255:, Rod Rodgers, Gus Solomon and Pearl Reynolds, Johnson established the Association of Black Choreographers, which was predecessor to the Modern Organization for Dance Evolvement . Its stated emphases were "to be of service to professionals in dance, and to be an educational and informational organisation for the general public and people in other professions interested in dance", and its 12 listed goals showed a focus on black dance.
1333:
270:), a magazine for black dancers which was published from 1970 to 1973 (23 issues) as a project of MODE, with its final anniversary edition published in June 1973. Bernadine Jennings, who worked under Johnson at the time and later established and ran Dance Giant Steps to promote professional dance artists and companies, was a contributor to the magazine. Contributors included
447:
to develop a six-week dance training program. This opened with a performance by Pastor Brady's
Yelangi Dance Company and Stephen Mam's Torres Strait Island / Waiben Dancers. In 1976 this program grew into a professional dance course for Indigenous Australians, called "Careers in Dance", which became
363:
on this tour, which, according to
Johnson, "really excited the blacks who saw for the first time how the contemporary arts could be used to convey relevant social messages". Johnson, who was at that time the leading dancer in the company, decided to stay on in Australia for a while, to help develop
415:(of the Australia Council). She strove to see urban Aboriginal people reconnecting to their roots, with their diverse communities getting together to produce song and dance, at the same time providing exposure of these cultures to a wider (non-Indigenous) audience. She was involved with
423:
in 1974, and then ran workshops in contemporary dance workshops in collaboration with the Black
Theatre workshop, which had been created in Sydney by Jenny Sheehan (aka Jenni(e) van de Steenhaven), a young non-Indigenous drama student from the
247:
at the
Choreographic Workshop Series of the Association of Black Choreographers. She later said that "Pomare made me the dancer that I am today... I was very technical, which he liked, but he managed to pull all my emotion out".
406:
Johnson returned to
Australia twice during the following three years to hold workshops in Sydney. By 1973, Redfern had become a hive of social and political activity and activism. She became involved with the
1067:
539:. Her thesis is entitled "NAISDA and Indigenous urban Dance in Australia in the 1980s: A story of political activism, community development and transnational cooperation and creativity!".
371:
At the
Adelaide Festival, Johnson was introduced to Jennifer Isaacs, Indigenous officer for the Australia Council, by South African visual artist Bauxhau Stone (who had been working with
327:
Johnson's work contributed to a definition of "Black dance"; she saw it as "first and foremost, movement that is not limited to any one particular technique, vocabulary or style".
239:
and focused on "the black experience through political expression", and
Johnson became a principal dancer within the troupe. In December 1966, Johnson performed the work presented
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456:(AIDT), the first Aboriginal and Torres Strait Islander contemporary dance company, developed out of AISDS, as a student performing group (and later separated from NAISDA).
449:
115:
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297:, an early teacher of many later luminaries); a television panel discussion; a community dance series; and the First National Congress on Blacks in Dance, held at
634:, moving to Australia as a teenager in 1969. Stone participated in the six-week Black Theatre workshop established by Carole Johnson in Redfern, Sydney in 1975."
448:
a subsidiary of the
Aboriginal Islander Skills Development Scheme (AISDS), with Johnson as founding executive director. (Later, in 1988, this was renamed
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artists in the
Central Desert). This meeting led to funding for Johnson to deliver training in the form of dance workshops in the inner-Sydney suburb of
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took over the directorship in 1991, and
Johnson continued her work in related venues, dividing her time between Australia and the United States.
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Many academic and other works cite the influence of Johnson on Indigenous Australian dance as well as the definition of black dance.
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became the new head of the organisation, and AISDS was renamed National Aboriginal Islander Skills Development Association (NAISDA).
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200:, and graduated in 1963 with a Bachelor of Arts. During her studies, she also attended further technique classes with the
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Portraits of Cheryl Stone during an oral history interview at the National Library of Australia, 20 June 2012 (picture)
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Dreaming tracks: History of the Aboriginal Islander Skills Development Scheme, 1972-1979: Its place in the continuum
228:. She also performed with a number of ballet companies, including Ballet Guild, Ballet Players and Ballet Concepts.
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Aboriginal Contemporary Dance Practice: Embodying Our Ways of Being, Knowing and Doing through Dance Storying
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Aboriginal Contemporary Dance Practice: Embodying Our Ways of Being, Knowing and Doing through Dance Storying
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that had been established in Redfern, at the same time being appointed as urban theatre consultant for the
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To be part of an Aboriginal dream of self-determination : Aboriginal activism in Redfern in the 1970s
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Craik, Jennifer (2007). "Appendix B.: Key moments in Australian arts and cultural policy development".
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1790:. An oral history interview recorded 7-8 February 2011 at the National Library of Australia, Canberra.
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and her daughter Tracey; and sisters Elsie and Joanne Vesper. Johnson compared the situation of urban
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177:(who founded the school in the mid-1950s, and mentored black students there). She also trained under
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Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance
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1222:"A terminology of difference: making the case for black dance in the 21st century and beyond"
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1068:"To make black bodies strange: Social critique in concert dance of the Black Arts Movement"
878:""Breakin' the Rules": Eleo Pomare and the Transcultural Choreographies of Black Modernity"
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With the Eleo Pomare company, Johnson danced in the following works, among others:
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935:"Keepers of the legacy: Eleo Pomare's map of artistic social justice and protest"
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558:, "For service to Australian society through dance and the Indigenous community"
1671:. Celebrating Dance in Asia and the Pacific. Taylor & Francis. p. 60.
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The University of Newcastle, Australia: Purai Global Indigenous History Centre
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Re-Visioning Arts and Cultural Policy: Current Impasses and Future Directions
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The feet : the monthly arts and dance maganews [catalogue entry]
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to study traditional dance in those countries, and to study and teach at the
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As of May 2021, she was conducting a postgraduate degree by research at the
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1555:"Bangarra Dance Theatre marks 30 years with digital archive and exhibition"
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In 1972, the Eleo Pomare Dance Company toured to Australia to perform the
216:, at the same time teaching at various schools in New York, including the
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Dancing Revelations: Alvin Ailey's Embodiment of African American Culture
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After graduating from high school, she was introduced to modern dance at
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Text may have been copied from this source, which is available under a
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In 1989, she co-founded, along with Rob Bryant and South-African-born
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https://www.nypl.org/blog/2024/02/12/social-choreography-dancemobile
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Eleo Pomare was interviewed by The HistoryMakers on April 18, 2007.
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in Australia. Early in her career she became a lead dancer in the
1314:"National Aboriginal and Islander Skills Development Association"
643:
Superseding department name of Department for Community Services.
524:, developing arts workshops for isolated Indigenous communities.
309:
1156:"Great Performances: Free To Dance - Dance Timeline (1970-1976)"
1010:"Association of Black Choreographers, Inc. : New York (US)"
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descent. Her father, Fred S. A. Johnson, formed a branch of the
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conditions in New York. She left Australia after the workshop.
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91:
1581:"Dreaming the future: the emergence of Bangarra Dance Theatre"
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Staying in NYC, Johnson continued dance studies in ballet and
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In 1994 she returned to Australia to work full-time with the
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517:, and lectured on contemporary Australian Indigenous dance.
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She is also an activist, arts administrator and researcher.
126:, and Pomare had a profound influence on her dancing style.
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National Aboriginal Islander Skills Development Association
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National Aboriginal Islander Skills Development Association
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catalogue, "Stone was born in South Africa and grew up in
509:
In the U.S., Johnson worked at Black Dance conferences in
803:"Marion Cuyjet & Betty Nichols' Orbit: Antony Tudor"
1668:
Shaping the Landscape: Celebrating Dance in Australia
1415:
Harris, Jodie; National Library of Australia (2012),
459:
Over the years, Johnson developed relationships with
1526:"Central Coast to benefit from cultural investment"
1042:. Great Performances: Free To Dance - Biographies
304:In 1971, Johnson was awarded a fellowship by the
258:In 1970 Johnson founded and became the editor of
114:, known for her role in the establishment of the
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383:participated). As part of the drive to save the
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359:. The company performed their signature piece
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1281:"Arthur Mitchell: Harlem's Ballet Trailblazer"
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169:as a child. As a teenager, she studied at the
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1140:V. 1, issues 1-23, inc. (June 1970-June 1973)
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1779:Carole Johnson interviewed by Lee Christofis
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1111:. Modern Organization for Dance Evolvement.
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716:"Carole Johnson Aboriginal Dance portfolios"
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725:. Compiled by Valerie Wingfield, 2013. 2013
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1797:Carole Johnson: Dance: A Legend's Journey
1386:"NAISDA Dance College - Full record view"
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1338:Attribution 2.0 Australia (CC BY 2.0 AU)
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1189:. Oxford University Press. p. 116.
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548:1999: Induction into the Hall of Fame,
522:Department of Human Services and Health
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1804:(57:36), interview with Tracie O'Keefe
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939:The University of Newcastle, Australia
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529:Purai Global Indigenous History Centre
1705:. Palgrave Macmillan US. p. 55.
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1252:"Bernadine Jennings papers 1969-2005"
366:Aboriginal and Torres Strait Islander
192:. In 1960, she was accepted into the
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1579:Burridge, Stephanie (October 2002).
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1220:Amin, Takiyah Nur (September 2011).
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876:Fensham, Rachel (10 December 2012).
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106:(born 1940) is an African American
13:
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999:summarising the videoed interview.
669:Robinson, Raymond Stanley (2000).
251:During September 1966, along with
137:Carole Yvonne Johnson was born in
14:
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1699:Gottschild, Brenda Dixon (2016).
454:Aboriginal Islander Dance Theatre
1751:Port, Rheannan (December 2020).
1665:Burridge, S.; Dyson, J. (2020).
1553:Tan, Teresa (13 December 2019).
1350:Port, Rheannan (December 2020).
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1160:Thirteen - New York Public Media
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1077:. p. 84-93. Archived from
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580:The Angels Are Watching Over Me
301:, from 26 June to 1 July 1973.
218:Waltann School of Creative Arts
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118:(NAISDA), and as co-founder of
1230:Journal of Pan African Studies
953:
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357:Australia Council for the Arts
299:Indiana University Bloomington
278:(a founding contributor), and
1:
1833:American women choreographers
1435:Perheentupa, Johanna (2013).
1286:Columbia University Libraries
650:
628:National Library of Australia
426:University of New South Wales
389:The Challenge - Embassy Dance
613:
173:under British choreographer
7:
995:Includes link to extensive
35:1940 (age 83–84)
10:
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1585:Australasian Drama Studies
892:Cambridge University Press
493:, and became its founding
399:to Black people living in
1818:Adelphi University alumni
1738:"Johnson, Carole (1940-)"
1644:Bangarra Knowledge Ground
1485:. ANU Press. p. 78.
1422:(Photo + catalogue notes)
1183:DeFrantz, Thomas (2006).
1066:DeFrantz, Thomas (1998).
901:10.1017/s0149767712000253
854:"Johnson, Carole (1940-)"
681:Western Sydney University
436:. Coe and Maza were from
393:Euphemia "Phemie" Bostock
337:Adelaide Festival of Arts
235:. The company practised
233:Eleo Pomare Dance Company
171:Philadelphia Ballet Guild
124:Eleo Pomare Dance Company
86:
78:
60:
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27:
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1319:The Dictionary of Sydney
1075:Theatrical Interventions
977:"Eleo Pomare: Biography"
773:(Audio (1:11:21) + text)
570:
443:In 1975 she worked with
245:Elizabeth Cameron Dalman
133:Early life and education
1848:Juilliard School alumni
1843:American modern dancers
1838:American choreographers
1763:University of Melbourne
1362:University of Melbourne
1257:New York Public Library
721:New York Public Library
550:Australian Dance Awards
533:University of Newcastle
505:Later work and research
478:In 1988, Johnson left,
385:Aboriginal Tent Embassy
243:with Australian dancer
231:In 1966 she joined the
1451:10.26190/UNSWORKS/2521
883:Dance Research Journal
743:: CS1 maint: others (
543:Recognition and awards
491:Bangarra Dance Theatre
417:Sydney Theatre Company
409:National Black Theatre
397:Aboriginal Australians
364:dance performances by
306:New York State Council
289:In the final issue of
120:Bangarra Dance Theatre
96:Bangarra Dance Theatre
1312:Pollock, Zoe (2008).
1036:"Rod Audrian Rodgers"
585:Construction in Green
413:Aboriginal Arts Board
241:Gin. Woman. Distress.
190:Garden City, New York
165:, and she trained in
157:, and Carole grew up
104:Carole Yvonne Johnson
32:Carole Yvonne Johnson
595:Gin, Woman, Distress
361:Blues for the Jungle
282:was later edited by
1759:Master of Fine Arts
1640:"Carole Y. Johnson"
1391:Libraries Australia
1358:Master of Fine Arts
783:. 17 September 2017
355:, supported by the
322:University of Ghana
274:, Rod Rodgers, and
108:contemporary dancer
65:Contemporary dancer
1288:Online Exhibitions
1261:. 22 February 1999
777:Delving into Dance
421:Cradle of Hercules
179:Sydney Gibson King
155:North Philadelphia
73:Arts administrator
1785:, 7 February 2011
1783:(Audio (5:50:34))
1712:978-1-137-51235-2
1678:978-1-000-36575-7
1646:. 27 October 2021
1531:. Media release.
1492:978-1-921313-40-0
1196:978-0-19-530171-7
1016:. 16 January 1968
981:The HistoryMakers
781:Ausdance Victoria
626:According to the
563:Impact and legacy
495:artistic director
480:Raymond D. Blanco
473:Mornington Island
452:, or NAISDA. The
331:Work in Australia
161:. The family was
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79:Years active
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809:. 25 August 2021
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770:"Carole Johnson"
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167:classical ballet
147:African-American
82:1960s to present
55:Juilliard School
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1617:. 16 March 2020
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604:Jailhouse Blues
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556:Centenary Medal
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202:New Dance Group
186:Adelphi College
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1718:2 September
1684:2 September
1621:1 September
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1522:Harwin, Don
1464:2 September
1443:UNSW Sydney
1367:2 September
1237:(6): 12,15.
1202:2 September
1088:1 September
1046:1 September
1020:1 September
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272:Chuck Davis
253:Eleo Pomare
226:Harlem YMCA
224:and at the
139:Jersey City
41:, PA., U.S.
1812:Categories
651:References
276:Zita Allen
214:jazz dance
143:New Jersey
1650:29 August
1593:0810-4123
1538:27 August
1506:27 August
1397:29 August
1325:29 August
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1559:ABC News
1340:licence.
1259:Archives
1136:WorldCat
1040:Thirteen
739:cite web
723:Archives
465:Yirrkala
434:Bob Maza
430:Paul Coe
341:Adelaide
291:The Feet
280:The Feet
268:The FEET
264:THE FEET
260:The Feet
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