303:
326:
995:, Wq. 183, which, as their title suggests, were written with obbligato wind parts that are integral to the texture, rather than being added on to an older string symphony. The first symphony (D major) in the set has been particularly popular, seeing a continuous performance and publication tradition all the way through the 19th century, which makes it the earliest such symphony. Some of its more unusual features have been taken as characteristic of Bach's style: the work, although it is in D major, begins
4818:
4297:
2821:
4828:
4307:
2497:
44:
2831:
4866:
4854:
1327:
were popular at the
Prussian court, and C. P. E. Bach wrote thirty original compositions for these instruments, grouped together as Wq. 193. At that time, Bach was court musician to King Frederick the Great at Potsdam; the King, who was intrigued by mechanically reproduced music, had mechanical organ
281:
in 1723. He was one of four Bach children to become professional musicians; all four were trained in music almost entirely by their father. In an age of royal patronage, father and son alike knew that a university education helped prevent a professional musician from being treated as a servant. Carl,
1428:
His work is full of invention but covers a limited emotional range. It is "sincere in thought" and "polished and felicitous in phrase". His keyboard sonatas, for example, "mark an important epoch in the history of musical form". "Lucid in style, delicate and tender in expression, they are even more
1039:
Bach's chamber music forms something of a bridge between stereotypically
Baroque and Classical forms. On the one hand, he wrote trio sonatas and solo sonatas with basso continuo (including ones for harp and viola da gamba); on the other, he wrote several accompanied sonatas for piano, violin, and
1015:
Bach was a prolific writer of concertos, especially for keyboard. Like his father, he would often transcribe a concerto for various instruments, leading to problems determining which came first. For instance, the three cello concertos (Wq. 170–172), which are cornerstones of that instrument's
865:
889:
931:
910:
1424:
Through the later half of the 18th century, the reputation of Carl
Philipp Emanuel Bach stood very high, surpassing that of his father. Haydn, Mozart and Beethoven admired him and "avidly" collected his music. Mozart said of him, "Bach is the father, we are the children."
1834:
617:, and other liturgical pieces. In 1773, Bach wrote an autobiography: he was one of the first composers to write such an account of his life. In Hamburg he also presented a number of works by contemporaries, including his father, Telemann, Graun, Handel, Haydn, Mozart,
713:
795:
847:
1237:
988:, Wq. 182. These works were not published in his lifetime (van Swieten, who had commissioned them to be written in a more "difficult" style, preferred to retain them for private use), but since their rediscovery, have become increasingly popular.
1273:
1255:
1219:
774:
737:
756:
1397:
where Bach lived from 1738 to 1768. This archive was packed during the Second World War and hidden to preserve it from Allied bombing, captured and sequestered by USSR forces in 1945, thus long believed lost or destroyed during the war.
1179:
collections, Wq. 113–114 of 1766. The former includes songs, fantasias, dances, sonatas, fugues, and even a symphony and concerto for solo piano (Bach was later to publish an entire collection of keyboard versions of his symphonies).
1564:
2014 marked the 300th anniversary of Carl
Philipp Emanuel Bach's birth. All six German Bach cities—Hamburg, Potsdam, Berlin, Frankfurt-on-the-Oder, Leipzig, and Weimar—hosted concerts and other events to commemorate the anniversary.
1167:
and the
Fantasia in F-sharp minor, Wq. 67. Bach's fantasias, in particular, have been considered to show him at his most characteristic: they are full of dramatic silences, harmonic surprises, and perpetually varied figuration.
930:
888:
1475:
held him in high regard and edited some of his music. By the early 20th century, he was better regarded but the revival of C. P. E. Bach's works has been chiefly underway since
Helmuth Koch's recordings of his symphonies and
863:
909:
1309:
816:
542:, at that time a well-known builder of keyboard instruments. In the recent years one of the models of pianos that Bach was playing, the Gottfried Silbermann 1749, was used as a model for making modern piano copies.
711:
369:. During his time there, Berlin was a rich artistic environment, where Bach mixed with many accomplished musicians, including several notable former students of his father, and important literary figures, such as
793:
685:"the Younger" (1748–78). None became musicians and Johann Sebastian, a promising painter, died at the age of 29 during a 1778 trip to Italy. Emanuel Bach died in Hamburg on 14 December 1788. He was buried in the
407:
The composer who most influenced Bach's maturing style was unquestionably his father. He drew creative inspiration from his godfather Georg
Philipp Telemann, then working in Hamburg, and from contemporaries like
864:
890:
932:
911:
465:; and a few secular cantatas and other occasional pieces. But his main work was concentrated on the clavier, for which he composed, at this time, nearly two hundred sonatas and other solos, including the set
845:
495:), immediately recognised as a definitive work on keyboard technique. "Both Haydn and Beethoven swore by it." By 1780, the book was in its third edition and laid the foundation for the keyboard methods of
772:
736:
754:
1271:
1253:
1235:
1217:
142:
1291:
712:
794:
1307:
1964:
846:
814:
1236:
1272:
1254:
1218:
773:
738:
881:
755:
923:
856:
2834:
902:
1471:
notoriously opining that "as a creative musician he remained very far behind his father"; others opined that he was "a somewhat feeble imitator of his father's style". All the same,
969:
are: March in D major, BWV Anh. 122; Polonaise in G minor, BWV Anh. 123; March in G major, BWV Anh. 124; Polonaise in G minor, BWV Anh. 125; and "Solo per il cembalo", BWV Anh. 129.
1289:
321:
playing the flute as C. P. E. Bach accompanies on the keyboard. The audience (invented by Menzel, and not based on any actual occasion) includes Bach's colleagues as well as nobles.
1432:
He was probably the first composer of eminence who made free use of harmonic color for its own sake. In this way, he compares well with the most important representatives of the
1308:
1044:, and three very popular quartets for keyboard, flute, and viola. Bach also wrote one of the earliest pieces for solo flute, a sonata that is clearly influenced by his father's
815:
1346:, Wq. 215. J. S. Bach was alive to hear it in 1749, and C. P. E. continued to revise and perform it as late as 1786. The work clearly shows the influence of J.S. Bach's own
1140:
1124:
Much of Bach's energy during his last years was dedicated to the publication of the "Kenner und
Liebhaber" collections (which also include fantasias and rondos, see below).
2512:
3172:
4996:
1965:"Malcolm Bilson: The Pattern-Prelude Tradition of J. S. Bach and the Silbermann Piano as Precursors to Beethoven's Moonlight – Cornell Center for Historical Keyboards"
1732:
1290:
1016:
repertoire, have often been considered to be transcriptions of the harpsichord versions, but recent research has suggested that they might be originally for cello.
704:
681:
Bach married
Johanna Maria Dannemann in 1744. Only three of their children lived to adulthood: Johann Adam (1745–89), Anna Carolina Philippina (1747–1804), and
1418:
786:
1481:
376:
In Berlin, Bach continued to write numerous pieces for solo keyboard, including a series of character pieces, the so-called "Berlin
Portraits", including "
1508:
4921:
4343:
2824:
2805:
950:
2252:"Bach is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics"
981:
173–181), most of which were later revised to add parts for wind instruments. Of these, the E minor symphony, Wq. 178, has been particularly popular.
3103:
2687:
2058:
1161:
is subtitled "Beyond the Solfeggio in C Minor". Several of Bach's other miscellaneous keyboard works have gained fame, including the character piece
946:
836:
95:
503:. The essay lays out the fingering for each chord and some chord sequences. Bach's techniques continue to be employed today. The first part of the
573:
Bach began to turn more of his energy to ecclesiastical and choral music in his new position. The job required the steady production of music for
302:
2537:
1429:
notable for the freedom and variety of their structural design"; they break away altogether from the hardened conventions of the Italian school.
213:, C. P. E. Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he succeeded Telemann as
765:
729:
1228:
3113:
3108:
2786:
2630:
2370:
747:
1264:
1246:
4931:
2981:
1210:
4906:
3023:
2993:
2975:
2521:
1835:"Generationen: Georg Philipp Telemann und Carl Philipp Emanuel Bach: Impulse – Transformationen – Kontraste Magdeburg, 17–18 March 2014"
294:
in 1735. In 1738, at the age of 24, he obtained his degree but never practised law, instead turning his attention immediately to music.
4946:
1409:. It contained 5,100 musical compositions, none ever printed for the public, including 500 by 12 different members of the Bach family.
2197:
380:". His reputation was established by the two sets of sonatas which he published with dedications to Frederick the Great (1742) and to
4896:
2761:
2596:
1024:
5001:
4961:
4966:
3146:
2669:
977:
Among Bach's most popular and frequently recorded works are his symphonies. While in Berlin, he wrote several string symphonies (
4901:
4336:
1003:
major. In fact, there is no cadence on D major (D major is not "confirmed" as the key of the piece) until the beginning of the
1023:, Wq. 43, which were written to be somewhat more appealing, and somewhat easier to play. His other concertos were written for
381:
2867:
2721:
2412:
2319:
2192:
2005:
1948:
1921:
1377:
642:
2592:
1938:
353:. Upon Frederick's accession in 1740, Bach became a member of the royal orchestra. He was by this time one of the foremost
2602:
1300:
1131:
for keyboard, and Wq. 65:1–50 are fifty further keyboard sonatas. The Sonata in E-flat major, Wq. 65:7, is based on
1064:. During his lifetime, he published more collections of keyboard music than anything else, in the following collections:
2569:, which shows images of historical keyboards he played, and places where C. P. E. Bach performed, at the Prussian Court.
1547:
550:
In 1768, after protracted negotiations, Bach was permitted to relinquish his position in order to succeed his godfather
4976:
4936:
4911:
4161:
1188:
807:
581:(Church of St. Michael) and elsewhere in Hamburg. The following year he produced his most ambitious work, the oratorio
1027:, flute, and organ. Bach also wrote for more unusual combinations, including an E-flat major concerto for harpsichord
562:) at Hamburg. Upon his release from service at the court he was named court composer for Frederick's sister, Princess
4941:
4926:
4821:
4329:
4287:
4186:
2778:
2438:
1480:'s recordings of his keyboard sonatas in the 1960s. There is an ongoing project to record his complete works, led by
1045:
210:
3579:
3256:
2388:
1695:
3471:
2951:
2741:
1558:
965:
686:
1763:
Exner, Ellen (2016). "The Godfather: Georg Philipp Telemann, Carl Philipp Emanuel Bach, and the Family Business".
4981:
4971:
4951:
4361:
3544:
3041:
2987:
682:
563:
4986:
4014:
4009:
2999:
1772:
2712:
1371:
583:
4181:
3897:
2580:
2547:
2233:
578:
420:
later. Bach's interest in all types of art led to influence from poets, playwrights and philosophers such as
228:, writing the influential "Essay on the true art of playing keyboard instruments", which would be studied by
217:
there. To his contemporaries, he was known simply as Emanuel. His second name was in honour of his godfather
4664:
2915:
1060:
Bach was a prolific writer of keyboard sonatas, many of which were intended for his favored instrument, the
621:
and Johann David Holland (1746–1827). Bach's choral output reached its apex in two works: the double chorus
4489:
3782:
3241:
3076:
2625:
2606:
2375:
1500:
591:), a composition remarkable not only for its "great beauty" but for the resemblance of its plan to that of
421:
291:
2170:
198:, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the
4991:
4574:
3609:
3509:
3139:
2703:
2662:
2642:
377:
17:
2427:
4844:
4619:
4280:
3767:
3559:
3336:
2963:
2735:
1342:
448:
274:
3476:
2394:
1449:
4956:
4499:
4213:
3757:
3331:
3326:
3301:
3164:
2909:
2860:
2452:
4554:
4504:
2566:
4649:
4352:
3727:
3604:
3534:
3371:
3351:
2747:
2480:
1382:
602:
429:
370:
194:
or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of
181:
162:
4808:
4519:
4390:
3712:
3196:
3070:
2927:
1394:
1282:
675:
433:
417:
233:
2612:
2095:
2093:
1436:. In fact, he exerted enormous influence on the North German School of composers, in particular
1393:
Many of C. P. E. Bach's compositions and original manuscripts were stored in the archive of the
1171:
Bach published three major collections of miscellaneous keyboard works during his lifetime: the
4870:
4831:
4801:
4758:
4310:
4300:
4239:
3792:
3649:
3574:
3569:
3539:
3391:
3132:
2729:
2655:
2551:, edited by Thomas Donahue (Richmond, Virginia: Organ Historical Society Press, 2007), 253–279.
2472:
1539:
1453:
1441:
1004:
551:
461:
409:
266:
218:
188:
176:
C. P. E. Bach was an influential composer working at a time of transition between his father's
2309:
2219:
1911:
1075:
Sei sonate per cembalo, dedicate all' altezza serenissima di Carlo Eugenio, duca di Wirtemberg
4721:
4654:
4524:
4454:
4375:
4176:
3777:
3707:
3664:
3624:
3614:
3504:
3291:
3236:
3035:
2969:
2957:
2939:
2888:
2342:
2133:
2119:
2090:
2076:
1907:
1486:
1433:
985:
671:
649:
500:
397:
342:
334:
278:
258:
206:
166:
108:
2251:
4916:
4891:
4886:
4768:
4380:
4249:
3629:
3486:
3456:
3451:
3436:
3211:
3093:
3029:
2945:
2933:
2921:
2853:
2387:
2147:
1534:
1496:
1461:
1406:
1329:
539:
437:
237:
3529:
2544:
Oleskiewicz, Mary. "Like Father, Like Son? Emanuel Bach and the Writing of Biography," in
8:
4778:
4680:
4529:
4494:
4444:
4427:
4412:
4171:
3807:
3752:
3742:
3599:
3554:
3406:
3396:
3346:
3226:
3017:
2897:
2508:
1813:
1737:
1515:
released a 26-CD box set of the complete works for solo piano on the German record label
1504:
1184:
1031:
piano. Additionally, he wrote several sonatinas for one or more keyboards and orchestra.
663:
483:
While in Berlin, Bach placed himself in the forefront of European music with a treatise,
393:
354:
350:
338:
318:
4584:
4569:
4534:
3762:
730:
Sonata for Flute or Recorder and Harpsichord in G minor, H 542.5 (BWV 1020) – 1. Allegro
4579:
4559:
3747:
3669:
3634:
3584:
3564:
3514:
3276:
3266:
3058:
3011:
2070:
1788:
1784:
1512:
1445:
1163:
653:
287:
262:
170:
114:
3732:
3296:
991:
However, Bach's best works in the form (by his own estimation) are assuredly the four
507:
contains a chapter explaining the various embellishments in work of the period, e.g.,
451:(1749), in which he shows more traces than usual of his father's influence; an Easter
4827:
4783:
4539:
4509:
4474:
4306:
4264:
3999:
3948:
3549:
3401:
3381:
3361:
3356:
3216:
3005:
2476:
2434:
2408:
2315:
2188:
2011:
2001:
1944:
1917:
1854:
1776:
1457:
1437:
1347:
597:
592:
441:
425:
314:
141:
4737:
4208:
570:
genre may have played a role in nurturing the ambitious choral works that followed.
357:
players in Europe, and his compositions, which date from 1731, include about thirty
4858:
4614:
4549:
4464:
4407:
4259:
4128:
4078:
3722:
3674:
3644:
3589:
3466:
3421:
3386:
3261:
3221:
3186:
2444:
2239:
2235:
A Well-tempered Musician's Unfinished Journey Through Life: oral history transcript
1846:
1750:
1551:
1527:
978:
720:
532:
333:
A few months after graduation, Bach, with a recommendation by the Graun brothers (
4742:
4716:
4644:
4624:
4609:
4469:
4402:
4223:
4113:
4036:
3912:
3737:
3659:
3519:
3499:
3461:
3376:
3231:
3206:
3047:
2634:
1472:
1468:
1366:
618:
606:
4422:
3524:
325:
4685:
4659:
4629:
4599:
4564:
4479:
4437:
4395:
3953:
3927:
3862:
3772:
3654:
3619:
3321:
3286:
3191:
2422:
1890:
659:
634:
538:
Bach used for his performances instruments (clavichord and fortepiano) made by
496:
195:
4218:
2565:, vol. 11 of Bach Perspectives, Illinois University Press, 2017. See also the
2015:
1850:
1530:'s 1906 catalogue, and by "H" numbers from a catalogue by Eugene Helm (1989).
1520:
4880:
4773:
4634:
4544:
4514:
4254:
4133:
4108:
4093:
4041:
3984:
3974:
3852:
3787:
3639:
3594:
3441:
3431:
3426:
3366:
3251:
3246:
3155:
3053:
2516:
2503:
2182:
1858:
1780:
1324:
999:
a D major chord, which then turns into a D dominant-seventh chord, outlining
528:
508:
459:
and concert works; at least three volumes of songs, including the celebrated
283:
214:
177:
2647:
2398:, vol. 3 (9th ed.), New York: Charles Scribner's Sons, p. 196
1717:
1069:
Sei sonate per cembalo che all' augusta maestà di Federico II, re di Prussia
4701:
4594:
4589:
4432:
4385:
4198:
4193:
4166:
4103:
3684:
3416:
3411:
3201:
3098:
2754:
2525:, vol. 3 (11th ed.), Cambridge University Press, pp. 130–131
2284:
2167:
1818:
1153:
938:
Performed by the Advent Chamber Orchestra with Constance Schoepflin (flute)
917:
Performed by the Advent Chamber Orchestra with Constance Schoepflin (flute)
896:
Performed by the Advent Chamber Orchestra with Constance Schoepflin (flute)
524:
520:
512:
413:
229:
199:
2314:(2d ed.). Cambridge University Press. 18 November 1976. p. 105.
1419:
List of music students by teacher: A to B § Carl Philipp Emanuel Bach
780:
All performed by Alex Murray (traverso) and Martha Goldstein (harpsichord)
4639:
4604:
4484:
4459:
4154:
4149:
4066:
3877:
3872:
3842:
3717:
3697:
3446:
3281:
3271:
2876:
1492:
872:
401:
362:
128:
2380:
1516:
4763:
4706:
4417:
4118:
4026:
3994:
3892:
3857:
3832:
1061:
1041:
574:
366:
1456:. His influence was not limited to his contemporaries and extended to
4711:
4071:
3341:
3064:
1632:
1630:
1628:
1626:
1624:
1622:
1620:
1618:
1616:
1614:
1612:
1610:
1608:
1606:
1604:
1602:
1405:, Ukraine, in 1999, returned to Berlin in 2001, and deposited in the
1320:
270:
1662:
1660:
1658:
1656:
1654:
1652:
1650:
1648:
1600:
1598:
1596:
1594:
1592:
1590:
1588:
1586:
1584:
1582:
43:
4321:
4123:
4098:
4046:
4031:
4004:
3822:
3797:
1477:
1128:
801:
Performed by Alex Murray (flute) and Martha Goldstein (harpsichord)
638:
567:
456:
225:
184:
style that followed it. He was the principal representative of the
165:
composer and musician, the fifth child and second surviving son of
2502:
This article incorporates text from a publication now in the
432:. Bach's work itself influenced the work of, among others, Haydn,
384:(1744). In 1746, he was promoted to the post of chamber musician (
4244:
4051:
4021:
3989:
3979:
3932:
3907:
3902:
3837:
3817:
2616:
1733:"CPE Bach at 300: why he's more than just Johann Sebastian's son"
1645:
1579:
516:
476:
452:
83:
3124:
1361:(German Sanctus), Wq. 217, which he performed together with the
984:
In Hamburg, Bach wrote a major set of six string symphonies for
670:
led to three 1788 performances in Vienna sponsored by the Baron
566:. The title was honorary, but her patronage and interest in the
349:
in the service of Crown Prince Frederick of Prussia, the future
4203:
4061:
630:
610:
358:
346:
254:
64:
2845:
2830:
2554:
Oleskiewicz, Mary. "Carl Philipp Emanuel Bach and the Flute",
808:
Keyboard Sonata in D minor, Wq. 51/4, H.128 – I. Allegro assai
4088:
4083:
4056:
3922:
3827:
2356:, Official Anniversary Website for Carl Philipp Emanuel Bach.
614:
527:, as well as performance suggestions and a brief section on
3969:
3917:
3887:
3882:
3867:
3847:
2353:
1526:
The works of C. P. E. Bach are known by "Wq" numbers, from
1402:
519:, etc. The second part presents Bach's ideas on the art of
2621:
2181:"Introduction: Beyond the Solfeggio in C minor", p. xiii,
1978:
1120:, 1779–87 ("Kenner und Liebhaber" sonatas), Wq. 55–59, 61.
1019:
According to Bach, his finest keyboard concertos were the
955:
209:, the "London Bach", who at this time was music master to
2541:(2001) contains a biography and list of his compositions.
2034:
1702:
In his organ sonatas Bach uses primarily the style galant
1467:
His name fell into neglect during the 19th century, with
1049:
153:(8 March 1714 – 14 December 1788), also formerly spelled
1328:
clocks built for the City Castle of Potsdam and for the
493:
An Essay on the True Art of Playing Keyboard Instruments
313:("Frederick the Great's Flute Concert in Sanssouci") by
265:. He was their fifth child and third son. The composer
2046:
2022:
1872:
4842:
2238:, University of California Berkeley, 1990, 125b. Via
2208:, "Cramer and Sturm Songs", ser. VI, v. 2., p. xxiii.
373:, with whom the composer would become close friends.
2285:"Felix Mendelssohn: Reviving the Works of J.S. Bach"
2220:
Continuum Encyclopedia of Popular Music of the World
1183:
He also wrote a set of six sonatas for the organ of
1675:
1194:
1157:, Wq. 117/2, to the point that the introduction to
1087:
Sechs Sonaten fürs Clavier mit veränderten Reprisen
2806:Frederick the Great Playing the Flute at Sanssouci
2581:Chronological list of all of C. P. E. Bach's Works
2426:
951:Category:Compositions by Carl Philipp Emanuel Bach
4997:People educated at the St. Thomas School, Leipzig
2576:(Rochester: University of Rochester Press, 2014).
1509:Sächsische Akademie der Wissenschaften zu Leipzig
1099:Zweite Fortsetzung von Sechs Sonaten fürs Clavier
947:List of compositions by Carl Philipp Emanuel Bach
487:Versuch über die wahre Art das Clavier zu spielen
4878:
1111:Six Sonates pour le Clavecin à l'usage des Dames
447:During his residence in Berlin, Bach composed a
392:) and served the king alongside colleagues like
309:Flötenkonzert Friedrichs des Großen in Sanssouci
2538:The New Grove Dictionary of Music and Musicians
1940:The Harpsichord and Clavichord: An Encyclopedia
1916:. London and New York: Routledge. p. 495.
1697:The Organ Sonatas of C.P.E. Bach: A Modern View
993:Orchester-Sinfonien mit zwölf obligaten Stimmen
282:like his brothers, pursued advanced studies in
1101:, 1763 ("Zweite Fortsetzung" sonatas), Wq. 52.
882:Flute Concerto in G major, H. 445 – 1. Allegro
4337:
3140:
2861:
2787:Carl Philipp Emanuel Bach: The Complete Works
2752:
2677:
2663:
2631:Finding the Lost Manuscripts of C. P. E. Bach
2622:Carl Philipp Emanuel Bach: The Complete Works
2451:
2371:Carl Philipp Emanuel Bach: The Complete Works
2267:
1357:His other important choral works include the
1265:Tune for musical clock in B Major, Wq. 193/08
1247:Tune for musical clock in E Major, Wq. 193/06
1229:Tune for musical clock in C Minor, Wq. 193/04
1211:Tune for musical clock in D Major, Wq. 193/02
2982:Johann Christoph Bach (musician at Arnstadt)
2719:
2710:
2701:
2546:Music and Its Questions: Essays in Honor of
2000:. London: Dorling Kindersley Limited. 2022.
1350:, including the striking resemblance of the
1340:Throughout his lifetime, Bach worked on the
1202:
822:Performed by Christopher Hinterhuber (piano)
556:
485:
467:
386:
307:
273:. When he was ten years old, he entered the
186:
2994:Johann Ernst Bach (musician at Saxe-Weimar)
2976:Johann Christoph Bach (organist at Ohrdruf)
1412:
1141:the second Notebook for Anna Magdalena Bach
4922:German classical composers of church music
4344:
4330:
3147:
3133:
2868:
2854:
2670:
2656:
2407:, translated by Whitmore, Philip J., OUP,
2368:
2203:
2153:
2139:
2125:
2099:
2082:
2064:
1093:Fortsetzung von Sechs Sonaten fürs Clavier
297:
253:C. P. E. Bach was born on 8 March 1714 in
42:
2762:Sonata in A minor for Solo Flute, Wq. 132
2597:International Music Score Library Project
2429:Classic Music: Expression, Form and Style
2402:
2271:
1807:
1805:
1803:
1801:
1712:
1710:
248:
2603:Free scores by Carl Philipp Emanuel Bach
2593:Free scores by Carl Philipp Emanuel Bach
2463:
2223:, Vol. II, p. 325 (A&C Black, 2003).
2052:
2040:
2028:
1984:
1878:
1718:"A Tribute to Carl Philipp Emanuel Bach"
1118:Clavier Sonaten für Kenner und Liebhaber
324:
301:
2459:(in German), vol. 4 vols., Leipzig
1845:(1). Oxford University Press: 122–125.
1811:
1693:
1146:
1095:, 1761 ("Fortsetzung" sonatas), Wq. 51.
1083:, 1753 ("Probestücke" sonatas), Wq. 63.
1077:, 1744 ("Württemberg" sonatas), Wq. 49.
14:
4879:
2574:The Music of Carl Philipp Emanuel Bach
2421:
1936:
1906:
1798:
1793:he was called "Philipp" after Telemann
1707:
1681:
1151:Easily Bach's best-known piece is the
1081:Achtzehn Probe-Stücke in Sechs Sonaten
1021:Sei concerti per il cembalo concertato
4325:
3128:
2849:
2722:Die Auferstehung und Himmelfahrt Jesu
2651:
1832:
1762:
1378:Die Auferstehung und Himmelfahrt Jesu
1204:Stücke für Spieluhren auch Drehorgeln
719:Performed by Alex Murray (flute) and
643:Die Auferstehung und Himmelfahrt Jesu
545:
221:, a friend of Johann Sebastian Bach.
4351:
2256:Harvard Ukrainian Research Institute
1998:Music: The Definitive Visual History
1388:
1089:, 1760 ("Reprisen" sonatas), Wq. 50.
1071:, 1742 ("Prussian" sonatas), Wq. 48.
1040:cello, which are more or less early
658:) of 1774–1782, which sets a poetic
205:To distinguish him from his brother
4932:European University Viadrina alumni
2466:Formal Coherence in Emanuel Bach's
1319:Mechanical instruments such as the
1107:, 1766 ("Leichte" sonatas), Wq. 53.
1055:
382:Charles Eugene, Duke of Württemberg
24:
4907:18th-century German male musicians
2613:Works by Carl Philipp Emanuel Bach
2530:
2507:
2389:"Karl Philipp Emmanuel Bach"
2385:
1910:(2016). Schulenberg, David (ed.).
1716:Hubeart Jr., T. L. (14 July 2006)
1666:
1636:
1537:in the 1941 biopic of his brother
1283:Tune for musical clock, Wq. 193/11
601:. Between 1768 and 1788, he wrote
25:
5013:
4947:German Classical-period composers
4187:historically informed performance
3154:
3042:Johann Sebastian Bach the Younger
2779:Carl Philipp Emanuel Bach Edition
2586:
1814:"CPE Bach: like father, like son"
1812:Dammann, Guy (24 February 2011).
1417:For Bach's notable students, see
1113:, 1770 ("Damen" sonatas), Wq. 54.
1046:Partita in A minor for solo flute
963:Works C. P. E. Bach wrote in the
4897:18th-century classical composers
4864:
4852:
4826:
4817:
4816:
4305:
4296:
4295:
2952:Johann Bernhard Bach the Younger
2829:
2820:
2819:
2742:Notebook for Anna Magdalena Bach
2495:
2376:Packard Humanities Instituteyear
1559:Carl Philipp Emanuel Bach Museum
1548:Carl-Philipp-Emanuel-Bach-Straße
1495:. In 2014, the Croatian pianist
1305:
1287:
1269:
1251:
1233:
1215:
1195:Music for mechanical instruments
1034:
966:Notebook for Anna Magdalena Bach
958:Notebook for Anna Magdalena Bach
928:
907:
886:
861:
843:
812:
791:
770:
752:
734:
709:
211:Queen Charlotte of Great Britain
140:
67:, Saxe-Weimar, Holy Roman Empire
5002:Pupils of Johann Sebastian Bach
4962:German male classical composers
4362:List of Classical-era composers
2988:Johann Christoph Friedrich Bach
2875:
2403:Ottenberg, Hans-Günter (1987),
2347:
2335:
2302:
2277:
2261:
2244:
2226:
2211:
2175:
2161:
2107:
1990:
1957:
1930:
1900:
1884:
1826:
1519:Classic, performed on a modern
1335:
1177:Kurze und Leichte Clavierstücke
1173:Clavierstücke verschiedener Art
4967:German male classical pianists
3000:Johann Gottfried Bernhard Bach
2637: (archived 16 July 2008),
2558:39/no. 4 (Summer 2014): 20–30.
2187:(2014), Paul Corneilson (ed.)
1937:Kipnis, Igor (15 April 2013).
1773:Riemenschneider Bach Institute
1756:
1744:
1725:
1687:
1401:The archive was discovered in
1301:Tune for music box, Wq. 193/12
277:, where his father had become
13:
1:
4902:18th-century German composers
3688:
3490:
3312:
3177:
2378:=2024 – via cpebach.org
1568:
1105:Sechs Leichte Clavier Sonaten
972:
857:Freie Fantasie, F-sharp minor
609:, and some seventy cantatas,
345:, obtained an appointment at
3077:Wilhelm Friedrich Ernst Bach
2626:Packard Humanities Institute
2607:Choral Public Domain Library
2270:, pp. 308 ff quoted in
1751:"Carl Phillipp Emanuel Bach"
1501:Packard Humanities Institute
1491:on the Swedish record label
1010:
832:Other music by C. P. E. Bach
766:Sonata, H 542.5 – 3. Allegro
705:Flute Sonata in B-flat major
629:) of 1776, a setting of the
589:The Israelites in the Desert
422:Friedrich Gottlieb Klopstock
159:C. P. E. Bach
7:
2713:Die Israeliten in der Wüste
2386:Baynes, T. S., ed. (1878),
2250:Patricia Kennedy Grimsted.
2184:The Essential C. P. E. Bach
1833:Exner, Ellen (March 2015).
1721:Retrieved 11 July 2024.
1372:Die Israeliten in der Wüste
1175:, Wq. 112 of 1765, and the
1159:The Essential C. P. E. Bach
1007:, quite late in the piece.
748:Sonata, H 542.5 – 2. Adagio
666:. Widespread admiration of
584:Die Israeliten in der Wüste
157:, and commonly abbreviated
27:German composer (1714–1788)
10:
5018:
2964:Johann Christoph Altnickol
2513:Bach, Karl Philipp Emanuel
2453:Rochlitz, Johann Friedrich
2115:A History of Musical Style
1694:Earnest, Wayne N. (1988).
1499:, in cooperation with the
1416:
944:
329:Detail from previous image
275:St. Thomas School, Leipzig
155:Karl Philipp Emmanuel Bach
4977:Leipzig University alumni
4937:German classical pianists
4912:18th-century keyboardists
4796:
4751:
4730:
4694:
4673:
4368:
4359:
4275:
4232:
4142:
3962:
3941:
3806:
3683:
3485:
3310:
3171:
3165:List of Baroque composers
3162:
3086:
3067:(great-great-grandfather)
2996:(2nd cousin once removed)
2972:(1st cousin once removed)
2904:Carl Philipp Emanuel Bach
2883:
2815:
2797:
2770:
2694:
2685:
2679:Carl Philipp Emanuel Bach
2405:Carl Philipp Emanuel Bach
1851:10.1017/S1478570614000529
1354:movements in both works.
633:from the throne scene in
531:, mainly focusing on the
151:Carl Philipp Emanuel Bach
139:
134:
124:
101:
91:
72:
50:
41:
36:Carl Philipp Emanuel Bach
34:
4942:German Baroque composers
4927:Composers for pipe organ
2886:(showing relationship to
2481:Johns Hopkins University
2464:Thompson, Alton (1998).
2457:Für Freunde der Tonkunst
1839:Eighteenth-Century Music
1413:Legacy and musical style
700:Sonatas by C. P. E. Bach
692:
469:Mit veränderten Reprisen
371:Gotthold Ephraim Lessing
224:Bach was an influential
3104:by Carl Philipp Emanuel
3071:Wilhelm Friedemann Bach
2928:Gottfried Heinrich Bach
2563:J. S. Bach and His Sons
2561:Oleskiewicz, Mary, ed.
2522:Encyclopædia Britannica
2395:Encyclopædia Britannica
1789:10.22513/bach.47.1.0001
1561:was opened in Hamburg.
1450:Johann Gottfried Müthel
1395:Sing-Akademie zu Berlin
787:Flute Sonata in G major
577:church services at the
418:Wolfgang Amadeus Mozart
412:, Carl Heinrich Graun,
361:and concert pieces for
298:Berlin years: 1738–1768
243:
4982:Musicians from Leipzig
4972:German music theorists
4952:German harpsichordists
4759:Common practice period
4240:Common practice period
2753:
2730:Gellert Odes and Songs
2720:
2711:
2702:
2473:Doctor of Musical Arts
2433:. New York: Schirmer.
2274:, p. 98 & 191
2144:, Vol. III/8, Preface.
2130:, Vol. III/6, Preface.
2104:, Vol. III/3, Preface.
2087:, Vol. III/2, Preface.
1454:Friedrich Wilhelm Rust
1442:Bernhard Joachim Hagen
1203:
557:
554:as director of music (
486:
468:
410:George Frideric Handel
387:
330:
322:
308:
267:Georg Philipp Telemann
249:Early years: 1714–1738
219:Georg Philipp Telemann
187:
4987:Musicians from Weimar
4722:Turkish music (style)
4376:First Viennese School
4162:British Baroque music
3061:(1st wife/2nd cousin)
3036:Johann Sebastian Bach
2970:Johann Christoph Bach
2958:Johann Christian Bach
2940:Johann Ambrosius Bach
2889:Johann Sebastian Bach
1434:First Viennese School
986:Gottfried van Swieten
672:Gottfried van Swieten
398:Johann Joachim Quantz
343:Sylvius Leopold Weiss
328:
305:
292:Frankfurt an der Oder
259:Johann Sebastian Bach
167:Johann Sebastian Bach
109:Johann Sebastian Bach
4769:Age of Enlightenment
3580:Jacquet de La Guerre
3510:Bodin de Boismortier
3094:Altbachisches Archiv
3030:Johann Nicolaus Bach
2946:Johann Bernhard Bach
2934:Johann Aegidius Bach
2922:Georg Christoph Bach
2916:Elisabeth Lämmerhirt
2688:List of compositions
2579:Schulenberg, David.
2572:Schulenberg, David.
2509:Hadow, William Henry
2311:Carl Maria von Weber
2268:Rochlitz (1824–1832)
2158:, Vol. I/4, Preface.
1895:The Bachs, 1500–1850
1554:is named after him.
1535:Wolfgang Liebeneiner
1533:He was portrayed by
1497:Ana-Marija Markovina
1462:Carl Maria von Weber
1407:Berlin State Library
1147:Other keyboard works
660:Gospel harmonization
540:Gottfried Silbermann
261:and his first wife,
96:List of compositions
4681:Classical orchestra
4172:early music revival
3743:Frederick the Great
3114:by Johann Sebastian
3109:by Johann Christian
3050:(great-grandfather)
3024:Johann Michael Bach
3018:Johann Michael Bach
2898:Anna Magdalena Bach
2639:Greater Boston Arts
2289:Library of Congress
2071:Preface: Symphonies
1505:Bach-Archiv Leipzig
1185:Frederick the Great
1133:Solo per il cembalo
1127:Wq. 64:1–6 are six
1116:Six collections of
664:Karl Wilhelm Ramler
603:twenty-one settings
394:Carl Heinrich Graun
351:Frederick the Great
319:Frederick the Great
86:, Holy Roman Empire
4992:Oratorio composers
3472:Torrejón y Velasco
3059:Maria Barbara Bach
3012:Johann Ludwig Bach
2423:Ratner, Leonard G.
1987:, pp. 30, 56.
1741:, 26 January 2014.
1513:Harvard University
1446:Ernst Wilhelm Wolf
1365:from his Father's
924:H. 445 – 3. Presto
546:Hamburg: 1768–1788
331:
323:
288:Leipzig University
171:Maria Barbara Bach
115:Maria Barbara Bach
4840:
4839:
4319:
4318:
4281:Renaissance music
3949:Baroque orchestra
3122:
3121:
3006:Johann Jacob Bach
2843:
2842:
2556:Flutist Quarterly
2477:Peabody Institute
2414:978-0-19-315246-5
2321:978-0-521-29121-7
2217:Shepherd, John.
2193:978-1-938325-34-2
2168:Bach Digital Work
2113:Richard Crocker,
2043:, pp. 47–48.
2007:978-0-241-55902-4
1950:978-1-135-94978-5
1923:978-1-4724-4337-3
1458:Felix Mendelssohn
1438:Georg Anton Benda
1389:Unpublished works
1310:
1292:
1274:
1256:
1238:
1220:
933:
912:
903:H. 445 – 2. Largo
891:
866:
848:
817:
796:
775:
757:
739:
714:
674:and conducted by
593:Felix Mendelssohn
442:Felix Mendelssohn
426:Moses Mendelssohn
315:Adolph von Menzel
189:empfindsamer Stil
148:
147:
16:(Redirected from
5009:
4957:German Lutherans
4869:
4868:
4867:
4857:
4856:
4855:
4848:
4830:
4820:
4819:
4353:Classical period
4346:
4339:
4332:
4323:
4322:
4309:
4299:
4298:
4214:polychoral style
4129:sonata da chiesa
3690:
3492:
3314:
3179:
3149:
3142:
3135:
3126:
3125:
2870:
2863:
2856:
2847:
2846:
2833:
2823:
2822:
2758:
2725:
2716:
2707:
2672:
2665:
2658:
2649:
2648:
2526:
2501:
2499:
2498:
2484:
2460:
2448:
2445:Internet Archive
2432:
2417:
2399:
2391:
2379:
2357:
2351:
2345:
2339:
2333:
2332:
2330:
2328:
2306:
2300:
2299:
2297:
2295:
2281:
2275:
2272:Ottenberg (1987)
2265:
2259:
2248:
2242:
2240:Internet Archive
2232:Altman, Ludvig.
2230:
2224:
2215:
2209:
2201:
2195:
2179:
2173:
2165:
2159:
2151:
2145:
2137:
2131:
2123:
2117:
2111:
2105:
2097:
2088:
2080:
2074:
2062:
2056:
2050:
2044:
2038:
2032:
2026:
2020:
2019:
1994:
1988:
1982:
1976:
1975:
1973:
1971:
1961:
1955:
1954:
1934:
1928:
1927:
1904:
1898:
1888:
1882:
1876:
1870:
1869:
1867:
1865:
1830:
1824:
1823:
1809:
1796:
1795:
1760:
1754:
1748:
1742:
1729:
1723:
1722:
1714:
1705:
1704:
1691:
1685:
1679:
1673:
1664:
1643:
1634:
1552:Frankfurt (Oder)
1528:Alfred Wotquenne
1490:
1369:, the oratorios
1312:
1311:
1294:
1293:
1276:
1275:
1258:
1257:
1240:
1239:
1222:
1221:
1206:
1138:
1137:BWV Anh. III 129
1056:Keyboard sonatas
935:
934:
914:
913:
893:
892:
868:
867:
850:
849:
819:
818:
798:
797:
777:
776:
759:
758:
741:
740:
721:Martha Goldstein
716:
715:
683:Johann Sebastian
560:
489:
471:
455:(1756); several
390:
317:, 1852, depicts
311:
240:, among others.
207:Johann Christian
192:
163:Classical period
144:
79:
76:14 December 1788
61:
59:
46:
32:
31:
21:
5017:
5016:
5012:
5011:
5010:
5008:
5007:
5006:
4877:
4876:
4875:
4871:Classical music
4865:
4863:
4853:
4851:
4843:
4841:
4836:
4813:
4805:
4792:
4747:
4743:Galant Schemata
4726:
4717:Sensitive style
4690:
4674:Instrumentation
4669:
4403:Mannheim school
4364:
4355:
4350:
4320:
4315:
4292:
4288:Classical music
4284:
4271:
4228:
4224:Galant Schemata
4138:
4037:concerto grosso
3958:
3937:
3809:
3802:
3679:
3515:G. B. Bononcini
3481:
3306:
3175:
3167:
3158:
3153:
3123:
3118:
3082:
3048:Johannes Bach I
3020:(father-in-law)
2887:
2885:
2879:
2874:
2844:
2839:
2811:
2793:
2766:
2690:
2681:
2676:
2635:Wayback Machine
2589:
2533:
2531:Further reading
2496:
2494:
2441:
2415:
2360:
2352:
2348:
2343:CPE Bach-Museum
2341:Stadt Hamburg,
2340:
2336:
2326:
2324:
2322:
2308:
2307:
2303:
2293:
2291:
2283:
2282:
2278:
2266:
2262:
2249:
2245:
2231:
2227:
2216:
2212:
2202:
2198:
2180:
2176:
2166:
2162:
2152:
2148:
2138:
2134:
2124:
2120:
2112:
2108:
2098:
2091:
2081:
2077:
2063:
2059:
2053:Thompson (1998)
2051:
2047:
2041:Thompson (1998)
2039:
2035:
2029:Thompson (1998)
2027:
2023:
2008:
1996:
1995:
1991:
1985:Thompson (1998)
1983:
1979:
1969:
1967:
1963:
1962:
1958:
1951:
1935:
1931:
1924:
1905:
1901:
1889:
1885:
1879:Thompson (1998)
1877:
1873:
1863:
1861:
1831:
1827:
1810:
1799:
1761:
1757:
1753:ClassicCat.net
1749:
1745:
1731:Allison, John.
1730:
1726:
1720:
1715:
1708:
1692:
1688:
1680:
1676:
1665:
1646:
1635:
1580:
1571:
1540:Friedemann Bach
1484:
1473:Johannes Brahms
1469:Robert Schumann
1422:
1415:
1391:
1381:, Wq. 240, and
1367:Mass in B minor
1343:Magnificat in D
1338:
1317:
1316:
1315:
1314:
1313:
1306:
1303:
1297:
1296:
1295:
1288:
1285:
1279:
1278:
1277:
1270:
1267:
1261:
1260:
1259:
1252:
1249:
1243:
1242:
1241:
1234:
1231:
1225:
1224:
1223:
1216:
1213:
1207:
1197:
1149:
1136:
1058:
1037:
1013:
975:
961:
953:
943:
942:
941:
940:
939:
936:
929:
926:
920:
919:
918:
915:
908:
905:
899:
898:
897:
894:
887:
884:
878:
877:
876:
869:
862:
859:
853:
852:
851:
844:
841:
833:
827:
826:
825:
824:
823:
820:
813:
810:
804:
803:
802:
799:
792:
789:
783:
782:
781:
778:
771:
768:
762:
761:
760:
753:
750:
744:
743:
742:
735:
732:
726:
725:
724:
717:
710:
707:
701:
695:
687:Michaeliskirche
579:Michaeliskirche
548:
529:extemporization
335:Johann Gottlieb
300:
290:in 1731 and at
251:
246:
161:, was a German
120:
87:
81:
77:
68:
62:
57:
55:
37:
28:
23:
22:
15:
12:
11:
5:
5015:
5005:
5004:
4999:
4994:
4989:
4984:
4979:
4974:
4969:
4964:
4959:
4954:
4949:
4944:
4939:
4934:
4929:
4924:
4919:
4914:
4909:
4904:
4899:
4894:
4889:
4874:
4873:
4861:
4838:
4837:
4835:
4834:
4824:
4809:Romantic music
4806:
4798:
4797:
4794:
4793:
4791:
4790:
4789:
4788:
4787:
4786:
4781:
4776:
4761:
4755:
4753:
4749:
4748:
4746:
4745:
4740:
4738:Notes inégales
4734:
4732:
4728:
4727:
4725:
4724:
4719:
4714:
4709:
4704:
4698:
4696:
4692:
4691:
4689:
4688:
4686:String quartet
4683:
4677:
4675:
4671:
4670:
4668:
4667:
4662:
4657:
4652:
4647:
4642:
4637:
4632:
4627:
4622:
4617:
4612:
4607:
4602:
4597:
4592:
4587:
4582:
4577:
4572:
4567:
4562:
4557:
4555:Martín y Soler
4552:
4547:
4542:
4537:
4532:
4527:
4522:
4517:
4512:
4507:
4502:
4497:
4492:
4487:
4482:
4477:
4472:
4467:
4462:
4457:
4452:
4447:
4442:
4441:
4440:
4435:
4430:
4425:
4420:
4415:
4410:
4400:
4399:
4398:
4393:
4388:
4383:
4372:
4370:
4366:
4365:
4360:
4357:
4356:
4349:
4348:
4341:
4334:
4326:
4317:
4316:
4314:
4313:
4303:
4285:
4277:
4276:
4273:
4272:
4270:
4269:
4268:
4267:
4262:
4257:
4252:
4242:
4236:
4234:
4230:
4229:
4227:
4226:
4221:
4216:
4211:
4209:notes inégales
4206:
4201:
4196:
4191:
4190:
4189:
4184:
4179:
4169:
4164:
4159:
4158:
4157:
4146:
4144:
4140:
4139:
4137:
4136:
4131:
4126:
4121:
4116:
4111:
4106:
4101:
4096:
4091:
4086:
4081:
4076:
4075:
4074:
4069:
4064:
4059:
4054:
4049:
4039:
4034:
4029:
4024:
4019:
4018:
4017:
4012:
4002:
3997:
3992:
3987:
3982:
3977:
3972:
3966:
3964:
3960:
3959:
3957:
3956:
3954:Basso continuo
3951:
3945:
3943:
3939:
3938:
3936:
3935:
3930:
3925:
3920:
3915:
3910:
3905:
3900:
3895:
3890:
3885:
3880:
3875:
3870:
3865:
3860:
3855:
3850:
3845:
3840:
3835:
3830:
3825:
3820:
3814:
3812:
3804:
3803:
3801:
3800:
3795:
3790:
3785:
3780:
3775:
3770:
3765:
3760:
3755:
3750:
3745:
3740:
3735:
3730:
3725:
3720:
3715:
3710:
3705:
3700:
3694:
3692:
3681:
3680:
3678:
3677:
3672:
3667:
3662:
3657:
3652:
3647:
3642:
3637:
3632:
3627:
3622:
3617:
3612:
3607:
3602:
3597:
3592:
3587:
3585:Leclair l'aîné
3582:
3577:
3572:
3567:
3562:
3557:
3552:
3547:
3542:
3537:
3532:
3527:
3522:
3517:
3512:
3507:
3502:
3496:
3494:
3483:
3482:
3480:
3479:
3474:
3469:
3464:
3459:
3454:
3449:
3444:
3439:
3434:
3429:
3424:
3419:
3414:
3409:
3404:
3399:
3394:
3389:
3384:
3379:
3374:
3369:
3364:
3359:
3354:
3349:
3344:
3339:
3337:H. I. F. Biber
3334:
3329:
3324:
3318:
3316:
3308:
3307:
3305:
3304:
3299:
3294:
3289:
3284:
3279:
3274:
3269:
3264:
3259:
3254:
3249:
3244:
3239:
3234:
3229:
3224:
3219:
3214:
3209:
3204:
3199:
3194:
3189:
3183:
3181:
3169:
3168:
3163:
3160:
3159:
3152:
3151:
3144:
3137:
3129:
3120:
3119:
3117:
3116:
3111:
3106:
3101:
3096:
3090:
3088:
3084:
3083:
3081:
3080:
3074:
3068:
3062:
3056:
3051:
3045:
3039:
3033:
3027:
3021:
3015:
3009:
3003:
2997:
2991:
2985:
2979:
2973:
2967:
2961:
2955:
2949:
2943:
2937:
2931:
2925:
2919:
2913:
2910:Christoph Bach
2907:
2901:
2894:
2892:
2881:
2880:
2873:
2872:
2865:
2858:
2850:
2841:
2840:
2838:
2837:
2827:
2816:
2813:
2812:
2810:
2809:
2801:
2799:
2795:
2794:
2792:
2791:
2783:
2774:
2772:
2768:
2767:
2765:
2764:
2759:
2750:
2745:
2738:
2733:
2726:
2717:
2708:
2698:
2696:
2692:
2691:
2686:
2683:
2682:
2675:
2674:
2667:
2660:
2652:
2646:
2645:
2628:
2619:
2610:
2600:
2588:
2587:External links
2585:
2584:
2583:
2577:
2570:
2559:
2552:
2548:Peter Williams
2542:
2532:
2529:
2528:
2527:
2517:Chisholm, Hugh
2486:
2485:
2461:
2449:
2439:
2419:
2413:
2400:
2383:
2359:
2358:
2354:www.cpebach.de
2346:
2334:
2320:
2301:
2276:
2260:
2243:
2225:
2210:
2205:Complete Works
2196:
2174:
2160:
2155:Complete Works
2146:
2141:Complete Works
2132:
2127:Complete Works
2118:
2106:
2101:Complete Works
2089:
2084:Complete Works
2075:
2066:Complete Works
2057:
2045:
2033:
2021:
2006:
1989:
1977:
1956:
1949:
1929:
1922:
1908:Spányi, Miklós
1899:
1891:Percy M. Young
1883:
1871:
1825:
1797:
1755:
1743:
1724:
1706:
1700:. p. 18.
1686:
1674:
1644:
1577:
1570:
1567:
1414:
1411:
1390:
1387:
1375:, Wq. 238 and
1337:
1334:
1304:
1299:
1298:
1286:
1281:
1280:
1268:
1263:
1262:
1250:
1245:
1244:
1232:
1227:
1226:
1214:
1209:
1208:
1201:
1200:
1199:
1198:
1196:
1193:
1148:
1145:
1122:
1121:
1114:
1108:
1102:
1096:
1090:
1084:
1078:
1072:
1057:
1054:
1036:
1033:
1030:
1012:
1009:
1005:recapitulation
974:
971:
960:
954:
937:
927:
922:
921:
916:
906:
901:
900:
895:
885:
880:
879:
870:
860:
855:
854:
842:
835:
834:
831:
830:
829:
828:
821:
811:
806:
805:
800:
790:
785:
784:
779:
769:
764:
763:
751:
746:
745:
733:
728:
727:
718:
708:
703:
702:
699:
698:
697:
696:
694:
691:
547:
544:
480:, 1760–1768).
299:
296:
250:
247:
245:
242:
196:Romantic music
180:style and the
146:
145:
137:
136:
132:
131:
126:
122:
121:
119:
118:
112:
105:
103:
99:
98:
93:
89:
88:
82:
80:(aged 74)
74:
70:
69:
63:
52:
48:
47:
39:
38:
35:
26:
9:
6:
4:
3:
2:
5014:
5003:
5000:
4998:
4995:
4993:
4990:
4988:
4985:
4983:
4980:
4978:
4975:
4973:
4970:
4968:
4965:
4963:
4960:
4958:
4955:
4953:
4950:
4948:
4945:
4943:
4940:
4938:
4935:
4933:
4930:
4928:
4925:
4923:
4920:
4918:
4915:
4913:
4910:
4908:
4905:
4903:
4900:
4898:
4895:
4893:
4890:
4888:
4885:
4884:
4882:
4872:
4862:
4860:
4850:
4849:
4846:
4833:
4829:
4825:
4823:
4815:
4814:
4811:
4810:
4804:
4803:
4802:Baroque music
4795:
4785:
4782:
4780:
4777:
4775:
4772:
4771:
4770:
4767:
4766:
4765:
4762:
4760:
4757:
4756:
4754:
4750:
4744:
4741:
4739:
4736:
4735:
4733:
4729:
4723:
4720:
4718:
4715:
4713:
4710:
4708:
4705:
4703:
4700:
4699:
4697:
4693:
4687:
4684:
4682:
4679:
4678:
4676:
4672:
4666:
4663:
4661:
4658:
4656:
4653:
4651:
4648:
4646:
4643:
4641:
4638:
4636:
4633:
4631:
4628:
4626:
4623:
4621:
4620:Saint-Georges
4618:
4616:
4613:
4611:
4608:
4606:
4603:
4601:
4598:
4596:
4593:
4591:
4588:
4586:
4583:
4581:
4578:
4576:
4573:
4571:
4568:
4566:
4563:
4561:
4558:
4556:
4553:
4551:
4548:
4546:
4543:
4541:
4538:
4536:
4533:
4531:
4528:
4526:
4523:
4521:
4518:
4516:
4513:
4511:
4508:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4481:
4478:
4476:
4473:
4471:
4468:
4466:
4463:
4461:
4458:
4456:
4453:
4451:
4450:C. P. E. Bach
4448:
4446:
4443:
4439:
4436:
4434:
4431:
4429:
4426:
4424:
4421:
4419:
4416:
4414:
4411:
4409:
4406:
4405:
4404:
4401:
4397:
4394:
4392:
4389:
4387:
4384:
4382:
4379:
4378:
4377:
4374:
4373:
4371:
4367:
4363:
4358:
4354:
4347:
4342:
4340:
4335:
4333:
4328:
4327:
4324:
4312:
4308:
4304:
4302:
4294:
4293:
4290:
4289:
4283:
4282:
4274:
4266:
4263:
4261:
4258:
4256:
4253:
4251:
4248:
4247:
4246:
4243:
4241:
4238:
4237:
4235:
4231:
4225:
4222:
4220:
4217:
4215:
4212:
4210:
4207:
4205:
4202:
4200:
4197:
4195:
4192:
4188:
4185:
4183:
4180:
4178:
4175:
4174:
4173:
4170:
4168:
4165:
4163:
4160:
4156:
4153:
4152:
4151:
4148:
4147:
4145:
4141:
4135:
4132:
4130:
4127:
4125:
4122:
4120:
4117:
4115:
4112:
4110:
4107:
4105:
4102:
4100:
4097:
4095:
4092:
4090:
4087:
4085:
4082:
4080:
4077:
4073:
4070:
4068:
4065:
4063:
4060:
4058:
4055:
4053:
4050:
4048:
4045:
4044:
4043:
4040:
4038:
4035:
4033:
4030:
4028:
4025:
4023:
4020:
4016:
4013:
4011:
4008:
4007:
4006:
4003:
4001:
3998:
3996:
3993:
3991:
3988:
3986:
3983:
3981:
3978:
3976:
3973:
3971:
3968:
3967:
3965:
3963:Musical forms
3961:
3955:
3952:
3950:
3947:
3946:
3944:
3940:
3934:
3931:
3929:
3926:
3924:
3921:
3919:
3916:
3914:
3911:
3909:
3906:
3904:
3901:
3899:
3896:
3894:
3891:
3889:
3886:
3884:
3881:
3879:
3876:
3874:
3871:
3869:
3866:
3864:
3861:
3859:
3856:
3854:
3851:
3849:
3846:
3844:
3841:
3839:
3836:
3834:
3831:
3829:
3826:
3824:
3821:
3819:
3816:
3815:
3813:
3811:
3805:
3799:
3796:
3794:
3791:
3789:
3786:
3784:
3781:
3779:
3776:
3774:
3771:
3769:
3766:
3764:
3761:
3759:
3758:Padre Martini
3756:
3754:
3751:
3749:
3746:
3744:
3741:
3739:
3736:
3734:
3731:
3729:
3726:
3724:
3721:
3719:
3716:
3714:
3711:
3709:
3706:
3704:
3703:C. P. E. Bach
3701:
3699:
3696:
3695:
3693:
3686:
3682:
3676:
3673:
3671:
3668:
3666:
3663:
3661:
3658:
3656:
3653:
3651:
3648:
3646:
3643:
3641:
3638:
3636:
3633:
3631:
3628:
3626:
3623:
3621:
3618:
3616:
3613:
3611:
3608:
3606:
3603:
3601:
3598:
3596:
3593:
3591:
3588:
3586:
3583:
3581:
3578:
3576:
3573:
3571:
3568:
3566:
3563:
3561:
3558:
3556:
3553:
3551:
3548:
3546:
3543:
3541:
3538:
3536:
3533:
3531:
3528:
3526:
3523:
3521:
3518:
3516:
3513:
3511:
3508:
3506:
3503:
3501:
3498:
3497:
3495:
3488:
3484:
3478:
3475:
3473:
3470:
3468:
3465:
3463:
3460:
3458:
3455:
3453:
3450:
3448:
3445:
3443:
3440:
3438:
3435:
3433:
3430:
3428:
3425:
3423:
3420:
3418:
3415:
3413:
3410:
3408:
3405:
3403:
3400:
3398:
3395:
3393:
3390:
3388:
3385:
3383:
3380:
3378:
3375:
3373:
3370:
3368:
3365:
3363:
3360:
3358:
3355:
3353:
3350:
3348:
3345:
3343:
3340:
3338:
3335:
3333:
3330:
3328:
3325:
3323:
3320:
3319:
3317:
3309:
3303:
3300:
3298:
3295:
3293:
3290:
3288:
3285:
3283:
3280:
3278:
3277:M. Praetorius
3275:
3273:
3270:
3268:
3265:
3263:
3260:
3258:
3255:
3253:
3250:
3248:
3245:
3243:
3240:
3238:
3235:
3233:
3230:
3228:
3225:
3223:
3220:
3218:
3215:
3213:
3210:
3208:
3205:
3203:
3200:
3198:
3195:
3193:
3190:
3188:
3185:
3184:
3182:
3174:
3170:
3166:
3161:
3157:
3156:Baroque music
3150:
3145:
3143:
3138:
3136:
3131:
3130:
3127:
3115:
3112:
3110:
3107:
3105:
3102:
3100:
3097:
3095:
3092:
3091:
3089:
3085:
3078:
3075:
3072:
3069:
3066:
3063:
3060:
3057:
3055:
3054:Johannes Bach
3052:
3049:
3046:
3043:
3040:
3037:
3034:
3031:
3028:
3025:
3022:
3019:
3016:
3013:
3010:
3007:
3004:
3001:
2998:
2995:
2992:
2989:
2986:
2983:
2980:
2977:
2974:
2971:
2968:
2965:
2962:
2959:
2956:
2953:
2950:
2947:
2944:
2941:
2938:
2935:
2932:
2929:
2926:
2923:
2920:
2917:
2914:
2912:(grandfather)
2911:
2908:
2905:
2902:
2899:
2896:
2895:
2893:
2890:
2882:
2878:
2871:
2866:
2864:
2859:
2857:
2852:
2851:
2848:
2836:
2832:
2828:
2826:
2818:
2817:
2814:
2808:
2807:
2803:
2802:
2800:
2796:
2789:
2788:
2784:
2781:
2780:
2776:
2775:
2773:
2769:
2763:
2760:
2757:
2756:
2751:
2749:
2746:
2744:
2743:
2739:
2737:
2734:
2732:
2731:
2727:
2724:
2723:
2718:
2715:
2714:
2709:
2706:
2705:
2700:
2699:
2697:
2693:
2689:
2684:
2680:
2673:
2668:
2666:
2661:
2659:
2654:
2653:
2650:
2644:
2640:
2636:
2632:
2629:
2627:
2623:
2620:
2618:
2614:
2611:
2608:
2604:
2601:
2598:
2594:
2591:
2590:
2582:
2578:
2575:
2571:
2568:
2567:Web companion
2564:
2560:
2557:
2553:
2550:
2549:
2543:
2540:
2539:
2535:
2534:
2524:
2523:
2518:
2514:
2510:
2505:
2504:public domain
2493:
2492:
2491:
2490:
2482:
2478:
2474:
2470:
2467:
2462:
2458:
2455:(1824–1832),
2454:
2450:
2446:
2442:
2440:0-02-872690-1
2436:
2431:
2430:
2424:
2420:
2416:
2410:
2406:
2401:
2397:
2396:
2390:
2384:
2382:
2377:
2373:
2372:
2367:
2366:
2365:
2364:
2355:
2350:
2344:
2338:
2323:
2317:
2313:
2312:
2305:
2290:
2286:
2280:
2273:
2269:
2264:
2257:
2253:
2247:
2241:
2237:
2236:
2229:
2222:
2221:
2214:
2207:
2206:
2200:
2194:
2190:
2186:
2185:
2178:
2172:
2169:
2164:
2157:
2156:
2150:
2143:
2142:
2136:
2129:
2128:
2122:
2116:
2110:
2103:
2102:
2096:
2094:
2086:
2085:
2079:
2072:
2068:
2067:
2061:
2055:, p. 98.
2054:
2049:
2042:
2037:
2031:, p. 37.
2030:
2025:
2017:
2013:
2009:
2003:
1999:
1993:
1986:
1981:
1966:
1960:
1952:
1946:
1943:. Routledge.
1942:
1941:
1933:
1925:
1919:
1915:
1914:
1913:C. P. E. Bach
1909:
1903:
1896:
1892:
1887:
1881:, p. 32.
1880:
1875:
1860:
1856:
1852:
1848:
1844:
1840:
1836:
1829:
1821:
1820:
1815:
1808:
1806:
1804:
1802:
1794:
1790:
1786:
1782:
1778:
1774:
1770:
1766:
1759:
1752:
1747:
1740:
1739:
1738:The Telegraph
1734:
1728:
1719:
1713:
1711:
1703:
1699:
1698:
1690:
1684:, p. 22.
1683:
1682:Ratner (1980)
1678:
1671:
1669:
1663:
1661:
1659:
1657:
1655:
1653:
1651:
1649:
1641:
1639:
1633:
1631:
1629:
1627:
1625:
1623:
1621:
1619:
1617:
1615:
1613:
1611:
1609:
1607:
1605:
1603:
1601:
1599:
1597:
1595:
1593:
1591:
1589:
1587:
1585:
1583:
1578:
1576:
1575:
1566:
1562:
1560:
1555:
1553:
1549:
1544:
1542:
1541:
1536:
1531:
1529:
1524:
1523:grand piano.
1522:
1518:
1514:
1510:
1506:
1502:
1498:
1494:
1488:
1483:
1482:Miklós Spányi
1479:
1474:
1470:
1465:
1463:
1459:
1455:
1451:
1447:
1443:
1439:
1435:
1430:
1426:
1420:
1410:
1408:
1404:
1399:
1396:
1386:
1384:
1380:
1379:
1374:
1373:
1368:
1364:
1360:
1355:
1353:
1349:
1345:
1344:
1333:
1331:
1326:
1325:musical clock
1322:
1302:
1284:
1266:
1248:
1230:
1212:
1205:
1192:
1190:
1186:
1181:
1178:
1174:
1169:
1166:
1165:
1160:
1156:
1155:
1144:
1142:
1134:
1130:
1125:
1119:
1115:
1112:
1109:
1106:
1103:
1100:
1097:
1094:
1091:
1088:
1085:
1082:
1079:
1076:
1073:
1070:
1067:
1066:
1065:
1063:
1053:
1051:
1047:
1043:
1035:Chamber music
1032:
1028:
1026:
1022:
1017:
1008:
1006:
1002:
998:
994:
989:
987:
982:
980:
970:
968:
967:
959:
952:
948:
925:
904:
883:
874:
871:Performed by
858:
840:
839:
809:
788:
767:
749:
731:
723:(harpsichord)
722:
706:
690:
688:
684:
679:
677:
673:
669:
665:
661:
657:
655:
651:
645:
644:
640:
636:
632:
628:
624:
620:
616:
612:
608:
604:
600:
599:
594:
590:
586:
585:
580:
576:
571:
569:
565:
561:
559:
558:Kapellmeister
553:
543:
541:
536:
534:
530:
526:
522:
518:
514:
510:
506:
502:
498:
494:
490:
488:
481:
479:
478:
472:
470:
464:
463:
462:Gellert Songs
458:
454:
450:
445:
443:
439:
435:
431:
427:
423:
419:
415:
411:
405:
403:
399:
395:
391:
389:
388:Kammermusikus
383:
379:
374:
372:
368:
364:
360:
356:
352:
348:
344:
340:
339:Carl Heinrich
336:
327:
320:
316:
312:
310:
304:
295:
293:
289:
285:
284:jurisprudence
280:
276:
272:
268:
264:
263:Maria Barbara
260:
256:
241:
239:
235:
231:
227:
222:
220:
216:
215:Kapellmeister
212:
208:
203:
201:
197:
193:
191:
190:
183:
179:
174:
172:
168:
164:
160:
156:
152:
143:
138:
133:
130:
127:
123:
116:
113:
110:
107:
106:
104:
100:
97:
94:
90:
85:
75:
71:
66:
53:
49:
45:
40:
33:
30:
19:
4807:
4800:
4702:Galant music
4449:
4286:
4279:
4250:Architecture
4199:Folk baroque
4194:Figured bass
4167:counterpoint
4143:Other topics
4015:18th-century
4010:17th-century
3702:
3635:D. Scarlatti
3452:A. Scarlatti
3422:J. Pachelbel
3173:Transitional
3099:Bach Digital
3087:Compositions
3032:(2nd cousin)
3014:(3rd cousin)
2966:(son-in-law)
2948:(2nd cousin)
2903:
2804:
2785:
2777:
2755:Solfeggietto
2740:
2728:
2678:
2638:
2609:(ChoralWiki)
2573:
2562:
2555:
2545:
2536:
2520:
2488:
2487:
2469:
2468:Auferstehung
2465:
2456:
2443:– via
2428:
2404:
2393:
2369:
2362:
2361:
2349:
2337:
2325:. Retrieved
2310:
2304:
2292:. Retrieved
2288:
2279:
2263:
2255:
2246:
2234:
2228:
2218:
2213:
2204:
2199:
2183:
2177:
2163:
2154:
2149:
2140:
2135:
2126:
2121:
2114:
2109:
2100:
2083:
2078:
2065:
2060:
2048:
2036:
2024:
1997:
1992:
1980:
1968:. Retrieved
1959:
1939:
1932:
1912:
1902:
1894:
1886:
1874:
1862:. Retrieved
1842:
1838:
1828:
1819:The Guardian
1817:
1792:
1768:
1764:
1758:
1746:
1736:
1727:
1701:
1696:
1689:
1677:
1667:
1637:
1573:
1572:
1563:
1557:In 2015 the
1556:
1545:
1538:
1532:
1525:
1466:
1431:
1427:
1423:
1400:
1392:
1376:
1370:
1362:
1358:
1356:
1351:
1341:
1339:
1336:Choral works
1318:
1182:
1176:
1172:
1170:
1162:
1158:
1154:Solfeggietto
1152:
1150:
1139:, No. 27 in
1132:
1126:
1123:
1117:
1110:
1104:
1098:
1092:
1086:
1080:
1074:
1068:
1059:
1038:
1020:
1018:
1014:
1000:
996:
992:
990:
983:
976:
964:
962:
957:
875:(clavichord)
838:Solfeggietto
837:
689:in Hamburg.
680:
668:Auferstehung
667:
662:by the poet
650:Resurrection
647:
641:
626:
622:
596:
588:
582:
572:
555:
549:
537:
525:counterpoint
521:figured bass
504:
492:
484:
482:
475:With Varied
474:
466:
460:
446:
414:Joseph Haydn
406:
385:
375:
332:
306:
252:
223:
204:
185:
175:
158:
154:
150:
149:
78:(1788-12-14)
54:8 March 1714
29:
4917:Bach family
4892:1788 deaths
4887:1714 births
4520:Hoffmeister
4490:Dittersdorf
4219:Style brisé
4155:Chamber pop
4150:Baroque pop
4094:grand motet
4067:passacaglia
3878:lautenwerck
3873:harpsichord
3843:double bass
3810:Instruments
3768:Mondonville
3600:A. Marcello
3530:F. Couperin
3477:Vejvanovský
3427:J. Playford
3407:J.-B. Lully
3372:Charpentier
3327:d'Anglebert
3212:Frescobaldi
3176:and early (
2877:Bach family
2790:(1998–2018)
2782:(1982–1995)
2704:La Caroline
2489:Attribution
1546:The street
1521:Bösendorfer
1485: [
1383:21 Passions
1189:Anna Amalia
1164:La Caroline
1042:piano trios
873:Joan Benson
631:seraph song
564:Anna Amalia
402:Franz Benda
378:La Caroline
363:harpsichord
129:Bach family
18:C.P.E. Bach
4881:Categories
4764:Classicism
4752:Background
4731:Techniques
4707:Intermezzo
4665:Zingarelli
4570:Mysliveček
4465:Boccherini
4455:J. C. Bach
4438:J. Stamitz
4433:C. Stamitz
4233:Background
4119:recitative
4027:concertato
3995:canzonetta
3858:fortepiano
3833:clavichord
3783:Sammartini
3763:Mysliveček
3723:Boccherini
3713:W. F. Bach
3708:J. C. Bach
3505:J. S. Bach
3432:H. Purcell
3352:Cabanilles
3267:Monteverdi
3242:Kapsberger
3232:O. Gibbons
3227:C. Gibbons
3222:V. Galilei
3202:J. Dowland
3192:G. Caccini
3079:(grandson)
3044:(grandson)
2900:(2nd wife)
2736:Magnificat
2016:1314382566
1569:References
1348:Magnificat
1330:New Palais
1187:'s sister
1062:clavichord
973:Symphonies
945:See also:
637:, and the
575:Protestant
457:symphonies
449:Magnificat
367:clavichord
58:1714-03-08
4859:Biography
4779:Economics
4712:Pastorale
4660:Wranitzky
4580:Paisiello
4565:L. Mozart
4470:Cherubini
4413:Cannabich
4381:Beethoven
4369:Composers
4265:Sculpture
4182:ensembles
4177:festivals
4072:sarabande
4000:capriccio
3942:Ensembles
3773:L. Mozart
3675:de Zumaya
3610:Pergolesi
3590:Locatelli
3575:Heinichen
3560:Gorczycki
3555:Geminiani
3535:Delalande
3457:Stradella
3412:M. Marais
3392:Froberger
3357:Carissimi
3347:Buxtehude
3302:Sweelinck
3065:Veit Bach
3008:(brother)
2978:(brother)
2511:(1911), "
2475:thesis).
1859:1478-5706
1781:0005-3600
1321:music box
1129:sonatinas
1011:Concertos
654:Ascension
438:Beethoven
271:godfather
238:Beethoven
226:pedagogue
182:Classical
135:Signature
125:Relatives
4822:Category
4799: ←
4615:Sacchini
4585:Piccinni
4540:Kreutzer
4535:Koželuch
4515:M. Haydn
4510:Gyrowetz
4480:Clementi
4475:Cimarosa
4460:G. Benda
4396:Schubert
4301:Category
4278: ←
4260:Painting
4124:ricercar
4099:madrigal
4079:fantasia
4047:courante
4032:concerto
4005:chaconne
3898:recorder
3823:carillon
3793:Telemann
3738:Corrette
3733:F. Brixi
3718:F. Benda
3650:Telemann
3615:Pisendel
3565:Graupner
3500:Albinoni
3437:Reincken
3402:Legrenzi
3387:Diletsky
3311:Middle (
3217:Gabrieli
3026:(nephew)
2954:(nephew)
2942:(father)
2918:(mother)
2825:Category
2771:Editions
2748:Passions
2425:(1980).
1897:, p. 167
1775:: 1–20.
1517:Hänssler
1478:Hugo Ruf
1352:Deposuit
656:of Jesus
639:oratorio
611:litanies
568:oratorio
552:Telemann
533:Fantasia
517:mordents
497:Clementi
477:Reprises
269:was his
117:(mother)
111:(father)
4845:Portals
4812:→
4784:Physics
4645:Traetta
4625:Salieri
4610:Rosetti
4545:Krommer
4428:Richter
4291:→
4245:Baroque
4114:prelude
4052:gavotte
4022:chorale
3990:canzona
3980:cantata
3933:violone
3913:trumpet
3908:theorbo
3903:sackbut
3838:cornett
3818:bassoon
3808:Musical
3748:Galuppi
3670:Zelenka
3660:Vivaldi
3645:Tartini
3620:Porpora
3605:Pepusch
3545:Fischer
3520:Caldara
3467:Torelli
3462:Strozzi
3382:Corelli
3362:Cavalli
3332:Bassani
3287:Scheidt
3237:d'India
3187:Allegri
2984:(uncle)
2936:(uncle)
2924:(uncle)
2884:Members
2798:Related
2633:at the
2617:Musopen
2605:in the
2599:(IMSLP)
2595:at the
2519:(ed.),
2506::
2363:Sources
2327:16 June
2294:16 June
1970:24 June
1864:11 July
956:In the
619:Salieri
607:Passion
605:of the
453:cantata
430:Lessing
359:sonatas
355:clavier
202:style.
178:Baroque
102:Parents
84:Hamburg
56: (
4832:Portal
4695:Genres
4655:Wanhal
4650:Viotti
4595:Reicha
4590:Pleyel
4575:Neruda
4550:Kuhlau
4525:Hummel
4505:Gossec
4495:Dussek
4485:Czerny
4423:Fränzl
4391:Mozart
4311:Portal
4204:monody
4062:minuet
3975:ballet
3928:violin
3863:guitar
3778:Quantz
3685:Galant
3640:Seixas
3630:Rameau
3625:Quantz
3570:Handel
3525:Campra
3442:Sabini
3417:Muffat
3377:Clarke
3322:Amodei
3297:Schütz
3292:Schein
3262:Merula
3257:Michna
3207:Franck
3197:Coelho
3038:(self)
2515:", in
2500:
2437:
2411:
2381:Online
2318:
2258:, 2003
2191:
2014:
2004:
1947:
1920:
1857:
1787:
1779:
1670:(1878)
1640:(1911)
1507:, the
1503:, the
1452:, and
1359:Heilig
1052:1013.
676:Mozart
635:Isaiah
623:Heilig
615:motets
598:Elijah
509:trills
501:Cramer
434:Mozart
400:, and
347:Berlin
341:) and
279:cantor
255:Weimar
234:Mozart
200:galant
65:Weimar
4640:Spohr
4635:Soler
4630:Sarti
4560:Méhul
4530:Kraus
4500:Gluck
4386:Haydn
4255:Dance
4134:suite
4109:opera
4089:fugue
4084:folia
4057:gigue
4042:dance
3985:canon
3923:viola
3893:organ
3853:flute
3828:cello
3788:Soler
3753:Hasse
3728:Boyce
3691:1720)
3665:Weiss
3655:Vinci
3595:Lotti
3540:Fasch
3493:1700)
3397:Kerll
3367:Cesti
3315:1650)
3282:Rossi
3252:Lawes
3247:Landi
3180:1600)
3073:(son)
3002:(son)
2990:(son)
2960:(son)
2930:(son)
2906:(son)
2835:Audio
2695:Works
2171:01440
1785:JSTOR
1771:(1).
1574:Notes
1489:]
1363:Credo
693:Works
513:turns
505:Essay
230:Haydn
92:Works
4605:Rode
4600:Ries
4445:Abel
4418:Fils
4408:Beck
4104:mass
3970:aria
3918:viol
3888:oboe
3883:lute
3868:harp
3848:drum
3798:Zach
3698:Arne
3487:Late
3447:Sanz
3342:Blow
3272:Peri
2643:WGBH
2435:ISBN
2409:ISBN
2329:2020
2316:ISBN
2296:2020
2189:ISBN
2012:OCLC
2002:ISBN
1972:2021
1945:ISBN
1918:ISBN
1866:2024
1855:ISSN
1777:ISSN
1765:Bach
1511:and
1460:and
1403:Kyiv
1323:and
1025:oboe
949:and
652:and
648:The
627:Holy
523:and
499:and
440:and
428:and
416:and
365:and
337:and
244:Life
236:and
169:and
73:Died
51:Born
4774:Art
3550:Fux
2641:by
2624:by
2615:at
2479:of
1847:doi
1550:in
1493:BIS
1050:BWV
1029:and
979:Wq.
595:'s
286:at
257:to
4883::
3689:c.
3491:c.
3313:c.
3178:c.
2392:,
2374:,
2287:.
2254:,
2092:^
2069:,
2010:.
1893:,
1853:.
1843:12
1841:.
1837:.
1816:.
1800:^
1791:.
1783:.
1769:47
1767:.
1735:,
1709:^
1668:EB
1647:^
1638:EB
1581:^
1543:.
1487:de
1464:.
1448:,
1444:,
1440:,
1385:.
1332:.
1191:.
1143:.
1135:,
1048:,
997:on
678:.
613:,
535:.
515:,
511:,
444:.
436:,
424:,
404:.
396:,
232:,
173:.
4847::
4345:e
4338:t
4331:v
3687:(
3489:(
3148:e
3141:t
3134:v
2891:)
2869:e
2862:t
2855:v
2671:e
2664:t
2657:v
2483:.
2471:(
2447:.
2418:.
2331:.
2298:.
2073:.
2018:.
1974:.
1953:.
1926:.
1868:.
1849::
1822:.
1672:.
1642:.
1421:.
1001:G
646:(
625:(
587:(
491:(
473:(
60:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
