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435:; its intro features "the sound of tires swishing across wet pavement during a rainstorm". The thunderclaps were captured in stereo by engineer Marlin Greene during a storm that interfered with the studio's power twice. Two cheerful songs follow–"Cajun Love Song" and "Roller Derby", the latter a rock and roll song with
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reviewed the album as a "Recording of
Special Merit", classifying the performance as 'Really fine' and the recording as 'Excellent'. In his review, he commented that Russell's artistry had increased with each album and praised his uniqueness, believing he repeatedly makes "the right decision" in his
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of voices." Russell sent the musicians into the studio at different times to "play anything they wanted, only allowing them to hear sample snippets of what else was on the track." Janovitz called it "a way to keep the salaried band members occupied, as he could not churn out songs quickly enough to
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as "an off-kilter, confused, fascinating album." He considered the second side to deflate the first side, believing it to be intriguing at times but "just too fuzzy" and inconsequential. He believed that the first side is "already odd enough, but in a meaningful way; here, his fascination with
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wrote that
Russell comes over as "a slightly off-beat surprise and a revelation into the mind of a 'superstar'." They noted that the album draws unobvious parallels between Russell's life and "an old-fashioned
326:; there isn't a unifying theme, but you come away from it thinking there is. Perhaps that's because of the role Russell portrays here, casting himself as a wanderer making entries in a musical diary."
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stranded in a gnarled swamp. But it's mostly a collection of sedate and reflective songs." Music critic Joel Vance highlighted
Russell's uniqueness as being aided by "his whorehouse piano style and
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tracks, a reflection of
Russell's perverse album sequencing. The first of these is the title track, a "Fellini-esque" piece described by Janovitz as "a comic wheezing-waterlogged
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journey out in the woods of his newfound fame", veering between "ambivalence and outright rejection of that celebrity." He added: "At times, the album sounds like a demented
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685:(1981), Christgau wrote: "Not the radical falloff some report — just slippage, the first side listenable and the second flaky." He reserved praise for "If the Shoe Fits".
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was released. I started experimenting then with the crew to see if we couldn't come up with something else, sort of an open season on music." The record's producer,
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examination of
Russell's newfound fame, it was inspired by the musician's personal downsides in being a celebrated live performer. The album has been described as
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675:", and believed it to be an "amazingly insightful work" that will enchant fans of the singer, whose "exaggerated twang" they deemed the most delightful in
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contends that the song is "a cheap shot at hangers-on that says more about the performer's lot than 'Tight Rope' and 'Magic Mirror' put together."
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which is the only track not credited solely to
Russell. Vance compares it to a "cheapo space movie" soundtrack, while Janovitz calls it an "
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339:(1970), which used similar metaphors for "the pitfalls of being famous travelling musicians." As Phil Hardy and Dave Laing commented,
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appeared at the height of Leon
Russell's popularity, both as a recording artist and live performer. It reached number two on the US
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is interesting for balance both the rootsy and psychedelic material, but "interesting doesn't equal compelling, as the whole of
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an "off-kilter" album that consolidates both extremes of
Russell's oeuvre, with side one featuring relatively straightforward
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on the bridge. Vance calls it a bouncy song with "nice rhythm breaks". The percussion-heavy "Out in the Woods" is sung in a "
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choir near its conclusion, while "Me and Baby Jane" is about a childhood sweetheart who dies of an overdose – inspired by
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work. He added: "Only
Russell can sing so insinuatingly, which fits in perfectly with the 'Carney' role. He could be a
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is married to songs that work, instead of just being vehicles for tripping in the studio." He concluded that
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chart, and sold a million copies. "Tight Rope" was released as a single and was his only top ten hit on the
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s got that vaudeville thing. And then he started doing that stuff on stage ... They had a big fight over
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661:. Tempting, a little scary, a little sad, and damn good – Leon Russell can take care of himself."
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as a "poignantly stunning" album, and deemed it a semi-autobiographical work which uses "the
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1072:"A Recording Studio And Offices For Shelter Records: An Interview With Leon Russell"
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Leon
Russell: The Master of Space and Time's Journey Through Rock & Roll History
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1265:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 262.
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Side one opens with "Tight Rope", a hooky "cry for help" with vaudeville and
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Side two, known by some fans as the "psychedelic side", commences with two
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sound collage" which starts with "tormented ghostly moans sliding into a
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his tongue to keep time on breaks. The song's melodicism changes into
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All tracks composed by Leon Russell except where indicated.
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and was the first for Russell to contain a hit single — "
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Christgau's Record Guide: Rock Albums of the Seventies
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song describing individuals' reactions to rock stars;
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influences; the uncluttered arrangement also features
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Marlin Greene, John Lemay, Peter Nicholls – engineer
497:keep them busy." "If the Shoe Fits" is a satirical
343:shows a "different, mellower Russell" and, as with
730:theme as an analogy to his own punishing career."
260:. The record reflects the musician's interests in
1046:Hardy, Phil; Laing, Dave (2001). "Leon Russell".
852:Leon Russell – vocals, guitar, bass guitar, piano
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473:(1983). It is followed by "Acid Annapolis", a
1803:Albums recorded at Muscle Shoals Sound Studio
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1049:Faber Companion to 20th Century Popular Music
636:charts; it also reached number eleven on the
1818:Psychedelic music albums by American artists
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1460:Rhythm & Bluegrass: Hank Wilson, Vol. 4
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1070:Williams, David A. (December 10, 1974).
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715:The Virgin Encyclopedia of Popular Music
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1446:Legend in My Time: Hank Wilson Vol. III
1155:. London: Virgin Books. p. 1,049.
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1151:Larkin, Colin (1997). "Leon Russell".
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16:1972 studio album by Leon Russell
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226:" — which reached number 11 on the
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1176:Laing, David (November 14, 2016).
766:"Queen of the Roller Derby" – 2:22
760:"Manhattan Island Serenade" – 3:26
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1793:Albums produced by Denny Cordell
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1135:– via robertchristgau.com.
779:"Acid Annapolis" (Leon Russell,
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424:What Ever Happened to Baby Jane?
296:and side two profiling "twisted
236:Side one of the record profiles
1798:Albums produced by Leon Russell
1679:Rollin' in My Sweet Baby's Arms
1263:Australian Chart Book 1970–1992
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688:In a retrospective review for
369:. Dad hated it. He liked pure
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79:Paradise (Tia Juana, Oklahoma)
1:
1202:Vance, Joel (December 1972).
1016:Vance, Joel (December 1972).
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890:Gene Brownell – art direction
582:Encyclopedia of Popular Music
1338:Look Inside the Asylum Choir
1204:"Recording of Special Merit"
1018:"Recording of Special Merit"
979:. New York: Hachette Books.
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1686:I'm So Lonesome I Could Cry
877:John Gallie – Hammond organ
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1744:The Concert for Bangladesh
1439:Moonlight & Love Songs
920:Erlewine, Stephen Thomas.
463:-inspired sounds" used by
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1386:Hank Wilson's Back Vol. I
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1233:"Billboard Album Reviews"
893:Daniel Mayo – photography
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786:"If the Shoe Fits" – 2:23
757:"Me and Baby Jane" – 3:53
754:"Out in the Woods" – 3:35
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427:– and features piano and
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1738:A Poem Is a Naked Person
1700:Foggy Mountain Breakdown
1106:"Consumer Guide '70s: R"
763:"Cajun Love Song" – 3:08
712:bears out." Writing for
682:Christgau's Record Guide
570:Christgau's Record Guide
489:section set against the
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281:Musical style and themes
1611:Mad Dogs and Englishmen
1178:"Leon Russell obituary"
971:Janovitz, Bill (2023).
417:" voice and features a
286:Stephen Thomas Erlewine
52:June 26, 1972
1808:Shelter Records albums
1788:A&M Records albums
1414:Make Love to the Music
454:" that resembles "the
268:and also features two
1693:If I Were a Carpenter
799:"Magic Mirror" – 4:54
692:, Erlewine described
509:Release and reception
250:semi-autobiographical
1536:Hank Wilson, Vol. II
1522:Blues: Same Old Song
1424:Leon Russell Records
1116:Ticknor & Fields
973:"Chapter 19: Carney"
861:Joey Cooper – guitar
514:Professional ratings
76:(Sheffield, Alabama)
1778:Leon Russell albums
1568:Anything Can Happen
789:"My Cricket" – 2:56
659:the Illustrated Man
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316:accent". He said: "
70:Skyhill (Hollywood)
1589:On a Distant Shore
1393:Stop All That Jazz
628:Top LPs & Tape
619:Released in 1972,
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470:Swordfishtrombones
437:New Orleans boogie
1813:Roots rock albums
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1727:The Wrecking Crew
1717:The Church Studio
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1474:Angel in Disguise
1453:Face in the Crowd
1102:Christgau, Robert
870:Chuck Blackwell,
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823:Kent Music Report
664:In their review,
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415:Captain Beefheart
349:Frederico Fellini
242:psychedelic music
216:Billboard Hot 200
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1633:Live at Gilley's
1554:One for the Road
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1400:Will O' the Wisp
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1211:Stereo Review
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835:Billboard 200
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813:
811:Chart (1972)
810:
809:
798:
795:
791:
788:
785:
782:
778:
775:
774:
773:
772:
765:
762:
759:
756:
753:
750:
746:
745:
744:
743:
739:
734:Track listing
731:
729:
725:
721:
717:
716:
711:
707:
703:
700:
695:
691:
686:
684:
683:
679:. Writing in
678:
674:
669:
668:
662:
660:
656:
651:
650:
649:Stereo Review
644:
642:
640:
635:
634:
629:
627:
622:
586:
584:
583:
579:
578:
574:
572:
571:
567:
566:
536:
534:
531:
530:
522:
519:Review scores
517:
506:
504:
500:
495:
492:
488:
484:
480:
476:
475:sound collage
472:
471:
466:
462:
461:
457:
453:
449:
444:
442:
438:
434:
430:
426:
425:
420:
419:Zulu language
416:
412:
408:
404:
400:
396:
392:
382:
380:
376:
372:
371:rock 'n' roll
368:
364:
363:Denny Cordell
360:
356:
355:
350:
346:
342:
338:
337:
332:
327:
325:
324:
319:
315:
311:
307:
303:
302:Bill Janovitz
299:
295:
291:
287:
273:
271:
267:
263:
259:
258:circus clowns
255:
251:
247:
243:
239:
234:
232:
230:
225:
221:
217:
213:
209:
208:
193:
192:
188:
184:
183:
179:
175:
174:
170:
169:
165:
161:
157:
154:
150:
149:Denny Cordell
147:
145:
141:
137:
133:
130:
128:
124:
112:
108:
102:
99:
97:
94:
93:
91:
89:
85:
78:
75:
74:Muscle Shoals
72:
69:
68:
66:
62:
51:
47:
43:
38:
34:
30:
25:
20:
1753:
1736:
1631:
1624:
1617:
1609:
1587:
1582:Life Journey
1580:
1573:
1566:
1561:Looking Back
1559:
1552:
1546:Other labels
1534:
1527:
1520:
1513:
1506:
1486:
1479:
1472:
1465:
1458:
1451:
1444:
1437:
1432:Guitar Blues
1430:
1412:
1405:
1398:
1391:
1384:
1378:
1377:
1370:
1365:Leon Russell
1363:
1356:
1336:
1314:Leon Russell
1262:
1253:
1241:. Retrieved
1236:
1227:
1215:. Retrieved
1210:
1197:
1185:. Retrieved
1182:The Guardian
1181:
1171:
1152:
1129:. Retrieved
1109:
1079:. Retrieved
1075:
1065:
1053:. Retrieved
1048:
1041:
1029:. Retrieved
1024:
990:. Retrieved
976:
935:November 23,
933:. Retrieved
923:
770:
769:
741:
740:
737:
728:circus clown
723:
720:Colin Larkin
713:
709:
705:
693:
687:
680:
665:
663:
647:
645:
638:
631:
625:
620:
618:
580:
568:
468:
458:
448:experimental
445:
439:piano and a
422:
411:Howlin' Wolf
388:
378:
374:
358:
352:
345:Stage Fright
344:
340:
336:Stage Fright
334:
328:
321:
317:
306:surrealistic
289:
284:
270:experimental
246:surrealistic
235:
228:
212:Leon Russell
206:
205:
204:
191:Looking Back
189:
181:
180:
171:
160:Leon Russell
153:Leon Russell
42:Leon Russell
37:Studio album
1783:1972 albums
1722:Tulsa Sound
1603:Live albums
1529:Solid State
1467:Bad Country
1259:Kent, David
1243:December 1,
1217:December 1,
1055:December 1,
1031:December 1,
992:December 3,
872:Jim Keltner
856:Don Preston
821:Australia (
781:Don Preston
479:avant-garde
323:Rubber Soul
298:psychedelia
276:Composition
101:psychedelia
1772:Categories
1665:Tight Rope
1187:1 December
1125:089919026X
1081:1 December
898:References
865:Carl Radle
749:Tight Rope
722:described
494:tape loops
491:Chamberlin
456:Kurt Weill
441:Moog synth
429:pump organ
407:dissonance
391:music hall
367:vaudeville
294:roots rock
288:describes
262:vaudeville
238:roots rock
220:Tight Rope
162:chronology
96:Roots rock
56:1972-06-26
1755:The Union
1651:Lady Blue
1619:Leon Live
1575:The Union
1508:Americana
1237:Billboard
1131:March 12,
926:: Review"
882:Technical
847:Personnel
816:position
702:sideshows
699:Americana
667:Billboard
655:folk hero
639:Billboard
626:Billboard
465:Tom Waits
266:sideshows
254:carnivals
229:Billboard
1710:See also
1261:(1993).
1104:(1981).
930:Allmusic
796:" – 4:22
783:) – 2:51
771:Side Two
751:" – 2:59
742:Side One
718:(1997),
690:AllMusic
673:carnival
633:Cash Box
533:AllMusic
485:-warped
452:calliope
351:'s film
331:The Band
320:is like
314:Oklahoma
272:pieces.
144:Producer
49:Released
39: by
874:– drums
641:Hot 100
499:country
487:doo-wop
375:Carney'
233:chart.
231:Hot 100
222:" b/w "
195:(1973)
186:(1972)
177:(1971)
136:A&M
132:Shelter
54: (
1758:(film)
1379:Carney
1269:
1159:
1122:
983:
924:Carney
804:Charts
724:Carney
710:Carney
706:Carney
694:Carney
621:Carney
527:Rating
524:Source
403:clicks
379:Carney
359:Carney
341:Carney
318:Carney
310:circus
290:Carney
207:Carney
182:Carney
134:(US);
110:Length
64:Studio
22:Carney
1643:Songs
1213:: 100
1207:(PDF)
1027:: 102
1021:(PDF)
483:Zappa
413:-via-
395:dobro
385:Songs
127:Label
88:Genre
1267:ISBN
1245:2023
1219:2023
1189:2023
1157:ISBN
1133:2019
1120:ISBN
1083:2023
1057:2023
1033:2023
994:2023
981:ISBN
937:2010
814:Peak
677:rock
264:and
256:and
138:(UK)
643:.
467:on
381:."
333:'s
300:".
210:is
1774::
1235:.
1209:.
1180:.
1141:^
1118:.
1114:.
1108:.
1091:^
1074:.
1023:.
1002:^
975:.
945:^
928:.
906:^
840:2
837:)
828:6
825:)
575:B−
443:.
373:.
354:8½
119:34
115:37
1702:"
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1306:e
1299:t
1292:v
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1165:.
1085:.
1059:.
1035:.
996:.
939:.
922:"
792:"
747:"
117::
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
