731:" An unattributed quote in Bacalzo's report — "What you're bringing, we don't want" — suggests it was the group's selection of material that was unwelcome, not the group itself. The report did not make it clear how the decision was made, or who made it; the incident was included as secondary background material in a piece publicizing an upcoming Bread & Puppet show. Fleming, who was not interviewed by Bacalzo (but is quoted as if she was), says that Bread & Puppet was not "disinvited", adding that it was she who first invited the company to march in the parade when she took over as organizer.
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known to generate the funds necessary for production by going on tour. Although government grants are available to the theater, Schumann rejects the "absurdity" of grants for protest, insisting the lack of aid "leaves him freer to experiment". This attitude towards business led
Schumann to disband the communal company of the theater in 1973 out of concern that the theater was coming too close to a "pattern of the professional theater". Disbanding the company gave Schumann "uncompromising control" over production.
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720:. It was this attack which was the pretext for starting the war which Bread & Puppet Theater was protesting, and the company's "anti-war stance" reportedly "already placed it at odds with some New Yorkers", according to Dan Bacalzo of TheaterMania.com. Many of the parade's macabre elements were suspended that year by its director
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reported the scene of the "SWAT-style" raid was broadcast live by news helicopters. Years later, the AP explained there "was tense talk (later proved unfounded) of terrorist plots being hatched in the 'puppetista' headquarters, of bomb building and anarchist-fueled mayhem". Its report did not include
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when it was shown in
Kaohsiung, Taiwan. Overall, the effectiveness of this collaboration was called into question because many of the members of the 425 Environmental Theatre engaged in environmentally harmful practices (such as smoking) and a part of the show involved burning a puppet which created
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reviewer T.E. Kalem to remark in 1971, "This virtual dumb show is as contemporary as tomorrow's bombing raid." Many people remember it as central to the political spectacle of the time, as its enormous puppets (often ten to fifteen feet tall) were a fixture of many demonstrations. A Sicilian puppet
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The theater operates on a "shoestring" budget. This means that staff are historically paid as low as $ 35 a week (in 1977) and that many items used in the production of the theater, including clothing and raw puppet materials, are obtained second hand or by donation. The theater typically has been
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The Bread & Puppet
Theater operates under what they call the "Why Cheap Art" manifesto. This principle states that art should be accessible to the public, not "a privilege of museums & the rich". The theater is quoted as claiming: "art is not a business". Bread & Puppet productions are
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on its Glover grounds. In the 1990s, the festival began drawing crowds of tens of thousands, who camped on nearby farmers' land during the annual summer weekend of the pageant. The event became unmanageable, and concerned itself less with the theater's performance. In 1998, a man was killed by
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in Glover where it remains. The farm is home to a cow, several pigs, chickens, and puppeteers, as well as indoor and outdoor performance spaces, a printshop, a store, and a large museum showcasing over four decades of the company's work. Bread & Puppet has received
738:. It was presented at Theater for the New City, and billed as "a nonreligious service in the presence of several papier-mâché gods". "Insurrection masses" are a common format for the Bread & Puppet Theater, as are such "funerals", though the "rotten" ideas change.
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A collaboration between Bread and Puppet
Theater and the 425 Environmental Theatre in Taipei, Taiwan. The play focused on current pollution issues in Taiwan through references to traditional Chinese mythology. In particular, the show depicted the goddess
700:"A couple of our folks were down there, helping to build puppets", said Linda Elbow, company manager for Bread & Puppet. "The cops went into the studio ... arrested people, and took the puppets. So, now, puppets are criminals."
815:". The difference between the real life costumes and the ones made for the movie is the real life ones are red and black, whereas in the movie they are white and black. The Bread & Puppet Theater is in the film's credits.
811:. The movie replicated characters such as Uncle Fatso, Washer Women, White Ladies, and the many armed Mother head. The Bread & Puppet Circus Band also has a reference in the costumes of the circus band during "
203:'s Edmonton-based People & Puppets Incorporated, which in the early 1970s also used effigies yards-high to depict political themes and social commentary in radical street theater. In 1970 the theater moved to
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and the plight of refugees trying to escape through a diabolically opening and closing door to the North." With "only minimal use of the spoken word", the play made its points "with great simplicity and beauty".
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accident in a fight while camping overnight for the festival, forcing director Peter
Schumann to cancel the festival. Since then, the theater offers smaller weekend performances all summer, and traveled around
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An hour long play that critiqued the ongoing war in
Vietnam. It was dedicated to American protesters who died after setting fire to themselves and depicted life for Vietnamese villagers during the war.
766:, who wrote: "The Bread & Puppet Theater has been so long a part of America's conscious struggle for our better selves, that it has become, paradoxically, a fixture of our subconscious."
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in its first performances. Later performances focused on different geographical features affected by pollution depending on where the show took place. For example, the work focused on the
279:, with occasional tours around the U.S. and abroad. The theater runs a program where apprentices help produce and act in performances. In New York City, Bread & Puppet performs at
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149:, with the audience of each performance to create community, and from its central principle art should be as basic as bread to life. Some have heard echoes of the Roman phrase "
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712:, noted for its use of giant puppets. In 2001, Bread & Puppet did not march in the parade. The theater's plans that year included a presentation protesting the
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299:"Cheap art" is said to be a core principle of the theater, and is reflected both in its ethics and in its aesthetics. Ethically, the theater is described as
779:, also positively comments on the theater's 1966 anti-war demonstration by commending Peter Schumann's "concern for movement", "sound", and "appearance".
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The theater's protestations of the
Vietnam war and message of peace generally received positive television coverage, as noted in peace focused magazine
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Linda Elbow commented, "We certainly weren't saying 'Hooray for the terrorists.' We were saying, 'Look what you're doing to the people of
Afghanistan.
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The
Insurrection Mass with Funeral March for a Rotten Idea: A Special Mass for the Aftermath of the Events of September 11th
157:" in the theater's name as well, though these are not often mentioned in Bread & Puppet's own explanations of its name.
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838:", "Don't Think Twice, It's Alright", "Tomorrow Is a Long Time", "One Too Many Mornings", and "Boots of Spanish Leather".
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a considerable amount of black smoke. Still, the work received praise from critics for its relevant social messages.
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describes the show as "patchy", at times "more cute than pointed", and seemingly "preaching to the converted".
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518:). The press produces posters, cards and books on the theater's themes as well as other forms of "cheap art".
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music was performed at Bread and Puppet. Elka
Schumann stated that the production was also a metaphor for the
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1329:"Bread and Puppet Group's 'Stations of the Cross' Comes to St. John the Divine; One Group Working in France"
419:, at the time the general manager of the company, as a "partially metaphoric partially literal" rendering,
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DeeDee Halleck and Tamar Schumann, "Ah! The Hopeful Pageantry of Bread and Puppet!" 2002, 70 minute video.
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show had inspired Schumann, and Bread & Puppet inspired other groups across the continent, including
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The Bread and Puppet bus on tour, parked in front of the Ant Hill Cooperative in Rochester, New York.
716:. The Halloween parade was to occur fifty days after and 1.5 miles away from the September 11, 2001,
502:. It was a slow paced play that depicted an old woman's last day on Earth using singers and actors.
454:. This work also had a revival in 1999. Taiwan is the first Asian country to show the new version of
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Peter and Elka decided on the name Bread and Puppet Theater. The name stuck. The year was 1963.
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The Seditious Conspiracy Theater Presents: A Monument to the Puerto Rican Political Prisoner
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is derived from the theater's practice of sharing its own fresh bread, served for free with
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A show that incorporated musical instruments and puppetry into a retelling of the story of
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on the Lower East Side of Manhattan. Rotolo, at the time, was the girlfriend and muse of
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1273:"The Grail at Reed College — Radical Puppets! Bread and Puppet Performs "Fire" at Reed"
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970:"Reviews and awards for Ecology on Milkweed Edition's site - Chelsea Green Publishing"
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free or paid for by donation, and related art is for sale "for very little money".
1551:"Review: Bread and Puppet Theater Takes up the Cause of a Puerto Rican Nationalist"
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1142:"The Sustainable Energy of the Bread & Puppet Theater: Lessons Outside the Box"
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Bread & Puppet volunteers were among the 79 people arrested at a warehouse in
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In addition to the theater, some of the Bread & Puppet puppeteers operate the
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Rehearsing with Gods: Photographs and Essays on the Bread & Puppet Theater
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Notable writers and performers who have participated in the theater, include:
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The International Encyclopedia of Revolution and Protest: 1500 to the Present
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1033:"The Bread & Puppet Theatre: A Living Museum of American Hippie Culture"
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Peter and Elka Schumann founded the Bread & Puppet Theater in 1963 in
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that critiqued President Nixon's pardoning of soldiers involved in the
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The Bread & Puppet Theater has a visual reference in the 2007
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A Freewheelin' Time: A Memoir of Greenwich Village In The Sixties
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An Existing Better World: Notes on the Bread & Puppet Theater
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A Freewheelin' Time: A Memoir of Greenwich Village In The Sixties
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Videos of the Bread & Puppet Theater from Green Valley Media
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The Bread and Puppet Theater participates in parades including
1357:"Larry Gordon, creator of community choruses in Vermont, dies"
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Until 1998, Bread & Puppet hosted its annual pageant and
1408:"Mending the Sky: Fighting Pollution with Bread and Puppets"
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1570:. DVD. Directed by Julie Taymor. (Revolution Studios, 2007)
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The Bread & Puppet Theater is a regular participant in
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In 1984 and 1985 they toured colleges with an indoor play,
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DeeDee Halleck, "Meadows Green" 27 minute 16mm film, 1974
758:, who cited its "magic, beauty, and power", and poet and
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Writers who praised Bread & Puppet include historian
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Photographer Ronald T. Simon's Bread & Puppet photos
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Publications from the Bread & Puppet Press include:
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In December 2001 the theater returned to New York with
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Bennett, Terri (2009). "Bread and Puppet Theater". In
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story of Jesus' suffering on the way to his eventual
1009:"Why Cheap Art Manifesto – Bread and Puppet Theater"
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Jaques, Damien. "Play says a lot by saying little".
1197:"objector.org - objector Resources and Information"
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Puppets on display in the Bread & Puppet Museum
315:Specific causes supported by the theater include:
1506:"Rehearsing with Gods – Bread and Puppet Theater"
1383:"Bread and Puppet Offers Some Enchanting Evening"
853:In the Heart of the Beast Puppet and Mask Theatre
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782:In a 2015 criticism of the theater's production
192:protests, primarily in New York City, prompting
1298:"Bread and Puppet Theater: Birdcatcher in Hell"
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1537:Win: Peace and Freedom thru Non Violent Action
1729:Information about the Bread and Puppet Museum
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478:and called attention to the pollution of the
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1098:"Peter Schumann's Bread and Puppet Theater"
988:"Apprenticeship - Bread and Puppet Theater"
647:. Unsourced material may be challenged and
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1693:Bread and Puppet Theater official Web site
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1062:"Great thoughts: Bread and Puppet Theater"
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667:Learn how and when to remove this message
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423:was a contemporary interpretation of the
134:. The theater was co-founded by Elka and
1359:. The Vermont Journalism Trust. VTDigger
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1381:Christiansen, Richard (15 March 1999).
834:and was the inspiration for the songs "
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303:and generally is regarded as having a "
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1734:Archive.org Bread & Puppet Archive
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917:(Edmonton: Harden House, 1972), 21-22
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138:. Schumann is the artistic director.
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1781:1962 establishments in New York City
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645:adding citations to reliable sources
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559:Life and Death of Charolette Solomon
342:Sandinista National Liberation Front
1821:Puppet museums in the United States
1806:Arts organizations based in Vermont
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878:"About B & P's 50 Year History"
710:New York's Village Halloween Parade
690:2000 Republican National Convention
680:2000 Republican National Convention
498:Performed alongside the revival of
130:, active since the 1960s, based in
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1801:Museums in Orleans County, Vermont
1703:Photos of Bread and Puppet Theater
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1355:Kalish, John (November 10, 2021).
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928:Streaking! The Collected Poems of
813:Being for the Benefit of Mr. Kite!
336:Vermont Yankee Nuclear Power Plant
322:Opposition to registering for the
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1610:Ronald T. Simon and Marc Estrin,
1549:Kourlas, Gia (17 December 2015).
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1169:"Larger Than Life | Dan Chiasson"
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915:The Theatre of Protest in America
888:from the original on 22 June 2022
926:Tihemme Gagnon, "Introduction",
718:attack on the World Trade Center
697:the police's side of the story.
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264:Our Domestic Resurrection Circus
252:Our Domestic Resurrection Circus
1725:: news feature December 3, 2001
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287:"Cheap Art" and theater funding
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1836:Puppetry in the United States
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858:Paperhand Puppet Intervention
1831:Theatre companies in Vermont
1713:The Why Cheap Art? Manifesto
1533:"Bread & Puppet Theater"
1481:"Mass Appeal | TheaterMania"
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334:Support of the shut down of
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1816:Political theatre companies
1406:Diamond, Catherine (1995).
1261:Failure is the New Progress
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266:), in and around a natural
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184:. It was active during the
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1708:Discussion of 1998 Pageant
1096:Goldensohn, Barry (1977).
1066:Welcome to the VPR Archive
797:Reference in popular media
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18:Bread & Puppet Theater
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164:celebrations, notably in
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1060:Eby, Lois (2002-12-16).
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882:Bread and Puppet Theater
529:10 Purposes of Cheap Art
512:Bread & Puppet Press
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330:World Trade Organization
281:Theater for the New City
224:grants, awards from the
117:Bread and Puppet Theater
31:Bread and Puppet Theater
1786:Anti–Vietnam War groups
1115:10.17077/0021-065X.2206
534:Importance of Cheap Art
153:" or the labor slogan "
119:(often known simply as
992:www.breadandpuppet.org
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569:Planet Kasper Volume I
506:Books and publications
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241:El Salvadorian Indians
1757:44.68417°N 72.17806°W
1412:Asian Theatre Journal
1140:Estrin, Marc (2011).
836:Suze (The Cough Song)
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704:2001 Halloween Parade
525:Cheap art manifestos
492:Bread Baker's Cantata
421:Stations of the Cross
409:Stations of the Cross
319:Opposition to warfare
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226:Puppeteers of America
1596:. pp. 500–501.
1485:www.theatermania.com
641:improve this section
582:Notable contributors
437:Cuban Missile Crisis
89:Artistic director(s)
1762:44.68417; -72.17806
1753: /
1568:Across the Universe
1146:The Radical Teacher
942:Van Erven, Eugène:
818:In her 2008 memoir
808:Across the Universe
390:Birdcatcher in Hell
125:politically radical
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1841:Postmodern theatre
1555:The New York Times
1539:, 12 (15), 18–19.
1531:Lampe, K. (1976).
1510:breadandpuppet.org
1334:The New York Times
1327:(April 25, 1980).
1325:Crossette, Barbara
1013:breadandpuppet.org
976:. 9 November 2017.
786:Oscar Lopez Rivera
775:. Keith Lampe, in
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714:War in Afghanistan
591:Children's theater
328:Opposition to the
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151:bread and circuses
143:Bread & Puppet
121:Bread & Puppet
67:Political puppetry
30:
1680:978-0-7679-2688-1
1603:978-1-4051-8464-9
1487:. 3 December 2001
1279:. 29 October 2015
957:Milwaukee Journal
742:Critics' comments
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756:Howard Zinn
688:during the
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500:Joan of Arc
456:Joan of Arc
444:Joan of Arc
433:Sacred Harp
429:crucifixion
277:New England
254:- mid-1980s
207:, first to
186:Vietnam War
172:on stilts.
1775:Categories
1748:72°10′41″W
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1650:(2 vols.,
1578:References
1515:2022-11-15
1491:2022-11-15
1459:2021-10-23
1392:2021-10-24
1307:2021-10-23
1283:2021-10-23
1247:2018-03-29
1217:2007-03-06
1182:2022-11-15
1071:2022-11-15
1043:2022-11-15
1018:2022-11-15
892:9 November
593:performer
549:40 How Tos
484:Love River
262:(in full,
237:Guatemalan
213:Plainfield
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1177:0028-7504
909:Cited in
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832:Bob Dylan
628:does not
609:Conflicts
458:in 2009.
353:Zapatista
346:Nicaragua
170:Uncle Sam
141:The name
51:1962–1963
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452:St. Joan
273:New York
233:The Door
190:anti-war
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649:removed
634:sources
600:Writer
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545:Comics
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367:Works
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147:aĂŻoli
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