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Dictionnaire des monogrammes, marques figurées, lettres initiales, noms abrégés etc. avec lesquels les peintres, dessinateurs, graveurs et sculpteurs ont désigné leurs noms
74:'s catalogue. To further his studies he travelled to cities in Germany, Italy, France and the Netherlands. From 1822, he was Conservator of the collection.
70:, under Schmid; he gave up producing art and devoted himself to the study of engraving. He began cataloging the collection, according to
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was published in 2 volumes in Munich in 1817; there was a supplement to the work,
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30:(16 February 1780 – 13 November 1836) was an art historian, specializing in
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Brulliot made preparatory work for a 10-volume supplement to
Bartsch's
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in 1780. His father was Josef
Brulliot (1739–1827), a professor at
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85:, in 2 volumes (1820). A much revised version of
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66:in 1805, and in 1808 became Assistant to the
54:. Franz Brulliot studied under the artist
34:. He is known particularly for his work
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89:, in 3 volumes, appeared 1832–1834.
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120:"Brulliot, Franz Josef Augustinus"
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148:(in German). 1876 – via
83:Table Générale des Monogrammes
68:Royal Collection of engravings
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171:. Retrieved 16 December 2018.
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58:at the Academy, and he began
164:Dictionnaire des monogrammes
87:Dictionnaire des monogrammes
36:Dictionnaire des monogrammes
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124:Neue Deutsche Biographie
198:Writers from Düsseldorf
56:Johann Peter von Langer
203:German art historians
46:Brulliot was born in
96:, before he died of
143:ADB:Brulliot, Franz
100:in Munich in 1836.
127:, Volume 2 (1955).
94:Le Peintre Graveur
52:Düsseldorf Academy
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60:copper engraving
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62:. He moved to
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193:1836 deaths
188:1780 births
182:Categories
150:Wikisource
104:References
48:Düsseldorf
77:His work
32:engraving
169:WorldCat
18:Brulliot
98:cholera
166:, 1834
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64:Munich
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