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Cai Guo-Qiang

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395: 386:(1993) was representative of the nature of the projects as a whole, as it involved an approximately six-mile-long gunpowder fuse that extended beyond the western end of the Great Wall at the edge of the Gobi Desert. The fuse burned for about 15 minutes after it was lit, creating a dragon-like pattern across the dunes that was indicative of China's imperial and mythological heritage. The title for the series refers to Cai's inspiration for the project: the belief in a need for a new, higher perspective in which celebrations of pure energy replace earthly conflicts, and gunpowder, the "material fuel" of such conflict, becomes a system that delivers beauty and joy. 863: 48: 855: 2122: 458:, in which nine realistic tigers also hovered in the air, each one pierced by hundreds of arrows. The imagery in this gallery referred to the famous 13th-century Chinese story epitomizing bravery, in which a man named Wu Song rescued a village by slaying a man-eating tiger. In yet a third space, a phantom car bristling with fireworks floated like a ghost through the glittering illusion of Times Square at night. 2134: 359:'s tenet "destroy nothing, create nothing." Cai has said: “In some sense, Mao Zedong influenced all artists from our generation with his utopian romance and sentiment." Cai was among the first artists to contribute to discussions of Chinese art as a viable intellectual narrative with its own historical context and theoretical framework. 695:
in Doha, Qatar - the artist's largest since his 2008 retrospective at the Guggenheim Museum and his first solo exhibition ever in a Middle Eastern country. Saraab (mirage in Arabic) features more than fifty works, including seventeen newly commissioned pieces, thirty recent works and nine documentary
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in New York, which eventually traveled to the National Art Museum of China in Beijing and the Guggenheim Museum in Bilbao. He also gained widespread attention as the Director of Visual and Special Effects for the opening and closing ceremonies of the 2008 Summer Olympics in Beijing. In October 2012,
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My idea of making this work is not to do any criticism or replication but to focus on what it means for sculptors to create realist sculptures in the time the work was created. ...The end goal is not to make perfect sculptures and have them exhibited elsewhere and then have them collected somewhere.
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Cai's work is mainly inspired by traditional Chinese culture. It also draws from political topics. As a student, Cai made works consisting of stick-figure or abstract patterns in oil and burnt gunpowder. This giving him a place in the experimental ferment preceding the '85 New Wave. However, Cai
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first-hand, personally participating in demonstrations and parades himself. He grew up in a setting where explosions were common, whether they were the result of cannon blasts or celebratory fireworks. He also "saw gunpowder used in both good ways and bad, in destruction and reconstruction".
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drew condemnation within China from the original authors of the Socialist Realist sculpture for destroying their "spiritual property." Some critics have asserted that while his work references politics and philosophy, he seems to switch positions at will and that the references seem relatively
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Nine cars arced through the 300 foot long gallery, tumbling and suspended in mid-air as if by stop-action. Long transparent rods radiated from the car, pulsing with dazzling multicolored light. An explosive moment, expanded in time and space as if in a dream, the cars formed the centerpiece of
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on a one-off collection for Miyake's Guest Artist series. For it, Cai arranged gunpowder on white garments in the form of dragons symbolizing life, and set fire to the powder to burn the images into the clothes. Miyake then had the images reproduced as fabric prints for his Pleats Please line.
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event in U.S. history to feature more than one thousand aerial drones armed with fireworks, several people were injured by falling debris and scrap materials from the drones and fireworks. Approximately 4,000 to 4,500 guests stood on the Coliseum’s playing field to watch the fiery and smoky
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to propose a contemporary art museum. The two began work on Cai's Chester property soon after he purchased it. The 9,700-square-foot house is built outward from the original, stone core structure in glass and sequoia. At Cai's request, the titanium roofing curls at their edges, like
502:. Cai, who served as the director of visual and special effects at the 2008 Summer Olympics, created fireworks performances for both the opening and closing ceremonies, including the controversial "Footprints of History: Fireworks Project for the Opening Ceremony." 614:
in 2003: "Because this was a post 9/11 New York I wanted to provide an anchor and reference point for people to feel hope. That is why I picked the reservoir in Central Park and made a full circle. It is kind of a protection, a symbol for comfort and fullness."
676:, a permanent gunpowder drawing for the Museum of Fine Arts, Houston in Fall 2010. Installed as part of the museum's ongoing Portal Project and stretching across forty-two panels, it is one of his largest gunpowder drawings to date. Another solo exhibition, ' 1644:
Nayyar, Rhea. Getty Apologizes After Exhibition Kick-off Event Injures Spectators The fireworks display launching the museum’s PST Art: Art & Science Collide initiative struck guests with falling debris. Hyperallergic. September 19, 2024.
355:. These include fengshui, Chinese medicine, shanshui paintings, science, flora and fauna, portraiture, and fireworks. Much of his work draws on Maoist/Socialist concepts for content, especially his gunpowder drawings, which strongly reflect 826:. Cai intends for it to eventually become a foundation with public viewing. Unlike his prior studios, he sought a property where he would work and live with his family, fulfilling a goal to combine his personal and professional lives. 465:
created a theatrical, psychologically charged space in which to reflect on some of the most pressing dilemmas and contradictions affecting us such as terrorism and cultural, religious conflict, violence and beauty, the meaning of
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in his drawings, an inquiry that eventually led to his experimentation with explosives on a massive scale and the development of his signature "explosion events". In 1995, he moved to New York with a grant from the New York-based
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The key is to focus on the process of fabrication of these artworks, to pay attention to the process of the artists making these sculptures, rather than where these sculptures will end up and how they will look in the end.
802:. The John D. Rockefeller 3rd Award is given to individuals from Asia or the U.S. who have made significant contributions to the international understanding, practice, or study of the visual or performing arts of Asia. 549:. For PST (previously known as Pacific Standard Time), Cai designed “WE ARE” in collaboration with his proprietary AI model cAI™ that gathers information and data from his artworks, archives, and areas of interest. 1670:
Pogrebin, Robin. Getty Apologizes for Fireworks Display Gone Awry. A planned “explosion event” in Los Angeles by the artist Cai Guo-Qiang left several injured and others shaken. New York Times. September 20, 2024.
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Boucher, Brian. Getty Museum Acknowledges Injuries at Cai Guo-Qiang’s PST ART Fireworks Display. Others who live near the site of the show were terrified and confused by the display. Artnet. September 20, 2024.
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Fireworks for the 2008 Beijing Olympic Games. August 8–24, 2008. Commissioned by The International Olympic Committee and The Beijing Organizing Committee for the Games of the XXIX Olympiad . Cai Guo-Quiang.
514:, Cai Guo-Qiang created an explosive depiction of flowers using fireworks across the blue skies of Florence, Italy, as his canvas, on November 18, 2018. The performance art piece lasted about ten minutes on 833:
and his former student Trattie Davies. They converted the barn into a 14,000-square-foot studio, the stables into archives, and its hayloft into an exhibition space. Cai first met Gehry in 2009 at his
1932:. Basualdo, Carlos, 1964-, Matsumoto, Takaaki., Wilkins, Amy (Amy S.), Stroud, Marion Boulton., Philadelphia Museum of Art., Fabric Workshop and Museum. Philadelphia: Fabric Workshop and Museum. 1627:
Finkel, Jori. Guests struck by debris from Cai Guo-Qiang’s fireworks at PST Art launch event. A Getty spokesperson confirms multiple people were injured. The Art Newspaper. September 19, 2024.
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from 1981 to 1985. The experience allowed him a more comprehensive understanding of stage practices and a much-heightened sense for theater, spatial arrangements, interactivity, and teamwork.
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In 2012, Cai’s “Mystery Circle: Explosion Event,” featured 40,000 mini rockets that blasted for approximately two minutes at the Museum of Contemporary Art (MOCA) in Los Angeles.
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Cai moved from Beijing to New York in 1995, but as of 2017, he continues to maintain a separate house in the former. In the mid-2010s, he made his gunpowder paintings at the
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In addition to the fireworks display, the Getty, the wealthiest arts organization in the world, has planned “Cai Guo-Qiang: A Material Odyssey,” an exhibition at the
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Tornado: Explosion: Fireworks by Grucci and Chinese Artist Cai Guo-Qiang create opening finale for the Kennedy Center of the Arts Festival of China
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to kickoff the PST ART: Art & Science Collide festival, a five-month, multi-venue event funded by more than $ 20 million in gifts from the
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Fioresi, Dean. Getty Museum apologizes after explosive kickoff to new exhibit at Coliseum frightens community. KCAL News. September 18, 2024.
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https://www.artsy.net/artwork/cai-guo-qiang-cai-guo-qiang-fireworks-for-the-opening-and-closing-ceremonies-of-the-2008-beijing-olympic-games
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who worked in a bookstore. As a result, Cai Guo-Qiang was exposed early on to Western literature as well as traditional Chinese art forms.
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Knight, Christopher. Why ‘Art & Science Collide’ is a risky theme for the Getty’s new PST festival. Los Angeles Times. Aug. 29, 2024.
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In response to the critical backlash against his appropriation in the "Venice Rent Collection Courtyard," Cai has said in an interview in
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campus. It is unknown how many spectators were injured from the blasts and falling debris. Cai, who may be best known his work for the
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On September 15, 2024, Cai Guo-Qiang created and choreographed a daytime fireworks event, “WE ARE: Explosion Event for PST ART,” at the
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https://www.cbsnews.com/losangeles/news/getty-museum-apologizes-after-explosive-kickoff-to-new-exhibit-at-coliseum-frightens-community/
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Cai purchased a former horse farm in Chester, New Jersey, in 2011 from an Olympic equestrian. The property was redesigned by architect
700:, the artist's largest ever daytime explosion event and includes several large-scale site-specific installations. In 2016, he curated 2153: 1994: 446:(MASS MoCA). The piece was duplicated in 2008 at the Guggenheim Museum in New York. MASS MoCA describes the installation as such: 2256: 2236: 472: 443: 1855: 1517: 1797: 888: 1817: 680:, was on view at the new foundation IZOLYATSIA. Platform for Cultural Initiatives in Donetsk, Ukraine through the fall of 2011. 394: 1672: 1425: 1026: 998: 1139: 2241: 1062: 1628: 823: 2126: 858:
Guo-Qiang preparing a gunpowder drawing for the Arts of China Gallery at the Houston Museum of Fine Arts in October 2010
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in Tokyo as the first Chinese national Laureate. In May 2022, he was awarded the John D. Rockefeller III Award by the
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Cai is one of the most well-known and influential Chinese contemporary artists, having represented his country at the
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which presented works from peasants in China. This includes homemade airplanes, helicopters, submarines, and robots.
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Cai Guo-Qiang. Fireworks for the Opening and Closing Ceremonies of the 2008 Beijing Olympic Games, 2011. Artsy.net.
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https://www.latimes.com/entertainment-arts/story/2024-08-29/getty-pacific-standard-time-pst-art-science-collide
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Nguyen, Trong Gia. Cai Guo-Qiang Responds to Olympics Fireworks “Controversy.” Art 21 Magazine. Aug 22, 2008.
2246: 542: 339:. Later intrigued by the modernity of Western art forms such as oil painting, he studied stage design at the 283: 188: 565:, has not responded to media requests for information concerning what went wrong during his fireworks show. 2231: 1530: 1490: 1338: 962: 786: 758: 562: 511: 499: 1589:
https://www.getty.edu/news/pst-art-art-science-collide-to-kick-off-with-fireworks-by-artist-cai-guo-qiang/
846:. The house has multiple small balconies. Cai lives in the Chester house with his wife and two daughters. 2148: 134: 2180: 1751: 1700: 937: 2104: 1278: 1044: 927: 742:, as an artist offering inspiration for our time. During this episode, Cai demonstrates the process of 711: 495: 1647:
https://hyperallergic.com/952095/getty-apologizes-after-exhibition-kick-off-event-injures-spectators/
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PST ART: Art & Science Collide to Kick-Off with Fireworks by Artist Cai Guo-Qiang. Getty Museum.
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Project to Extend the Great Wall of China by 10,000 Meters: Project for Extraterrestrials No. 10
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https://magazine.art21.org/2008/08/22/cai-guo-qiang-responds-to-olympics-fireworks-controversy/
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to survey Cai’s gunpowder art. Cai’s exhibit and fireworks performance are funded by Eva and
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https://www.nytimes.com/2024/09/20/arts/design/getty-apologizes-fireworks-cai-guo-qiang.html
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production that triggered several loud blasts in and around the stadium and the neighboring
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Flora Commedia: Cai Guo-Qiang at the Uffizi, City of Florence, November 2018-February 2019
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https://www.theartnewspaper.com/2024/09/19/getty-cai-guo-qiang-pst-art-fireworks-injuries
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propaganda sculpture. Cai returned to Venice in 2005 to curate the Chinese pavilion.
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In his late teens and early twenties, Cai Guo-Qiang acted in two martial art films,
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Cai Guo-Qiang's practice draws on a variety of symbols, narratives, traditions and
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https://news.artnet.com/art-world/getty-injuries-cai-guo-qiang-fireworks-2540185
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From May 2–September 25, 2010, Cai was featured in the solo exhibition
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Gunpowder Dress by Cai Guo-Qiang for Issey Miyake, printed polyester, 1998. (
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solo show, and their friendship included a 2013 trip to Cai's hometown of
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http://www.artnet.com/magazineus/features/guo-qiang/guo-qiang8-19-08.asp
482:(2004) is also featured in the main entrance of the Seattle Art Museum. 1902:"City of Flowers in the Sky: Cai Guo-Qiang uses Florence as his canvas" 589: 573: 356: 321:
As an adolescent and teenager, Cai witnessed the social effects of the
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Traces And Other Impacts -the work of Cai Guo Qiang, tofu-magazine #3
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Cai initially began working in 1995, he explored the properties of
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https://caiguoqiang.com/projects/projects-2008/beijing-olympics/
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Cai Guo-Qiang: I Want to Believe, Exhibition Catalogue, pp.20-41
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overlooking the city. During the event, which was inspired by
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Biography, interviews, essays, artwork images and video clips
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Friis-Hansen, Dana; Zaya, Octavio; Serizawa, Takashi (2002).
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and the Beijing Organizing Committee to produce work for the
261: 149: 626:, a time-based sculpture which he had artisans recreate the 2075:. Fondation Cartier. New York: Thames & Hudson. 2000. 2044:
One Year in Fifteen Seconds, Case Study: Transient Rainbow
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Project to Extend the Great Wall of China by 10,000 Meters
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Cai is one of six artist-curators who made selections for
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Cai, Guo-Qiang. Replay to Olympics Controversy. Artnet.
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Artistic License: Six Takes on the Guggenheim Collection
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An adjacent gallery opened for the installation housed
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Cai Guo-Qiang+Cloudgate Dance Theatre 2006 wind Shadow
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moved to Japan in 1986 as the movement was building.
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Cultural Melting Bath: Projects for the 20th Century
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Tornado: Explosion Project for the Festival of China
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videos. The exhibition opened on December 5th with
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Ye Gong Hao Long: Explosion Project for Tate Modern
879:, Faurschou Foundation, Copenhagen, Denmark, 2012 371: 2208: 1485: 1483: 1583: 1581: 1579: 1577: 1575: 1559:designboom | architecture & design magazine 1444:"Dress by Issey Miyake and Cai Guo-Qiang, 1999" 1088:Light Cycle: Explosion Project for Central Park 995:Cai Guo-Qiang on the Roof: Transparent Monument 702:What About the Art? Contemporary Art from China 588:; the Getty Patron Program; Yan Luo, Ellen and 485: 310:Province, China. His father, Cai Ruiqin, was a 1469: 1467: 1465: 1272: 1270: 919:Universidad Nacional Autónoma de México (UNAM) 1925: 1874:"An Architect and an Artist Walk Into a Barn" 1480: 1015:Curated the first China Pavilion at the 51st 761:from May 24, 2019, through January 12, 2020. 505: 193: 179: 1572: 1316:Vine, Richard (October 2008). "China Envy". 866:"Triangle" in Doha, Qatar on 5 December 2011 592:, Haiyan Ren, and Sophia and Anqiang Zhang. 426: 1682: 1680: 1462: 1267: 769:He was selected as a finalist for the 1996 710:In 2016, Cai was tasked with designing the 1640: 1638: 1636: 1623: 1621: 1619: 1617: 1615: 1613: 1611: 1598: 1596: 418:In 1998, Cai worked with fashion designer 2161:Website with information on Cai Guo-Qiang 2154:Art:21 -- Art in the Twenty-First Century 2017:, Kennedy Center for the Performing Arts" 1867: 1865: 1339:"The artist who 'paints' with explosives" 1150:Fondation Cartier pour l'art contemporain 777:International Golden Lion Prize and 2001 640:His work has also attracted controversy. 1749: 1698: 1677: 1651: 1500: 1498: 1448:Metropolitan Museum - Collections Search 1387:. 2008. Guggenheim Museum Publications. 1200: 1074:BMoCA: Bunker Museum of Contemporary Art 935:Cai Guo-Qiang: Hanging Out in the Museum 861: 853: 818:. His Manhattan studio was renovated by 473:Massachusetts Museum of Contemporary Art 461:Engaging images of our unsettled world, 444:Massachusetts Museum of Contemporary Art 393: 2046:, Museum of Modern Art, New York, 2002" 1633: 1608: 1593: 2209: 1871: 1862: 1333: 1331: 1311: 1309: 1307: 1027:Kennedy Center for the Performing Arts 999:Metropolitan Museum of Art Roof Garden 850:Selected solo exhibitions and projects 1822:The Guggenheim Museums and Foundation 1495: 1063:Hirshhorn Museum and Sculpture Garden 925:Cai Guo-Qiang : fallen blossoms, 528:Flora Commedia: Cai Quo-Qiang at the 2252:Recipients of the Praemium Imperiale 1929:Cai Guo-Qiang : fallen blossoms 1315: 1137:Cai Guo-Qiang: An Arbitrary History, 824:Office for Metropolitan Architecture 746:art, by creating the two new works: 723:Sky Ladder: The Art of Cai Guo-Qiang 717:Cai's work was featured in the 2016 2190:Alexandra Munroe Exhibition Essay, 2181:Cao Guo-Qiang with Ellen Pearlman, 1328: 1304: 915:Cai Guo-Qiang: Resplandor y Soledad 576:, Co-Founders of Fulgent Genetics; 537:WE ARE: Explosion Event for PST ART 332:The Spring and Fall of a Small Town 13: 1733:"Cai Guo-Killer - artnet Magazine" 930:, Philadelphia, Pennsylvania, 2010 642:Venice's Rent Collection Courtyard 624:Venice's Rent Collection Courtyard 510:As a tribute to the center of the 389: 302:Cai Guo-Qiang was born in 1957 in 14: 2278: 2267:21st-century Chinese male artists 2262:20th-century Chinese male artists 2114: 1872:Miller, M. H. (August 18, 2017). 1131:Asia Pacific Economic Cooperation 798:alongside violinist and educator 678:Cai Guo-Qiang – 1040M Underground 667:Cai Guo-Qiang: Peasant Da Vincis, 552:At the “WE ARE” event, the first 434:In 2004, Cai Guo-Qiang installed 2192:Cai Guo Qiang: I Want to Believe 2166:PBS documentary on Cai Guo-Qiang 2132: 2120: 1964:Cai Guo-Qiang: I Want to Believe 1180:The Earth Has Its Black Hole Too 958:Cai Guo-Qiang: I Want to Believe 805: 779:CalArts/Alpert Award in the Arts 728:Cai was highlighted in the 2018 46: 2257:Shanghai Theatre Academy alumni 2237:Asian Cultural Council grantees 2063: 2034: 2005: 1987: 1954: 1919: 1894: 1848: 1828: 1810: 1790: 1762: 1743: 1725: 1711: 1692: 1664: 1547: 1522: 1510: 891:, Los Angeles, California, 2012 492:International Olympic Committee 262: 1750:Pearlman, Ellen (April 2008). 1699:Pearlman, Ellen (April 2008). 1528: 1436: 1418: 1392: 1374: 1356: 1236: 1174:Louisiana Museum of Modern Art 1128:APEC Cityscape Fireworks Show, 876:Cai Guo Qiang: A Clan of Boats 451:Inopportune by Cai Guo Qiang. 380:Projects for Extraterrestrials 373:Projects for Extraterrestrials 287: 238: 224: 194: 180: 1: 1261: 1140:Musee d'art Contemporain Lyon 543:Los Angeles Memorial Coliseum 362: 290:; born 8 December 1957) is a 2242:Chinese contemporary artists 1718:Who Owns the People's Art?, 1450:. Metropolitan Museum of Art 1170:Flying Dragon in the Heavens 963:Solomon R. Guggenheim Museum 787:Solomon R. Guggenheim Museum 759:Solomon R. Guggenheim Museum 563:2008 Beijing Summer Olympics 500:2008 Beijing Summer Olympics 490:Cai was commissioned by the 486:2008 Beijing Summer Olympics 297: 7: 1176:, Humblebaek, Denmark, 1997 584:, Co-Chairs and Co-CEOs of 135:Fukuoka Asian Culture Prize 33:Chinese installation artist 10: 2283: 1045:North Adams, Massachusetts 1037:Cai Guo-Qiang: Inopportune 928:Philadelphia Museum of Art 889:Museum of Contemporary Art 712:Berggruen Philosophy Prize 506:City of Flowers in the Sky 496:Games of the XXIX Olympiad 346: 15: 1426:"Artist's work explosive" 1059:Arthur M. Sackler Gallery 905:Arab Museum of Modern Art 884:Cai Guo-Qiang: Sky Ladder 764: 693:Arab Museum of Modern Art 629:Rent Collection Courtyard 622:in 1999 with his project 273: 252: 245: 231: 217: 210: 205: 201: 187: 173: 169: 164: 144: 129:Alpert Awards in the Arts 114: 104: 94: 86: 57: 45: 38: 2202:article on Cai Guo-Qiang 1970:Guggenheim Museum Bilbao 1856:"Playing with Fireworks" 1229: 1072:Organizing and curating 1069:, Washington, D.C., 2004 971:Guggenheim Museum Bilbao 606:, Cai said of his piece 595: 341:Shanghai Theater Academy 175:Traditional Chinese 99:Shanghai Theatre Academy 1364:"Steve Dow, Journalist" 1067:Smithsonian Institution 1051:Cai Guo-Qiang: Traveler 947:Taipei Fine Arts Museum 570:USC Pacific Asia Museum 337:Real Kung Fu of Shaolin 189:Simplified Chinese 2125:Quotations related to 2103:: CS1 maint: others ( 1926:Cai, Guoqiang (2010). 977:Inopportune: Stage One 867: 859: 796:Asian Cultural Council 661: 480:Inopportune: Stage One 477: 440:Inopportune: Stage Two 436:Inopportune: Stage One 413:Asian Cultural Council 403: 1535:usa.chinadaily.com.cn 1201:Selected bibliography 896:Cai Guo-Qiang: Saraab 865: 857: 704:at Al Riwaq in Doha. 685:Cai Guo-Qiang: Saraab 656: 516:Piazzale Michelangelo 448: 397: 2247:People from Quanzhou 2141:at Wikimedia Commons 1995:"Arte all'Arte 2005" 1210:, Serizawa Takashi, 1160:Queens Museum of Art 1112:Museum of Modern Art 1055:Freer Gallery of Art 748:Heaven Complex No. 1 456:Inopportune: Stage 2 2232:Artists from Fujian 1368:www.stevedow.com.au 1206:Dana Friis-Hansen, 1122:Shanghai Art Museum 1010:Colle di Val d'Elsa 812:Fireworks by Grucci 790:he was awarded the 600:In an interview in 512:Italian Renaissance 378:In 1990, Cai began 323:Cultural Revolution 52:Cai in October 2010 2157:- Season 3 (2005). 1976:on October 4, 2009 1879:The New York Times 1841:The New York Times 1806:. 30 October 2016. 1803:The New York Times 985:Seattle Art Museum 940:2010-11-28 at the 868: 860: 816:Bellport, New York 792:Praemium Imperiale 750:and No. 2 (2017). 683:In December 2011, 610:, commissioned by 404: 121:Golden Lion, 48th 2183:The Brooklyn Rail 2137:Media related to 1844:. April 14, 2014. 1756:The Brooklyn Rail 1705:The Brooklyn Rail 1400:"Gunpowder dress" 1283:. Phaidon Press. 1114:, New York, 2002; 1108:Transient Rainbow 835:Guggenheim Bilbao 783:I Want To Believe 773:and won the 48th 757:, on view at the 672:Cai also created 651:The Brooklyn Rail 635:Socialist Realist 603:The Brooklyn Rail 277: 276: 269: 268: 212:Standard Mandarin 160: 159: 2274: 2136: 2124: 2109: 2108: 2102: 2094: 2067: 2061: 2060: 2058: 2057: 2048:. Archived from 2038: 2032: 2031: 2029: 2028: 2019:. Archived from 2009: 2003: 2002: 1997:. Archived from 1991: 1985: 1984: 1982: 1981: 1972:. 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Index

Chinese name
family name
Cai

Quanzhou
Fujian
Shanghai Theatre Academy
Contemporary art
Venice Biennale
Alpert Awards in the Arts
Fukuoka Asian Culture Prize
www.caiguoqiang.com
Traditional Chinese
Simplified Chinese
Standard Mandarin
Hanyu Pinyin
Wade–Giles
Southern Min
Hokkien
POJ
Chinese
Chinese artist
Quanzhou
Fujian
calligrapher
painter
Cultural Revolution
The Spring and Fall of a Small Town
Shanghai Theater Academy
materials

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