255:
935:, yes, but it's not pleasurable. It hurts. It tears." She also praised Hayter's voice as "an astonishing instrument, moving from operatic fullness to hyperventilating shredded shrieks, but always foregrounding intelligibility". Pelly described her vocals as "the sound of trauma, that which is by definition intolerable, and Hayter traverses its most upsetting depths on behalf of survivors, including herself". She summarized the album as "a murderous amalgam of opera, metal, and noise that uses her classical training like a
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called it "by far
Kristin's most captivating weapon", describing how "she stacks vocal harmonies before disintegrating into a throat-shredding wail that channels every moment of pain, injustice and powerlessness into a sonic bullet", while Pelly dubbed it "the sound of trauma". Beaumont-Thomas noted
531:
on the album. Hayter stated in an interview that she "knew this record had to go all the way, sonically and otherwise", and added that she "wanted to create something that sounded very large and powerful, consuming and overwhelming." She has also contrasted it to her previous album, revealing that
341:, the latter two providing backing vocals. Nonetheless, Hayter had "total autonomy over the work in the end", making the collaborations "more about the presence" and "having community there, close circle of trust". Hayter divulged that "everything could do live did," highlighting the use of
431:
considered that the album "is not exactly about healing trauma, but rather, it tries to better voice the enduring effects of it", explaining that Hayter "unapologetically expresses her lasting anger throughout the album". Robinelli described it as "'kill your rapist' not as self-care, not as
293:
community. Hayter was surprised by the attention it received, as she "did not think anyone would be interested" and "it was really just meant for hanging out in the
Providence scene." She began work on another album at Bruni's request, this time with studio resources and people who she could
357:
sense." She and her ensemble also "wanted to introduce the concept of space—have it sound very large, but sound extremely intimate and close," which "can be very destabilizing with the space moving around the listener to where you aren't sure what is real and what is not."
415:
wrote that the album "lives in the aftermath of intimate partner abuse, in the shivering convulsions of rage and fear it leaves, in the furious movement between identification with and rejection of the abuse and the abuser, in failures of all sorts." In an interview with
985:
journalist Robert Barry called it "an urgent and ferocious record, almost unbearable to listen to for its raw physicality", and concluded that, "like an onion, it offers up layer after layer to slowly unpeel, each one a potential incitement to the very bitterest tears".
578:
very very low throughout the record" to make her voice a sound "little bit squashed, strangulated, very kind of wide and low, and it's a little bit masculine"; this was done to "get rid of any kind of breathy, femininity that would have been on previous records".
422:, she stated that on the album she is "taking you through a cycle of abuse", and added that she was looking at "abusive power, madness, depravity, narcissism" present in politics and communities, as well as " and my own kind of madness as a result of trauma."
606:. Hayter revealed that she chose to name the album after him as he "exemplified the society that we live in on the edge of ruin, the edge of collapse", and further explained that his name "took on many meanings", originally using it as a "concept of a
943:
roots". Beaumont-Thomas also wrote of her vocals in his positive review: "Hayter is classically trained, and there is emotional as well as technical brilliance to the way she expands her vocal palette here".
574:
we kept the ugliest take", recalling how she used a recording of her voice for "Faithful
Servant Friend of Christ" specifically because of "how shrill it was". She has also stated that she "
210:. Recorded after the signing with the record label in 2018, the album features collaborations with several other musicians, a departure from the recording process of her previous album
432:
political slogan, but as the emotional and physical manifestation of pain beyond self", citing the line "I'm going to throw your body in the fucking river", while Will
Gotsegen of
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438:
opined that "Hayter treats revenge as an imperative, and the death of her abusers as an inevitability." The track "Fragrant Is My Many Flower’d Crown" contains lyrics from
955:
into empowered declarations against misogyny, while also complicating the dominant narratives of women's trauma", also commenting that "her thoughtful amalgam of opera,
969:, Sam Shepherd gave the album a perfect score, calling it "a vital an important record and one that needs to be heard in order to make sense of it", and compared it to
372:, speaking out about abuse and feeling invalidated, and people who I thought were my friends no longer being my friends, and the crushing experience of how that feels.
214:(2017), which was done alone in a shed in the woods, and features more acoustic instrumentation than the aforementioned record. It thematically explores themes of
547:
Hayter's vocal performance has been highlighted and praised by music critics in their reviews: discussing the track "Do You Doubt Me
Traitor", James MacKinnon of
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I was going through" before associating it with "surviving in the world at-large that we live in, as well as under the political climate that we exist".
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as she "wanted to replicate also the really fucked up ambient sound in the death tape, the people screaming, the panicked energy", as well as "the way
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353:- some of it done by "clattering around garage in utility lights that during set crashing around" - was "for texture, not in the large
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traditions" and noted an assistance of bands such as the Body, Full of Hell, and
Uniform on the album. Similarly, Spyros Stasis of
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409:, Ben Beaumont-Thomas noted that Hayter " the rage and despair of survivors of abuse," while Jessie Jeffrey Dunn Robinelli of
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Robinelli considered the album harder to listen to than her previous one despite being "more tuneful", adding that "there is
446:
is written about named an album of his after. On the track "If the Poison Won't Take You My Dogs Will", Hayter reworked the
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MacKinnon dubbed it "an awesome work of extreme beauty and brutality that will leave you speechless". Kim opined that on
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with her "choral background and neo-classical influences to construct the maze-like anatomy of her work", while
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2016:
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246:. The album received universal acclaim from music critics, and made appearances on several year-end lists.
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1933:"Left Field: 75 Dollar Bill's Folk Without Folk, Plus Improv Drone, Operatic Rock, and More"
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1476:"'This has been fantastic revenge': metal musician Lingua Ignota on surviving abuse"
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Themes of "hate, vengeance and violence" are also prominently explored. Hans Kim of
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1905:"My Sweet Revenge: How Lingua Ignota Is Transforming The Horrors Of Abuse Into Art"
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1640:"Musician Lingua Ignota on dismantling systems and processing trauma through art"
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the album, and collaborated with several musicians such as drummer Lee Buford of
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how the track "Sorrow! Sorrow! Sorrow!" "sees her split her voice apart like a
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1739:"Lingua Ignota's 'CALIGULA' Continues Her Powerful Wailings Against Misogyny"
1194:
All tracks written by Lingua Ignota. All tracks produced by Seth
Manchester.
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528:
469:
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243:
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2109:"Kristin Hayter Offers a Glimpse Behind Lingua Ignota's Commanding Curtain"
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kept manipulating until the very end" in the song's lyrics, which examine
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1839:"Lingua Ignota: Caligula review – extreme music reckoning with misogyny"
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continues to produce theatrical yet still intimate pieces". Writing for
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was met with universal acclaim from music critics; aggregating website
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and you can't tell sometimes." She further explained that the use of
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In 2017, Lingua Ignota (real name
Kristin Hayter) released her album
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2173:"Deconstruction of Depravity: An interview with Lingua Ignota"
1671:"Kristin Hayter of Lingua Ignota on becoming divine vengeance"
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215:
36:
1989:"Lingua Ignota's track by track guide to new album CALIGULA"
1961:"Lingua Ignota's track by track guide to new album CALIGULA"
1589:""I don't really fit anywhere" - Lingua Ignota in interview"
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223:
1871:
1807:
2505:"Lingua Ignota Chart History (Top Current Album Sales)"
2017:"LINGUA IGNOTA Channels The Spirit Of Kathy Acker Live"
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is named after the "sadistic, power- and sex-obsessed"
234:
in its lyrics, inspired by Hayter's own experiences in
2283:"That Which Cannot Be Said: Caligula By Lingua Ignota"
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on the album, although there is also "some synthetic
1898:
1896:
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1465:
2366:"SPOILER: Here Are Decibel's Top 40 Albums of 2019"
2549:"Lingua Ignota Chart History (Independent Albums)"
2531:"Lingua Ignota Chart History (Heatseekers Albums)"
2201:"Reviews and Tracks for Caligula by Lingua Ignota"
1832:
1830:
1828:
1826:
1803:"The Most Soothing & Punishing Albums Of 2019"
2135:
2133:
2131:
1893:
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478:editor Jenn Pelly describing it as "a murderous
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1958:
1509:"Crush them all. Interview with LINGUA IGNOTA"
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564:song". Hayter explained in an interview with
1931:Cush, Andy; Gotsegen, Will (July 30, 2019).
1930:
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523:s Leah Mandel further noted the elements of
313:, closely working with Seth Manchester, who
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1278:"If the Poison Won't Take You My Dogs Will"
924:rating of 88, based on 8 critical reviews.
442:'s "Tender Comrade", which the abuser that
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2572:
2190:
2106:
1723:
1587:Almeida, João "Mislow" (August 19, 2019).
1443:"Caligula by Lingua Ignota on Apple Music"
464:Musically, the album combines elements of
27:
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1980:
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556:, while other sections recall the subtle
2257:"Album Review: Caligula – Lingua Ignota"
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2142:"Album Review: Lingua Ignota – Caligula"
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253:
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2310:"BrooklynVegan's Top 50 Albums of 2019"
2274:
1986:
1637:
1586:
2682:Black metal albums by American artists
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2475:
2448:Hubbard, Michael (December 21, 2019).
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2161:
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2014:
1977:
1902:
1867:
1865:
1863:
1861:
1837:Beaumont-Thomas, Ben (July 19, 2019).
1669:King, David Howard (August 19, 2019).
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1318:
1026:BrooklynVegan's Top 50 Albums of 2019
2687:Noise rock albums by American artists
2677:Doom metal albums by American artists
2567:
2364:Mudrian, Albert (November 12, 2019).
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2036:
1701:
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1535:"Levitation Interview: Lingua Ignota"
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1267:"Fragrant Is My Many Flower'd Crown"
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383:about the subject matter of Caligula
238:, and features influences from both
2107:DePasquale, Jenna (July 19, 2019).
2015:Lehrer, Adam (September 23, 2019).
1858:
1736:
1223:"Faithful Servant Friend of Christ"
939:, burning misogyny to ash from its
883:
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309:at Machines With Magnets studio in
13:
2692:Albums produced by Seth Manchester
2593:
2476:Wilson, Carl (December 10, 2019).
2450:"musicOMH's Top 50 Albums Of 2019"
2171:Pementel, Michael (July 9, 2019).
2140:MacKinnon, James (July 19, 2019).
1688:
1533:Curtin, Kevin (November 7, 2019).
820:
16:2019 studio album by Lingua Ignota
14:
2703:
2421:"The top 20 metal albums of 2019"
1987:Edwards, Briony (July 19, 2019).
1507:Hudomięt, Agata (June 20, 2019).
1121:musicOMH's Top 50 Albums Of 2019
1012:
770:
732:
694:
540:, and "added more stringency and
294:collaborate with, in contrast to
206:, released July 19, 2019 through
2255:Leaver, Elliot (July 17, 2019).
1562:"D//E Interviews: Lingua Ignota"
1189:
1180:
1102:The Top 20 Metal Albums of 2019
1064:Decibel's Top 40 Albums of 2019
902:
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2627:Reverend Kristin Michael Hayter
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2469:
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2413:
2385:
2357:
2338:"The Top 50 Albums of the Year"
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2302:
2281:Barry, Robert (July 18, 2019).
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2220:
2100:
2008:
1952:
1924:
1872:Jessie Jeffrey Dunn Robinelli.
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1774:Shepherd, Sam (July 19, 2019).
536:and industrial" style found on
1903:Morton, Luke (July 18, 2019).
1638:Bennett, J. (August 8, 2019).
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1606:
1580:
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1526:
1474:Kalev, Maya (April 18, 2019).
1207:
1045:The Top 50 Albums of the Year
506:highlighted her use of noise,
67:Machines With Magnets studio (
1:
2080:"The 100 Best Albums of 2019"
1959:Briony Edwards (2019-07-19).
1702:Pelly, Jenn (July 25, 2019).
1428:
2662:Profound Lore Records albums
2393:"The 50 Best Albums of 2019"
2047:"The 70 Best Albums of 2019"
1737:Kim, Hans (August 5, 2019).
1614:"Lingua Ignota: Caligula CD"
1421:
1403:
1311:"Spite Alone Holds Me Aloft"
1140:The 100 Best Albums of 2019
591:A bust of the Roman emperor
368:It's about my experience in
7:
1289:"Day of Tears and Mourning"
1256:"May Failure Be Your Noose"
1159:The 70 Best Albums of 2019
1083:The 50 Best Albums of 2019
951:"she transforms shattering
10:
2708:
1874:"LINGUA IGNOTA - Caligula"
1776:"Lingua Ignota – Caligula"
2626:
2601:
2557:. Retrieved May 5, 2020.
2539:. Retrieved May 5, 2020.
2478:"The Best Albums of 2019"
1704:"Lingua Ignota: Caligula"
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1300:"Sorrow! Sorrow! Sorrow!"
1234:"Do You Doubt Me Traitor"
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570:that "many many times on
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2229:"Caligula Lingua Ignota"
1644:The Creative Independent
1178:The Best Albums of 2019
582:
391:have noted the theme of
250:Background and recording
1377:US Top Current Albums (
604:eponymous Roman emperor
311:Pawtucket, Rhode Island
277:, which spread through
69:Pawtucket, Rhode Island
52:July 19, 2019
1359:Chart performance for
1245:"Butcher of the World"
995:Year-end rankings for
596:
374:
270:
84:Neoclassical dark wave
2672:Kristin Hayter albums
1618:Profound Lore Records
1322:"Fucking Deathdealer"
957:neoclassical darkwave
590:
366:
300:Lincoln, Rhode Island
287:Profound Lore Records
257:
208:Profound Lore Records
202:by American musician
2667:Baroque music albums
1540:The Austin Chronicle
622:Professional ratings
542:acoustic instruments
377:–Hayter speaking to
281:as she performed in
265:) performing at the
2429:. December 16, 2019
2401:. December 31, 2019
2318:. December 23, 2019
2088:. December 12, 2019
1811:. December 11, 2019
1363:
1203:
999:
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333:and Mike Berdan of
2055:. December 9, 2019
1411:Independent Albums
1393:Heatseekers Albums
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1198:
994:
621:
617:Critical reception
597:
562:traditional Gaelic
343:string instruments
325:, Dylan Walker of
291:experimental music
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2227:H. Gorania, Jay.
2114:Invisible Oranges
1675:The Collaborative
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990:Year-end rankings
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508:power electronics
389:Music journalists
267:Roadburn Festival
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1568:. August 7, 2019
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198:) is the third
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1367:Chart (2019)
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241:
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201:
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194:(stylized in
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146:Lingua Ignota
143:
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129:Profound Lore
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42:Lingua Ignota
38:
34:
30:
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20:
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2535:
2526:
2514:. Retrieved
2508:
2499:
2487:. Retrieved
2481:
2471:
2459:. Retrieved
2453:
2443:
2431:. Retrieved
2426:Metal Hammer
2424:
2415:
2403:. Retrieved
2396:
2387:
2375:. Retrieved
2369:
2359:
2347:. Retrieved
2341:
2332:
2320:. Retrieved
2313:
2304:
2292:. Retrieved
2286:
2276:
2264:. Retrieved
2260:
2250:
2238:. Retrieved
2234:Blabbermouth
2232:
2222:
2210:. Retrieved
2204:
2180:. Retrieved
2176:
2151:. Retrieved
2145:
2118:. Retrieved
2112:
2102:
2090:. Retrieved
2083:
2057:. Retrieved
2050:
2026:. Retrieved
2020:
2010:
1998:. Retrieved
1992:
1968:. Retrieved
1964:
1954:
1942:. Retrieved
1936:
1926:
1914:. Retrieved
1908:
1883:. Retrieved
1877:
1848:. Retrieved
1844:The Guardian
1842:
1813:. Retrieved
1806:
1797:
1785:. Retrieved
1779:
1748:. Retrieved
1742:
1713:. Retrieved
1707:
1678:. Retrieved
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1647:. Retrieved
1643:
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1621:. Retrieved
1608:
1596:. Retrieved
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1570:. Retrieved
1565:
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1544:. Retrieved
1538:
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1516:. Retrieved
1512:
1485:. Retrieved
1481:The Guardian
1479:
1452:. Retrieved
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1097:Metal Hammer
1095:
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1019:
1003:Publication
996:
980:
974:
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953:lamentations
948:
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937:Trojan Horse
932:
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687:The Guardian
685:
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665:Blabbermouth
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512:dark ambient
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404:
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387:
380:The Guardian
378:
375:
367:
331:Full of Hell
319:sludge metal
306:
304:
295:
274:
272:
262:
211:
200:studio album
190:
189:
188:
173:
165:
164:
157:
37:Studio album
2657:2019 albums
2288:The Quietus
2022:The Quietus
1448:Apple Music
982:The Quietus
525:black metal
440:Billy Bragg
2651:Categories
2206:Metacritic
2052:PopMatters
1970:2023-08-18
1744:PopMatters
1429:References
1154:PopMatters
922:normalized
920:reports a
918:Metacritic
813:PopMatters
641:Metacritic
558:ululations
534:electronic
504:PopMatters
496:doom metal
451:death tape
428:PopMatters
370:Providence
355:industrial
335:noise rock
315:engineered
283:Providence
236:Providence
148:chronology
56:2019-07-19
2554:Billboard
2536:Billboard
2510:Billboard
2261:Distorted
1709:Pitchfork
1513:Undertone
1416:Billboard
1398:Billboard
1380:Billboard
1372:position
1006:Accolade
929:catharsis
801:Pitchfork
676:Distorted
608:psychotic
494:sides of
475:Pitchfork
455:Jim Jones
448:Jonestown
327:grindcore
240:classical
228:vengeance
89:classical
2610:Caligula
2489:April 4,
2461:April 4,
2455:musicOMH
2405:April 4,
2398:Kerrang!
2377:April 4,
2349:April 4,
2322:April 4,
2294:April 4,
2212:April 4,
2182:April 4,
2153:April 4,
2147:Kerrang!
2120:April 4,
2092:April 4,
2059:April 4,
2028:April 4,
2000:April 4,
1944:April 4,
1916:April 4,
1910:Kerrang!
1885:April 4,
1850:April 4,
1815:April 4,
1787:April 4,
1781:musicOMH
1750:April 4,
1715:April 4,
1680:April 4,
1649:April 4,
1623:April 4,
1598:April 4,
1572:April 4,
1546:April 4,
1518:April 4,
1487:April 4,
1454:April 4,
1361:Caligula
1200:Caligula
1116:musicOMH
1078:Kerrang!
997:Caligula
971:Lou Reed
966:musicOMH
949:Caligula
933:Caligula
914:Caligula
763:musicOMH
725:Kerrang!
600:Caligula
593:Caligula
572:Caligula
549:Kerrang!
444:Caligula
419:Kerrang!
401:Caligula
397:misogyny
323:the Body
307:Caligula
269:in 2019.
263:pictured
232:violence
220:misogyny
196:all caps
191:Caligula
166:Caligula
136:Producer
49:Released
39: by
22:Caligula
2371:Decibel
1059:Decibel
480:amalgam
459:suicide
339:Uniform
179:(2021)
170:(2019)
161:(2017)
54: (
2635:Saved!
2516:May 5,
2266:May 4,
2240:May 4,
2177:Treble
2085:Noisey
1994:Louder
1965:louder
1354:Charts
1215:Length
1135:Noisey
976:Berlin
959:, and
806:8.1/10
670:7.5/10
658:Rating
655:Source
645:88/100
635:Rating
632:Source
576:larynx
567:Louder
517:Noisey
510:, and
107:Length
64:Studio
2483:Slate
1346:66:01
1212:Title
1173:Slate
1009:Rank
611:fugue
583:Title
521:'
488:metal
484:opera
393:abuse
351:noise
337:band
329:band
321:band
216:abuse
124:Label
94:noise
77:Genre
2518:2020
2491:2020
2463:2020
2435:2021
2407:2020
2379:2020
2351:2020
2324:2020
2296:2020
2268:2020
2242:2020
2214:2020
2184:2020
2155:2020
2122:2020
2094:2020
2061:2020
2030:2020
2002:2020
1946:2020
1938:Spin
1918:2020
1887:2020
1852:2020
1817:2020
1789:2020
1752:2020
1717:2020
1682:2020
1651:2020
1625:2020
1600:2020
1574:2020
1566:D//E
1548:2020
1520:2020
1489:2020
1456:2020
1370:Peak
1336:7:53
1325:2:32
1314:7:24
1303:6:31
1292:4:43
1281:6:30
1270:5:07
1259:4:32
1248:6:33
1237:9:34
1226:4:42
1013:Ref.
680:9/10
527:and
468:and
435:Spin
395:and
347:MIDI
242:and
230:and
224:hate
1808:NPR
1422:23
1409:US
1391:US
1386:84
1330:11.
1319:10.
1208:No.
931:in
560:of
544:".
482:of
461:.
399:on
302:."
2653::
2551:.
2533:.
2507:.
2480:.
2452:.
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2395:.
2368:.
2340:.
2312:.
2285:.
2259:.
2231:.
2203:.
2192:^
2175:.
2163:^
2144:.
2130:^
2111:.
2082:.
2069:^
2049:.
2038:^
2019:.
1991:.
1979:^
1963:.
1935:.
1907:.
1895:^
1876:.
1860:^
1841:.
1825:^
1805:.
1778:.
1760:^
1741:.
1725:^
1706:.
1690:^
1673:.
1659:^
1642:.
1616:.
1591:.
1564:.
1537:.
1511:.
1497:^
1478:.
1464:^
1445:.
1419:)
1404:7
1401:)
1383:)
1308:9.
1297:8.
1286:7.
1275:6.
1264:5.
1253:4.
1242:3.
1231:2.
1220:1.
1181:—
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