32:
86:
353: Enough.
522:
in blank verse. In the century after Milton, there are few distinguished uses of either dramatic or non-dramatic blank verse; in keeping with the desire for regularity, most of the blank verse of this period is somewhat stiff. The best examples of blank verse from this time are probably
373:
increasingly often in his verse, and in his last plays was given to using feminine endings (in which the last syllable of the line is unstressed, for instance lines 3 and 6 of the following example); all of this made his later blank verse extremely rich and varied.
790:. A complete listing is impossible, since a sort of loose blank verse has become a staple of lyric poetry, but it would be safe to say that blank verse is as prominent now as it has been any time in the past three hundred years.
421:
This very free treatment of blank verse was imitated by
Shakespeare's contemporaries, and led to general metrical looseness in the hands of less skilled users. However, Shakespearean blank verse was used with some success by
564:, published in 1784. After Shakespeare and Milton, Cowper was the main influence on the next major poets in blank verse, teenagers when Cowper published his masterpiece. These were the
300:
Marlowe and then
Shakespeare developed its potential greatly in the late 16th century. Marlowe was the first to exploit the potential of blank verse for powerful and involved speech:
455:, in which Milton used it with much license. Milton used the flexibility of blank verse, its capacity to support syntactic complexity, to the utmost, in passages such as these:
752:
Blank verse, of varying degrees of regularity, has been used quite frequently throughout the 20th century in original verse and in translations of narrative verse. Most of
997:
351: He shall not live.
668:
is mainly modelled on that of Milton, but takes fewer liberties with the pentameter and possesses the characteristic of Keats's verse. Shelley's blank verse in
42:
336:
Shakespeare developed this feature, and also the potential of blank verse for abrupt and irregular speech. For example, in this exchange from
219:
was the first
English author to achieve critical fame for his use of blank verse. The major achievements in English blank verse were made by
613:
959:
1042:
1014:
210:
989:
934:
709:
have prose dialogue). Below is an extract spoken by
Princess Ida after singing her entrance aria "Oh, goddess wise".
72:
691:" is probably the first important example of the blank verse stanzaic poem. Browning's blank verse, in poems like "
534:
360:
338:
238:
705:, is based on Tennyson's "The Princess". Gilbert's dialogue is in blank verse throughout (although the other 13
642:
761:
543:. An example notable as much for its failure with the public as for its subsequent influence on the form is
765:
676:
293:
are notable for using blank verse in extended compositions at a time when many other poets were turning to
278:
140:
237:
is written in blank verse. Miltonic blank verse was widely imitated in the 18th century by such poets as
90:
687:. Tennyson's blank verse in poems like "Ulysses" and "The Princess" is musical and regular; his lyric "
243:
1072:
803:
773:
593:. Wordsworth's verse recovers some of the freedom of Milton's, but is generally far more regular:
951:
572:
692:
1067:
539:
328:
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became particularly devoted to blank verse, using it for example in his long narrative poem "
274:
1036:
1031:
696:
442:
266:
8:
529:
220:
216:
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Coleridge's blank verse is more technical than
Wordsworth's, but he wrote little of it:
923:
651:
568:
262:
183:
160:
original since classical Latin verse did not use rhyme, or possibly he was inspired by
930:
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786:
688:
659:
512:
224:
121:
50:
41:
deal primarily with the United
Kingdom and the United States and do not represent a
518:
449:
Blank verse was not much used in the non-dramatic poetry of the 17th century until
427:
165:
98:
54:
756:'s narrative and conversational poems are in blank verse; so are other poems like
558:
ushered in a renewal of blank verse with his volume of kaleidoscopic meditations,
814:
757:
684:
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655:
577:
560:
290:
258:
253:
201:
349: A grave.
873:
555:
282:
248:
133:
125:
124:. It has been described as "probably the most common and influential form that
113:
1061:
781:
683:
Of the
Victorian writers in blank verse, the most prominent are Tennyson and
589:
501:
451:
434:, meanwhile, used a tighter blank verse with less enjambment in his comedies
233:
206:
172:
161:
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662:" are the best known of his blank verse works. The blank verse of Keats in
423:
188:
129:
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412:
228:
891:
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431:
370:
294:
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156:; published posthumously, 1554–1557). He may have been inspired by the
20:
39:
The examples and perspective in this article's lead and first section
670:
544:
85:
57:, or create a new article's lead and first section, as appropriate.
1035:
145:
436:
979:
Milton, John, Paradise Lost. Merritt Hughes, ed. New York, 1985
109:
94:
868:
157:
117:
990:"German literature - Late Middle Ages and early Renaissance"
952:"Research Guides: Shakespeare Studies: Christopher Marlowe"
187:(around 1590 by an unknown author) is a notable example of
305:
342:, one blank verse line is broken between two characters:
223:, who wrote much of the content of his plays in unrhymed
818:) in 1779, where the lines are 10 or 11 syllables long:
635:
had dimmed mine eyes to blindness! They, meanwhile...
273:
used blank verse as a major form. Shortly afterwards,
379:
Ye elves of hills, brooks, standing lakes and groves,
139:
The first known use of blank verse in
English was by
680:
488:
And shook his throne. What though the field be lost?
598:
Five years have past; five summers, with the length
922:
731:As Woman's brain to Man's—(that's rule of three),—
462:From what highth fal'n, so much the stronger provd
397:The noontide sun, called forth the mutinous winds,
602:These waters, rolling from their mountain-springs
281:", as well as for one of his most famous poems: "
16:Poetry written in regular metre but without rhyme
1059:
482:That durst dislike his reign, and me preferring,
472:Though chang'd in outward lustre; that fixt mind
389:Whereof the ewe not bites; and you whose pastime
132:has estimated that "about three quarters of all
466:The force of those dire Arms? yet not for those
401:Set roaring war – to the dread rattling thunder
213:was the first English play to use blank verse.
1046:. Vol. 4 (11th ed.). pp. 41–42.
741:That two and two make four! Why, we can prove,
631:Beauties and feelings, such as would have been
581:(1798 and 1800), and for his longest efforts,
474:And high disdain, from sence of injur'd merit,
403:Have I given fire, and rifted Jove's stout oak
911:(McGraw-Hill, 1979 revised edition), page 63.
852:Auch kein Geschäft, das merklich fördert, das
840:Seitab bald rechts, bald links, zu nehmen bin
745:That two and two make five—or three—or seven;
614:Lines written a few miles above Tintern Abbey
476:That with the mightiest rais'd me to contend,
399:And 'twixt the green sea and the azured vault
309:Whose influence hath allotted death and hell,
170:
51:improve this article's lead and first section
824:Ja, Daja; Gott sei Dank! Doch warum endlich?
807:
627:Well, they are gone, and here must I remain,
606:Do I behold these steep and lofty cliffs...
387:By moonshine do the green sour ringlets make
381:And ye that on the sands with printless foot
925:Blank Verse: A guide to its history and use
716:Who thirst for such instruction as we give,
629:This lime-tree bower my prison! I have lost
575:. Wordsworth used the form for many of the
484:His utmost power with adverse power oppos'd
464:He with his Thunder: and till then who knew
391:Is to make midnight mushrooms, that rejoice
383:Do chase the ebbing Neptune, and do fly him
317:My limbs may issue from their smoky mouths,
633:Most sweet to my remembrance even when age
486:In dubious Battel on the Plains of Heav'n,
478:And to the fierce contention brought along
395:Weak masters though ye be, I have bedimmed
313:Into the entrails of yon labouring clouds,
747:Or five-and-twenty, if the case demands!
735:As Woman, in her turn, shall conquer Man.
729:And Man, whose brain is to the elephant's
385:When he comes back; you demi-puppets that
319:So that my soul may but ascend to Heaven.
73:Learn how and when to remove this message
844:Genötigt worden, gut zweihundert Meilen;
733:Conquers the foolish giant of the woods,
490:All is not lost; the unconquerable Will,
393:To hear the solemn curfew; by whose aid,
315:That when they vomit forth into the air,
178:, both of which also did not use rhyme.
84:
929:. Athens, Ohio: Ohio University Press.
739:The narrow-minded pedant still believes
604:With a soft inland murmur. – Once again
470:Can else inflict do I repent or change,
128:has taken since the 16th century", and
1060:
828:Hab ich denn eher wiederkommen wollen?
722:Yet Man subdues him. Why? The elephant
695:", is more abrupt and conversational.
600:Of five long winters! And again I hear
494:And courage never to submit or yield:
468:Nor what the Potent Victor in his rage
307:You stars that reign'd at my nativity,
1054:. Merritt Hughes, ed. New York, 1985.
1030:
848:Und Schulden einkassieren, ist gewiss
743:We women—household drudges as we are—
311:Now draw up Faustus like a foggy mist
97:into English blank verse, printed by
920:
856:So von der Hand sich schlagen lässt.
737:In Mathematics, Woman leads the way:
492:And study of revenge, immortal hate,
25:
914:
898:(Cengage Learning, 2005), page 655.
836:Ist von Jerusalem, wie ich den Weg,
724:Is elephantine everywhere but here
13:
1000:from the original on Jul 12, 2022.
949:
720:The elephant is mightier than Man,
554:At the close of the 18th century,
480:Innumerable force of Spirits arm'd
14:
1084:
896:The Wadsworth Anthology of Poetry
718:Attend, while I unfold a parable.
714:Women of Adamant, fair neophytes—
306:
832:Und wiederkommen können? Babylon
30:
1020:. University of Victoria, 1995.
962:from the original on 2023-03-20
982:
973:
943:
901:
885:
798:Blank verse is also common in
643:This Lime-Tree Bower My Prison
1:
1007:
762:The Idea of Order at Key West
194:
150:
909:Poetic Meter and Poetic Form
793:
766:The Comedian as the Letter C
460:....Into what Pit thou seest
141:Henry Howard, Earl of Surrey
7:
1013:The Department of English.
921:Shaw, Robert Burns (2007).
862:
53:, discuss the issue on the
10:
1089:
285:". Among American poets,
143:in his translation of the
18:
879:
821:
804:Gotthold Ephraim Lessing
19:Not to be confused with
1043:Encyclopædia Britannica
1027:, fourth edition. 1974.
1017:The UVic Writer's Guide
780:'s "The Watershed" and
573:Samuel Taylor Coleridge
860:
808:
750:
726:(tapping her forehead)
648:
620:
508:
419:
405:With his own bolt;...
369:Shakespeare also used
367:
334:
261:English poets such as
171:
102:
1032:Gosse, Edmund William
820:
711:
624:
595:
457:
376:
344:
302:
275:Alfred, Lord Tennyson
112:written with regular
88:
697:Gilbert and Sullivan
267:Percy Bysshe Shelley
136:is in blank verse".
1037:"Blank Verse"
221:William Shakespeare
217:Christopher Marlowe
1023:Deutsch, Babette,
802:. It was used by
677:Prometheus Unbound
652:conversation poems
569:William Wordsworth
510:Milton also wrote
263:William Wordsworth
184:Arden of Faversham
120:lines, usually in
103:
89:The title page of
1015:"Blank Verse" in
800:German literature
787:Summoned by Bells
774:The Second Coming
689:Tears, Idle Tears
660:Frost at Midnight
513:Paradise Regained
225:iambic pentameter
122:iambic pentameter
93:' translation of
83:
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1080:
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950:Murphy, Laurie.
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912:
905:
899:
889:
811:
809:Nathan der Weise
646:
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519:Samson Agonistes
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430:in their plays.
428:Thomas Middleton
417:
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332:
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211:Thomas Sackville
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99:John Baskerville
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1073:Types of verses
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1025:Poetry Handbook
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815:Nathan the Wise
806:in the tragedy
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758:Wallace Stevens
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699:'s 1884 opera,
693:Fra Lippo Lippi
685:Robert Browning
656:The Eolian Harp
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578:Lyrical Ballads
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1050:Milton, John,
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956:guides.nyu.edu
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936:978-0821417584
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907:Paul Fussell,
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874:Verse (poetry)
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712:
638:
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609:
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556:William Cowper
497:
458:
408:
377:
356:
345:
329:Doctor Faustus
324:
303:
249:William Cowper
199:The 1561 play
196:
193:
168:verse form of
134:English poetry
126:English poetry
91:Robert Andrews
81:
80:
45:of the subject
43:worldwide view
38:
36:
29:
15:
9:
6:
4:
3:
2:
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1052:Paradise Lost
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782:John Betjeman
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590:The Excursion
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535:James Thomson
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516:and parts of
515:
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504:
503:
502:Paradise Lost
495:
456:
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452:Paradise Lost
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443:The Alchemist
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239:James Thomson
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234:Paradise Lost
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207:Thomas Norton
204:
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192:
191:blank verse.
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173:versi sciolti
167:
164:verse or the
163:
162:Ancient Greek
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63:February 2021
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52:
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37:
28:
27:
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1068:Poetic forms
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1024:
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993:
984:
975:
964:. Retrieved
955:
945:
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851:
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835:
831:
827:
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754:Robert Frost
751:
725:
713:
707:Savoy operas
702:Princess Ida
700:
682:
675:
669:
663:
649:
645:", lines 1–5
626:
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597:
588:
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530:All for Love
528:
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424:John Webster
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279:The Princess
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144:
138:
130:Paul Fussell
105:
104:
69:
60:
40:
778:W. H. Auden
770:W. B. Yeats
617:, lines 1–5
584:The Prelude
540:The Seasons
527:'s tragedy
525:John Dryden
413:The Tempest
244:The Seasons
229:John Milton
189:end-stopped
154: 1540
106:Blank verse
1062:Categories
1008:References
994:Britannica
966:2023-03-20
892:Jay Parini
566:Lake Poets
549:The Fleece
432:Ben Jonson
371:enjambment
295:free verse
287:Hart Crane
271:John Keats
195:In English
149:(composed
21:free verse
794:In German
671:The Cenci
654:such as "
545:John Dyer
361:King John
339:King John
181:The play
55:talk page
1034:(1911).
998:Archived
960:Archived
863:See also
665:Hyperion
639:—
610:—
561:The Task
505:, Book 1
498:—
409:—
357:—
347:My lord?
325:—
259:Romantic
254:The Task
231:, whose
202:Gorboduc
118:unrhymed
114:metrical
49:You may
764:" and "
658:" and "
437:Volpone
283:Ulysses
166:Italian
101:in 1766
933:
269:, and
247:) and
227:, and
146:Aeneid
110:poetry
95:Virgil
880:Notes
869:Prose
416:, 5.1
364:, 3.3
158:Latin
931:ISBN
772:'s "
760:'s "
674:and
650:His
587:and
571:and
533:and
440:and
426:and
289:and
251:(in
241:(in
209:and
116:but
784:'s
776:",
768:",
547:'s
537:'s
257:).
205:by
108:is
1064::
1040:.
996:.
992:.
958:.
954:.
894:,
551:.
446:.
297:.
265:,
151:c.
969:.
939:.
812:(
641:"
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70:(
65:)
61:(
47:.
23:.
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