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Carlo Bizzaccheri

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in 1690 and finished by Bizzaccheri from 1694–96 in tones that would determine the colour scheme of the rest of the church in the mid-18th century.
160:. He was very much at the forefront of stylistic change and anticipated later tastes as is demonstrated by his completion of the Cappella di 432: 126:
in Rome and finished the work on its chapel by 1700 where the dome is decorated to his design. 1700-02 he added the chapel's
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Bizzaccheri was never assigned any major tasks but nevertheless played an important role in the transformation of the
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in Rome and from 1712-19 he worked for the Tribunale delle Strade. He was also until 1715 the architect for the
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G B Falda, Il quatro libro del nuovo teatro delli palazzi in prospettiva di Roma moderna, Rome, 1699
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Memorial to the Principessa Flavia Bonelli, Chapel of the Madonna del Divino Aiuto (1691)
8: 99: 89: 34:(13 April 1655 Rome - 11 February 1721 Rome) was an Italian architect. He worked in a 326: 279: 123: 152:
vocabulary into the language of Roman rococo. This is exemplified by the facade of
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Tomb of Cardinal Cinzio Aldobrandini, 1705–1707, by Bizzaccheri and sculpture by
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Pontifical Academy of Fine Arts and Letters of the Virtuosi al Pantheon
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From 1709-12 Bizzaccheri was the architect of the Palazzo di
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Gemstone ciborium, altar of the Chapel of the Crucifix in
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Chapel of Sant'Antonio di Padova, San Isidoro, Rome (1681)
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Gate and garden wall, Villa Aldobrandini, Frascati, 1693
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Convent of San Basilio (minor work, late 17th century)
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Index


Sant’Isidoro a Capo le Case
Baroque
Rococo
Carlo Fontana
Carlo Rainaldi
Virtuosi al Pantheon
Accademia di San Luca

Pierre Le Gros the Younger
San Pietro in Vincoli
Giovanni Battista Pamphili Aldobrandini
Villa Aldobrandini
Frascati
Cinzio Aldobrandini
San Pietro in Vincoli
putti
Pierre Le Gros the Younger
Giovanni Antonio de' Rossi
Monte di PietĂ 
vestibule
San Luigi dei Francesi
cathedral
Orte
borrominesque
Sant’Isidoro a Capo le Case
portico
San Nicola di Bari
Santa Maria Maddalena
Mattia de Rossi

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