Cave of La Pasiega

592: 1416:, who proposed a rather general chronology, which broadly was in agreement with González Echegaray. In both publications the decorations of the entire Gallery A and the first sub-sanctuary of Room XI are placed at the very start of Style III; whereas the second sub-sanctuary of the same room should be placed within the earliest Style IV. Leroi-Gourhan argued from the basis of comparing the works of Gallery A with Lascaux, although recognising that that is more archaic, suggested that they were contemporaneous. Recently, as a result of being able to apply absolute systems of dating to the paintings, it has been demonstrated that the style-classification proposed by Leroi-Gourhan, and some relative dating of other investigators, is shaky. 428:. After the discovery of "La Pasiega" and the first campaigns, the area was little visited — mainly owing to the difficult historical circumstances of Spain in the 1930s. After this, in 1952, while a eucalyptus plantation was being put in, another cave was found with a small monetary treasure of the 17th century: hence the new cave was called "Las Monedas": in it, however, was found a rock sanctuary with important pictures and drawings. In light of this, the engineer Alfredo García Lorenzo concluded that Monte Castillo held more secrets. Therefore, a geological survey was set in motion which resulted the following year in the discovery of another cave with rock paintings, "Las Chimeneas" ("The Chimneys"), and also other 1321:

it was the result of combining paintings of different dates, but did not think it should be thought of as a developed tectiform sign: but he thought that the repainting was intentional and concerned the effect of enclosing the animals (the hind-quarters of a bison and the fore-parts, the head and forelegs of a deer) within the idiomorph; he included it all within Style III and interpreted it as a mithogram resulting from the combination of three symbols of femininity. Jordá Cerdá and Casado López do not admit of a female symbology in 'La Trampa', which they relate, rather, to other representations of sealed enclosures which occur in Las Chimeneas and La Pileta.

851: 962: 712: 576: 727: 654: 644: 974: 1038: 950: 697: 1012: 1000: 1026: 34: 1172:), etc.). They are sometimes associated with hinds. For example, one of the foremost panels of gallery A has these kinds of idiomorphs associated with a vulva and a hind. In the second group of Gallery C there is a bison (panel 83) which may have a linear sign associated (it looks like a javelin, but that idea is very controversial), as well as some other symbol. At the side is a feather-shaped symbol grouped with other key-shaped (claviform) ones (discussed below) which were not identified in the original monograph (but became known through an article by Leroi-Gourhan). 812: 921: 534: 1141: 800: 775: 86: 58: 824: 1153: 893: 879: 865: 1330: 1381: 51: 1726:

on unassociated sheets, out of context, in a way that one cannot reconstruct how to obtain a realistic idea of the complete arrangement of the panels. The inventory tells of the cumulative effect but not the numerical proportions of their composition. This problem recurs in the pictorial groups of Gallery C. Nor is there a detailed study of the structure of the panels of the annex room discovered in 1964 by Joaquín González Echegaray and Eduardo Ripoll Perelló (1964): 'Nuevos grabados y pinturas en las cuevas del Monte Castillo', in

1276: 1264: 1129: 1117: 1240: 1192: 1369: 1216: 1252: 490: 1297: 1204: 1357: 1393: 1434:

rare, and in the majority of cases we are dealing with later corrections in a different color to the original painting. Only a horse from gallery A, in the final group, could be considered an authentic bichrome, comparable to those of El Castillo. The most abundant idiomorphs are the quadrangular ones with internal divisions. Jordá maintains that, during the Middle Cycle, the anthropomorphs disappear, even though La Pasiega contains a few: according to the oldest authors four, and according to the most recent only one.

689:), between the first group already described and the last, which will be described below. The two groups, although they are near to one another, are executed in a different technique giving rise to the suspicion that they were created in different periods. There are about ten hinds, also several horses (though not so many), two cattle and a square symbol. Coming from the entrance direction, one sees first most of the hinds, followed by the association of the horses, below which are the symbol and the remaining hinds. 1180: 1349:, with a globular form, located in Room XI. Very near is the one anthropomorph accepted as such by all investigators, namely a figure in varied colors: the body is outlined in red, with a large mouth; by contrast the skin is black, and there are added some horns, also black (in the opinion of the specialists these are re-paintings of different dates): lower down the figure has a linear idiomorph in yellow ochre which Breuil interpreted as a phallus. In relation to this human shape there are two external red symbols. 943:

positive hand impression colored black, dotted signs, rod signs, and other idiomorphs, among which stands out the so-called "Trampa" (a kind of column which encloses, behind a symbol, a bison and a hind (more will be said of this anon). The arrangement of this group seems to correspond to a threefold or ternary structure with variations: bos-equus-cervus with various signs or bos-equus-anthropomorph with signs. The truth is that the complexity of this panel is great, given the concentration of very varied figures.

1312: 762:, placed facing the group just described, is in a very close relationship to it, containing a similar number of deer and horses, together with a pair of bison. Among the various symbols an idiomorph in the shape of a hand is prominent, reminiscent of those at Santián, and a red sign which could well be meant for a grotesque bison head. In the central position appear a horse and a bison, forming the typical binary combination, at one end other bison and at the opposite end the remaining horses. There is no 2473: 79: 1458:, also including the block colors and the addition of engraving or the bi-chrome work as a complement to model the volumes. For its part Style IV is present above all in Gallery B and in the second group of Gallery C: this phase has mainly the black color or drawn with a fine linear outlining, almost without modeling, but with an internal filling of scratches. The engraved forms are most abundant (simple linear marks, or repeated or striated lines, including scraffito). 840:

appear signs on both sides, but this time they are of the beta type (feminine), red in color. The crowning feature of this sanctuary consists of three groups or panels which repeat the scheme of cattle-horse complemented by secondary animals or without them. There are three other panels in which only horses appear, several of them on the same stalagmite columns, others on the walls. In this nucleus a hand in positive depiction is emphasised, not mutilated, but with

1341:

group are the hands which are painted in different ways in la Pasiega: one of these is schematic, which is called a maniform, related, as said above, to those of Santian. There is also a red hand in positive (with six fingers and in relation to a rectangular grill sign). Finally there is another positive hand, but in black, with continuing lines which may be meant to represent an arm. After this come the presumed complete human representations or anthropomorphs.

446:

the Upper Solutrean. The most recent layer was also relatively rich, with various burins (borers), striker pins, and perforated objects of bone and that could belong to the Lower Magdalenian. Certainly, compared with the stratigraphical significance of El Castillo, La Pasiega is an archeological sequence of less organization, so far as the materials yet found are concerned. However they should certainly not be less valued for this.

1325:

symbols. Jordá sees in it a typical sign in the form of a 'sack' related to the sealed enclosures mentioned before, and to serpentine forms which appear at the end of its Middle Cycle. Casado López finds parallels at Marsoulas and Font de Gaume. Amelkin proposes a way to read the inscription using the symbols of the Australian Aborigines as well as the Proto-Afroasiatic pictograms.

1409:

establishing three chronological phases which span practically the whole development of palaeolithic art: two Aurignacian phases, a Solutrean and a peak of two-color work (very rare in such paintings), which could be Magdalenian Later Henri Breuil, one of the authors of the monograph, increased the decorative phases to eleven, within the same chronological framework.

471:, forming a duality), which occupy the most conspicuous or preferred areas, complemented by secondary animals (deer, goat, etc.) and other more occasional species which however fulfil their subsidiary function: on the other hand it is usual that the idiomorphic symbols appear in peripheral or marginal areas, or in those which are difficult to reach: 1288:

with others in the cave of Aguas de Novales and of Marsoulas. In Gallery A there is a rectangular sign comparable to one which is found in one of the recesses at Lascaux. Lastly there is a sign formed by a pentagon and a hexagon side by side which, in the opinion of the specialist Pilar Casado, should be classified as a variant of the oval signs.

636:

the left wall, together with more deer, the other five horses which apparently stand in binary relation to the cattle painted before the bend, which have been mentioned in the earlier description. At the end of the gallery, which is starting to turn into a narrow defile, there are rectangular signs on either side.

363:

for inspection. The principal gallery is approximately 70 meters and opens to deeper secondary galleries, winding and labyrinthine, which in places broaden out to form large chambers. Thus one refers to "room II-VIII", the room called "Gallery B", or "room 11" of "Gallery C", all with paleolithic decorations.

1292:

development through all of them; according to Leroi-Gourhan they belong to Style III and they have parallels in many caves of Spain and France, the nearest being the cave of El Castillo. At La Pasiega they are found in the end area and the narrow defile of Gallery A, and in the first large group of Room XI.

789:

made into an opening, but it is not known whether, in the epoch in which this area was decorated, any of these were usable, which would be a help in understanding the point of view which the prehistoric artists would have taken in conceptualizing the zonal arrangement and levels of the room's decoration.

1751:

Ed. Errance, Paris. The opposite seems to happen in the cave of Las Chimeneas, near La Pasiega, which was grouped with it for stylistic reasons('The animals which accompany them are perfectly of Style III', Leroi Gourhan, French version of 1965, p. 269), but, since then, radiocarbon datings have made

1344:

The anthropomorphs can be counted as three (four if we count the lines which seem to complete the black hand already mentioned), and all of them are very debatable. The most doubtful of all is in Gallery A, which could be a female representation associated with fragmentary animals which are difficult

1226:

Finally there is a series of signs involving rods which appear in the entries to Galleries B and C. Breuil interpreted this type of sign in relation to the topographical changes within the sanctuary, which is possible: they could be marks which the initiates followed, or which warned them of possible

1108:

Dotted signs: These are the simplest symbols in the cave. Generally they appear in two forms, one of which has many dots, usually not associated with animals, but with other idiomorphs to which they are complementary. They are commonest in Galleries B and C, in the latter the groups of many dots seem

984:

Clearly the dominant technique is red outline drawing, but in one of the panels is also found, for some deer, striated engraving of very fine execution: also, there are various figures in black. In addition, there is two-color work on one of the cattle, in which red block painting and black lines are

788:

Entering through Gallery A, after 60 or 70 meters, through a tunnel on the right, the first big room of Gallery B is met with. Fairly far away from the entrance which is used nowadays there are various old exits to the exterior which have become blocked with the passage of time. One of them has been

674:

and a bovid, all complemented by seven quadrangular signs, one of them shaped like the segment of an orange. The arrangement seems clear in principle: the pictures of the two walls form two confrontations, on one side the bovid with some deer and idiomorphic signs; this confronts the horses which, in

480:

is so complex that we ought not suppose an explanation purely based in the symbolism of fertility; the first element is the presence of two species A-B (horse-bison); confronted with two types of signs, masculine and feminine, an attempt to attribute to the horse and bison the same symbolic value or,

1515:

This evaluation carries the caveat that it depends on the archaic system of excavation which existed in Spain in the 1950s and before. In fact it is a notorious and proven fact that in the spoil-heaps of those old works carried out at Monte Castillo, one can find discarded specimens which are really

1320:

La Trampa: Mentioning this strange pictorial group in his description of Gallery C, Breuil was the first to appreciate that really it is the result of painting a symbol like a rectangular black tectiform sign, of very evolved type, superimposed upon two older red figures. Leroi-Gourhan accepted that

1287:

Polygonal signs are a varied group, a general category which includes rectangular, pentagonal and hexagonal signs. There is one in every room and, although they are few, one can draw comparisons with examples in other caves. for example there is a grill-shaped sign in Gallery B which can be compared

1092:

Gallery C has, so to say, two independent sanctuaries, both with striated engraving, but while the first present images which are mainly red, in the second they are mainly black; here the goats attain an importance not seen in the rest of the cave, and the idiomorphs are fairly unusual, particularly

1050:

Here the arrangement is also complex. All the idiomorphs are in the area nearest to the cave mouth, and the overlays show repaintings, maybe in distinct periods. There are three possible sub-groups of horses without cattle (only two of the compositions are the typical A-B which have been observed up

942:

of Room XI is the one found mainly around the presumed original entrance, now blocked. It contains mainly hinds, some stags, various cattle and a pair of horses, and also there is a goat. There are other symbols difficult to identify, some seeming to be animals, others anthropomorphs, and there is a

635:

The cattle are concentrated on the right side, together with three of the horses, forming the nucleus of the binary dialectic arrangement of this second group, and moreover, there is also included with them the anthropomorph, all surrounded by the typical peripheral animals (deer) and idiomorphs. On

440:

The cave, because it had remains of the primary Cantabrian Solutrean and Magdalenian epochs, provided the basis for a chronological series for the 'wall' paintings. The excavations were old, most recently conducted by Dr. Jesus Carballo in 1951. There was a base level with ambiguous artefacts which,

1725:

Above this lack of information, the contents are limited to the present condition of the cave. A second problem concerns the available material which has not been described in Gallery A, being in that case the figures shown in the monograph (Breuil, Obermaier y Alcalde Del Río, op. cit, 1913) shown

1408:

The cave of La Pasiega offers many examples of overpaintings and repaintings, which allow attempts of a relative chronology: on the other hand, the great variety of techniques and colors employed make one think of a fairly extensive chronological sequence. The authors of the 1913 monograph ended by

1163:

In the second type, the dots can appear much more loosely grouped. Then it is certainly possible to associate them with animals without too much uncertainty. The small groups of dots always appear once or twice in each room combined with cattle. But there are two very distinct cases in Gallery A in

992:

is around the access area to Zone D, that is, on the opposite side of the room. The species represented show predominantly horses, followed by cattle, and fewer but certainly present are deer and ibex (for which the symbols are complementary to the foregoing group). The symbols are of indeterminate

792:

The pictorial density of this room is less than in Gallery A, with which it is partly to be associated. Among its depictions there is a roughly equal number of deer and horses, with a lesser number of cattle, following the customary pattern of this cave. But it is outstanding for the originality of

551:

Then at a bit more than 75 meters it seems that the sanctuary (properly so-called) begins, with more than 50 deer (the majority female), the horses about half that number, and the cattle (aurochs and bison) fewer, strategically placed dominating the most visible places. In this sanctuary there have

1424:

method. The engravings of this period would be, according to Jordá, rare and crude. A little later come the incomplete red horses, but in a lively and realistic style, some of the idiomorphs and the so-called inscription. During the second part of his Middle Cycle, he says, of the Cantabrian Lower

839:

by Leroi-Gourhan (that is to say, masculine), which appear on both sides of the gallery. Following the constructed entrance, on the right appears a fish, followed by a large male deer (stag) together with a little hind (both in black). Immediately before reaching the centre of the large room there

618:

After this one finds a series of groupings of less organization, more or less connected with these, on the left wall of the gallery: in them appear every kind of figure that, certainly, complement the following group. They are clearly dominated by deer in association with some idiomorphs and a few

567:

is on the left hand wall of the gallery, including figures arranged as a double frieze with numerous deer, mostly female, and also plenty of horses and a bison which is at the centre of the composition. Between them are symbols which stress the association of the vulva and the rod, the male-female

445:

phase. Above that there rested a comparatively rich Solutrean level with very characteristic implements such as 'feuilles de laurier' (leaf-points) and notched points with the finest working produced by light pressure-flaking, like light javelin points. This level could be attributed accurately to

362:

and from an artistic point of view. La Pasiega is basically an enormous gallery, its known extent more than 120 meters, that runs more or less parallel to the slope of the mount, opening to the surface at six different places: six small mouths, the majority obstructed, of which two can be accessed

834:

So far as it has been possible to observe, the arrangement of all these figures amounts to a careful scheme of introduction to the main panels of Gallery A, supposing that this might have been the main entrance. At the entry (from Gallery A) is a little engraved hind, and later, signs of the kind

411:

in París sponsored, in which Abbé Breuil and H. Obermaier were prominent. That is the period in which the cave of La Pasiega was discovered. This is the most important moment in the study of Cantabrian rock art. The fruits of this labour were to feature in the monumental joint publications on the

1433:

red paintings treated with modelled chiaroscuro, sometimes associated with graved or black lines which complete them: These are the ones which express dynamism most of all (twisting of the neck, movement of the legs, etc.). For some authors, these figures are the most evolved. The bi-chromes are

1340:

Human representations: This includes human images, more or less realistic, whether of a part or of the whole human anatomy. The foremost of the partial representations is the vulva: there can be identified three of oval, another rectangular and one triangular, very near 'La Trampa'. Also in this

1067:

This is an intermediate part of the cave, which is probably an extension of the sanctuary of Gallery C, like a 'grey area', with much fewer and more sporadic images among which there is little coherency, apart from a pair of small groups which continue to repeat the theme of the cattle and horse

626:

begins around a bend to the left, in the end area of the gallery, where it becomes narrow: it brings together figures on one side and the other. This time the horses and the deer are almost equal in number, as usual at La Pasiega, and fewer but not less important are the cattle, two of which are

547:

and by collapses from outside. The gallery runs to a depth of 95 meters (from the present entrance), but it gets narrower and it is not possible to know whether it continues beyond. Entering into the cave, one passes a blocked entrance on the right, and between 60 and 70 meters depth appears the

462:

prehistorian precisely when he visited the Cantabrian caves, while he was participating in a group of foreign investigators who were excavating in the cave of El Pendo during the 1950s. "I can definitely confirm that the study of the rock art of northern Spain was decisive in the master's ideas,

2089:

Jordá Cerdá, Francisco, 'Los estilos en el arte parietal magdaleniense cantábrico,' in Curso de Arte rupestre paleolítico, (Publicaciones de la UIMP, Santander-Zaragoza, 1978), p.73; Casado López, Pilar (1977), Los signos en el arte paleolítico de la península Ibérica, Monografías Arqueológicas

1324:

The 'Inscription' of Gallery B is even more complex and unique than these signs; such that Breuil interpreted it as an authentic inscription which contained a coded message for initiates. Leroi-Gourhan goes to some lengths to explain that, being deconstructed, the figure is composed of feminine

1231:

Claviform signs: The signs called 'claviform' (key-shaped) are fairly abundant, specially in gallery B and in Room XI, but are doubtful if not indeed non-existent in Gallery A. Those of Room XI are the most characteristic and may be associated with horses. One of these can be considered as what

1291:

Tectiform signs: These are without any question the most abundant signs of this cave. They have a more or less rectangular shape, with and without additions, with and without internal divisions. Despite their frequency, these signs are absent from Gallery B. Breuil established a chronology and

930:

Access to Gallery C is found, after entering the cave, by a way through to the left crossing Gallery D. Along there opens "Room XI" of Gallery C. This, in the same way as Gallery B, has direct communication with the outside, despite the fact that it is obstructed by rubble and rocks which have

568:

distinction. The group brings out the theme of Bison-Horse which can also be interpreted as the same type of dualism. The group is completed by another little group of horses, the remaining animals being in the centre and the upper part of the frieze, where there are only hinds and idiomorphs.

934:

Leroi-Gourhan differentiates two clear parts to this sanctuary, located in separate places within the same room, and with different themes, technique and chronology. In addition there are two ibexes in the original monograph indicated at number 67, produced in partial block color by a kind of

419:

In 1903 Alcalde del Río had discovered the cave El Castillo, and, as noted, Obermaier carried out excavations between 1910 and 1914. The excavations were continued at various times, intermittently, until our own times, by qualified specialists. Ultimately the investigation was taken up by the

1419:

Jordá took on the task of revising the chronology of La Pasiega. His last publications place the decoration of this cave in his "Middle Cycle: Solutrean-Magdalenian", accepting integrally the eleven phases of Breuil, but without allowing (or at least seriously doubting) that any part of the

1453:

González Echegaray and González Sáinz seem to have shared the general idea proposed by Leroi-Gourhan, which accepts that the works of La Pasiega belong to Styles III and IV. In fact, pretty much all of Gallery A and the first assemblage of Gallery C (room XI) belongs to Style III, in which

378:. Throughout the cave are many 'walls' with paintings and with engraved or incised images. There are representations of equines (horses), cervids (deer, male and female) and bovines (cattle). There are also many abstract symbols (idiomorphs), suggesting patterns of repeated characters. 1525:

Leroi-Gourhan, 'Consideraciones sobre la organización espacial de las figuras animales en el arte parietal paleolítico', in Símbolos, Artes y Creencias de la Prehistoria (Editorial Istmo, Madrid 1984), p.: 453) identifies the figures of animals and signs with the following notation:

747:- the plane or block color – either combined with black lines forming an outline in a sort of two-color method (as occurs on one of the horses), or emphasized with engraved lines which define details (this can be seen on various hinds), or enclosed, with scraffito in the rock to add 993:

number, and are of distinct kind, including key-shaped and feather-shaped ones, and also barred and dotted ones. The reduction in number of the deer does not happen in any other parts of the cave, where they are in the majority, whereas the proportion of horses is increased.

912:), with some internal modeling achieved by scraffito to the underlying rock and by the addition of lines of the same color but in more intense shades. The most important difference is the copious use of engraving, both simple and striated, applied specially to the horses. 559:

The paintings can be put together in various groups, paying attention, above all, to dating criteria, but also technical and thematic sequence which unfolds like clockwork. These groups seem schematized with the semiotic zoological conventions unravelled by Leroi-Gourhan.

631:"The symbols, in general, occupy a separate space from the animals, either in the borders of the panels, or running into a niche or hollow, or a cranny more or less nearby. Even so, there are reasons to think that the signs are placed in relation to the same animals." 402:

began their systematic study of the cave. However, the study could not be finished due to Henri Breuil's ongoing work on his magnum opus. A separate monograph was necessary, and was published in 1913. The study was crucial to advance prehistoric science in Spain.

1081:

method is very important, combined with other techniques of painting basically in red; the ibex is very scarce, but the deer are almost double in number to the horses and five times more frequent than the cattle. There are many rectangular tectiform idiomorphs.

1058:

are fewer. However, there is an example of the two-color work, in one representation, although it is not very prominent. As we have seen, the technique is also distinct from that of the earlier group and confirms the separation of the two areas within the room.

357:

valley, around the cave of Hornos de la Pena and Monte Castillo, in the same group of caves as Las Monedas, Las Chimeneas, and the cave of El Castillo. The caves of Monte Castillo form an amazingly complete series, both as regards the material culture of the

1227:

dangers such as clefts. Certainly the difficult areas of the cave when visited can be negotiated more easily thereby. For Leroi-Gourhan, they are male symbols in binary relation to the cave itself, which represents the female principle (discussed below).

458:, La Pasiega can be taken as a good example of the "Cave as Sanctuary", or to be more precise as a collection of sanctuaries of different epochs, arranged according to certain models. In fact this idea developed in the thoughts of the distinguished 485:

It is supposed that there are exceptions to this rule, many variants which depend on regions and epochs, the significance of which is not entirely clear in its general outline, but which should be explained in a particular way, also at La Pasiega.

2198:

Pike, A. W. G.; Hoffmann, D. L.; Garcia-Diez, M.; Pettitt, P. B.; Alcolea, J.; De Balbin, R.; Gonzalez-Sainz, C.; de las Heras, C.; Lasheras, J. A.; Montes, R.; Zilhao, J. (14 June 2012). "U-Series Dating of Paleolithic Art in 11 Caves in Spain".

1076:

Taken together, one can see clear differences between the various 'sanctuaries'. That of Gallery A, which is the most substantial, has no engraved work apart from a few images in which it is combined with block color painting; on the other hand,

499:

Joaquín González Echegaray and later his fellow-workers have made various counts of the species of animal represented, one of which reckoned more than 700 painted forms in this cave, among others: 97 deer (69 females and 28 males), 80 horses, 32

1089:, while engraving (simple or striated) gains importance. The deer here are fewer, except in the room which was found in the 1960s; and the idiomorphs are completely different, with the so-called 'inscription' outstanding for its uniqueness. 524:

and about 40 quadrupeds not clearly identified; also the idiomorphs, such as roof-shaped and other surprisingly varied symbols (more than 130), and very often including various anthropomorphs and hundreds of marks and partly erased traces.

1792:

D. L. Hoffmann; C. D. Standish; M. García-Diez; P. B. Pettitt; J. A. Milton; J. Zilhão; J. J. Alcolea-González; P. Cantalejo-Duarte; H. Collado; R. de Balbín; M. Lorblanchet; J. Ramos-Muñoz; G.-Ch. Weniger; A. W. G. Pike (2018).

463:

which since then have become famous through his many publications." For Leroi-Gourhan, this type of cave has a rather complex spatial or topographical hierarchy in which it is possible to discern principal groups of animals (

2026:

vol. Santander, Nº pp. 281-308. This article is translated (into Spanish) as a chapter in: Leroi-Gourhan, André: 'Consideraciones sobre la organización espacial de las figuras animales en el arte parietal paleolítico', in

1425:

Magdalenian, the archaizing engraved contours continue, but there also appears the multiple and striated line drawing in the horses of Galleries B and C, and in the hinds of Gallery C. The painted figures can be red, with

2298: 1495:

who was patron of the investigations, ever since he had visited the site in 1909. He was a great lover of archaeology, supported this excavation and others greatly, and one of the fossil humans is named in his honour

985:

combined, this time a repainting of different date. The presumed anthropomorph seems to contain up to three colors, not a very usual thing in palaeolithic art (red, black and yellow). There are some yellow figures.

475:

Animals and symbols correspond, therefore, to the same basic formulae, logically binary and even defended by the fact that animals of the same species appear frequently in pairs, male and female, though the

615:(selective infilling) is used (for the heads of certain hinds). The dominant color, without any doubt, is red, but in a small way yellow and purplish red also appear. Engraving was not used in this group. 931:

certainly been introduced. Once again, the perception of the arrangement of the pictures is changed for the observer by the problem of the blocked entrances, as we have noticed in the second Sanctuary.

907:

The techniques employed by the painters recall, partly, those of Gallery A (which is why they have come to be considered as related rooms): red painting, between modeled and outline, red block coloring

1743:(25000 years B.P.), see Clottes, J. (1995): 'Les peintures de la Grotte Chauvet Pont d´Arc, á Vallon Pont d´Arc (Ardèche, France): datations directes et indirectes par la methode du radiocarbone', in 2291: 1420:

decoration could really be Aurignacian. In the Solutrean phase of the Middle Cycle he includes the figures painted in red, and those with fine lines or outlines; also some of the figures in the

394:

in 1911, they received news that the workers knew of another cavity nearby, which villagers called "La Pasiega." The investigators soon confirmed that the cave contained rock paintings. Later,

408: 1232:

Leroi-Gourhan calls a 'coupled sign', made by uniting in the same idiomorph a line or bar (masculine) with a key-shape (feminine). The typology and chronology of these signs is very ample.

412:

caves of the region, issued in Monaco, in the general work (Alcalde del Río, Breuil and Sierra, 1911), and specifically on La Pasiega (Breuil, Obermaier and Alcalde del Río, 1913)" —

8526: 2284: 1168:

Linear signs: These are more varied and complex both in their morphology and in their associations (there are examples shaped like arrows, branches, feathers, simple lines called rods (

1164:

which horses have an aureole of dots, and these are confronted one to the other as at the entrance to the room mentioned. The dotted forms are most common during the Solutrean period.

413: 1911:

Gonzalez Echegaray 1994, 'Consideraciones preliminares sobre el arte rupestre cantábrico', in Complutum, Vol. 5, New Series of publications of the Complutense University of Madrid.

627:

bison. Also there is a possible feminine anthropomorph and about thirty rectangular tectiform symbols, positioned in the way that seems to be usual in this type of cave sanctuary:

793:

some of its other figures, including a fish, a large ibex and idiomorphs like rods, key-shapes and an unprecedented little group of symbols popularly known as "The Inscription".

4707: 421: 374:

ages, although older objects are also found. In 2018 uranium-thorium dating revealed a scalariform (ladder shaped) symbol to be older than 64,000 years and therefore made by

751:

textures, as happens with a hind painted in red. Three of the horses and the head of another are black, the square sign is yellow, and the remainder of the figures are red.

399: 5617: 2307: 425: 343: 223: 8127: 1716:

The article refers to these groups of different method in order to give weight of attention, by their physical nearness, to their different techniques of execution.

543:

To get into Gallery A it is necessary to descend by a little well, but originally one could go in by another entrance which, however, is now thoroughly blocked by

1449: 7728: 5853: 961: 8222: 8272: 3875: 949: 8117: 973: 8122: 2514: 8252: 8147: 7632: 4272: 4013: 3609: 8282: 8167: 8112: 999: 1109:

related to deer, but the symbols are painted and the animals engraved, from which it is possible to deduce that they are of different periods.

1037: 1025: 8521: 7642: 7627: 1140: 7647: 4228: 3737: 2022:

Leroi-Gourhan, André (1972): 'Considerations sur l'organisation spatiales des figures animales, dans l'art parietal paléolithique,' in las

1011: 611:

The techniques of execution include outlines for hinds and bison, linear drawing (between outline and modelling) and, only in two places,

7637: 5698: 4381: 1152: 4060: 3511: 126: 5031: 850: 8491: 1920:

Leroi-Gourhan, André, 'Consideraciones sobre la organización espacial de las figuras animales en el arte parietal paleolítico', in

8257: 7201: 5421: 8506: 1447: 243: 1973:

González Echegaray, Joaquín and González Sainz, César (1994), 'Conjuntos rupestres paleolíticos de la Cornisa Cantábrica', in

892: 8511: 8056: 7876: 7866: 7841: 7591: 7565: 2181:

González Echegaray, Joaquín y González Sainz, César (1994), 'Conjuntos rupestres paleolíticos de la Cornisa Cantábrica,' in

1986:

Leroi-Gourhan, 'Consideraciones sobre la organización espacial de las figuras animales en el arte parietal paleolítico', in

5833: 4412: 2507: 591: 7508: 878: 8006: 4402: 619:

cattle (possibly aurochs), which seem to stand in relation to the horses in the group which next appears round a corner.

7586: 7417: 7413: 766:, no engraving and no two-color work: on the contrary, it is predominantly (more or less modeled) outline work in red. 2268: 2260: 1380: 4873: 4502: 3638: 2544: 2143: 2036: 1995: 1949: 1929: 1780: 1051:

to this point). However, there are plenty of isolated figures, above all round the entrance to the room from Zone D.

8217: 6423: 3845: 3732: 1054:

The dominant techniques are engraving of multiple lines, as if striated, and black painting: the yellows, reds and

864: 6413: 4374: 4257: 3648: 2686: 2500: 844:: a grill-shaped symbol, some unidentified animal engraved in striated lines and the only male ibex of the room. 1898:

Cabrera, V., Bernaldo de Quirós F. et al. (2004), 'Excavaciones en El Castillo: Veinte años de reflexiones', in

8036: 8016: 6494: 5741: 2255: 2276: 1446: 1443: 811: 8011: 3870: 3400: 2660: 2728: 1215: 1128: 1116: 8089: 6619: 5916: 4359: 3865: 3405: 2878: 1467: 1445: 1368: 1251: 6484: 2554: 1239: 1203: 1191: 8516: 7276: 6865: 6736: 4736: 4427: 2831: 1977:, vol. 5, Nº Servicio de publicaciones de la Universidad Complutense de Madrid, pp 21-43. ISSN 1131-6993. 1877:

González Echegaray, Joaquín (1994): 'Consideraciones preliminares sobre el arte rupestre cantábrico', in

1739:

Chauvet and Niaux also were included within Style III, but the absolute chronology relocates them in the

1275: 1263: 50: 5761: 4903: 1902:

vol. Actas de la Reunión Científica, Nº 20-22 (October) (Museo de Altamira, Ministerio de Cultura 2004).

1444: 255: 8388: 8182: 7956: 7916: 5858: 5145: 4367: 4133: 3934: 1392: 935:

modeling and black in color, a method which is not found in any of the remaining figures of the room.

823: 799: 7886: 6994: 6019: 4655: 3939: 3754: 1104:

The idiomorphs – and possible anthropomorphs – of La Pasiega are listed and classified as:

647:

The bison–horse confrontation (complemented by a tectiform sign, from the 'Second Group' of Gallery A

556:, linear and dotted symbols, a square and a great quantity of tectiforms, about as many as the deer. 5529: 1096:

Although both Gallery A and Gallery C have dual-color work, the methods are different in each case.

711: 575: 8496: 8380: 7856: 7851: 7503: 7098: 6331: 5298: 4598: 4128: 3220: 2765: 726: 653: 211: 3292: 3287: 685:

is sited on a stalagmite formation which hangs from the vault (such as has the speleological name

8501: 8227: 7976: 7041: 6244: 5648: 5081: 4915: 4752: 4407: 4245: 4155: 3327: 3094: 2913: 2846: 2578: 2483: 161: 8187: 78: 8315: 8310: 8046: 7931: 7266: 6904: 6752: 6234: 5803: 5282: 5217: 4955: 4818: 4718: 4333: 4207: 3813: 3704: 3692: 3388: 3129: 2968: 2605: 2539: 2523: 1882: 1356: 481:

at least, a bivalency of the same kind as that of the symbols of the two categories (S1 and S2)

407:"In the next decade, Alcalde del Río was to assist fully in the international project that the 6285: 675:

this way, align themselves with the bison, and the rest of the deer, the signs, and the goat.

670:

Nearby, in a little recess there is a third group of lesser extent. In this are five deer, an

643: 455: 7901: 7871: 7467: 7327: 7191: 6757: 5971: 5640: 5431: 5416: 5109: 4072: 4008: 3882: 3575: 3501: 3275: 3270: 3208: 3147: 3084: 3032: 3025: 2571: 2429: 2185:

vol. 5, Nº Servicio de publicaciones de la Universidad Complutense de Madrid. ISSN 1131-6993.

2050:

Leroi-Gourhan, André (1958), 'La fonction des signes dans les sanctuaires paléolitiques,' in

1472: 1179: 7738: 5704: 4970: 4520: 3457: 8137: 7794: 7493: 7477: 7353: 6762: 6453: 6053: 5996: 5981: 5843: 5751: 5488: 5426: 4791: 4729: 4338: 4289: 4284: 4267: 4262: 4240: 4030: 3744: 3597: 3489: 3393: 3186: 2871: 2670: 2613: 2250: 2208: 1806: 5462: 2841: 2099:

Alexander A. Amelkin, Dr (2019): The Inscription of La Pasiega. - “Hieroglyph”, 08.01.2019

920: 696: 533: 8: 8026: 7971: 7369: 7332: 7281: 7156: 6131: 5838: 5756: 5721: 5716: 5691: 5653: 5242: 5015: 4803: 4650: 4328: 3993: 3798: 3631: 3164: 3037: 2918: 2893: 2391: 2316: 1492: 774: 391: 339: 173: 7498: 6800: 5781: 5041: 4975: 2212: 1810: 678:

All this large complex of paintings is predominantly in modeled outline drawing in red.

8436: 8247: 7991: 7981: 7966: 7435: 6816: 6661: 6603: 6504: 6489: 5951: 5941: 5786: 5676: 5627: 5586: 5483: 5247: 5232: 5051: 4858: 4843: 4279: 4182: 4084: 3897: 3079: 2809: 2775: 2347: 2232: 2168:

Jordá Cerdá, Francisco, 'Los estilos en el arte parietal magdaleniense cantábrico', en

2006:

Jordá Cerdá, Francisco, 'Los estilos en el arte parietal magdaleniense cantábrico,' in

1791: 5467: 4660: 1329: 548:

connection to Gallery B, slightly before the most interesting collection of pictures.

8232: 8066: 8051: 7941: 7753: 7743: 7544: 7523: 7513: 7472: 7286: 7206: 7031: 5966: 5946: 5911: 5808: 5503: 5264: 5086: 5071: 4980: 4613: 4321: 4311: 4301: 4250: 3907: 3825: 3119: 3104: 3089: 3069: 2960: 2939: 2750: 2593: 2224: 2139: 2032: 1991: 1945: 1925: 1834: 1776: 33: 5632: 4541: 2375: 1960:

González Echegaray, Joaquín, 'Cuevas con arte rupestre en la región Cantábrica,' in

8287: 8242: 8142: 8031: 7961: 7936: 7221: 7166: 7114: 6978: 6973: 6957: 6700: 6541: 6326: 5986: 5976: 5874: 5736: 5681: 5622: 5508: 5114: 5056: 4925: 4893: 4868: 4848: 4833: 4618: 4487: 4316: 4223: 3966: 3749: 3549: 3469: 3425: 3225: 3047: 2898: 2858: 2461: 2331: 2236: 2216: 2155:

González Echegaray, Joaquín, 'Cuevas con arte rupestre en la región Cantábric', in

1824: 1814: 1651: 1296: 5848: 5570: 5539: 5380: 4593: 3808: 3764: 8420: 8305: 8207: 8162: 8107: 7836: 7789: 7774: 7451: 7311: 7291: 7271: 7176: 7056: 7036: 6883: 6776: 6635: 6469: 6367: 6321: 6259: 6218: 5936: 5791: 5746: 5709: 5513: 5498: 5436: 5401: 5340: 5150: 5135: 4898: 4823: 4796: 4747: 4562: 4557: 4197: 4167: 3929: 3857: 3835: 3793: 3688: 3658: 3523: 3518: 3169: 3052: 2623: 1311: 328: 5771: 5076: 4838: 4670: 4445: 2197: 8331: 8262: 8152: 7896: 7891: 7733: 7718: 7697: 7596: 7539: 7306: 7296: 7251: 7161: 7093: 6952: 6837: 6474: 6295: 6202: 6171: 6161: 5991: 5961: 5931: 5828: 5766: 5618:

Cave of Altamira and Paleolithic Cave Art of Northern Spain World Heritage Site

5452: 5180: 5170: 5155: 5061: 5036: 4990: 4942: 4863: 4762: 4465: 4306: 4233: 4055: 4020: 3951: 3840: 3712: 3420: 3005: 2995: 2816: 2797: 2306: 1795:"U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art" 1590: 743:

The predominant technique, for its warmth and for its frequency of use, is the

489: 387: 6089: 5813: 5796: 5776: 5686: 5560: 2445: 8485: 8465: 8460: 8341: 8202: 8197: 8192: 7996: 7951: 7946: 7926: 7826: 7723: 7622: 7518: 7256: 7181: 7046: 7015: 6721: 6577: 6557: 6499: 6372: 6249: 6151: 5818: 5493: 5457: 5406: 5385: 5254: 5237: 5222: 5119: 4883: 4878: 4757: 4460: 4391: 4192: 4177: 4123: 4101: 3998: 3986: 3902: 3771: 3653: 3614: 3602: 3590: 3302: 3213: 3142: 2883: 2826: 2804: 2713: 2645: 2640: 2618: 2472: 1614: 1413: 459: 359: 353:

is located in the heart of the uniprovincial community, in the middle of the

324: 141: 128: 109: 7748: 5330: 4665: 4389: 2733: 2220: 1819: 1794: 1747:, vol. 320, Nº serie IIª. Paris, pp. 1113-1140: also Lorbanchet, M. (1995), 8370: 8349: 8132: 8061: 8041: 8001: 7681: 7390: 7374: 7241: 7226: 7216: 7051: 6790: 6731: 6690: 6651: 6562: 6520: 6438: 6408: 6393: 6316: 6311: 6280: 6254: 6197: 6156: 6084: 6079: 5956: 5921: 5895: 5196: 5140: 5005: 4965: 4960: 4908: 4828: 4808: 4608: 4450: 4111: 4067: 4048: 4003: 3803: 3727: 3484: 3479: 3435: 3062: 2944: 2908: 2888: 2740: 2718: 2630: 2228: 1838: 1502: 1497: 395: 375: 6842: 5534: 4160: 8365: 8172: 8157: 8021: 7911: 7906: 7861: 7846: 7301: 7261: 7246: 7196: 6936: 6821: 6795: 6705: 6695: 6685: 6669: 6587: 6582: 6536: 6479: 6428: 6418: 6398: 6239: 6176: 6166: 6141: 6115: 6037: 5926: 5879: 5726: 5565: 5348: 5259: 5227: 5201: 5160: 5091: 4985: 4778: 4634: 4577: 4572: 4536: 4492: 4150: 4140: 4096: 4091: 4043: 3981: 3944: 3917: 3818: 3788: 3663: 3585: 3506: 3494: 3255: 3240: 3230: 3201: 3159: 3074: 3042: 2990: 2923: 2760: 2635: 2492: 748: 544: 517: 386:

The scientific discovery of the La Pasiega can be credited to Werner and

371: 8470: 8212: 8177: 7986: 7921: 7831: 7784: 7779: 7769: 7665: 7601: 7560: 7337: 7231: 7010: 6448: 6433: 6403: 6336: 6146: 6136: 6099: 6074: 6069: 5601: 5591: 5175: 5165: 5046: 4920: 4888: 4770: 4603: 4294: 4187: 4145: 3961: 3924: 3887: 3783: 3370: 3282: 3109: 3010: 2983: 2903: 2701: 2655: 2566: 2534: 1829: 1740: 442: 7657: 8404: 7881: 7140: 7135: 7130: 6920: 6572: 6388: 6290: 6192: 5596: 5364: 5101: 5010: 5000: 4853: 4691: 4567: 4455: 4202: 3971: 3956: 3554: 3539: 3464: 3447: 3365: 3250: 3191: 3181: 3176: 3099: 2978: 2866: 2792: 2559: 2549: 1771:

Lamalfa, Carlos and Peñil, Javier, 'Las cuevas de Puente Viesgo', in

367: 354: 332: 233: 113: 7606: 1940:

Leroi-Gourhan, André, 'Los hombres prehistóricos y la Religión', in

8277: 8237: 7810: 7713: 7211: 7171: 7061: 6726: 6443: 6094: 5544: 5411: 5314: 4995: 4515: 4510: 4497: 3976: 3912: 3759: 3717: 3452: 3360: 3235: 3057: 3020: 3000: 1626: 509: 432:

of lesser importance such as "La Flecha", "Castañera", "Lago" etc.

4675: 7581: 7186: 6899: 6567: 6341: 4947: 4786: 4038: 3830: 3776: 3722: 3544: 3350: 3260: 3114: 3015: 2973: 2836: 2755: 2708: 2696: 1602: 1570: 1085:

In Gallery B, which has fewer images, one notices the absence of

925:

Plan and schema of the rock paintings of Gallery C, 3rd Sanctuary

521: 513: 505: 1345:

to identify. Also debatable is another, that is executed in red

7077: 6351: 6346: 5699:

Rock art of the Iberian Mediterranean Basin World Heritage Site

5274: 4106: 3643: 3621: 3474: 3410: 3355: 2745: 2723: 2691: 2665: 1964:(Publicaciones de la UIMP, Santander-Zaragoza, 1978), pp 49-78. 1886: 1546: 336: 1491:

Both publications were issued in Monaco because it was Prince

1442: 538:

Plan and layout of the rock images of Gallery A, 1st Sanctuary

8267: 6264: 5823: 5032:

Caves and Ice Age Art in the Swabian Jura World Heritage Site

4172: 3892: 3626: 3580: 3442: 3297: 3245: 2821: 2787: 1558: 1537: 1055: 553: 320: 2108:

Breuil, H., Obermaier, H., and Alcalde Del Río, H., (1913),

8527:

Cave of Altamira and Paleolithic Cave Art of Northern Spain

8297: 4118: 4079: 3559: 3415: 3345: 3265: 3137: 2650: 2308:

Cave of Altamira and Paleolithic Cave Art of Northern Spain

1680: 1642: 1527: 899: 671: 501: 350: 344:

Cave of Altamira and Paleolithic Cave Art of Northern Spain

224:

Cave of Altamira and Paleolithic Cave Art of Northern Spain

2078:

Los signos en el arte paleolítico de la península Ibérica,

955:

Male ibex painted in black with modeled lines in Gallery C

3430: 3196: 3154: 1454:

predominates the red painting with simple lines or lined

967:

Scheme of the wall depictions in panel 74-75 of Gallery C

2011: 2024:

Actas del Symposium Internacional de Arte Prehistórico,

1749:

Les Grottes ornées de la Prehistoire; nouveaux regards,

1429:, outline or modelled line. But more important are the 441:

by their characteristics, seemed related to a possible

2080:

Monografías Arqueológicas (Saragossa), pp. 90 and 242.

1071: 1005:

Scheme of the wall depictions of panel 86 of Gallery C

979:

Scheme of the wall depictions of panel 79 of Gallery C

2159:(Publicaciones de la UIMP, Santander-Zaragoza, 1978). 1730:

vol. XV, Nº Universidad de Salamanca. ISSN 0514-7336.

1031:

Scheme of wall depictions of panel 81-83 of Gallery C

915: 2416: Monte Castillo - Las Chimeneas (Puente Viesgo) 2046: 2044: 1864:

Breuil, H., Obermaier, H., and Alcalde del Río, H.,

2172:

Publicaciones de la UIMP, Santander-Zaragoza, 1978.

1745:

Comptes-Rendus de la Académie des Sciences de Paris

1146:

Horse head associated with two large groups of dots

2400: Monte Castillo - Las Monedas (Puente Viesgo) 2041: 1851:Breuil, H., Alcalde del Río, H., and Sierra, L., 8483: 2067:(New Edition by Max Fourny, París), pp. 373-374. 1900:Neandertales cantábricos, estado de la cuestión, 1853:Les Cavernes de la Région Cantabrique (Espagne), 1158:Horse head associated with a small group of dots 366:The recorded remains belong mainly to the Upper 2384: Hornos de la Peña (San Felices de Buelna) 2052:Bulletin de la Société Préhistorique Française, 1728:Zephyrus, Revista de Prehistoria y Arqueología, 1099: 596:The bison–horse opposition (with a giant deer), 4375: 2508: 2292: 2029:Símbolos, Artes y Creencias de la Prehistoria 1988:Símbolos, Artes y Creencias de la Prehistoria 1942:Símbolos, Artes y Creencias de la Prehistoria 1922:Símbolos, Artes y Creencias de la Prehistoria 342:since July 2008, as part of the inscription: 1881:, Vol. 5, New Series of publications of the 327:, is one of the most important monuments of 7412: 769: 528: 4390:Prehistoric cave sites, rock shelters and 4382: 4368: 2522: 2515: 2501: 2299: 2285: 2138:Editorial Gustavo Gili, (S.A, Barcelona). 2054:vol. 55, Nº Fascículos 7-8. ISSN 0249-7638 85: 57: 32: 1828: 1818: 1403: 1334:The so-called 'Inscription of La Pasiega' 779:Plan and schema of the rock paintings of 520:, a bird and a fish; also there may be a 7157:Cradle of Humankind, World Heritage Site 2438: Covalanas (Ramales de la Victoria) 2251:Arte Paleolítico --- Cueva de La Pasiega 1328: 1310: 1295: 919: 773: 725: 710: 695: 652: 642: 590: 574: 532: 488: 16:Cave with prehistoric paintings in Spain 1043:Bison in dark coloration from panel 83, 435: 8484: 1752:them much younger, in the Magdalenian. 700:Hinds painted in red in 'tinta plana', 494:General plan of the cave of La Pasiega 8087: 7411: 6863: 6017: 4425: 4363: 3686: 3325: 2591: 2496: 2280: 1516:objects of archaeological importance. 8522:Caves containing pictograms in Spain 3687: 2123:Quatre cents siècles d'Art pariétal, 2065:Quatre cents siècles d'Art pariétal 2013:, Santander-Zaragoza, 1978), p. 98. 2008:Curso de Arte rupestre paleolítico, 1072:Differences between the sanctuaries 13: 2340: La Peña de Candamo (Candamo) 2191: 2170:Curso de Arte rupestre paleolítico 2157:Curso de Arte rupestre paelolítico 1962:Curso de Arte rupestre paelolítico 1017:Overlay of painting and engraving, 916:Gallery C (room XI), 3rd Sanctuary 14: 8538: 5545:Mala Balanica and Velika Balanica 4708:Vézère Valley World Heritage Site 4503:Neolithic flint mines of Spiennes 3639:Megalithic architectural elements 2244: 2031:(Editorial Istmo, Madrid, 1984). 1775:(Editorial Everest, León, 1991). 1701:: Figure or mark (not identified) 449: 409:Institut de paléontologie humaine 3326: 2471: 2136:Prehistoria del arte occidental, 1990:(Editorial Istmo, Madrid 1984). 1944:(Editorial Istmo, Madrid 1984). 1924:(Editorial Istmo, Madrid 1984). 1391: 1379: 1367: 1355: 1274: 1262: 1250: 1238: 1214: 1202: 1190: 1178: 1151: 1139: 1127: 1115: 1036: 1024: 1010: 998: 972: 960: 948: 891: 877: 863: 849: 822: 810: 798: 84: 77: 56: 49: 8492:1911 archaeological discoveries 4258:Evolutionary origin of religion 2362: Llonín (Peñamellera Alta) 2175: 2162: 2149: 2128: 2115: 2102: 2093: 2083: 2070: 2057: 2016: 2000: 1980: 1967: 1954: 1934: 1914: 1733: 1719: 1710: 1519: 1438:Periodicity of Palaeolithic Art 552:been found an anthropomorph, a 1905: 1892: 1871: 1858: 1845: 1785: 1765: 1509: 1500:", one of many names given to 1485: 1: 8507:Archaeological sites in Spain 3871:Art of the Middle Paleolithic 3401:British megalith architecture 1759: 1683:or sign in the form of a hand 1412:In 1968 came the analysis of 1386:Hand impression and idiomorph 504:, 31 cattle (17 bison and 14 8512:Art of the Upper Paleolithic 3866:Art of the Upper Paleolithic 3406:Nordic megalith architecture 2392:Monte Castillo - El Castillo 2368: El Pindal (Ribadedeva) 2256:Las cuevas de Monte Castillo 2076:Casado López, Pilar (1977), 1855:Ed. A. Chêne. (Monaco 1911). 1468:Art of the Upper Paleolithic 1301:Tectiform signs in Gallery A 1100:The idiomorphs of La Pasiega 381: 7: 8088: 5733:Other caves with decoration 4815:Other caves with decoration 4737:Les Eyzies-de-Tayac-Sireuil 4413:Caves containing pictograms 2408:Monte Castillo - La Pasiega 2356: Covaciella (Cabrales) 2110:La Pasiega à Puente viesgo, 1889:, pp 15-19. ISSN 1131-6993. 1868:Ed. A. Chêne (Mónaco, 1913) 1866:La Pasiega à Puente Viesgo, 1461: 184:Monte Castillo - La Pasiega 10: 8543: 6864: 5717:Other World Heritage Sites 4804:Other World Heritage Sites 4426: 4403:Paleoanthropological sites 4014:British Isles and Brittany 3935:Gwion Gwion rock paintings 2317:UNESCO World Heritage Site 2125:Re-ed. Max Fourny (París). 2010:(Publicaciones de la UIMP 902:painted in black, panel 47 512:, a carnivorous animal, a 422:Rodrigo de Balbín Behrmann 414:Joaquín González Echegaray 174:UNESCO World Heritage Site 93:Cave of La Pasiega (Spain) 8453: 8429: 8413: 8397: 8379: 8358: 8340: 8324: 8296: 8100: 8096: 8083: 7819: 7803: 7762: 7706: 7690: 7674: 7656: 7615: 7574: 7553: 7532: 7486: 7460: 7444: 7428: 7424: 7407: 7383: 7362: 7346: 7320: 7149: 7123: 7107: 7086: 7070: 7024: 7003: 6987: 6966: 6945: 6929: 6913: 6892: 6876: 6872: 6859: 6830: 6809: 6783: 6771: 6745: 6714: 6678: 6660: 6644: 6628: 6612: 6596: 6550: 6529: 6513: 6462: 6381: 6360: 6304: 6273: 6227: 6211: 6185: 6124: 6108: 6062: 6046: 6030: 6026: 6013: 5904: 5888: 5867: 5610: 5579: 5553: 5522: 5476: 5445: 5394: 5373: 5357: 5339: 5323: 5307: 5291: 5273: 5210: 5189: 5128: 5100: 5024: 4700: 4684: 4643: 4627: 4586: 4550: 4529: 4474: 4438: 4434: 4421: 4398: 4216: 4029: 3856: 3703: 3699: 3682: 3568: 3532: 3381: 3338: 3334: 3321: 3128: 2959: 2932: 2857: 2783: 2774: 2679: 2604: 2600: 2592: 2587: 2530: 2480: 2469: 2323: 2314: 2134:Leroi-Gourhan, André (), 1062: 306: 302: 294: 286: 278: 270: 262: 256:Spanish Cultural Heritage 253: 249: 239: 229: 219: 204: 196: 188: 180: 171: 167: 157: 120: 105: 43: 31: 24: 8381:Northern Mariana Islands 6018: 2422: El Pendo (Camargo) 2261:Galería de fotos de las 1671:: Sign signifying female 1478: 770:Gallery B, 2nd Sanctuary 529:Gallery A, 1st Sanctuary 454:On the plan proposed by 400:Hermilio Alcalde del Río 335:. It is included in the 244:Europe and North America 25: 4246:Evolutionary musicology 3649:Oldest extant buildings 3576:Archaeological features 3095:Prepared-core technique 2484:Caves of Monte Castillo 2269:Galería de fotos de la 2221:10.1126/science.1219957 1820:10.1126/science.aap7778 884:Horse painted in black, 657:Grouping formula of the 390:. While excavating the 162:Caves of Monte Castillo 6905:Manyana Rock Paintings 4956:La Chapelle-aux-Saints 4208:Unchambered long cairn 4056:Mound Builders culture 3389:Neolithic architecture 2524:Prehistoric technology 2121:Breuil, Henri (1952), 2112:Ed. A. Chêne (Mónaco). 2063:Breuil, Henri (1952), 1883:Complutense University 1695:: Female anthropomorph 1662:: Sign signifying male 1404:Attempts of chronology 1336: 1316: 1303: 1093:those painted in red. 927: 785: 736: 721: 706: 663: 648: 633: 604: 586: 580:Grouping arrangement, 540: 496: 483: 417: 398:, Hugo Obermaier, and 7468:Actun Tunichil Muknal 3883:List of Stone Age art 3085:Microblade technology 3033:Langdale axe industry 2631:Ard / plough 2432:(Ribamontán al Monte) 1580:: Peripheral animals 1473:List of Stone Age art 1332: 1314: 1299: 923: 777: 729: 714: 699: 656: 646: 629: 594: 578: 536: 492: 473: 405: 68:Show map of Cantabria 7042:Ifri N'Amr Ou Moussa 5982:Red Lady of Paviland 4874:Mayrières supérieure 4290:Prehistoric medicine 4285:Prehistoric counting 4268:Prehistoric religion 4263:Paleolithic religion 4241:Behavioral modernity 3598:Causewayed enclosure 3490:Abri de la Madeleine 2614:Neolithic Revolution 2334:(Santillana del Mar) 1689:: Male anthropomorph 856:Deer painted in red, 436:Other archaeologists 426:César González Sainz 142:43.28889°N 3.96556°W 7857:Colorado Millennial 6495:Shiraho Saonetabaru 5299:Bukuroshja e Fjetur 4329:Prehistoric warfare 3075:Magdalenian culture 3038:Levallois technique 2969:Earliest toolmaking 2213:2012Sci...336.1409P 2207:(6087): 1409–1413. 2090:(Saragossa), p.269. 1811:2018Sci...359..912H 1493:Alberto I of Monaco 1221:Feather-shaped sign 1134:Small group of dots 1122:Large group of dots 613:partial tinta plana 456:André Leroi-Gourhan 392:Cave of El Castillo 340:World Heritage List 313:Cueva de La Pasiega 266:Cueva de la Pasiega 138: / 26:Cueva de La Pasiega 21: 8517:Caves of Cantabria 7675:Dominican Republic 7436:Cueva de las Manos 6332:Huto and Kamarband 5742:Barranc del Migdia 5628:Caves in Cantabria 5052:Hohlenstein-Stadel 4859:Grotte de Gabillou 4844:La Chaire a Calvin 4280:Origin of language 4273:Spiritual drug use 4183:Rectangular dolmen 4085:Dartmoor kistvaens 3898:Carved stone balls 3610:Circular enclosure 3569:Other architecture 3512:Alp pile dwellings 3100:Solutrean industry 3011:Gravettian culture 2661:Secondary products 2454: Ekain (Deba) 1374:Hand-shaped symbol 1337: 1317: 1304: 1257:Coupled claviforms 990:Second Large Group 928: 786: 737: 722: 707: 664: 649: 624:Second Large Group 605: 587: 541: 497: 319:, situated in the 317:Cave of La Pasiega 295:Reference no. 230:Reference no. 147:43.28889; -3.96556 38:Cave of La Pasiega 20:Cave of La Pasiega 19: 8479: 8478: 8449: 8448: 8445: 8444: 8079: 8078: 8075: 8074: 7592:Piedras del Tunjo 7524:Toca da Tira Peia 7403: 7402: 7399: 7398: 6855: 6854: 6851: 6850: 6009: 6008: 6005: 6004: 5645:Hornos de la Peña 4357: 4356: 4353: 4352: 4349: 4348: 4302:Prehistoric music 4251:music archaeology 3908:Cup and ring mark 3733:Clothing/textiles 3678: 3677: 3674: 3673: 3317: 3316: 3313: 3312: 3120:Yubetsu technique 3105:Striking platform 3070:Lithic technology 2955: 2954: 2940:Game drive system 2859:Projectile points 2751:Mortar and pestle 2490: 2489: 1805:(6378): 912–915. 1707: 1706: 1245:Claviform symbols 1209:Arrow-shaped sign 1197:Bar and dot signs 940:First Large Group 741: 740: 730:Grouping formula, 715:Grouping formula, 683:Third Large Group 668: 667: 609: 608: 565:First Large Group 310: 309: 96:Show map of Spain 65:Location in Spain 8534: 8398:Papua New Guinea 8098: 8097: 8085: 8084: 8037:Stanfield-Worley 8012:Rockhouse Cliffs 7426: 7425: 7409: 7408: 7277:Howieson's Poort 6974:Enkapune Ya Muto 6874: 6873: 6861: 6860: 6327:Eshkaft-e Siahoo 6028: 6027: 6015: 6014: 5782:Peñas de Cabrera 5082:Kleine Feldhofer 5042:Geissenklösterle 4894:Roc-aux-Sorciers 4436: 4435: 4423: 4422: 4384: 4377: 4370: 4361: 4360: 4317:Divje Babe flute 4224:Archaeoastronomy 3967:Petrosomatoglyph 3701: 3700: 3684: 3683: 3533:Water management 3336: 3335: 3323: 3322: 3226:Denticulate tool 3048:Lithic reduction 2781: 2780: 2602: 2601: 2589: 2588: 2517: 2510: 2503: 2494: 2493: 2475: 2459: 2453: 2443: 2437: 2427: 2421: 2415: 2405: 2399: 2389: 2383: 2373: 2367: 2361: 2355: 2345: 2339: 2329: 2301: 2294: 2287: 2278: 2277: 2240: 2186: 2179: 2173: 2166: 2160: 2153: 2147: 2132: 2126: 2119: 2113: 2106: 2100: 2097: 2091: 2087: 2081: 2074: 2068: 2061: 2055: 2048: 2039: 2020: 2014: 2004: 1998: 1984: 1978: 1971: 1965: 1958: 1952: 1938: 1932: 1918: 1912: 1909: 1903: 1896: 1890: 1875: 1869: 1862: 1856: 1849: 1843: 1842: 1832: 1822: 1789: 1783: 1773:Cuevas de España 1769: 1753: 1737: 1731: 1723: 1717: 1714: 1708: 1528: 1523: 1517: 1513: 1507: 1489: 1395: 1383: 1371: 1359: 1278: 1266: 1254: 1242: 1218: 1206: 1194: 1182: 1155: 1143: 1131: 1119: 1040: 1028: 1014: 1002: 976: 964: 952: 895: 881: 867: 853: 826: 817:Panels 54 and 55 814: 802: 692: 691: 639: 638: 571: 570: 323:municipality of 215: 153: 152: 150: 149: 148: 143: 139: 136: 135: 134: 131: 97: 88: 87: 81: 69: 60: 59: 53: 36: 22: 18: 8542: 8541: 8537: 8536: 8535: 8533: 8532: 8531: 8497:Stone age sites 8482: 8481: 8480: 8475: 8441: 8425: 8409: 8393: 8375: 8354: 8336: 8320: 8292: 8208:Mackintosh 90/1 8128:Beginner's Luck 8092: 8071: 7887:Dutchess Quarry 7827:Arnold Research 7815: 7799: 7758: 7702: 7686: 7670: 7652: 7611: 7570: 7549: 7528: 7482: 7478:Midnight Terror 7456: 7440: 7420: 7395: 7379: 7358: 7342: 7316: 7145: 7119: 7103: 7082: 7066: 7057:Kelif el Boroud 7020: 6999: 6983: 6962: 6941: 6925: 6909: 6888: 6868: 6847: 6826: 6805: 6779: 6767: 6741: 6710: 6674: 6656: 6640: 6624: 6608: 6592: 6546: 6525: 6509: 6458: 6377: 6356: 6300: 6269: 6223: 6207: 6181: 6120: 6104: 6058: 6042: 6022: 6001: 5900: 5884: 5863: 5762:los Murciélagos 5710:Roca dels Moros 5606: 5575: 5549: 5518: 5489:Chertovy Vorota 5472: 5441: 5390: 5369: 5353: 5341:North Macedonia 5335: 5319: 5303: 5287: 5269: 5206: 5185: 5124: 5096: 5020: 4783:Abri du Poisson 4748:Les Combarelles 4696: 4680: 4639: 4623: 4582: 4546: 4525: 4521:Trou de l'Abîme 4470: 4430: 4417: 4394: 4388: 4358: 4345: 4212: 4198:Stone box grave 4168:Megalithic tomb 4073:Cotswold-Severn 4025: 3930:Guardian stones 3858:Prehistoric art 3852: 3695: 3670: 3659:Timber trackway 3564: 3528: 3524:Wattle and daub 3377: 3356:Standing stones 3330: 3309: 3124: 2951: 2928: 2853: 2770: 2680:Food processing 2675: 2624:New World crops 2596: 2583: 2526: 2521: 2491: 2486: 2476: 2467: 2457: 2451: 2441: 2435: 2425: 2419: 2413: 2410:(Puente Viesgo) 2403: 2397: 2394:(Puente Viesgo) 2387: 2381: 2371: 2365: 2359: 2353: 2343: 2337: 2327: 2319: 2310: 2305: 2247: 2194: 2192:Further reading 2189: 2180: 2176: 2167: 2163: 2154: 2150: 2133: 2129: 2120: 2116: 2107: 2103: 2098: 2094: 2088: 2084: 2075: 2071: 2062: 2058: 2049: 2042: 2021: 2017: 2005: 2001: 1985: 1981: 1972: 1968: 1959: 1955: 1939: 1935: 1919: 1915: 1910: 1906: 1897: 1893: 1876: 1872: 1863: 1859: 1850: 1846: 1790: 1786: 1770: 1766: 1762: 1757: 1756: 1738: 1734: 1724: 1720: 1715: 1711: 1669: 1660: 1623: 1611: 1599: 1587: 1567: 1555: 1524: 1520: 1514: 1510: 1490: 1486: 1481: 1464: 1451: 1450: 1448: 1440: 1406: 1399: 1396: 1387: 1384: 1375: 1372: 1363: 1360: 1335: 1302: 1282: 1281:Polygonal signs 1279: 1270: 1269:Triangular sign 1267: 1258: 1255: 1246: 1243: 1222: 1219: 1210: 1207: 1198: 1195: 1186: 1183: 1159: 1156: 1147: 1144: 1135: 1132: 1123: 1120: 1102: 1074: 1065: 1046: 1044: 1041: 1032: 1029: 1020: 1018: 1015: 1006: 1003: 980: 977: 968: 965: 956: 953: 926: 918: 903: 896: 887: 885: 882: 873: 871: 870:Engraved horse, 868: 859: 857: 854: 830: 827: 818: 815: 806: 803: 784: 783:, 2nd Sanctuary 772: 731: 716: 701: 658: 603: 597: 585: 539: 531: 495: 452: 438: 420:archaeologists 384: 329:Paleolithic art 258: 209: 176: 146: 144: 140: 137: 132: 129: 127: 125: 124: 101: 100: 99: 98: 95: 94: 91: 90: 89: 72: 71: 70: 67: 66: 63: 62: 61: 39: 27: 17: 12: 11: 5: 8540: 8530: 8529: 8524: 8519: 8514: 8509: 8504: 8502:Caves of Spain 8499: 8494: 8477: 8476: 8474: 8473: 8468: 8463: 8458: 8454: 8451: 8450: 8447: 8446: 8443: 8442: 8440: 8439: 8433: 8431: 8427: 8426: 8424: 8423: 8417: 8415: 8411: 8410: 8408: 8407: 8401: 8399: 8395: 8394: 8392: 8391: 8385: 8383: 8377: 8376: 8374: 8373: 8368: 8362: 8360: 8356: 8355: 8353: 8352: 8346: 8344: 8338: 8337: 8335: 8334: 8328: 8326: 8322: 8321: 8319: 8318: 8313: 8308: 8302: 8300: 8294: 8293: 8291: 8290: 8285: 8280: 8275: 8270: 8265: 8260: 8255: 8250: 8245: 8240: 8235: 8230: 8225: 8220: 8215: 8210: 8205: 8200: 8195: 8190: 8185: 8180: 8175: 8170: 8165: 8160: 8155: 8150: 8145: 8140: 8135: 8130: 8125: 8123:Beeton Shelter 8120: 8115: 8110: 8104: 8102: 8094: 8093: 8081: 8080: 8077: 8076: 8073: 8072: 8070: 8069: 8064: 8059: 8054: 8049: 8044: 8039: 8034: 8029: 8024: 8019: 8014: 8009: 8004: 7999: 7994: 7989: 7984: 7979: 7974: 7969: 7964: 7959: 7954: 7949: 7944: 7939: 7934: 7929: 7924: 7919: 7914: 7909: 7904: 7899: 7894: 7889: 7884: 7879: 7874: 7869: 7864: 7859: 7854: 7849: 7844: 7839: 7834: 7829: 7823: 7821: 7817: 7816: 7814: 7813: 7807: 7805: 7801: 7800: 7798: 7797: 7795:T'uqu T'uquyuq 7792: 7787: 7782: 7777: 7772: 7766: 7764: 7760: 7759: 7757: 7756: 7751: 7746: 7741: 7736: 7731: 7726: 7721: 7716: 7710: 7708: 7704: 7703: 7701: 7700: 7694: 7692: 7688: 7687: 7685: 7684: 7678: 7676: 7672: 7671: 7669: 7668: 7662: 7660: 7654: 7653: 7651: 7650: 7645: 7640: 7635: 7630: 7625: 7619: 7617: 7613: 7612: 7610: 7609: 7604: 7599: 7594: 7589: 7584: 7578: 7576: 7572: 7571: 7569: 7568: 7563: 7557: 7555: 7551: 7550: 7548: 7547: 7542: 7536: 7534: 7530: 7529: 7527: 7526: 7521: 7516: 7511: 7506: 7501: 7496: 7490: 7488: 7484: 7483: 7481: 7480: 7475: 7470: 7464: 7462: 7458: 7457: 7455: 7454: 7448: 7446: 7442: 7441: 7439: 7438: 7432: 7430: 7422: 7421: 7405: 7404: 7401: 7400: 7397: 7396: 7394: 7393: 7387: 7385: 7381: 7380: 7378: 7377: 7372: 7366: 7364: 7360: 7359: 7357: 7356: 7350: 7348: 7344: 7343: 7341: 7340: 7335: 7330: 7324: 7322: 7318: 7317: 7315: 7314: 7309: 7304: 7299: 7297:Pinnacle Point 7294: 7289: 7284: 7279: 7274: 7269: 7264: 7259: 7254: 7249: 7244: 7239: 7235: 7234: 7229: 7224: 7219: 7214: 7209: 7204: 7199: 7194: 7189: 7184: 7179: 7174: 7169: 7164: 7159: 7153: 7151: 7147: 7146: 7144: 7143: 7138: 7133: 7127: 7125: 7121: 7120: 7118: 7117: 7111: 7109: 7105: 7104: 7102: 7101: 7099:The White Lady 7096: 7090: 7088: 7084: 7083: 7081: 7080: 7074: 7072: 7068: 7067: 7065: 7064: 7059: 7054: 7049: 7044: 7039: 7034: 7028: 7026: 7022: 7021: 7019: 7018: 7013: 7007: 7005: 7001: 7000: 6998: 6997: 6991: 6989: 6985: 6984: 6982: 6981: 6976: 6970: 6968: 6964: 6963: 6961: 6960: 6955: 6949: 6947: 6943: 6942: 6940: 6939: 6933: 6931: 6927: 6926: 6924: 6923: 6917: 6915: 6911: 6910: 6908: 6907: 6902: 6896: 6894: 6890: 6889: 6887: 6886: 6880: 6878: 6870: 6869: 6857: 6856: 6853: 6852: 6849: 6848: 6846: 6845: 6840: 6834: 6832: 6828: 6827: 6825: 6824: 6819: 6813: 6811: 6807: 6806: 6804: 6803: 6798: 6793: 6787: 6785: 6781: 6780: 6775: 6773: 6769: 6768: 6766: 6765: 6760: 6755: 6749: 6747: 6743: 6742: 6740: 6739: 6734: 6729: 6724: 6718: 6716: 6712: 6711: 6709: 6708: 6703: 6698: 6693: 6688: 6682: 6680: 6676: 6675: 6673: 6672: 6666: 6664: 6658: 6657: 6655: 6654: 6648: 6646: 6642: 6641: 6639: 6638: 6632: 6630: 6626: 6625: 6623: 6622: 6620:Khoit Tsenkher 6616: 6614: 6610: 6609: 6607: 6606: 6600: 6598: 6594: 6593: 6591: 6590: 6585: 6580: 6575: 6570: 6565: 6560: 6554: 6552: 6548: 6547: 6545: 6544: 6539: 6533: 6531: 6527: 6526: 6524: 6523: 6517: 6515: 6511: 6510: 6508: 6507: 6502: 6497: 6492: 6487: 6482: 6477: 6472: 6466: 6464: 6460: 6459: 6457: 6456: 6451: 6446: 6441: 6436: 6431: 6426: 6421: 6416: 6411: 6406: 6401: 6396: 6391: 6385: 6383: 6379: 6378: 6376: 6375: 6370: 6364: 6362: 6358: 6357: 6355: 6354: 6349: 6344: 6339: 6334: 6329: 6324: 6319: 6314: 6308: 6306: 6302: 6301: 6299: 6298: 6293: 6288: 6283: 6277: 6275: 6271: 6270: 6268: 6267: 6262: 6257: 6252: 6247: 6242: 6237: 6231: 6229: 6225: 6224: 6222: 6221: 6215: 6213: 6209: 6208: 6206: 6205: 6200: 6195: 6189: 6187: 6183: 6182: 6180: 6179: 6174: 6169: 6164: 6159: 6154: 6149: 6144: 6139: 6134: 6128: 6126: 6122: 6121: 6119: 6118: 6112: 6110: 6106: 6105: 6103: 6102: 6097: 6092: 6087: 6082: 6077: 6072: 6066: 6064: 6060: 6059: 6057: 6056: 6050: 6048: 6044: 6043: 6041: 6040: 6034: 6032: 6024: 6023: 6011: 6010: 6007: 6006: 6003: 6002: 6000: 5999: 5994: 5989: 5984: 5979: 5974: 5969: 5964: 5959: 5954: 5949: 5944: 5939: 5934: 5932:Creswell Crags 5929: 5924: 5919: 5914: 5912:Aveline's Hole 5908: 5906: 5905:United Kingdom 5902: 5901: 5899: 5898: 5892: 5890: 5886: 5885: 5883: 5882: 5877: 5871: 5869: 5865: 5864: 5862: 5861: 5856: 5854:Santa Catalina 5851: 5846: 5841: 5836: 5831: 5826: 5821: 5816: 5811: 5806: 5800: 5799: 5794: 5789: 5784: 5779: 5774: 5769: 5764: 5759: 5754: 5749: 5744: 5739: 5734: 5730: 5729: 5724: 5719: 5713: 5712: 5707: 5702: 5695: 5694: 5689: 5684: 5679: 5674: 5673: 5672: 5669: 5668: 5667: 5662: 5659: 5656: 5649:Monte Castillo 5646: 5643: 5638: 5635: 5625: 5620: 5614: 5612: 5608: 5607: 5605: 5604: 5599: 5594: 5589: 5583: 5581: 5577: 5576: 5574: 5573: 5568: 5563: 5557: 5555: 5551: 5550: 5548: 5547: 5542: 5537: 5532: 5530:Hadži-Prodan's 5526: 5524: 5520: 5519: 5517: 5516: 5511: 5506: 5501: 5496: 5491: 5486: 5480: 5478: 5474: 5473: 5471: 5470: 5465: 5460: 5455: 5449: 5447: 5443: 5442: 5440: 5439: 5434: 5429: 5424: 5419: 5414: 5409: 5404: 5398: 5396: 5392: 5391: 5389: 5388: 5383: 5377: 5375: 5371: 5370: 5368: 5367: 5361: 5359: 5355: 5354: 5352: 5351: 5345: 5343: 5337: 5336: 5334: 5333: 5327: 5325: 5321: 5320: 5318: 5317: 5311: 5309: 5305: 5304: 5302: 5301: 5295: 5293: 5289: 5288: 5286: 5285: 5279: 5277: 5271: 5270: 5268: 5267: 5262: 5257: 5252: 5245: 5240: 5235: 5230: 5225: 5220: 5214: 5212: 5208: 5207: 5205: 5204: 5199: 5193: 5191: 5187: 5186: 5184: 5183: 5178: 5173: 5168: 5163: 5158: 5153: 5148: 5143: 5138: 5132: 5130: 5126: 5125: 5123: 5122: 5117: 5112: 5106: 5104: 5098: 5097: 5095: 5094: 5089: 5084: 5079: 5074: 5069: 5065: 5064: 5059: 5054: 5049: 5044: 5039: 5034: 5028: 5026: 5022: 5021: 5019: 5018: 5013: 5008: 5003: 4998: 4993: 4988: 4983: 4978: 4973: 4968: 4963: 4958: 4953: 4950: 4945: 4940: 4937: 4934: 4931: 4928: 4923: 4918: 4912: 4911: 4906: 4901: 4896: 4891: 4886: 4881: 4876: 4871: 4866: 4861: 4856: 4851: 4846: 4841: 4836: 4831: 4826: 4821: 4816: 4812: 4811: 4806: 4800: 4799: 4794: 4789: 4784: 4781: 4776: 4773: 4768: 4767:Laugerie-Haute 4765: 4763:Laugerie-Basse 4760: 4755: 4750: 4745: 4744:Abri Chadourne 4742: 4739: 4734: 4733: 4732: 4727: 4721: 4716: 4713: 4710: 4704: 4702: 4698: 4697: 4695: 4694: 4688: 4686: 4682: 4681: 4679: 4678: 4673: 4668: 4663: 4658: 4653: 4647: 4645: 4644:Czech Republic 4641: 4640: 4638: 4637: 4631: 4629: 4625: 4624: 4622: 4621: 4616: 4614:Romuald's Cave 4611: 4606: 4601: 4596: 4590: 4588: 4584: 4583: 4581: 4580: 4575: 4570: 4565: 4560: 4554: 4552: 4548: 4547: 4545: 4544: 4539: 4533: 4531: 4527: 4526: 4524: 4523: 4518: 4513: 4508: 4505: 4500: 4495: 4490: 4485: 4482: 4478: 4476: 4472: 4471: 4469: 4468: 4463: 4458: 4453: 4448: 4442: 4440: 4432: 4431: 4419: 4418: 4416: 4415: 4410: 4408:Cave paintings 4405: 4399: 4396: 4395: 4392:cave paintings 4387: 4386: 4379: 4372: 4364: 4355: 4354: 4351: 4350: 4347: 4346: 4344: 4343: 4342: 4341: 4331: 4326: 4325: 4324: 4319: 4314: 4309: 4307:Alligator drum 4299: 4298: 4297: 4287: 4282: 4277: 4276: 4275: 4270: 4265: 4255: 4254: 4253: 4243: 4238: 4237: 4236: 4234:lunar calendar 4231: 4220: 4218: 4217:Other cultural 4214: 4213: 4211: 4210: 4205: 4200: 4195: 4190: 4185: 4180: 4175: 4170: 4165: 4164: 4163: 4158: 4148: 4143: 4138: 4137: 4136: 4131: 4121: 4116: 4115: 4114: 4104: 4099: 4094: 4089: 4088: 4087: 4077: 4076: 4075: 4065: 4064: 4063: 4053: 4052: 4051: 4046: 4035: 4033: 4027: 4026: 4024: 4023: 4021:Venus figurine 4018: 4017: 4016: 4011: 4001: 3996: 3991: 3990: 3989: 3984: 3974: 3969: 3964: 3959: 3954: 3952:Megalithic art 3949: 3948: 3947: 3942: 3932: 3927: 3922: 3921: 3920: 3910: 3905: 3903:Cave paintings 3900: 3895: 3890: 3885: 3880: 3879: 3878: 3868: 3862: 3860: 3854: 3853: 3851: 3850: 3849: 3848: 3843: 3833: 3828: 3823: 3822: 3821: 3816: 3811: 3806: 3801: 3796: 3786: 3781: 3780: 3779: 3769: 3768: 3767: 3762: 3752: 3747: 3742: 3741: 3740: 3730: 3725: 3720: 3715: 3709: 3707: 3705:Material goods 3697: 3696: 3680: 3679: 3676: 3675: 3672: 3671: 3669: 3668: 3667: 3666: 3656: 3651: 3646: 3641: 3636: 3635: 3634: 3624: 3619: 3618: 3617: 3607: 3606: 3605: 3595: 3594: 3593: 3583: 3578: 3572: 3570: 3566: 3565: 3563: 3562: 3557: 3552: 3547: 3542: 3536: 3534: 3530: 3529: 3527: 3526: 3521: 3516: 3515: 3514: 3504: 3499: 3498: 3497: 3492: 3487: 3477: 3472: 3467: 3462: 3461: 3460: 3450: 3445: 3440: 3439: 3438: 3428: 3423: 3421:Cliff dwelling 3418: 3413: 3408: 3403: 3398: 3397: 3396: 3385: 3383: 3379: 3378: 3376: 3375: 3374: 3373: 3368: 3363: 3353: 3348: 3342: 3340: 3332: 3331: 3319: 3318: 3315: 3314: 3311: 3310: 3308: 3307: 3306: 3305: 3295: 3290: 3285: 3280: 3279: 3278: 3268: 3263: 3258: 3253: 3248: 3243: 3238: 3233: 3228: 3223: 3218: 3217: 3216: 3206: 3205: 3204: 3199: 3189: 3184: 3179: 3174: 3173: 3172: 3162: 3157: 3152: 3151: 3150: 3140: 3134: 3132: 3126: 3125: 3123: 3122: 3117: 3112: 3107: 3102: 3097: 3092: 3087: 3082: 3077: 3072: 3067: 3066: 3065: 3060: 3055: 3045: 3040: 3035: 3030: 3029: 3028: 3018: 3013: 3008: 3006:Fire hardening 3003: 2998: 2996:Clovis culture 2993: 2988: 2987: 2986: 2981: 2976: 2965: 2963: 2957: 2956: 2953: 2952: 2950: 2949: 2948: 2947: 2936: 2934: 2930: 2929: 2927: 2926: 2921: 2919:Manis Mastodon 2916: 2911: 2906: 2901: 2896: 2891: 2886: 2881: 2876: 2875: 2874: 2863: 2861: 2855: 2854: 2852: 2851: 2850: 2849: 2844: 2839: 2834: 2829: 2819: 2814: 2813: 2812: 2802: 2801: 2800: 2798:throwing stick 2790: 2784: 2778: 2772: 2771: 2769: 2768: 2763: 2758: 2753: 2748: 2743: 2738: 2737: 2736: 2731: 2721: 2716: 2711: 2706: 2705: 2704: 2694: 2689: 2683: 2681: 2677: 2676: 2674: 2673: 2668: 2663: 2658: 2653: 2648: 2643: 2638: 2633: 2628: 2627: 2626: 2621: 2610: 2608: 2598: 2597: 2585: 2584: 2582: 2581: 2576: 2575: 2574: 2564: 2563: 2562: 2557: 2552: 2547: 2542: 2531: 2528: 2527: 2520: 2519: 2512: 2505: 2497: 2488: 2487: 2481: 2478: 2477: 2470: 2468: 2466: 2465: 2455: 2449: 2439: 2433: 2423: 2417: 2411: 2401: 2395: 2385: 2379: 2369: 2363: 2357: 2351: 2341: 2335: 2324: 2321: 2320: 2315: 2312: 2311: 2304: 2303: 2296: 2289: 2281: 2275: 2274: 2266: 2258: 2253: 2246: 2245:External links 2243: 2242: 2241: 2193: 2190: 2188: 2187: 2174: 2161: 2148: 2127: 2114: 2101: 2092: 2082: 2069: 2056: 2040: 2015: 1999: 1979: 1966: 1953: 1933: 1913: 1904: 1891: 1870: 1857: 1844: 1784: 1763: 1761: 1758: 1755: 1754: 1732: 1718: 1709: 1705: 1704: 1703: 1702: 1696: 1690: 1684: 1674: 1673: 1672: 1667: 1663: 1658: 1645: 1633: 1632: 1631: 1630: 1629: 1621: 1617: 1609: 1605: 1597: 1593: 1585: 1575: 1574: 1573: 1565: 1561: 1553: 1540: 1518: 1508: 1483: 1482: 1480: 1477: 1476: 1475: 1470: 1463: 1460: 1441: 1436: 1405: 1402: 1401: 1400: 1397: 1390: 1388: 1385: 1378: 1376: 1373: 1366: 1364: 1361: 1354: 1351: 1350: 1342: 1333: 1327: 1326: 1322: 1309: 1308: 1300: 1294: 1293: 1289: 1284: 1283: 1280: 1273: 1271: 1268: 1261: 1259: 1256: 1249: 1247: 1244: 1237: 1234: 1233: 1224: 1223: 1220: 1213: 1211: 1208: 1201: 1199: 1196: 1189: 1187: 1184: 1177: 1174: 1173: 1161: 1160: 1157: 1150: 1148: 1145: 1138: 1136: 1133: 1126: 1124: 1121: 1114: 1111: 1110: 1101: 1098: 1073: 1070: 1064: 1061: 1048: 1047: 1042: 1035: 1033: 1030: 1023: 1021: 1016: 1009: 1007: 1004: 997: 982: 981: 978: 971: 969: 966: 959: 957: 954: 947: 924: 917: 914: 905: 904: 897: 890: 888: 883: 876: 874: 869: 862: 860: 855: 848: 832: 831: 828: 821: 819: 816: 809: 807: 804: 797: 778: 771: 768: 739: 738: 723: 708: 666: 665: 650: 607: 606: 595: 588: 579: 537: 530: 527: 493: 451: 450:Cave paintings 448: 437: 434: 388:Hugo Obermaier 383: 380: 370:and the Lower 308: 307: 304: 303: 300: 299: 296: 292: 291: 288: 284: 283: 280: 276: 275: 272: 268: 267: 264: 260: 259: 254: 251: 250: 247: 246: 241: 237: 236: 231: 227: 226: 221: 217: 216: 206: 202: 201: 198: 194: 193: 190: 186: 185: 182: 178: 177: 172: 169: 168: 165: 164: 159: 155: 154: 122: 118: 117: 107: 103: 102: 92: 83: 82: 76: 75: 74: 73: 64: 55: 54: 48: 47: 46: 45: 44: 41: 40: 37: 29: 28: 15: 9: 6: 4: 3: 2: 8539: 8528: 8525: 8523: 8520: 8518: 8515: 8513: 8510: 8508: 8505: 8503: 8500: 8498: 8495: 8493: 8490: 8489: 8487: 8472: 8469: 8467: 8466:Cave painting 8464: 8462: 8461:List of caves 8459: 8456: 8455: 8452: 8438: 8435: 8434: 8432: 8428: 8422: 8419: 8418: 8416: 8412: 8406: 8403: 8402: 8400: 8396: 8390: 8387: 8386: 8384: 8382: 8378: 8372: 8369: 8367: 8364: 8363: 8361: 8357: 8351: 8348: 8347: 8345: 8343: 8342:New Caledonia 8339: 8333: 8330: 8329: 8327: 8323: 8317: 8314: 8312: 8309: 8307: 8304: 8303: 8301: 8299: 8295: 8289: 8286: 8284: 8281: 8279: 8276: 8274: 8271: 8269: 8266: 8264: 8261: 8259: 8256: 8254: 8251: 8249: 8248:New Guinea II 8246: 8244: 8241: 8239: 8236: 8234: 8231: 8229: 8226: 8224: 8223:Mannalargenna 8221: 8219: 8216: 8214: 8211: 8209: 8206: 8204: 8201: 8199: 8196: 8194: 8191: 8189: 8186: 8184: 8181: 8179: 8176: 8174: 8171: 8169: 8166: 8164: 8161: 8159: 8156: 8154: 8151: 8149: 8146: 8144: 8141: 8139: 8136: 8134: 8131: 8129: 8126: 8124: 8121: 8119: 8116: 8114: 8111: 8109: 8106: 8105: 8103: 8099: 8095: 8091: 8086: 8082: 8068: 8065: 8063: 8060: 8058: 8055: 8053: 8050: 8048: 8045: 8043: 8040: 8038: 8035: 8033: 8030: 8028: 8025: 8023: 8020: 8018: 8015: 8013: 8010: 8008: 8005: 8003: 8000: 7998: 7995: 7993: 7992:On Your Knees 7990: 7988: 7985: 7983: 7980: 7978: 7975: 7973: 7970: 7968: 7965: 7963: 7960: 7958: 7955: 7953: 7950: 7948: 7945: 7943: 7940: 7938: 7935: 7933: 7930: 7928: 7925: 7923: 7920: 7918: 7917:Hidden Valley 7915: 7913: 7910: 7908: 7905: 7903: 7900: 7898: 7895: 7893: 7890: 7888: 7885: 7883: 7880: 7878: 7875: 7873: 7870: 7868: 7865: 7863: 7860: 7858: 7855: 7853: 7850: 7848: 7845: 7843: 7840: 7838: 7835: 7833: 7830: 7828: 7825: 7824: 7822: 7820:United States 7818: 7812: 7809: 7808: 7806: 7802: 7796: 7793: 7791: 7788: 7786: 7783: 7781: 7778: 7776: 7773: 7771: 7768: 7767: 7765: 7761: 7755: 7752: 7750: 7747: 7745: 7742: 7740: 7739:Guilá Naquitz 7737: 7735: 7732: 7730: 7727: 7725: 7724:Dzibilchaltún 7722: 7720: 7717: 7715: 7712: 7711: 7709: 7705: 7699: 7696: 7695: 7693: 7689: 7683: 7680: 7679: 7677: 7673: 7667: 7664: 7663: 7661: 7659: 7655: 7649: 7646: 7644: 7641: 7639: 7636: 7634: 7631: 7629: 7626: 7624: 7621: 7620: 7618: 7614: 7608: 7605: 7603: 7600: 7598: 7595: 7593: 7590: 7588: 7585: 7583: 7580: 7579: 7577: 7573: 7567: 7564: 7562: 7559: 7558: 7556: 7552: 7546: 7543: 7541: 7538: 7537: 7535: 7531: 7525: 7522: 7520: 7517: 7515: 7512: 7510: 7507: 7505: 7504:Pedra Pintada 7502: 7500: 7497: 7495: 7492: 7491: 7489: 7485: 7479: 7476: 7474: 7471: 7469: 7466: 7465: 7463: 7459: 7453: 7450: 7449: 7447: 7443: 7437: 7434: 7433: 7431: 7427: 7423: 7419: 7418:South America 7415: 7410: 7406: 7392: 7389: 7388: 7386: 7382: 7376: 7373: 7371: 7368: 7367: 7365: 7361: 7355: 7352: 7351: 7349: 7345: 7339: 7336: 7334: 7331: 7329: 7326: 7325: 7323: 7319: 7313: 7310: 7308: 7305: 7303: 7300: 7298: 7295: 7293: 7290: 7288: 7285: 7283: 7282:Klasies River 7280: 7278: 7275: 7273: 7270: 7268: 7265: 7263: 7260: 7258: 7257:Byneskranskop 7255: 7253: 7250: 7248: 7245: 7243: 7240: 7237: 7236: 7233: 7230: 7228: 7225: 7223: 7220: 7218: 7215: 7213: 7210: 7208: 7205: 7203: 7200: 7198: 7195: 7193: 7190: 7188: 7185: 7183: 7180: 7178: 7175: 7173: 7170: 7168: 7165: 7163: 7160: 7158: 7155: 7154: 7152: 7148: 7142: 7139: 7137: 7134: 7132: 7129: 7128: 7126: 7122: 7116: 7113: 7112: 7110: 7106: 7100: 7097: 7095: 7092: 7091: 7089: 7085: 7079: 7076: 7075: 7073: 7069: 7063: 7060: 7058: 7055: 7053: 7050: 7048: 7047:Ifri Oudadane 7045: 7043: 7040: 7038: 7035: 7033: 7030: 7029: 7027: 7023: 7017: 7016:Uan Muhuggiag 7014: 7012: 7009: 7008: 7006: 7002: 6996: 6993: 6992: 6990: 6986: 6980: 6977: 6975: 6972: 6971: 6969: 6965: 6959: 6956: 6954: 6951: 6950: 6948: 6944: 6938: 6935: 6934: 6932: 6928: 6922: 6919: 6918: 6916: 6912: 6906: 6903: 6901: 6898: 6897: 6895: 6891: 6885: 6882: 6881: 6879: 6875: 6871: 6867: 6862: 6858: 6844: 6841: 6839: 6836: 6835: 6833: 6829: 6823: 6820: 6818: 6815: 6814: 6812: 6808: 6802: 6799: 6797: 6794: 6792: 6789: 6788: 6786: 6782: 6778: 6774: 6770: 6764: 6761: 6759: 6756: 6754: 6751: 6750: 6748: 6744: 6738: 6735: 6733: 6730: 6728: 6725: 6723: 6722:Batadombalena 6720: 6719: 6717: 6713: 6707: 6704: 6702: 6699: 6697: 6694: 6692: 6689: 6687: 6684: 6683: 6681: 6677: 6671: 6668: 6667: 6665: 6663: 6659: 6653: 6650: 6649: 6647: 6643: 6637: 6634: 6633: 6631: 6627: 6621: 6618: 6617: 6615: 6611: 6605: 6602: 6601: 6599: 6595: 6589: 6586: 6584: 6581: 6579: 6578:Ras Baalbek I 6576: 6574: 6571: 6569: 6566: 6564: 6561: 6559: 6556: 6555: 6553: 6549: 6543: 6540: 6538: 6535: 6534: 6532: 6528: 6522: 6519: 6518: 6516: 6512: 6506: 6503: 6501: 6498: 6496: 6493: 6491: 6488: 6486: 6483: 6481: 6478: 6476: 6473: 6471: 6468: 6467: 6465: 6461: 6455: 6452: 6450: 6447: 6445: 6442: 6440: 6437: 6435: 6432: 6430: 6427: 6425: 6422: 6420: 6417: 6415: 6414:Nahal Me'arot 6412: 6410: 6407: 6405: 6402: 6400: 6397: 6395: 6392: 6390: 6387: 6386: 6384: 6380: 6374: 6371: 6369: 6366: 6365: 6363: 6359: 6353: 6350: 6348: 6345: 6343: 6340: 6338: 6335: 6333: 6330: 6328: 6325: 6323: 6320: 6318: 6315: 6313: 6310: 6309: 6307: 6303: 6297: 6294: 6292: 6289: 6287: 6284: 6282: 6279: 6278: 6276: 6272: 6266: 6263: 6261: 6258: 6256: 6253: 6251: 6248: 6246: 6243: 6241: 6238: 6236: 6233: 6232: 6230: 6226: 6220: 6217: 6216: 6214: 6210: 6204: 6201: 6199: 6196: 6194: 6191: 6190: 6188: 6184: 6178: 6175: 6173: 6170: 6168: 6165: 6163: 6160: 6158: 6155: 6153: 6150: 6148: 6145: 6143: 6140: 6138: 6135: 6133: 6130: 6129: 6127: 6123: 6117: 6114: 6113: 6111: 6107: 6101: 6098: 6096: 6093: 6091: 6088: 6086: 6083: 6081: 6078: 6076: 6073: 6071: 6068: 6067: 6065: 6061: 6055: 6052: 6051: 6049: 6045: 6039: 6036: 6035: 6033: 6029: 6025: 6021: 6016: 6012: 5998: 5997:Windmill Hill 5995: 5993: 5990: 5988: 5985: 5983: 5980: 5978: 5975: 5973: 5970: 5968: 5965: 5963: 5960: 5958: 5955: 5953: 5950: 5948: 5945: 5943: 5942:Heathery Burn 5940: 5938: 5935: 5933: 5930: 5928: 5925: 5923: 5920: 5918: 5915: 5913: 5910: 5909: 5907: 5903: 5897: 5894: 5893: 5891: 5887: 5881: 5878: 5876: 5873: 5872: 5870: 5866: 5860: 5857: 5855: 5852: 5850: 5847: 5845: 5842: 5840: 5837: 5835: 5832: 5830: 5827: 5825: 5822: 5820: 5817: 5815: 5812: 5810: 5807: 5805: 5802: 5801: 5798: 5795: 5793: 5790: 5788: 5785: 5783: 5780: 5778: 5775: 5773: 5770: 5768: 5765: 5763: 5760: 5758: 5755: 5753: 5750: 5748: 5745: 5743: 5740: 5738: 5735: 5732: 5731: 5728: 5725: 5723: 5720: 5718: 5715: 5714: 5711: 5708: 5706: 5703: 5700: 5697: 5696: 5693: 5690: 5688: 5685: 5683: 5680: 5678: 5677:Tito Bustillo 5675: 5670: 5666: 5663: 5660: 5658:Las Chimeneas 5657: 5655: 5652: 5651: 5650: 5647: 5644: 5642: 5639: 5636: 5634: 5631: 5630: 5629: 5626: 5624: 5621: 5619: 5616: 5615: 5613: 5609: 5603: 5600: 5598: 5595: 5593: 5590: 5588: 5585: 5584: 5582: 5578: 5572: 5569: 5567: 5564: 5562: 5559: 5558: 5556: 5552: 5546: 5543: 5541: 5538: 5536: 5533: 5531: 5528: 5527: 5525: 5521: 5515: 5512: 5510: 5507: 5505: 5502: 5500: 5497: 5495: 5492: 5490: 5487: 5485: 5484:Akhshtyrskaya 5482: 5481: 5479: 5475: 5469: 5466: 5464: 5461: 5459: 5456: 5454: 5451: 5450: 5448: 5444: 5438: 5435: 5433: 5432:Pego do Diabo 5430: 5428: 5425: 5423: 5420: 5418: 5415: 5413: 5410: 5408: 5405: 5403: 5400: 5399: 5397: 5393: 5387: 5384: 5382: 5379: 5378: 5376: 5372: 5366: 5363: 5362: 5360: 5356: 5350: 5347: 5346: 5344: 5342: 5338: 5332: 5329: 5328: 5326: 5322: 5316: 5313: 5312: 5310: 5306: 5300: 5297: 5296: 5294: 5290: 5284: 5281: 5280: 5278: 5276: 5272: 5266: 5263: 5261: 5258: 5256: 5253: 5251: 5250: 5246: 5244: 5241: 5239: 5236: 5234: 5231: 5229: 5226: 5224: 5223:Arene Candide 5221: 5219: 5216: 5215: 5213: 5209: 5203: 5200: 5198: 5195: 5194: 5192: 5188: 5182: 5179: 5177: 5174: 5172: 5169: 5167: 5164: 5162: 5159: 5157: 5154: 5152: 5149: 5147: 5144: 5142: 5139: 5137: 5134: 5133: 5131: 5127: 5121: 5118: 5116: 5113: 5111: 5110:Devil's Tower 5108: 5107: 5105: 5103: 5099: 5093: 5090: 5088: 5085: 5083: 5080: 5078: 5075: 5073: 5070: 5067: 5066: 5063: 5060: 5058: 5055: 5053: 5050: 5048: 5045: 5043: 5040: 5038: 5035: 5033: 5030: 5029: 5027: 5023: 5017: 5014: 5012: 5009: 5007: 5004: 5002: 4999: 4997: 4994: 4992: 4989: 4987: 4984: 4982: 4979: 4977: 4974: 4972: 4969: 4967: 4964: 4962: 4959: 4957: 4954: 4951: 4949: 4946: 4944: 4941: 4938: 4935: 4932: 4929: 4927: 4924: 4922: 4919: 4917: 4914: 4913: 4910: 4907: 4905: 4902: 4900: 4897: 4895: 4892: 4890: 4887: 4885: 4884:Pair-non-Pair 4882: 4880: 4877: 4875: 4872: 4870: 4869:Le Mas-d'Azil 4867: 4865: 4862: 4860: 4857: 4855: 4852: 4850: 4847: 4845: 4842: 4840: 4837: 4835: 4832: 4830: 4827: 4825: 4822: 4820: 4819:Arcy-sur-Cure 4817: 4814: 4813: 4810: 4807: 4805: 4802: 4801: 4798: 4795: 4793: 4790: 4788: 4785: 4782: 4780: 4777: 4774: 4772: 4769: 4766: 4764: 4761: 4759: 4758:Font-de-Gaume 4756: 4754: 4751: 4749: 4746: 4743: 4740: 4738: 4735: 4731: 4728: 4726:Abri Castanet 4725: 4724: 4723:Castel Merle 4722: 4720: 4717: 4714: 4711: 4709: 4706: 4705: 4703: 4699: 4693: 4690: 4689: 4687: 4683: 4677: 4674: 4672: 4669: 4667: 4664: 4662: 4659: 4657: 4654: 4652: 4649: 4648: 4646: 4642: 4636: 4633: 4632: 4630: 4626: 4620: 4617: 4615: 4612: 4610: 4607: 4605: 4602: 4600: 4597: 4595: 4592: 4591: 4589: 4585: 4579: 4576: 4574: 4571: 4569: 4566: 4564: 4561: 4559: 4556: 4555: 4553: 4549: 4543: 4540: 4538: 4535: 4534: 4532: 4528: 4522: 4519: 4517: 4514: 4512: 4509: 4506: 4504: 4501: 4499: 4496: 4494: 4491: 4489: 4486: 4483: 4480: 4479: 4477: 4473: 4467: 4464: 4462: 4459: 4457: 4454: 4452: 4449: 4447: 4444: 4443: 4441: 4437: 4433: 4429: 4424: 4420: 4414: 4411: 4409: 4406: 4404: 4401: 4400: 4397: 4393: 4385: 4380: 4378: 4373: 4371: 4366: 4365: 4362: 4340: 4337: 4336: 4335: 4332: 4330: 4327: 4323: 4320: 4318: 4315: 4313: 4310: 4308: 4305: 4304: 4303: 4300: 4296: 4293: 4292: 4291: 4288: 4286: 4283: 4281: 4278: 4274: 4271: 4269: 4266: 4264: 4261: 4260: 4259: 4256: 4252: 4249: 4248: 4247: 4244: 4242: 4239: 4235: 4232: 4230: 4227: 4226: 4225: 4222: 4221: 4219: 4215: 4209: 4206: 4204: 4201: 4199: 4196: 4194: 4193:Simple dolmen 4191: 4189: 4186: 4184: 4181: 4179: 4178:Passage grave 4176: 4174: 4171: 4169: 4166: 4162: 4159: 4157: 4154: 4153: 4152: 4149: 4147: 4144: 4142: 4139: 4135: 4132: 4130: 4127: 4126: 4125: 4124:Gallery grave 4122: 4120: 4117: 4113: 4110: 4109: 4108: 4105: 4103: 4100: 4098: 4095: 4093: 4090: 4086: 4083: 4082: 4081: 4078: 4074: 4071: 4070: 4069: 4066: 4062: 4059: 4058: 4057: 4054: 4050: 4047: 4045: 4042: 4041: 4040: 4039:Burial mounds 4037: 4036: 4034: 4032: 4028: 4022: 4019: 4015: 4012: 4010: 4007: 4006: 4005: 4002: 4000: 3999:Statue menhir 3997: 3995: 3992: 3988: 3987:Stone carving 3985: 3983: 3980: 3979: 3978: 3975: 3973: 3970: 3968: 3965: 3963: 3960: 3958: 3955: 3953: 3950: 3946: 3943: 3941: 3938: 3937: 3936: 3933: 3931: 3928: 3926: 3923: 3919: 3916: 3915: 3914: 3911: 3909: 3906: 3904: 3901: 3899: 3896: 3894: 3891: 3889: 3886: 3884: 3881: 3877: 3874: 3873: 3872: 3869: 3867: 3864: 3863: 3861: 3859: 3855: 3847: 3844: 3842: 3839: 3838: 3837: 3834: 3832: 3829: 3827: 3826:Sewing needle 3824: 3820: 3817: 3815: 3812: 3810: 3807: 3805: 3802: 3800: 3797: 3795: 3792: 3791: 3790: 3787: 3785: 3782: 3778: 3775: 3774: 3773: 3770: 3766: 3763: 3761: 3758: 3757: 3756: 3753: 3751: 3748: 3746: 3743: 3739: 3736: 3735: 3734: 3731: 3729: 3726: 3724: 3721: 3719: 3716: 3714: 3711: 3710: 3708: 3706: 3702: 3698: 3694: 3690: 3685: 3681: 3665: 3662: 3661: 3660: 3657: 3655: 3654:Timber circle 3652: 3650: 3647: 3645: 3642: 3640: 3637: 3633: 3630: 3629: 3628: 3625: 3623: 3620: 3616: 3613: 3612: 3611: 3608: 3604: 3603:Tor enclosure 3601: 3600: 3599: 3596: 3592: 3591:fulacht fiadh 3589: 3588: 3587: 3584: 3582: 3579: 3577: 3574: 3573: 3571: 3567: 3561: 3558: 3556: 3553: 3551: 3548: 3546: 3543: 3541: 3538: 3537: 3535: 3531: 3525: 3522: 3520: 3517: 3513: 3510: 3509: 3508: 3505: 3503: 3500: 3496: 3493: 3491: 3488: 3486: 3483: 3482: 3481: 3478: 3476: 3473: 3471: 3468: 3466: 3463: 3459: 3456: 3455: 3454: 3451: 3449: 3446: 3444: 3441: 3437: 3434: 3433: 3432: 3429: 3427: 3424: 3422: 3419: 3417: 3414: 3412: 3409: 3407: 3404: 3402: 3399: 3395: 3392: 3391: 3390: 3387: 3386: 3384: 3380: 3372: 3369: 3367: 3364: 3362: 3359: 3358: 3357: 3354: 3352: 3349: 3347: 3344: 3343: 3341: 3337: 3333: 3329: 3324: 3320: 3304: 3301: 3300: 3299: 3296: 3294: 3291: 3289: 3286: 3284: 3281: 3277: 3274: 3273: 3272: 3269: 3267: 3264: 3262: 3259: 3257: 3254: 3252: 3249: 3247: 3244: 3242: 3239: 3237: 3234: 3232: 3229: 3227: 3224: 3222: 3219: 3215: 3212: 3211: 3210: 3207: 3203: 3200: 3198: 3195: 3194: 3193: 3190: 3188: 3185: 3183: 3180: 3178: 3175: 3171: 3168: 3167: 3166: 3163: 3161: 3158: 3156: 3153: 3149: 3146: 3145: 3144: 3141: 3139: 3136: 3135: 3133: 3131: 3127: 3121: 3118: 3116: 3113: 3111: 3108: 3106: 3103: 3101: 3098: 3096: 3093: 3091: 3088: 3086: 3083: 3081: 3078: 3076: 3073: 3071: 3068: 3064: 3061: 3059: 3056: 3054: 3051: 3050: 3049: 3046: 3044: 3041: 3039: 3036: 3034: 3031: 3027: 3024: 3023: 3022: 3019: 3017: 3014: 3012: 3009: 3007: 3004: 3002: 2999: 2997: 2994: 2992: 2989: 2985: 2982: 2980: 2977: 2975: 2972: 2971: 2970: 2967: 2966: 2964: 2962: 2958: 2946: 2943: 2942: 2941: 2938: 2937: 2935: 2931: 2925: 2922: 2920: 2917: 2915: 2912: 2910: 2907: 2905: 2902: 2900: 2897: 2895: 2892: 2890: 2887: 2885: 2882: 2880: 2877: 2873: 2870: 2869: 2868: 2865: 2864: 2862: 2860: 2856: 2848: 2845: 2843: 2840: 2838: 2835: 2833: 2830: 2828: 2827:spear-thrower 2825: 2824: 2823: 2820: 2818: 2815: 2811: 2808: 2807: 2806: 2805:Bow and arrow 2803: 2799: 2796: 2795: 2794: 2791: 2789: 2786: 2785: 2782: 2779: 2777: 2773: 2767: 2764: 2762: 2759: 2757: 2754: 2752: 2749: 2747: 2744: 2742: 2739: 2735: 2732: 2730: 2727: 2726: 2725: 2722: 2720: 2717: 2715: 2714:Grinding slab 2712: 2710: 2707: 2703: 2700: 2699: 2698: 2695: 2693: 2690: 2688: 2685: 2684: 2682: 2678: 2672: 2669: 2667: 2664: 2662: 2659: 2657: 2654: 2652: 2649: 2647: 2646:Domestication 2644: 2642: 2641:Digging stick 2639: 2637: 2634: 2632: 2629: 2625: 2622: 2620: 2619:Founder crops 2617: 2616: 2615: 2612: 2611: 2609: 2607: 2603: 2599: 2595: 2590: 2586: 2580: 2577: 2573: 2570: 2569: 2568: 2565: 2561: 2560:New Stone Age 2558: 2556: 2553: 2551: 2548: 2546: 2543: 2541: 2538: 2537: 2536: 2533: 2532: 2529: 2525: 2518: 2513: 2511: 2506: 2504: 2499: 2498: 2495: 2485: 2479: 2474: 2463: 2456: 2450: 2447: 2440: 2434: 2431: 2424: 2418: 2412: 2409: 2402: 2396: 2393: 2386: 2380: 2377: 2370: 2364: 2358: 2352: 2350:(Ribadesella) 2349: 2348:Tito Bustillo 2342: 2336: 2333: 2326: 2325: 2322: 2318: 2313: 2309: 2302: 2297: 2295: 2290: 2288: 2283: 2282: 2279: 2273: 2272: 2267: 2265: 2264: 2259: 2257: 2254: 2252: 2249: 2248: 2238: 2234: 2230: 2226: 2222: 2218: 2214: 2210: 2206: 2202: 2196: 2195: 2184: 2178: 2171: 2165: 2158: 2152: 2145: 2144:84-252-0028-8 2141: 2137: 2131: 2124: 2118: 2111: 2105: 2096: 2086: 2079: 2073: 2066: 2060: 2053: 2047: 2045: 2038: 2037:84-7090-124-9 2034: 2030: 2025: 2019: 2012: 2009: 2003: 1997: 1996:84-7090-124-9 1993: 1989: 1983: 1976: 1970: 1963: 1957: 1951: 1950:84-7090-124-9 1947: 1943: 1937: 1931: 1930:84-7090-124-9 1927: 1923: 1917: 1908: 1901: 1895: 1888: 1884: 1880: 1874: 1867: 1861: 1854: 1848: 1840: 1836: 1831: 1826: 1821: 1816: 1812: 1808: 1804: 1800: 1796: 1788: 1782: 1781:84-241-4688-3 1778: 1774: 1768: 1764: 1750: 1746: 1742: 1736: 1729: 1722: 1713: 1700: 1697: 1694: 1691: 1688: 1685: 1682: 1678: 1675: 1670: 1664: 1661: 1655: 1654: 1653: 1649: 1646: 1644: 1640: 1637: 1636: 1634: 1628: 1624: 1618: 1616: 1612: 1606: 1604: 1600: 1594: 1592: 1588: 1582: 1581: 1579: 1576: 1572: 1568: 1562: 1560: 1556: 1550: 1549: 1548: 1544: 1541: 1539: 1535: 1532: 1531: 1530: 1529: 1522: 1512: 1505: 1504: 1499: 1494: 1488: 1484: 1474: 1471: 1469: 1466: 1465: 1459: 1457: 1439: 1435: 1432: 1428: 1423: 1417: 1415: 1414:Leroi-gourhan 1410: 1398:Anthropomorph 1394: 1389: 1382: 1377: 1370: 1365: 1358: 1353: 1352: 1348: 1343: 1339: 1338: 1331: 1323: 1319: 1318: 1313: 1307:Unique signs: 1306: 1305: 1298: 1290: 1286: 1285: 1277: 1272: 1265: 1260: 1253: 1248: 1241: 1236: 1235: 1230: 1229: 1228: 1217: 1212: 1205: 1200: 1193: 1188: 1181: 1176: 1175: 1171: 1167: 1166: 1165: 1154: 1149: 1142: 1137: 1130: 1125: 1118: 1113: 1112: 1107: 1106: 1105: 1097: 1094: 1090: 1088: 1083: 1080: 1069: 1060: 1057: 1052: 1039: 1034: 1027: 1022: 1013: 1008: 1001: 996: 995: 994: 991: 986: 975: 970: 963: 958: 951: 946: 945: 944: 941: 936: 932: 922: 913: 911: 901: 894: 889: 880: 875: 866: 861: 852: 847: 846: 845: 843: 838: 825: 820: 813: 808: 801: 796: 795: 794: 790: 782: 776: 767: 765: 761: 757: 752: 750: 746: 734: 728: 724: 719: 713: 709: 704: 698: 694: 693: 690: 688: 684: 679: 676: 673: 661: 655: 651: 645: 641: 640: 637: 632: 628: 625: 620: 616: 614: 601: 593: 589: 583: 577: 573: 572: 569: 566: 561: 557: 555: 549: 546: 535: 526: 523: 519: 515: 511: 507: 503: 491: 487: 482: 479: 472: 470: 466: 461: 457: 447: 444: 433: 431: 427: 423: 416: 415: 410: 404: 401: 397: 393: 389: 379: 377: 373: 369: 364: 361: 360:Old Stone Age 356: 352: 347: 345: 341: 338: 334: 330: 326: 325:Puente Viesgo 322: 318: 314: 305: 301: 298:RI-51-0000269 297: 293: 290:25 April 1924 289: 285: 281: 277: 273: 269: 265: 263:Official name 261: 257: 252: 248: 245: 242: 238: 235: 232: 228: 225: 222: 218: 213: 207: 203: 199: 195: 191: 187: 183: 181:Official name 179: 175: 170: 166: 163: 160: 156: 151: 123: 119: 115: 111: 110:Puente Viesgo 108: 104: 80: 52: 42: 35: 30: 23: 8273:Wargata Mina 8233:Murrawijinie 8168:Eagles Reach 8163:Devil's Lair 8067:Wilson Butte 7852:Cherry Creek 7842:Bull Thistle 7587:Chiribiquete 7545:Charlie Lake 7473:Barton Creek 7287:Melkhoutboom 7227:Sterkfontein 7217:Plovers Lake 7150:South Africa 7052:Jebel Irhoud 7037:Ifri N'Ammar 6772:Turkmenistan 6737:Hunugalagala 6521:Iraq ed-Dubb 6286:Jeriji Saléh 5947:High Pasture 5664: 5504:Shulgan-Tash 5427:Pedra Furada 5248: 5087:Lichtenstein 5077:Brillenhöhle 5006:Le Regourdou 4966:La Ferrassie 4961:Combe Grenal 4904:Trois Frères 4839:Fontéchevade 4792:La Madeleine 4446:Drachenhöhle 4134:wedge-shaped 4119:Funeral pyre 4112:Great dolmen 4068:Chamber tomb 4049:Round barrow 4004:Stone circle 3876:Blombos Cave 3804:Grooved ware 3728:Chalcolithic 3632:Thornborough 3550:Flush toilet 3485:Blombos Cave 3480:Rock shelter 3436:Quiggly hole 3328:Architecture 3303:illustration 2945:Buffalo jump 2766:Storage pits 2729:Aşıklı Höyük 2719:Ground stone 2555:Subdivisions 2407: 2270: 2262: 2204: 2200: 2182: 2177: 2169: 2164: 2156: 2151: 2135: 2130: 2122: 2117: 2109: 2104: 2095: 2085: 2077: 2072: 2064: 2059: 2051: 2028: 2023: 2018: 2007: 2002: 1987: 1982: 1974: 1969: 1961: 1956: 1941: 1936: 1921: 1916: 1907: 1899: 1894: 1878: 1873: 1865: 1860: 1852: 1847: 1802: 1798: 1787: 1772: 1767: 1748: 1744: 1735: 1727: 1721: 1712: 1698: 1692: 1686: 1676: 1665: 1656: 1647: 1638: 1619: 1607: 1595: 1583: 1577: 1563: 1551: 1542: 1533: 1521: 1511: 1503:Homo sapiens 1501: 1498:Grimaldi Man 1487: 1455: 1452: 1437: 1430: 1426: 1421: 1418: 1411: 1407: 1346: 1225: 1170:bastoncillos 1169: 1162: 1103: 1095: 1091: 1086: 1084: 1078: 1075: 1066: 1053: 1049: 989: 987: 983: 939: 937: 933: 929: 909: 906: 842:six fingers! 841: 836: 833: 791: 787: 780: 763: 759: 755: 753: 744: 742: 732: 717: 702: 686: 682: 680: 677: 669: 660:Second Group 659: 634: 630: 623: 621: 617: 612: 610: 599: 581: 564: 562: 558: 550: 542: 498: 484: 477: 474: 468: 464: 453: 439: 429: 418: 406: 396:Henri Breuil 385: 376:Neanderthals 365: 348: 316: 312: 311: 158:Part of 8359:New Zealand 8183:Gwion Gwion 8052:Trail Creek 7977:Meadowcroft 7937:Last Supper 7867:Daugherty's 7729:Las Flechas 7514:Rei do Mato 7238:Other caves 7222:Rising Star 7197:Makapansgat 7162:Bolt's Farm 6979:Njoro River 6822:Teshik-Tash 6817:Obi-Rakhmat 6801:Yarımburgaz 6701:Lapuz Lapuz 6679:Philippines 6588:Nachcharini 6583:Ras El Kelb 6542:Tam Pa Ling 6537:Tham An Mah 6419:Nahal Hemar 6167:Zhoukoudian 6142:Guanyindong 6116:Laang Spean 6038:Darra-e Kur 6031:Afghanistan 5977:Portbraddon 5967:Marble Arch 5880:Wildkirchli 5868:Switzerland 5804:Other caves 5777:Ojo Guareña 5757:Maltravieso 5752:Los Casares 5727:Siega Verde 5692:Los Aviones 5687:Santimamiñe 5661:Las Monedas 5654:El Castillo 5561:Čertova pec 5509:Mezmaiskaya 5417:Lagar Velho 5349:Cocev Kamen 5228:Balzi Rossi 5068:Other caves 5057:Sirgenstein 4986:Le Moustier 4976:Fontbrégoua 4936:Bonne-Femme 4916:Other caves 4635:Aetokremnos 4578:Utroba Cave 4484:Claminforge 4481:Belle-Roche 4156:unchambered 4151:Long barrow 4141:Grave goods 4097:Court cairn 4092:Clava cairn 4044:Bowl barrow 3982:Rock cupule 3925:Golden hats 3918:Hill figure 3819:Unstan ware 3799:Cord-marked 3664:Sweet Track 3586:Burnt mound 3507:Stilt house 3495:Sibudu Cave 3288:Tally stick 3256:Quern-stone 3241:Hammerstone 3231:Fire plough 3202:Pesse canoe 3160:Bannerstone 3130:Other tools 3043:Lithic core 2991:Aurignacian 2879:Bare Island 2761:Quern-stone 2448:(Kortezubi) 2446:Santimamiñe 2263:Salas A y B 1830:10498/21578 1635:Others are 1431:tinta plana 1347:tinta plana 1315:"La Trampa" 910:tinta plana 764:tinta plana 760:Large Group 758:(and last) 749:chiaroscuro 745:tinta plana 735:, Gallery A 720:, Gallery A 705:, Gallery A 703:Third Group 662:, Gallery A 602:, Gallery A 600:First Group 584:, Gallery A 582:First Group 545:stalactites 518:megaloceros 478:dispositivo 372:Magdalenian 274:Non-movable 145: / 121:Coordinates 8486:Categories 8471:Speleology 8288:Wellington 8243:Naracoorte 8228:Mudgegonga 8213:Madjedbebe 8178:Gabarnmung 8118:Ballawinne 8108:Abrakurrie 8007:Pictograph 7785:Qillqatani 7780:Pikimachay 7775:Guitarrero 7770:Chivateros 7749:Oxtotitlán 7602:Tequendama 7312:Wonderwerk 7292:Nelson Bay 7272:Elands Bay 7232:Swartkrans 7177:Gladysvale 7124:Somaliland 7071:Mozambique 7011:Haua Fteah 6810:Uzbekistan 6475:Minatogawa 6470:Kosegasawa 6424:Nahal Oren 6368:Hazar Merd 6337:Qaleh Bozi 6322:Do-Ashkaft 6219:Satsurblia 6186:East Timor 6063:Azerbaijan 5952:Kendrick's 5917:Bontnewydd 5839:Don Gaspar 5792:Praileaitz 5747:Las Caldas 5665:La Pasiega 5592:Divje Babe 5514:Okladnikov 5499:Ignatievka 5422:Pala Pinta 5331:Għar Dalam 5308:Luxembourg 5283:St Brelade 5265:Villabruna 5176:Stravomyti 5166:Megalakkos 5151:Eileithyia 5136:Alepotrypa 5047:Hohle Fels 4933:Balauzière 4889:Pech Merle 4797:Rouffignac 4771:La Micoque 4753:Cro-Magnon 4712:Bara Bahau 4656:Býčí skála 4604:Vela Spila 4563:Devetashka 4558:Bacho Kiro 4295:trepanning 4188:Ring cairn 4146:Jar burial 4129:transepted 4061:U.S. sites 3962:Petroglyph 3888:Bird stone 3846:wine press 3519:Stone roof 3502:Roundhouse 3394:long house 3371:Stonehenge 3339:Ceremonial 3283:Stone tool 3110:Tool stone 3080:Metallurgy 2984:Mousterian 2961:Toolmaking 2899:Cumberland 2872:Transverse 2842:Schöningen 2734:Qesem cave 2702:Earth oven 2656:Irrigation 2567:Technology 2535:Prehistory 2482:See also: 2378:(Rionansa) 2183:Complutum, 1760:References 1741:Gravettian 1506:fossilis). 1456:tamponados 443:Mousterian 287:Designated 205:Designated 130:43°17′20″N 8437:Nanumanga 8421:Falemauga 8332:Makauwahi 8101:Australia 8057:Trinchera 7932:La Grange 7902:Gatecliff 7897:Franktown 7892:Fort Rock 7872:Dry Creek 7790:Toquepala 7754:Sac Actun 7744:Ox Bel Ha 7734:Frightful 7719:Coxcatlan 7698:Long Mile 7452:Quadiriki 7429:Argentina 7267:Diepkloof 7252:Boomplaas 7207:Minnaar's 7192:Kromdraai 7141:Laas Geel 7136:Dhaymoole 7131:Dhambalin 7094:Apollo 11 6995:Liphofung 6921:Shum Laka 6884:Gueldaman 6838:Con Moong 6715:Sri Lanka 6662:Palestine 6636:Padah-Lin 6573:Ksar Akil 6505:Yamashita 6490:Pinza-Abu 6296:Pettakere 6291:Liang Bua 6274:Indonesia 6260:Pahargarh 6245:Bhimbetka 6203:Lene Hara 6193:Jerimalai 6172:Zengpiyan 6162:Yuchanyan 5962:Long Hole 5859:del Valle 5834:dels Bous 5787:la Pileta 5722:Atapuerca 5637:Covalanas 5535:Pešturina 5463:Muierilor 5453:Coliboaia 5365:Svarthola 5181:Theopetra 5171:Petralona 5156:Franchthi 5146:Asphendou 5102:Gibraltar 5072:Baumann's 5062:Vogelherd 5037:Bockstein 5016:Vallonnet 5011:Rochereil 5001:Raymonden 4991:Noisetier 4943:Bruniquel 4864:Marsoulas 4854:Lombrives 4849:La Marche 4775:La Mouthe 4741:Abri Audi 4719:Cap Blanc 4661:Koněprusy 4651:Amatérská 4619:Veternica 4568:Kozarnika 4542:Ledenjača 4466:Tischofer 4456:Lurgrotte 4339:symbolism 4203:Tor cairn 4161:Grønsalen 4102:Cremation 3994:Sculpture 3972:Pictogram 3957:Petroform 3777:amber use 3745:Cosmetics 3555:Reservoir 3540:Check dam 3470:Pueblitos 3465:Pit-house 3448:Longhouse 3382:Dwellings 3251:Microlith 3182:Bow drill 3177:Bone tool 3170:prismatic 2979:Acheulean 2894:Cresswell 2867:Arrowhead 2793:Boomerang 2709:Granaries 2671:Terracing 2550:Stone Age 1975:Complutum 1879:Complutum 1427:tamponado 1422:tampanado 1087:tamponado 1079:tamponado 1068:dualism. 1019:Gallery C 781:Gallery B 733:4th Group 718:3rd Group 598:from the 382:Discovery 368:Solutrean 355:Pas River 333:Cantabria 133:3°57′56″W 114:Cantabria 8278:Warratyi 8263:Tarragal 8253:Nunamira 8238:Murujuga 8203:Kutikina 8198:Koonalda 8193:Koongine 8153:Cliefden 8148:Cave Bay 8047:Tomaquag 8032:Sisyphus 7962:Mantle's 7952:Lovelock 7947:LoDaisKa 7927:Humboldt 7811:Werehpai 7804:Suriname 7714:Chan Hol 7633:Centella 7623:Ambrosio 7575:Colombia 7540:Bluefish 7384:Zimbabwe 7321:Tanzania 7307:Stadsaal 7212:Motsetsi 7182:Gondolin 7172:Drimolen 7167:Cooper's 7062:Taforalt 7032:Hercules 6958:Swimmers 6930:DR Congo 6914:Cameroon 6893:Botswana 6763:Tham Lod 6753:Pha Taem 6746:Thailand 6727:Belilena 6645:Pakistan 6613:Mongolia 6597:Malaysia 6558:Antelias 6500:Tobayama 6454:Zuttiyeh 6373:Shanidar 6235:Ambadevi 6152:Tianyuan 6132:Baishiya 6109:Cambodia 5849:El Mirón 5844:Guanches 5819:Armintxe 5737:Bacinete 5682:Altxerri 5671:El Pendo 5641:La Garma 5623:Altamira 5580:Slovenia 5571:Jasovská 5554:Slovakia 5540:Risovača 5494:Denisova 5458:Cuciulat 5412:Furninha 5407:Escoural 5395:Portugal 5386:Paradise 5381:Obłazowa 5315:Loschbur 5255:Paglicci 5238:Corbeddu 5120:Vanguard 5115:Gorham's 4996:La Quina 4939:Bouillon 4926:Aurignac 4730:Reverdit 4715:Bernifal 4594:Grapčeva 4551:Bulgaria 4511:Scladina 4498:Naulette 4461:Salzofen 3977:Rock art 3940:painting 3913:Geoglyph 3738:timeline 3718:Beadwork 3458:Mehrgarh 3453:Mudbrick 3361:megalith 3236:Fire-saw 3058:debitage 3053:analysis 3021:Hand axe 3001:Cupstone 2579:Glossary 2540:Timeline 2462:Altxerri 2458:310-018: 2452:310-017: 2442:310-016: 2436:310-015: 2430:La Garma 2426:310-014: 2420:310-013: 2414:310-012: 2404:310-011: 2398:310-010: 2388:310-009: 2382:310-008: 2372:310-007: 2366:310-006: 2360:310-005: 2354:310-004: 2344:310-003: 2338:310-002: 2332:Altamira 2328:310-001: 2229:22700921 1839:29472483 1627:Reindeer 1462:See also 886:panel 51 872:panel 50 858:panel 59 829:Panel 57 805:Panel 53 510:reindeer 430:covachas 282:Monument 279:Criteria 197:Criteria 192:Cultural 116:), Spain 106:Location 8389:Chugai' 8371:Ruakuri 8306:Gadao's 8283:Warreen 8218:Mammoth 8188:Jenolan 8133:Blanche 8113:Acheron 8090:Oceania 8062:Ventana 8042:Tainter 8017:Russell 8002:Pendejo 7997:Paisley 7957:Mammoth 7877:Durango 7837:Bonfire 7691:Jamaica 7658:Curaçao 7597:Sáchica 7582:El Abra 7566:Milodón 7509:Peruaçu 7499:Maquiné 7391:Bambata 7370:Kalemba 7242:Blombos 7187:Haasgat 7108:Nigeria 7087:Namibia 7025:Morocco 6988:Lesotho 6900:Tsodilo 6877:Algeria 6831:Vietnam 6791:Belbaşı 6777:Dzhebel 6732:Fa Hien 6691:Kalanay 6652:Sanghao 6629:Myanmar 6568:Kaukaba 6551:Lebanon 6439:Raqefet 6409:Misliya 6394:HaYonim 6342:Warwasi 6317:Darband 6312:Bisitun 6281:Harimau 6255:Gudiyam 6250:Edakkal 6212:Georgia 6157:Xianren 6085:Damjili 6080:Buzeyir 6054:Areni-1 6047:Armenia 5972:Oldbury 5937:Gough's 5922:Cathole 5896:Verteba 5889:Ukraine 5446:Romania 5437:Salemas 5402:Aroeira 5233:Cavallo 5218:Addaura 5197:Baradla 5190:Hungary 5141:Apidima 5025:Germany 4981:Lazaret 4909:Villars 4829:Cosquer 4809:Chauvet 4787:Lascaux 4685:Finland 4609:Vindija 4599:Krapina 4587:Croatia 4507:Ramioul 4475:Belgium 4451:Gudenus 4439:Austria 4334:Symbols 3945:pigment 3831:Weaving 3794:Cardium 3789:Pottery 3784:Mirrors 3772:Jewelry 3713:Baskets 3693:culture 3545:Cistern 3351:Pyramid 3293:Weapons 3271:Scraper 3261:Racloir 3221:Cleaver 3209:Chopper 3115:Uniface 3026:Grooves 3016:Hafting 2974:Oldowan 2933:Systems 2884:Cascade 2847:woomera 2837:harpoon 2810:history 2776:Hunting 2756:Pottery 2697:Cooking 2606:Farming 2572:history 2545:Outline 2237:7807664 2209:Bibcode 2201:Science 1807:Bibcode 1799:Science 1603:Mammoth 1571:Aurochs 1045:Gallery 687:bandera 522:mammoth 514:chamois 508:), two 506:aurochs 467:facing 321:Spanish 234:310-011 220:Part of 212:session 8430:Tuvalu 8366:Moncks 8350:Pindai 8325:Hawaii 8316:Talagi 8311:Mahlac 8173:Fossil 8158:Cloggs 8143:Burrup 8022:Sandia 7967:Marmes 7912:Hidden 7907:Graham 7862:Danger 7847:Burnet 7707:Mexico 7682:Pomier 7643:Patana 7628:Calero 7607:Tibitó 7533:Canada 7494:Gentio 7487:Brazil 7461:Belize 7375:Mumbwa 7363:Zambia 7347:Uganda 7328:Kondoa 7302:Sibudu 7247:Border 7202:Malapa 7078:Ngalue 6953:Beasts 6937:Matupi 6866:Africa 6796:Karain 6784:Turkey 6758:Spirit 6696:Minori 6686:Callao 6670:Shuqba 6514:Jordan 6485:Ōzakai 6480:Muroya 6429:Qafzeh 6399:Kebara 6382:Israel 6352:Yafteh 6347:Wezmeh 6177:Zhiren 6090:Tağlar 5992:Thor's 5927:Coygan 5875:Bichon 5829:Bedmar 5797:Sidrón 5633:Chufín 5566:Domica 5523:Serbia 5477:Russia 5374:Poland 5358:Norway 5292:Kosovo 5275:Jersey 5260:Romito 5202:Szelim 5161:Kleidi 5129:Greece 4834:Cussac 4824:Gargas 4779:Pataud 4701:France 4671:Mladeč 4628:Cyprus 4573:Magura 4537:Badanj 4530:Bosnia 4428:Europe 4312:flutes 4107:Dolmen 4031:Burial 3841:winery 3814:Linear 3644:Midden 3622:Cursus 3615:Goseck 3475:Pueblo 3426:Dugout 3411:Burdei 3090:Mining 2914:Lamoka 2909:Folsom 2889:Clovis 2746:Metate 2724:Hearth 2692:Basket 2666:Sickle 2460: 2444: 2428: 2406: 2390: 2376:Chufín 2374: 2346: 2330: 2271:Sala C 2235: 2227: 2142: 2035: 1994: 1948: 1928: 1887:Madrid 1837: 1779: 1547:Cattle 1063:Zone D 1056:ochres 835:named 756:Fourth 460:French 337:UNESCO 240:Region 200:i, iii 8414:Samoa 8268:Ubirr 8258:ORS 7 8027:Shoup 7987:Mummy 7982:Modoc 7972:Martz 7922:Hogup 7832:Baker 7648:Pluma 7554:Chile 7519:Santo 7445:Aruba 7414:North 7354:Nyero 7338:Mumba 7262:Cango 7004:Libya 6967:Kenya 6946:Egypt 6843:Ngườm 6706:Tabon 6563:Jeita 6463:Japan 6449:Tabun 6444:Skhul 6434:Qesem 6404:Manot 6265:Tikla 6240:Belum 6228:India 6198:Laili 6147:Luobi 6137:Fuyan 6125:China 6100:Gazma 6075:Azykh 6070:Allar 5957:Kents 5824:Axlor 5814:Antón 5809:Ángel 5767:Nerja 5705:Araña 5611:Spain 5602:Potok 5597:Pekel 5587:Betal 5324:Malta 5249:Felci 5211:Italy 5092:Ofnet 4952:Cauna 4948:Calès 4921:Arago 4899:Renne 4879:Niaux 4676:Šipka 4666:Kůlna 4493:Goyet 4488:Engis 4229:sites 4173:Mummy 3893:Cairn 3809:Jōmon 3760:shoes 3755:Hides 3627:Henge 3581:Broch 3443:Jacal 3298:Wheel 3246:Knife 3192:Canoe 3187:Burin 3165:Blade 3063:flake 2924:Plano 2832:baton 2822:Spear 2788:Arrow 2741:Manos 2594:Tools 2464:(Aia) 2233:S2CID 1559:Bison 1538:Horse 1479:Notes 1362:Vulva 898:Male 554:vulva 469:equus 315:, or 210:(9th 208:1985 8457:Cave 8405:Kilu 8298:Guam 8138:Bone 7942:Levi 7882:Dust 7763:Peru 7666:Hato 7638:Cura 7616:Cuba 7561:Fell 7416:and 7333:Bahi 6604:Niah 6530:Laos 6389:Amud 6361:Iraq 6305:Iran 6020:Asia 5987:Sand 5772:Niño 5468:Oase 5243:Deer 4971:Fées 4692:Wolf 4322:gudi 4080:Cist 4009:list 3836:Wine 3765:Ötzi 3750:Glue 3723:Beds 3691:and 3689:Arts 3560:Well 3416:Cave 3346:Kiva 3276:side 3266:Rope 3214:tool 3148:bone 3138:Adze 2904:Eden 2817:Nets 2687:Fire 2651:Goad 2636:Celt 2225:PMID 2140:ISBN 2033:ISBN 1992:ISBN 1946:ISBN 1926:ISBN 1835:PMID 1777:ISBN 1681:Hand 1652:Sign 1643:Fish 1615:Ibex 1591:Deer 1185:Rods 988:The 938:The 900:ibex 837:alfa 754:The 681:The 672:ibex 622:The 563:The 516:, a 502:ibex 424:and 351:cave 349:The 271:Type 189:Type 7115:Rop 6095:Zar 4930:Azé 4516:Spy 3431:Hut 3366:row 3197:Oar 3155:Axe 3143:Awl 2217:doi 2205:336 1885:of 1825:hdl 1815:doi 1803:359 465:bos 331:in 8488:: 2231:. 2223:. 2215:. 2203:. 2043:^ 1833:. 1823:. 1813:. 1801:. 1797:. 1679:: 1650:: 1641:: 1625:: 1613:: 1601:: 1589:: 1569:: 1557:: 1545:: 1536:: 346:. 5701:) 4383:e 4376:t 4369:v 2516:e 2509:t 2502:v 2300:e 2293:t 2286:v 2239:. 2219:: 2211:: 2146:. 1841:. 1827:: 1817:: 1809:: 1699:? 1693:F 1687:H 1677:M 1668:2 1666:S 1659:1 1657:S 1648:S 1639:P 1622:4 1620:C 1610:3 1608:C 1598:2 1596:C 1586:1 1584:C 1578:C 1566:2 1564:B 1554:1 1552:B 1543:B 1534:A 1496:" 908:( 214:) 112:(

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

Cave of La Pasiega

Index