1886:
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1307:
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195:
rhythm: it is the three-pulse of the waltz against the four of the bell motif. When the bell motif is not in the bass it is found elsewhere, high up, having changed places with a brilliant passage of triplets now in the bass. When the music does stop, it is a call for attention to the spoken poem.
151:
and in order to conceal this fact an enormous bank of roses was built on the platform over which her head and shoulders appeared rather in the manner of a Punch and Judy show. Mme Brand put such energy into the performance that both Edward, who was conducting the orchestra, and I, who was sitting in
908:) that Liten "had the most wonderful voice in the memory of any living person ... for resonance, servicableness and charm the most remarkable I have ever heard from any actor. Add to this mastery of gesture and expression dictated by a refined intelligence and we get a rare personality."
135:
I ventured to suggest that he should not tie himself to the metre of the words, as he would have to do if the piece were treated as a song or choral item, but that he should provide an illustrative prelude and entr'actes as background music for a recitation of the
99:
History records the reasons why
Germany invaded and occupied "neutral" Belgium in August 1914, and the horrific events which followed when Belgium showed armed resistance: cities and people were destroyed, and the country put to almost complete ruin.
199:
Elgar's vigorous waltz-like tune is memorable, is in effect a song without words; and his orchestration perfectly appropriate. Both words and music are powerful, and the work succeeds remarkably by their contrast and support of each other.
187:) through the whole of the introduction before the first words are recited. The work is written in a triple metre. The opening tune is confident and waltz-like, and the accents of the scale motif, like a repeated
877:
Carlo Liten was born in 1879 in
Antwerp, Belgium of a Belgian father and Italian mother. He was a distinguished theatre actor and reciter, at the time well-known in Europe and America. He performed in Elgar's
864:
143:
Miss Burley was present at the premiere by Tita Brand at Queen's Hall, and related how it had to be arranged for her state to be hidden from the audience:
855:"PAY BELGIUM TRIBUTE IN BROOKLYN CONCERT; Mayor Hylan and Great Throng Hear 'Carillon' in Prospect Park --Ysaye, Conducts Hymn. (Published 1918)"
854:
88:
40:
744:
995:
1910:
776:(The Daily Telegraph, in conjunction with The Daily Sketch, The Glasgow Herald and Hodder & Stoughton, Christmas 1914)
116:
with contributions from leading artists, writers and musicians. Elgar was asked to contribute, and he remembered reading in
108:
on the
Flemish side of the country. There was much national sympathy: in London, at Christmas, a patriotic anthology called
1706:
1013:
140:
Elgar took Miss Burley's advice, and set the poem as narratives and recitatives interspersed with orchestral interludes.
1671:
1455:
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791:
112:("A tribute to the Belgian King and people from representative men and women throughout the world") was organised by
1323:
1207:
1086:
1075:
774:
King Albert's Book, a
Tribute to the Belgian King and People from representative men and women throughout the World
1513:
758:: a 1915 recording with Henry Ainley (speaker) and an orchestra conducted by Elgar, and a 1975 recording with
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173:
160:
The version for voice with piano accompaniment was published, with the French words only, in
1790:
1548:
1534:
1478:
1407:
1146:
120:
a poem by Émile
Cammaerts. Cammaerts was married to Tita Brand, the daughter of the singer
8:
1685:
1462:
1122:
1028:
101:
172:
An obvious characteristic of the music is the downward scale of four notes in the bass (
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29:
1832:
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the audience, trembled for the effect on her, but patriotic fervour won the day, and
1822:
1755:
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1634:
1620:
1606:
1555:
1371:
1355:
1284:
1271:
1231:
1052:
884:
75:
829:
Moore, Jerrold N. "Edward Elgar: a creative life" (Oxford
University Press, 1984)
1769:
1363:
1255:
898:
he acted in three films "The
Strongest" (1920), "L'Affaire du train" (1921) and "
59:
47:
36:
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1734:
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63:
208:
The original words are in French, with the
English translation by Tita Brand.
24:
is a recitation with orchestral accompaniment written by the
English composer
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1842:
1837:
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902:" (1922). It was said of him by John Palmer (assistant editor of the London
1847:
1713:
1627:
1004:
759:
51:
25:
1871:
1805:
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547:
271:
121:
784:
Sensibility and
English Song: Critical studies of the early 20th century
1527:
113:
747:
Richard Pascoe (narrator), Barry Collett (conductor), Rutland Sinfonia
55:
39:, London, on 7 December 1914, with the recitation by Cammaerts' wife
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762:
and the Kensington Symphony Orchestra conducted by Leslie Head
714:
Although our wounds may bleed, although our hearts may break,
667:
411:
192:
131:
Elgar's friend and candid biographer, Rosa Burley, recalled:
188:
468:
Même si les blessures saignent, même si le coeur se brise,
28:
as his Op. 75, in 1914. The words are by the Belgian poet
796:
708:
Although our wounds may bleed, although our voices break,
229:
Même si les blessures saignent, même si la voix se brise,
211:
The recitation starts after an orchestral introduction.
460:
Même si les blessures saignent, et si la voix se brise,
465:
Plus haut que la tourmente, plus fort que les canons,
234:
Plus haut que la tourmente, plus fort que les canons,
104:
and his army resisted but were quickly forced back to
87:, with the recitations by the Belgian dramatic artist
79:
were performed with success at a popular concert in
778:"Sold in aid of the Daily Telegraph Belgian Fund."
535:To the sound of the bugle, the sound of the drum,
314:Avec des branches de hêtre, de hêtre flamboyant,
191:of church bells, never coincide with the natural
124:who had sung in the first performance of Elgar's
62:and a military band. The band arrangement was by
1902:
754:has many historical recordings including two of
181:, A, G, F), which is a repeated accompaniment (
43:, and the orchestra conducted by the composer.
46:The work was performed in January 1915 at the
989:
58:on 28 August 1915, with the soprano the Hon.
711:Louder than the storm, louder than the guns,
514:Louder than the storm, louder than the guns,
387:Nous prierons la terre qu'ils ont tant aimée
996:
982:
797:Burley, Rosa; Frank C. Carruthers (1972).
473:Chantons l'espoir et la haise implacable,
322:Nous couvrirons les tombes de nos enfants.
586:With branches of beech, of flaming beech,
396:Et de les faire rêver de nouvaux combats:
147:...unfortunately Mme Brand-Cammaerts was
799:Edward Elgar: the record of a friendship
679:And of their triumphant entry, at last,
484:Quand la Vengeance nous serait si bonne!
636:We'll ask the earth they loved so well,
592:We'll cover the graves of our children.
393:De les réchauffer sur sa vaste poitrine
1903:
960:, Elgar Editions, Rickmansworth, 2001
958:Oh, My Horses! Elgar and the Great War
752:Oh, My Horses! Elgar and the Great War
431:Et de leur entrée triomphale, là-bas,
250:Quand la lâcheté nous serait si bonne.
977:
867:from the original on 27 October 2021.
645:And send them dreams of other fights,
259:Au son du tambour, au son du clairon,
1707:There are seven that pull the thread
801:. London: Barrie & Jenkins Ltd.
345:Où les peupliers tremblent doucement
786:(Cambridge University Press, 1985)
620:That they may bear with them beyond
481:Et la fierté de rester charitables
390:De les bercer dans ses grands bras,
237:Chantons l'orgueil de nos défaites,
13:
1672:Dry those fair, those crystal eyes
1341:Duett for trombone and double bass
642:To warm them on her mighty breast,
14:
1927:
726:When vengeance would be so sweet.
526:When cowardice might be so sweet.
353:Et où l'odeur des feuilles mortes
1885:
1884:
1454:
1322:
1305:
1175:
1085:
1074:
1003:
819:(Oxford University Press, 1968)
517:Sing of the pride of our defeats
16:1914 composition by Edward Elgar
947:King Albert's Book, pages 84–92
717:Sing of hope and fiercest hate,
639:To rock them in her great arms,
617:With the smell of dying leaves,
608:When the poplars tremble softly
950:
941:
932:
920:
911:
871:
847:
720:'Neath this bright Autumn sun.
520:'Neath this bright Autumn sun,
508:Although our wounds may bleed,
242:Par ce beau soleil d'automne,
35:It was first performed in the
1:
1192:Pomp and Circumstance Marches
766:
738:
614:And all the woods are scented
568:Although our brain may turn,
523:And sing of the joy of honour
476:Par ce beau soleil d'automne,
245:Et la joie de rester honnêtes
156:was performed without mishap.
1911:Compositions by Edward Elgar
723:Sing of the pride of charity
457:Chantons, Belges, chantons,
226:CHANTONS, BELGES, CHANTONS,
7:
1442:From the Bavarian Highlands
605:We'll choose a daylike this
565:Although our eyes may burn,
10:
1932:
511:Although our voices break,
94:
1880:
1859:
1815:
1505:
1425:
1400:
1333:
1294:
1106:
1063:
1020:
1011:
589:To the sound of the drum,
289:Même si les yeux brûlent,
286:En chantant notre gloire,
277:Dansons, Belges, dansons,
203:
1763:The Chariots of the Lord
1749:Was it some Golden Star?
1593:Is she not passing fair?
1208:Introduction and Allegro
840:
623:The perfume of our land.
337:Nous choisirons un jour,
167:
1828:Elgar Birthplace Museum
1542:Like to the Damask Rose
1514:The Language of Flowers
1264:Une voix dans le désert
1095:(1932–34; completed by
891:Une voix dans le désert
553:Dance, Belgians, dance,
1649:Sabbath Morning at Sea
1450:The Dream of Gerontius
1216:In the South (Alassio)
366:Afin qu'ils emportent
158:
138:
1742:Oh, soft was the song
1679:Always and Everywhere
1600:As I laye a-thynkynge
1570:Through the Long Days
1495:The Spirit of England
1163:Three Bavarian Dances
1045:The Starlight Express
956:Foreman, Lewis (ed.),
900:Les Mystères de Paris
750:The CD with the book
705:Sing, Belgians, Sing!
145:
133:
1791:The Immortal Legions
1155:Serenade for Strings
1014:List of compositions
505:SING, BELGIANS, SING
292:Si la tête s'égare,
60:Mrs. Julian Clifford
1686:Come, Gentle Night!
1584:The Shepherd's Song
1123:Powick Asylum Music
1029:Diarmuid and Grania
782:Banfield, Stephen,
772:Caine, Hall (ed.),
562:And our glory sing,
69:On 15 August 1918,
1784:The Blue Mountains
1721:Follow the Colours
1184:Cockaigne Overture
1037:The Crown of India
860:The New York Times
815:Kennedy, Michael,
374:Le parfum du pays.
361:Comme aujourd'hui,
358:Embaume les bois,
317:Au son du tambour,
162:King Albert's Book
126:Dream of Gerontius
110:King Albert's Book
1916:1914 compositions
1898:
1897:
1833:The Elgar Sisters
1798:Pageant of Empire
1549:Queen Mary's Song
1521:The Self Banished
1171:Enigma Variations
1115:The Wand of Youth
817:Portrait of Elgar
736:
735:
571:Join in the ring!
297:Formons la ronde!
262:Sur les ruines d'
1923:
1888:
1887:
1823:Dorabella Cipher
1656:Where Corals Lie
1635:Sea Slumber Song
1621:A Song of Flight
1607:The Wind at Dawn
1556:A Song of Autumn
1487:The Music Makers
1458:
1434:The Black Knight
1372:Chanson de Matin
1326:
1309:
1285:The Severn Suite
1272:Le drapeau belge
1179:
1089:
1078:
1053:The Sanguine Fan
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991:
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924:
918:
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909:
885:Le drapeau belge
875:
869:
868:
851:
812:
745:Elgar: War Music
538:On the ruins of
342:Comme celui-ci.
214:
213:
179:
178:
76:Le drapeau belge
1931:
1930:
1926:
1925:
1924:
1922:
1921:
1920:
1901:
1900:
1899:
1894:
1876:
1855:
1811:
1770:Fight for Right
1563:The Poet's Life
1501:
1421:
1415:Concert Allegro
1396:
1364:Chanson de Nuit
1329:
1302:Violin Concerto
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951:
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905:Saturday Review
876:
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741:
399:De la prise de
206:
176:
175:
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48:London Coliseum
30:Émile Cammaerts
17:
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1777:Inside the Bar
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1735:A Child Asleep
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1471:Coronation Ode
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1385:String Quartet
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1319:Cello Concerto
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1200:Dream Children
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1093:Symphony No. 3
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1082:Symphony No. 2
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1071:Symphony No. 1
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611:In the breeze,
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350:Dans le vent,
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64:Percy Fletcher
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1867:August Jaeger
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1843:Elgar Uplands
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1838:Elgar Society
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1700:Speak, Music!
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1391:Piano Quintet
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1380:
1379:Violin Sonata
1377:
1374:
1373:
1369:
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1358:
1357:
1356:Salut d'Amour
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1280:
1279:Nursery Suite
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966:0-9537082-3-3
963:
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944:
938:Burley, p 198
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1816:Other topics
1796:
1714:In Moonlight
1628:Sea Pictures
1626:
1535:Seven Lieder
1533:
1493:
1485:
1479:The Apostles
1477:
1469:
1461:
1453:(1899–1900)
1448:
1440:
1432:
1413:
1408:Organ Sonata
1370:
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1005:Edward Elgar
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52:Henry Ainley
45:
37:Queen's Hall
34:
26:Edward Elgar
20:
19:
18:
1872:Alice Elgar
1693:In the Dawn
1665:" (1897–99)
1663:The Swimmer
1463:The Kingdom
1295:Concertante
1126:(1879–1884)
1118:(1869–1907)
896:World War I
122:Marie Brema
102:King Albert
89:Carlo Liten
1905:Categories
1528:A War Song
1321:(1918–19)
1304:(1901–10)
1107:Orchestral
1084:(1909–11)
1073:(1907–08)
1064:Symphonies
1021:Incidental
767:References
739:Recordings
114:Hall Caine
41:Tita Brand
1716:" ((1904)
1498:(1915–17)
1482:(1902–03)
1466:(1901–06)
1445:(1895–96)
1437:(1889–93)
1393:(1918–19)
1219:(1904–05)
1211:(1904–05)
1195:(1901–30)
1187:(1900–01)
1139:Froissart
1131:Sevillana
1048:(1915–16)
1040:(1911–12)
648:Retaking
401:Bruxelles
56:Harrogate
54:, and at
1890:Category
1808:" (1930)
1793:" (1924)
1786:" (1924)
1779:" (1917)
1772:" (1916)
1765:" (1914)
1758:" (1910)
1756:Twilight
1751:" (1910)
1744:" (1910)
1737:" (1909)
1730:" (1908)
1728:Pleading
1723:" (1907)
1709:" (1901)
1702:" (1901)
1695:" (1901)
1688:" (1901)
1681:" (1901)
1674:" (1899)
1642:In Haven
1623:" (1900)
1616:" (1900)
1609:" (1888)
1602:" (1888)
1595:" (1886)
1586:" (1892)
1579:" (1894)
1572:" (1885)
1565:" (1892)
1558:" (1892)
1551:" (1889)
1544:" (1892)
1530:" (1884)
1523:" (1875)
1516:" (1872)
1401:Keyboard
1248:Carillon
1232:Falstaff
1099:in 1997)
928:pregnant
894:. After
880:Carillon
865:Archived
756:Carillon
660:Brussels
548:Termonde
540:Aerschot
272:Termonde
264:Aerschot
218:Français
184:ostinato
177:♭
154:Carillon
149:enceinte
85:Brooklyn
71:Carillon
21:Carillon
1334:Chamber
1313:Romance
1256:Polonia
1240:Sospiri
1174:(1899)
664:Louvain
654:Malines
497:English
420:Louvain
405:Malines
95:History
1860:Family
1851:(film)
1801:(1924)
1577:Rondel
1490:(1912)
1474:(1902)
1426:Choral
1418:(1901)
1410:(1898)
1387:(1918)
1381:(1918)
1375:(1899)
1367:(1897)
1359:(1888)
1351:(1883)
1348:Idylle
1343:(1887)
1315:(1910)
1287:(1930)
1281:(1930)
1275:(1917)
1267:(1915)
1259:(1915)
1251:(1914)
1243:(1914)
1235:(1913)
1227:(1909)
1203:(1902)
1166:(1898)
1158:(1894)
1150:(1894)
1142:(1890)
1134:(1884)
1056:(1917)
1032:(1901)
964:
833:
823:
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790:
686:Berlin
666:, and
546:, and
544:Dinant
438:Berlin
369:Là-bas
268:Dinant
204:Lyrics
1849:Elgar
1614:After
1506:Vocal
1224:Elegy
1097:Payne
841:Notes
668:Namur
650:Liège
542:, of
418:, de
416:Liège
414:, de
412:Namur
403:, de
270:, de
266:, de
193:waltz
168:Music
136:poem.
50:with
962:ISBN
888:and
831:ISBN
821:ISBN
803:ISBN
788:ISBN
189:peal
73:and
1806:XTC
926:fr:
684:In
410:De
1907::
882:,
863:.
857:.
662:,
652:,
492:|
436:A
164:.
91:.
83:,
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997:e
990:t
983:v
811:.
688:!
670:,
656:,
550:,
440:!
422:,
407:,
274:,
174:B
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