116: 115: 97: 96: 95: 87: 86: 55: 49:, also known as 27:Cosmetic product 21: 2638: 2637: 2633: 2632: 2631: 2629: 2628: 2627: 2598: 2597: 2596: 2591: 2556: 2497:Tarte Cosmetics 2377:Nature Republic 2272:Kylie Cosmetics 2257:Kao Corporation 2045: 2034: 1983: 1979:Sunless tanning 1969:Plastic surgery 1942: 1906: 1796: 1745: 1709: 1705:Venetian ceruse 1670:Moist towelette 1598: 1593: 1563: 1540:10.2307/3719759 1520: 1516: 1471: 1467: 1424: 1417: 1410: 1386: 1377: 1370: 1354: 1350: 1341: 1339: 1330: 1329: 1325: 1286: 1285: 1278: 1243: 1239: 1230: 1228: 1220: 1219: 1212: 1161: 1150: 1127: 1123: 1108: 1095: 1088: 1072: 1063: 1056: 1040: 1033: 988: 971: 934: 930: 885: 866: 859: 845: 841: 810:(11): 783–784. 796: 781: 730: 721: 714: 698: 689: 676: 674: 665: 664: 660: 653: 637: 633: 624: 622: 620: 604: 600: 593: 577: 552: 537: 523: 514: 507: 493: 489: 475: 474: 470: 461: 459: 457: 441: 420: 416: 411: 410: 405: 401: 396: 372:Elizabethan era 339: 322: 309: 267: 229: 201: 196: 187: 185:Ceruse variants 171:Isabella d'Este 143: 133:, skin damage, 114: 111: 110: 109: 107: 94: 91: 90: 89: 85: 82: 81: 80: 78: 43:Venetian ceruse 28: 23: 22: 15: 12: 11: 5: 2636: 2626: 2625: 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195: 192: 186: 183: 175:Pietro Aretino 146:frequently by 142: 139: 131:lead poisoning 112: 92: 83: 47:Venetian white 26: 9: 6: 4: 3: 2: 2635: 2624: 2621: 2619: 2616: 2614: 2611: 2609: 2606: 2605: 2603: 2588: 2585: 2583: 2580: 2578: 2575: 2567: 2566: 2563: 2553: 2550: 2548: 2545: 2543: 2540: 2538: 2535: 2533: 2530: 2528: 2525: 2523: 2520: 2518: 2515: 2513: 2510: 2508: 2507:The Face Shop 2505: 2503: 2502:The Body Shop 2500: 2498: 2495: 2493: 2490: 2488: 2485: 2483: 2480: 2478: 2477:Sinful Colors 2475: 2473: 2470: 2468: 2465: 2463: 2460: 2458: 2455: 2453: 2450: 2448: 2445: 2443: 2440: 2438: 2435: 2433: 2430: 2428: 2425: 2423: 2420: 2418: 2415: 2413: 2410: 2408: 2405: 2403: 2402:NYX Cosmetics 2400: 2398: 2395: 2393: 2390: 2388: 2385: 2383: 2380: 2378: 2375: 2373: 2370: 2368: 2365: 2363: 2360: 2358: 2355: 2353: 2350: 2348: 2345: 2343: 2340: 2338: 2335: 2333: 2330: 2328: 2325: 2323: 2320: 2318: 2317:MAC Cosmetics 2315: 2313: 2310: 2308: 2305: 2303: 2300: 2298: 2295: 2293: 2290: 2288: 2285: 2283: 2280: 2278: 2275: 2273: 2270: 2268: 2265: 2263: 2260: 2258: 2255: 2253: 2250: 2248: 2245: 2243: 2240: 2238: 2235: 2233: 2230: 2227: 2225: 2222: 2220: 2217: 2215: 2212: 2210: 2207: 2205: 2202: 2200: 2197: 2195: 2192: 2190: 2187: 2185: 2182: 2180: 2177: 2175: 2172: 2170: 2167: 2165: 2162: 2160: 2157: 2155: 2152: 2150: 2147: 2145: 2142: 2140: 2137: 2135: 2132: 2130: 2127: 2125: 2122: 2120: 2117: 2115: 2112: 2110: 2107: 2105: 2102: 2100: 2097: 2095: 2092: 2090: 2087: 2085: 2082: 2080: 2077: 2075: 2072: 2070: 2067: 2065: 2062: 2060: 2057: 2055: 2052: 2051: 2048: 2041: 2037: 2031: 2028: 2026: 2023: 2021: 2018: 2016: 2013: 2011: 2008: 2006: 2003: 2001: 1998: 1996: 1993: 1992: 1990: 1986: 1980: 1977: 1975: 1972: 1970: 1967: 1965: 1962: 1960: 1957: 1955: 1952: 1951: 1949: 1945: 1939: 1936: 1934: 1931: 1929: 1926: 1924: 1921: 1919: 1916: 1915: 1913: 1909: 1901: 1898: 1896: 1893: 1891: 1888: 1886: 1883: 1881: 1878: 1877: 1876: 1873: 1871: 1868: 1866: 1863: 1859: 1856: 1854: 1851: 1849: 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Retrieved 445: 402: 369: 344: 340: 326: 323: 288: 280: 268: 265:Side effects 234: 230: 221: 217: 210: 188: 179: 168: 161: 151: 144: 120: 102:is a simple 58: 50: 46: 42: 41: 2552:Yves Rocher 2527:Urban Decay 2522:Uoma Beauty 2512:Ulta Beauty 2407:O Boticário 2292:Lise Watier 2209:Etude House 2134:Burt's Bees 2119:Bobbi Brown 2114:Bite Beauty 2015:Cosmetology 1933:Nail polish 1808:Conditioner 1772:Eyelid glue 1675:Moisturizer 1665:Highlighter 1336:www.cdc.gov 1226:www.who.int 671:Kate Maltby 246:Renaissance 242:Middle Ages 227:Manufacture 2602:Categories 2573:Categories 2472:SimplySiti 2467:Shu Uemura 2387:Neutrogena 2337:Maybelline 2332:Max Factor 2302:L'Occitane 2242:Hard Candy 2124:Bonne Bell 1954:Cold cream 1782:Eye shadow 1660:Foundation 1635:Cotton pad 1342:2022-04-05 1231:2022-05-27 1118:: 295–301. 677:2019-10-05 625:2020-07-17 585:. Abrams. 462:2020-07-17 414:References 213:white lead 123:white lead 65:used as a 2577:Companies 2517:Ultima II 2487:Skin Food 2437:Red Earth 2164:CoverGirl 1853:threading 1777:Eye liner 1630:Concealer 1596:Cosmetics 1548:0026-7937 1509:133959672 1501:2399-3669 1452:1945-760X 1318:234214265 1310:0971-720X 1271:0002-9955 1205:238636351 1189:0307-6938 1018:1383-7427 964:0300-9440 948:: 46–60. 923:155088444 826:1460-2725 758:0364-216X 545:936144129 135:hair loss 100:cerussite 2547:Younique 2532:Vaseline 2462:Shiseido 2417:Oriflame 2327:Mary Kay 2237:Guerlain 2184:Dermacol 2169:Creme 21 2149:Clinique 2109:Biotherm 2084:Artistry 2079:Aqua Net 2074:Anna Sui 1938:Pedicure 1928:Manicure 1843:plucking 1828:electric 1823:chemical 1721:Lipstick 1645:DD cream 1640:Cleanser 1625:CC cream 1615:BB cream 1460:75385410 1197:34637158 1026:26856049 915:31088697 834:31304971 297:smallpox 284:syphilis 244:and the 232:to air. 152:possible 63:cosmetic 2587:History 2457:Sephora 2422:Origins 2297:L'OrĂ©al 2282:Laneige 2277:LancĂ´me 2267:Kiehl's 2232:Garnier 2214:FabergĂ© 2189:Douglas 2144:Clarins 2104:Benefit 1988:Related 1964:Peeling 1923:Buffing 1870:Sindoor 1865:Shampoo 1848:shaving 1818:Removal 1792:Mascara 1556:3719759 1143:3100528 774:2989869 766:2662717 327:cerussa 307:History 250:pigment 127:pigment 88:·Pb(OH) 75:pigment 2582:People 2452:Rimmel 2442:Revlon 2432:Pond's 2392:Nexxus 2367:Natura 2347:Missha 2219:Farmec 1959:Lotion 1890:pomade 1885:mousse 1858:waxing 1690:Powder 1685:Primer 1650:Facial 1554:  1546:  1507:  1499:  1458:  1450:  1406:  1366:  1316:  1308:  1269:  1203:  1195:  1187:  1141:  1084:  1052:  1024:  1016:  962:  921:  913:  855:  832:  824:  772:  764:  756:  710:  649:  616:  589:  543:  533:  503:  453:  292:mottle 79:2 PbCO 71:Venice 18:Ceruse 2542:Wella 2492:Stila 2482:SK-II 2397:Nivea 2228:Fresh 2174:Cutex 2089:Aveda 2059:Almay 2054:Ahava 1911:Nails 1895:spray 1833:laser 1741:Stain 1736:Liner 1731:Gloss 1700:Toner 1695:Rouge 1552:JSTOR 1505:S2CID 1485:(1). 1456:S2CID 1314:S2CID 1201:S2CID 1139:JSTOR 919:S2CID 770:S2CID 394:Notes 364:fucus 141:Users 125:as a 2362:NARS 2312:Lush 2154:Coty 2094:Avon 1947:Body 1801:Hair 1787:Kohl 1750:Eyes 1726:Balm 1714:Lips 1603:Face 1544:ISSN 1497:ISSN 1448:ISSN 1404:ISBN 1364:ISBN 1306:ISSN 1267:ISSN 1193:PMID 1185:ISSN 1082:ISBN 1050:ISBN 1022:PMID 1014:ISSN 960:ISSN 911:PMID 853:ISBN 830:PMID 822:ISSN 762:PMID 754:ISSN 708:ISBN 647:ISBN 614:ISBN 587:ISBN 541:OCLC 531:ISBN 501:ISBN 451:ISBN 351:acne 331:kohl 108:PbCO 57:and 2412:OPI 2204:elf 1900:wax 1880:gel 1838:IPL 1536:doi 1487:doi 1440:doi 1396:doi 1296:doi 1259:doi 1255:125 1177:doi 1004:doi 950:doi 901:doi 897:146 812:doi 808:113 746:doi 480:", 118:). 45:or 2604:: 1550:. 1542:. 1532:50 1530:. 1526:. 1503:. 1495:. 1481:. 1477:. 1454:. 1446:. 1434:. 1430:. 1418:^ 1402:. 1394:. 1378:^ 1334:. 1312:. 1304:. 1290:. 1279:^ 1265:. 1253:. 1249:. 1224:. 1213:^ 1199:. 1191:. 1183:. 1173:47 1171:. 1167:. 1151:^ 1133:. 1114:. 1096:^ 1064:^ 1034:^ 1020:. 1012:. 1000:20 998:. 994:. 972:^ 958:. 946:93 944:. 940:. 917:. 909:. 895:. 891:. 867:^ 828:. 820:. 806:. 802:. 782:^ 768:. 760:. 752:. 742:13 740:. 736:. 722:^ 690:^ 680:. 669:. 645:. 553:^ 539:. 515:^ 478:n. 421:^ 278:. 1588:e 1581:t 1574:v 1558:. 1538:: 1511:. 1489:: 1483:1 1462:. 1442:: 1436:5 1412:. 1398:: 1372:. 1345:. 1320:. 1298:: 1273:. 1261:: 1234:. 1207:. 1179:: 1145:. 1090:. 1058:. 1028:. 1006:: 966:. 952:: 925:. 903:: 861:. 836:. 814:: 776:. 748:: 716:. 655:. 628:. 595:. 547:. 509:. 485:. 465:. 113:3 106:( 93:2 84:3 20:)

Index

Ceruse

Elizabeth I of England
cosmetic
skin whitener
Venice
pigment
cerussite
carbonate of lead
white lead
pigment
lead poisoning
hair loss
Elizabeth I of England
historical evidence
Maria Coventry, Countess of Coventry
Isabella d'Este
Pietro Aretino

white lead
Venetian Renaissance
Middle Ages
Renaissance
pigment

World Health Organization
lead poisoning
syphilis
mottle
smallpox

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