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500:, were printed on postcards issued by the House of German Art. Several works by Jennewein, identical to his bronzes displayed in the Third Reich, are currently displayed by American institutions, including Yale University and the Metropolitan. In 1938 Jennewein sold three bronzes to Adolf Hitler: 'TÀnzerin' ('Greek Dance'), 'Rast' (Resting') and 'Komödie' ('Comedy') for 600, 370, respectively 380 Reichsmark. After the war the US government apparently paid him almost 30,000 dollars compensation for the destruction of his art works bombed in Munich by Allied bombers.
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Deutsche Kunst, who have replaced the
Glaspalast in Munich. Out of the 23.000 submissions, only 860 pieces were accepted, and to my astonishment, five hundred were sold. Considering that 10% of the work was not for sale, the above figures must sound somewhat staggering. The attendance at the exhibition was over one half million in three to four monthsâ time. This is just to give you a small idea of what is going on over there. I also feel that at last I have found out the answer to: âWhat is wrong with American Artâ.
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Jennewein visited the Great German Art
Exhibition in 1937 and came back very enthusiastic. In a letter d.d. 8 December 1937 to the American Architect Charles Borie, Jennewein writes: âI have just returned from a great trip, and I am still talking about the things I saw in GermanyâŠ.I also feel that at
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Fragment of a letter d.d. 8 December 1937 to the
American Architect Charles Borie, published in âC. Paul Jennewein, Sculptorâ by Shirley Reiff Howarth, 1980: âI have just returned from a great trip, and I am still talking about the things I saw in GermanyâŠ.You have no doubt heard of the Haus der
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section of the Bronx, an honorary street sign was designated on June 2, 2011, to reflect his 50 years of contributions to the world of art and sculpture. Among those in attendance at the renaming ceremony were
Jennewein's son James and his wife. Additionally, representatives from the
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National
Socialist postcards issued from 1937 â 1944 by The House of German Art. Left below Jenneweinâs âDer erste Schrittâ, or âFirst Stepâ, depicting his wife Gina and their son Paul. An identical cast of âFirst Stepâ is displayed by the Museum of Fine Arts of St. Petersburg,
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496:. In 1938 he was selected in Munich to a group of 25 preferred artist who were allowed to display yearly more than 5 artworks at the Great German Art Exhibitions. His displayed works, photographed by
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Jennewein's sculpture, which never strayed too far from the classical ideals that he had come to so admire while in Rome, became increasingly modernized and his style comfortably fits into the
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464:) from 1937-1944 with direct oversight from Adolf Hitler. According to Head of Archive at Haus Der Kunst Sabine Brantl, which succeeded the Haus der Deutschen Kunst after the fall of the
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In the course of their careers, Carl Paul
Jennewein and his partner Warren Straton produced at least five monumental eagles: one at the entrance to
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The work that he is probably best known for today, and which garnered him much praise when it was unveiled in 1933, was the
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Several posthumous profiles of
Jennewein have brought attention to his participation in the Great German Art Exhibitions (
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573:"New York: C. Paul Jennewein, Sculptor (Local Legacies: Celebrating Community Roots - Library of Congress)"
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Frieze on the
Finance Building of the Pennsylvania State Capitol Complex, in Harrisburg (1938).
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Jennewein turned his attention to sculpture. By 1928, Jennewein had set up his studio in the
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He also executed a number of medals during his career. In 1933, Jennewein sculpted
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484:(Reichskulturkammer), which in turn could only be attained by submitting proof of
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in 1937, 1938, and 1939. The shows were held annually in the House of German Art (
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Histories in conflict: Haus der Kunst and the ideological uses of art, 1937-1955
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649:"Ein Amerikaner nach Hitlers Geschmack (An American After Hitler's Taste)"
711:"The "GroĂe Deutsche Kunstausstellungen" in the Haus der Deutschen Kunst"
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where he received his early training. He took evening classes at the
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857:"Bronx street rename for borough's own sculptor Carl Paul Jennewein"
435:, were hidden behind a curtain. This has been linked to the exposed
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114:, a highly sought-after art award. This allowed him to study at the
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354:. They also produced somewhat smaller eagles for the gates of the
683:"The Pro-Nazi Artist Behind the Brooklyn Public Library's Facade"
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when he was twenty-five years old. Soon afterward he entered the
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312:) held at the Philadelphia Museum of Art in the summer of 1949.
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Conner, Janis; Rosenkranz, Joel (1989). "Carl Paul
Jennewein".
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92:; the first building to be called "the Cathedral of Commerce."
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Brantl, Sabine (2017). Brantl, Sbaine; Wilmes, Ulrich (eds.).
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as an
Associate member and became a full Academician in 1933.
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Rediscoveries in American Sculpture: Studio Works, 1893-1939
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series. He also designed the inaugural medal for President
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Arolsen Archives: International Center on Nazi Persecution
304:. Jennewein was one of 252 sculptors who exhibited in the
380:, in the turbulent 1960s. It has not yet been recovered.
106:. In 1916 his tour was cut short when he was awarded an
813:"Die Kunst fĂŒr alle", September 1938, Heft 12, page 268
912:, Smithsonian Institution Press, Washington D.C., 1974
620:. Austin: University of Texas Press. pp. 86 n23.
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Emigrants from the German Empire to the United States
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In 2002, two of Jennewein's semi-nude figures in the
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where he remained until 1978, the year of his death.
947:, Stackpole Books, Machanicsburg, Pennsylvania, 2001
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Smithsonian Institution Press, Washington D.C., 1985
755:"The Artists' Index of the Haus der Deutschen Kunst"
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Jennewein died on February 22, 1978, at his home in
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Members of the American Academy of Arts and Letters
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368:Jennewein's work received some attention when his
593:"Sculpted Bodies And a Strip Act At Justice Dept"
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429:Robert F. Kennedy Department of Justice Building
308:of the Fairmount Park Art Association (now the
521:also were present for the unveiling ceremony.
508:Because Jennewein's studio was located in the
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42:(December 2, 1890 â February 22, 1978) was a
883:"Van Nest Artist Honored With Street Rename"
732:. Munich: Sieveking Verlag. pp. 30â31.
945:County Courthouses of Pennsylvania: A Guide
226:1940: West Virginia State Office Building,
825:Postcards isued by the House of German Art
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133:
880:
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940:Brookgreen Gardens, South Carolina, 1968
910:The Outdoor Sculpture of Washington D.C.
412:
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387:, the seventh issue in the long running
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88:, including in 1912 four murals for the
65:in Germany. At the age of seventeen, he
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18:
926:, The Tampa Museum, Tampa Florida, 1980
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154:1923: Lincoln Life Insurance Building,
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492:last I have found out the answer to: '
306:3rd Sculpture International Exhibition
76:with the firm of Buhler and Lauter in
449:). The curtain was removed in 2005.
356:Embassy of the United States in Paris
272:1964: Two monumental figures for the
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242:1950: Fulton County Building Annex,
917:Sculpture and the Federal Triangle,
855:Samuels, Tanyanika (June 2, 2011).
472:, including the construction of an
194:, (57 separate sculptural elements)
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1023:National Sculpture Society members
1018:20th-century American male artists
931:Architectural Sculpture of America
902:
562:
474:Aryan supremacist racial hierarchy
84:. Much of his early work was as a
14:
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951:
881:Signorile, Vito (June 16, 2011).
779:"Artists Persecuted Under Nazism"
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166:1932: British Empire Building at
983:American architectural sculptors
681:Fernandez, Daniel (2023-05-24).
524:In 1929 he was elected into the
498:Heinrich Hoffmann (photographer)
494:What is wrong with American Artâ
1013:20th-century American sculptors
1008:People from Larchmont, New York
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549:General Services Administration
454:GroĂe Deutsche Kunstausstellung
300:figures in the pediment of the
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82:Art Students League of New York
67:immigrated to the United States
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31:Darlington Memorial Fountain:
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938:Brookgreen Gardens Sculpture,
753:Brantl, Sabine (2021-10-01).
709:Brantl, Sabine (2020-06-04).
646:Knöfel, Ulrike (2021-10-09).
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333:SpanishâAmerican War Memorial
274:Rayburn House Office Building
118:for the next three years; in
327:, connecting Arlington with
248:1954: Two panels inside the
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1028:People from Van Nest, Bronx
924:C. Paul Jennewein: Sculptor
317:Arlington National Cemetery
236:, (exterior and interior),
188:Justice Department Building
95:In 1915 Jennewein became a
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526:National Academy of Design
515:National Sculpture Society
482:Reich Chamber of Fine Arts
310:Association for Public Art
302:Philadelphia Museum of Art
182:Philadelphia, Pennsylvania
178:Philadelphia Museum of Art
160:1931: Education Building,
147:Philadelphia Museum of Art
936:Proske, Beatrice Gilman,
929:Kvaran, Einar Einarsson,
445:(the male counterpart is
325:Arlington Memorial Bridge
264:Court of Appeals building
234:Dauphin County Courthouse
228:Charleston, West Virginia
933:, unpublished manuscript
922:Howarth, Shirley Reiff,
462:Haus der Deustchen Kunst
238:Harrisburg, Pennsylvania
208:Harrisburg, Pennsylvania
206:1938: Finance Building,
162:Harrisburg, Pennsylvania
116:American Academy in Rome
988:American male sculptors
861:The New York Daily News
218:Brooklyn Public Library
134:Architectural sculpture
1033:Artists from the Bronx
998:Artists from Stuttgart
439:on the female figure,
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370:Noyes Armillary Sphere
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145:, pediment sculpture,
61:Jennewein was born in
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545:"Carl Paul Jennewein"
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372:disappeared during a
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202:Kansas City, Missouri
199:Kansas City City Hall
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958:Web Sculpture Museum
943:Williams, Oliver P.
887:Bronx Times Reporter
389:Society of Medalists
262:on the front of the
143:Western Civilization
110:after receiving the
598:The Washington Post
400:Larchmont, New York
348:Neuville-en-Condroz
337:Rochester, New York
321:Arlington, Virginia
260:New York state seal
156:Fort Wayne, Indiana
108:honorable discharge
40:Carl Paul Jennewein
35:in Washington, D.C.
1003:Art Deco sculptors
519:Brookgreen Gardens
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222:Brooklyn, New York
168:Rockefeller Center
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104:United States Army
90:Woolworth Building
37:
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627:978-0-292-70401-5
442:Spirit of Justice
409:Spirit of Justice
344:Ardennes Memorial
342:The fifth was at
323:, another on the
23:C. Paul Jennewein
16:American sculptor
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915:Gurney, George,
908:Goode, James M.
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329:Washington, D.C.
278:Washington, D.C.
268:Albany, New York
254:Washington, D.C.
244:Atlanta, Georgia
212:1939: Two stone
192:Washington, D.C.
176:1933: Pediment,
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466:Nazi Germany
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292:Later career
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100:U.S. citizen
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71:
60:
57:Early career
39:
38:
32:
978:1978 deaths
973:1890 births
654:Der Spiegel
554:October 14,
504:Recognition
423:Controversy
346:located in
250:White House
126:section of
97:naturalized
74:apprenticed
967:Categories
892:2011-06-27
867:2011-06-27
789:2022-07-23
764:2022-08-20
692:2023-07-10
667:2023-07-10
578:2009-05-02
532:References
478:degenerate
365:category.
363:Greco Deco
298:polychrome
112:Rome Prize
662:2195-1349
395:in 1949.
172:Manhattan
128:the Bronx
69:in 1907.
63:Stuttgart
510:Van Nest
418:Florida.
124:Van Nest
86:muralist
78:New York
51:sculptor
48:American
352:Belgium
72:He was
838:"Home"
736:
660:
624:
470:Nazism
458:Munich
437:breast
258:1959:
232:1941:
214:pylons
197:1936:
186:1934:
149:(1933)
46:-born
44:German
456:) in
734:ISBN
658:ISSN
622:ISBN
556:2022
517:and
374:riot
120:Rome
431:in
376:in
350:in
335:in
319:in
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885:.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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