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intended environment of playing in drawing rooms. C melody mouthpieces often give a C melody saxophone a slightly muffled sound, which may or may not be what the player desires. Some players successfully use a modern tenor saxophone mouthpiece, modified by cutting off one centimeter of the mouthpiece if needed to fit, with their C melody saxophone, though depending on which mouthpiece type is chosen (e.g. long shank or short shank) there may be problems regarding the accuracy of intonation, particularly at the upper end of the range. As a result, some experimentation may be required in order to find a tenor mouthpiece which provides accurate intonation across the entire scale. Other players have successfully fitted alto saxophone mouthpieces to their C melody saxophones. As before, some experimentation may be required. With a more modern mouthpiece fitted, a C melody saxophone can lose some of its muted qualities and sound brighter, with more of the sonic power that an alto or tenor saxophone gives. Currently, there are a number of manufacturers producing C melody mouthpieces e.g. Beechler, Ralph Morgan, and Ronald
Caravan.
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peak around 1923, with a gradual reduction thereafter. Comparatively few C melody saxophones were made in the late 1920s. The Conn straight-neck Tenor in C is the most common of the actual orchestral saxophones and has a more classical sound and plays in tune throughout the instrument's range. This is one of the few models actually made for professional use. However, the long straight neck means that the saxophone must be held away from the player's body, a posture which some people may find uncomfortable.
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least one Conn C melody dating from 1938 has "Transitional" keywork (similar to that found on a Conn 6M alto or Conn 10M tenor) plus a "Lady Face" engraving on the bell front. However, late model Conn C melody saxophones like these are extremely unusual because they are rare exceptions to the general rule that production of C melody saxophones ended in 1930.
638:, which most other saxophones would require. This enabled amateur musicians to play along with a friend or family member by reading from the same sheet of music—so long as the music fell within the pitch range of the C melody saxophone itself, that is, was not too high or low. Another selling point was that the C melody produces a more muted tone than the E
786:) which were dropped from production soon after. However, it is important to note that production ended for purely financial reasons, and not because of any inherent flaw in the design or poor manufacturing standards. C melody saxophones were as good as the reputation of whichever company manufactured them. The basic problem was that the
571:. The bore on most models has a diameter and taper more like a 'stretched' alto than a tenor. When seen in profile, its shape bears some resemblance to a tenor saxophone, though it is smaller and the bell appears longer. Most C melody saxophones have curved necks (with a similar shape to that of the tenor saxophone) though
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feature C melody saxophones in their instrument line-up. As a result, there was no consumer demand for C melody instruments, so would-be manufacturers had no incentive to resume production. Not surprisingly, instrument manufacturers concentrated instead on making other types which had strong customer
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tenor, which was useful when playing at home. Many novelty tunes, most influenced by 1920s dance music, were written specifically for the instrument. They were sometimes also used in churches to accompany hymns. Sax players in Irish and Irish-American dance bands of the 1920s and '30s often used the
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C.G.Conn made a small number of C melody saxophones during the 1930s which were stamped with the model number "8M". These were almost certainly completed saxophone bodies that had been kept in storage since the 1920s and which were furnished with updated keywork after the Great
Depression ended. At
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Most of these companies also manufactured "stencil" saxophones for other vendors under different names e.g. the 'Harwood
Jenkins', 'Lyon & Healy', 'Oliver Ditson' and 'Wurlitzer American' - all of which were actually made by Buescher. Production of C melody saxophones appears to have reached a
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Dedicated mouthpieces were produced for the C melody saxophone, though these may be hard to find in the 21st century. The C melody has a muted sound when compared to other saxophone types, particularly if an original vintage mouthpiece is used. This made it particularly useful for its originally
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began production of a new "C melody tenor saxophone". However, Aquilasax ceased operating June 2015, stating "...our saxes are more popular with customers than with the factory that makes them. We have been unable to solve this problem and have not been able to make the business profitable as a
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hit saxophone manufacturers hard, forcing them to reduce the range of musical instruments they produced down to the most popular models, simply in order for those companies to survive. As a result, production of C melody saxophones ended abruptly. By the time the world economy had recovered
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Despite the fact that they have not been manufactured in over 75 years, C melody saxophones are readily available today, due to their limited use and the sheer number that were produced in the early 20th century. They can often be found at stores that carry used instruments,
651:
C melody as it made for easier fingering in the keys of G and D commonly used for traditional Irish tunes played by fiddlers, flute players and button accordionists. Similarly, some players prefer the C melody when playing guitar-based blues music in E or A.
590:(originally intended by Sax for use in military bands and wind ensembles) have been produced on a large scale. However, in the early years of the 21st century, small-scale production of new C melody saxophones had commenced in
948:, has been produced by California instrument maker Jim Schmidt since the late 1990s. It is a modern design and differs from the vintage C melody instruments in several ways, most notably its linear chromatic fingering system.
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Cheaper, novelty C melody saxophones were marketed from the late 1910s through the early 1930s as a version of the saxophone intended for amateur use, in homes, schools, and town bands. It was made with a
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During the 1960s, the French woodwind manufacturer
Leblanc produced a few C melody saxophones (brand stamped on bell was Vito), though it is thought that they manufactured fewer than 20 examples.
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sufficiently for C melody saxophones to be economically viable again (around 1935) people's leisure time interests had changed and there was no longer a market for them. Additionally, the "
860:, and others), he made his most famous recordings on the C melody, and was a significant factor in popularizing the instrument among the general public. Another famous C melody player was
963:, the well-known German instrument manufacturer, started to sell a completely new line of C-Melodies. They sell two versions, one in pure silver plate and one in regular brass lacquer.
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for a company called
Aquilasax though production ceased by 2015. Student-quality C melody instruments are, as of 2023, available from Thomann (Germany) and Sakkusu (UK).
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of 1929 caused extremely harsh economic conditions throughout the world, which affected the production of all leisure-related consumer products. This unusually profound
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did make straight-necked C melody instruments (more similar to the alto). C melody saxophones are usually marked with a letter "C" above or below the serial number.
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Aquilasax.com has ceased operating since June 2015 (formerly China since 2007) I will keep this website open as an info site as long as funds allow.
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A few modern-day saxophonists occasionally perform on C melody instruments, though rarely if ever as a primary instrument. Examples include
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Please help improve this article by looking for better, more reliable sources. Unreliable citations may be challenged and removed.
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By the late 1920s the popularity of C melody saxophones had faded. Sales of all saxophones fell dramatically after the
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864:, a jazz player who was known for his superb technical ability on the instrument and influence on later generations.
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688:) from 1914 through 1930. Conn literature promotes the instrument as early as 1901, long before its popularity.
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A major selling point for the C melody saxophone was the fact that in contrast to other saxophones, it was not a
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803:" era had started in the early 1930s and anyone who wanted to learn the saxophone was interested primarily in
548:. The C melody was part of the series of saxophones pitched in C and F intended by the instrument's inventor,
552:, for orchestral use. The instrument enjoyed popularity in the early 1900s, perhaps most prominently used by
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911:, though mainly a keyboardist, has played the C Melody sax occasionally on recordings led by her daughter
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While most C melody saxophones have curved necks (with a similar shape to that of the tenor saxophone),
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orchestra and a recording artist under his own name, was another skilled player of the instrument.
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A straight-necked Conn C melody saxophone (New Wonder Series 2 dating from circa 1926) played by
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because this would, potentially at least, allow them to play in a Big Band, and Big Bands did
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C melody saxophone (New Wonder Series 1) with a serial number which dates manufacture to 1922
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or voice) without having to transpose or read music parts that have been transposed into B
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did make straight-necked C melody instruments (more similar in appearance to the
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A number of high-quality manufacturers produced C melody saxophones (including
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tenor. Among the most famous musicians to perform mainly on C melody sax was
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Some early jazz players got their start on the C melody, including
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of 1929, and the C melody was one of several models (including the
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709:, being more or less a "stretched" version of the alto saxophone
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Saxophone buyers guide, including specific C Melody
Information
1376:"A View of the C.: The Fall and Rise of the C-melody Saxophone"
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demand and were easy to sell e.g. alto and tenor saxophones.
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Modern C melody saxes are available (as of 2014) under the
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Article about C melody saxophones by
Malcolm Dickinson
1258:Karen Mantler's Pet Project (Virgin Classics); and
385:. Unsourced material may be challenged and removed.
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1102:
1276:. Web.archive.org. 19 July 2008. Archived from
938:
1414:
996:. Yale Musical Instrument Series. New Haven:
985:
944:Another saxophone pitched in C, called the
578:Since 1930, only saxophones in the key of B
293:Learn how and when to remove these messages
1421:
1407:
1189:"Why are there C melody saxophones ?"
757:playing a C melody saxophone in New York,
42:
1126:JunkDude Music - Ralph Morgan Mouthpieces
516:Learn how and when to remove this message
498:Learn how and when to remove this message
445:Learn how and when to remove this message
343:Learn how and when to remove this message
1105:"Saxophone Mouthpiece Tip Opening Chart"
991:
766:
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734:holding a C-melody saxophone, circa 1922
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700:considerably narrower than that of the B
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951:Starting 2007, the New Zealand company
563:A C melody saxophone is larger than an
14:
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1245:Quartets: Live at the Village Vanguard
1402:
1147:. Shwoodwind.co.uk. 30 September 2005
970:house label "Sakkusu", as well as on
790:which followed immediately after the
723:in 1920, playing a C-melody saxophone
663:
974:from assorted Chinese manufacturers.
456:
383:adding citations to reliable sources
354:
299:
258:
1351:"Sakkusu C-Melody Saxophone Review"
24:
1145:"Martin C Melody saxophone review"
315:tone or style may not reflect the
25:
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1369:
1326:"Thomann CMS-600 L C- Melody Sax"
1169:. Shwoodwind.co.uk. 23 April 2007
274:This article has multiple issues.
138:Melody saxophone in C sounds one
1167:"King C Melody saxophone review"
544:one whole tone above the common
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325:guide to writing better articles
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1302:. Aquilasax.com. Archived from
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1221:
1056:. Aquilasax.com. Archived from
370:needs additional citations for
282:or discuss these issues on the
86:Hornbostel–Sachs classification
1230:Seven Compositions (Trio) 1989
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939:Related and new instruments
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992:Cottrell, Stephen (2012).
48:A Conn C Melody Saxophone.
26:
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1274:"Jim Schmidt'S Contralto"
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1210:c melody » C Melody
27:Not to be confused with
1504:Subcontrabass saxophone
1469:Mezzo-soprano saxophone
1300:"Welcome to Aquilasax!"
1215:16 January 2009 at the
1131:29 October 2007 at the
784:mezzo-soprano saxophone
560:, but is now uncommon.
470:Some of this article's
205:Orchestral saxophones:
1103:Prominent Web Design.
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604:transposing instrument
546:B-flat tenor saxophone
226:Specialty saxophones:
998:Yale University Press
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753:
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1499:Contrabass saxophone
1385:by John Robert Brown
1381:13 July 2011 at the
532:, also known as the
394:"C melody saxophone"
379:improve this article
252:list of saxophonists
1453:C soprano saxophone
1448:Sopranino saxophone
1353:. cafesaxophone.com
1242:See Lovano's album
959:Beginning in 2012,
946:contralto saxophone
567:and smaller than a
148:Related instruments
142:lower than written.
67:Woodwind instrument
38:
29:C soprano saxophone
1522:†not designed by
1489:Baritone saxophone
1479:C melody saxophone
1191:. Cmelodysax.co.uk
868:, a member of the
792:stock market crash
776:
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748:
742:A straight-necked
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664:Production history
530:C melody saxophone
37:C melody saxophone
36:
18:C-melody saxophone
1532:
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1464:Soprano saxophone
1330:Musikhaus Thomann
1007:978-0-300100-41-9
862:Frankie Trumbauer
780:Wall Street Crash
732:Frankie Trumbauer
558:Frankie Trumbauer
534:C tenor saxophone
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1054:"Aquilasax.com"
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854:Arnold Brilhart
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1107:. Beechler.com
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881:Kyle Vincent
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836:Benny Carter
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377:Please help
372:verification
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276:Please help
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1524:Adolphe Sax
1335:22 November
931:across the
866:Jack Pettis
762: 1946
655:Mouthpieces
550:Adolphe Sax
475:may not be
112:Adolphe Sax
108:Inventor(s)
94:Single-reed
79:Single-reed
1545:Saxophones
1539:Categories
1459:Aulochrome
1431:saxophones
1040:Q113952716
1016:2012028346
979:References
929:pawn shops
909:Carla Bley
905:Joe Lovano
870:Ben Bernie
674:C. G. Conn
598:Advantages
573:C. G. Conn
405:newspapers
279:improve it
231:Aulochrome
194:Contrabass
90:422.212-71
53:C. G. Conn
1429:Types of
1357:14 August
1310:14 August
1032:25377233M
1024:844030644
968:Sax.co.uk
953:Aquilasax
921:tag sales
796:recession
644:alto or B
538:saxophone
285:talk page
245:Musicians
210:C soprano
164:Sopranino
118:Developed
97:aerophone
1443:Soprillo
1379:Archived
1260:Farewell
1213:Archived
1129:Archived
1036:Wikidata
956:result."
845:♭
817:baritone
801:Big Band
703:♭
670:Buescher
647:♭
641:♭
635:♭
629:♭
587:♭
581:♭
542:key of C
477:reliable
220:C melody
184:Baritone
159:Soprillo
961:Thomann
805:soprano
536:, is a
419:scholar
169:Soprano
1284:19 May
1195:19 May
1173:19 May
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678:Martin
624:guitar
616:violin
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154:Sizes:
140:octave
1510:Tubax
813:tenor
620:piano
608:flute
592:China
584:and E
569:tenor
426:JSTOR
412:books
236:Tubax
179:Tenor
121:1840s
99:with
1359:2016
1337:2017
1312:2016
1286:2014
1256:See
1197:2014
1175:2014
1153:2014
1113:2014
1090:2023
1066:2014
1020:OCLC
1012:LCCN
1002:ISBN
972:eBay
927:and
903:and
838:and
809:alto
744:Conn
711:bore
698:bore
684:and
682:King
632:or E
612:oboe
565:alto
556:and
528:The
398:news
250:See
189:Bass
174:Alto
101:keys
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