882:"It is remarkable that, so young, his armoury of technical skill is so narrowly focused and accurately directed to serve his needs. He does his own colour processing in his bedroom. He has referred to a 'certain morbidity' in his work. Well, that is an element of life too. The young ballerinas seem to be under a spell, in thrall. At one and the same time he is tender artist and tyrant. The delicacy and control of colour in these shades will excite wonderment and pleasure, where a hint of coral light imbues the lobe of an ear, or minuscule catchlight alights with barest touch on the tip of eyelashes or edges the profiled iris of her eye. At times he teases with only a suggestion of vaporous form, but the presence breathes within the frame. Do we not grieve for mortality when we perceive (for there is a tactile as well as a visual understanding here) the wisp of hair on the nape of her neck? There is something in the order of mystery. Enter the trance." Jennie Boddington (1975),
698:"What becomes apparent when you see Henson’s work in person is the importance of the almost pitch-black darkness that, in whatever formal context he has devised over the years, always cloaks his forlorn, defiantly unneedy subjects, giving their run-down urban environments the look of remote desert outposts. It’s a black that seems both to be caked on the surface of the photographs, like tar or centuries of soot, and to recede infinitely into the background. It looks as solid as lead, a physical threat to the teens it blankets, and at the same time it’s as if the blackness were exuded by their bodies, forming a kind of paranormal manifestation of some feeling too intense and guarded to register in any other fashion. In its own peculiar way Henson’s black is as unique an achievement as, say, Robert Ryman’s white." Dennis Cooper (2002) The Photography of Bill Henson: Naked Youth,
772:"And this sexiness that is there and emphasised is crucial to the austere pessimism of these works. But to see it as the point of the photographs, arraigning Henson as a purveyor of kiddie porn to the elite, is, putting it charitably, to miss the point. It’s like reading him as a centrefold photographer for whom the background is just backdrop. Or thinking the clothed figure in Titian’s
313:, said it was "not surprising" that the New South Wales Department of Public Prosecutions (DPP) would announce its official recommendation that no charges be laid regarding the Sydney Roslyn Oxley9 gallery's collection of photographs by artist Bill Henson. Ms Churcher said it would have been ridiculous to drag the case through the courts:
995:'The co-judge of the prize, former Art Gallery of NSW director Edmund Capon, said Henson and Hearman had lived together for decades. But Hearman was coy on the subject. "Well, why don’t we just leave that open?" she said. Capon is a long-term friend of Henson and Hearman, and curated Henson’s 2005 exhibition at the AGNSW.'
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Doncaster shopping centre, and with just how
Tognetti's violin sounds like she looked. Well, there you have it. I call it millennial slippage. You might call it madness..." Henson in interview with Amanda Smith, Artworks Broadcast:Sunday 15 August 2010 11:05AM, Australian Broadcasting Commission transcript,
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represents the good girl. What Henson is actually giving us is a series of shattered paysages moralisés, where the innocent sexiness of the bodies is posed against a landscape they are not part of – the majestic, insensible alps (alps that bring to mind the poignancy, which had never struckeme before
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photographs of nonfigurative subjects, which they later sought to examine for the purposes of determining their legal status under the NSW Crimes Act and child protection legislation. Following discussions with the
Gallery and a decision by Henson, the Gallery cancelled the opening and postponed the
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it is sentimental to even describe as pitiless. These alps tower over the figures but the environment they are posed in seems just as alien. There is no back to nature primitivism about these figures. They are bruised and wounded and helpless – the flowers about to be consumed in the furnace." John
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Duality is a recurring theme of Henson's work, often in combination with adolescent subjects. He frequently employs a flattened perspective through the use of telephoto lenses. His works are often in the form of staged tableaux in which faces of the subjects are often blurred or partly shadowed and
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that in 2007 he visited St Kilda Park
Primary School to pick out potential models for his artwork. Henson was allowed entry into the school and escorted by principal Sue Knight around the school grounds and picked two children he thought would be suitable – one child, a boy, was later photographed
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It was announced on 23 May that a number of the images in the exhibition had been seized by police local Area
Commander Alan Sicard, with the intention of charging Bill Henson, the Gallery, or both with "publishing an indecent article" under the Crimes Act. The seized images were also removed from
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movement only, repeats itself endlessly on my stereo, the sound of
Richard Tognetti and the ACO orchestra at their absolute greatest washes over me like a tsunami, while my head is also spinning with the staggering beauty of a single gesture made by a woman riding the escalator at the Westfield
869:"I'm not here today to talk about the downfall of Kevin Rudd or the prospects for some Elizabethan renaissance of the arts if Julia Gillard is elected...". Henson in interview with Amanda Smith, Artworks Broadcast:Sunday 15 August 2010 11:05AM, Australian Broadcasting Commission transcript,
282:, had also written a scathing article in response to viewing the email invitation, which precipitated heated talk-back and media discussion throughout the day. In the process of removing the images from the Gallery, Police found more photographs of naked children on exhibition among various
962:"...the foreboding tension of her surfaces, a quality more in common with artists such as Dale Frank and Bill Henson." Collection notes Art Gallery of New South Wales © Art Gallery of New South Wales Contemporary Collection Handbook, 2006, online
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I'm very pleased that the public prosecutor has decided that it's likely to end the debacle because they always do, as soon as you take art into court it never works ... The court is not the place to decide matters of
264:, Sydney, was cancelled after eight individual complaints were made to Police voicing concerns about an email invitation from the Gallery to a "Private View" that depicted photographs of a nude 13-year-old girl.
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343 Little
Collins Street Melbourne, which specialised in luxurious books on ballet, dance and the visual arts. Leaving the bookshop, he traveled and photographed in Eastern Europe. He taught briefly at the
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stated that he found the images "absolutely revolting" and that they had "no artistic merit". These views swiftly drew censure from members of the "creative stream" who attended the
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of Robbe-Grillet’s statement about how Mt Blanc had not been waiting since the
Permian Age to be a symbol for Shelley). Henson’s alps appear like a scroll rolled back, to reveal a
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840:"Henson's images brood and turn in on themselves rather than present themselves explicitly to the audience." Burke, Janine and Henson, Bill. Art for the End of the World.
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that police would not prosecute Bill Henson over his photographs of naked teenagers, after they were declared "mild and justified" and given a PG rating by the
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853:"I don’t use soap boxes. I don’t have much to say about whether or not people have lost the plot now. No." Henson, Bill & Mirlesse, Sabine (2015)
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Forbes (1993) 'Bill Henson'. In Henson, Bill & Annear, Judy & Art
Gallery of New South Wales & National Gallery of Victoria (2005).
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in Paris. His current practice involves holding one exhibition in
Australia every two years, and up to three overseas exhibitions each year.
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1/2009 Integrating
Methodologies in Visual Culture Research, The Faculty of Theater and Television, BabeČ™-Bolyai University, Cluj. Online
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920: : 1 map ; 46 x 60 cm. (Not drawn to scale). State Library of Victoria collection. Melbourne: Webbers Booksellers
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on 6 October 2008. The investigation found that the principal had complied with departmental policy, and had no case to answer.
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in 1981. Henson's long-term relationship with Hearman has been noted as mutually influential on their art. Hearman won the 2014
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concert (2005) performed by the Australian Chamber Orchestra to a screening of Henson imagery in Stevens, Meghan (2009).
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Elizabeth Fortescue, "Paintings of Bill Henson wins $ 150,000 Doug Moran Portrait Prize". HERALD SUN 28 October 2014
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were lecturers. He did not complete the diploma, but the nineteen-year-old Henson's work was promoted by Shmith to
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and in other groupings, and the exhibitions are specifically curated by Henson to reflect a sense of musicality.
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Coslovich, Gabriella (2008) Seeing in the dark: Louise Hearman remains enthralled by the richness of oil paint.
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DARIA, Ioan (2009) The Photographic Treatment of Emotion in Front of a Stage. Bill Henson: The Opera Project.
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for "distinguished service to the visual arts as a photographer, and to the promotion of Australian culture".
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is common throughout his works, through underexposure and adjustment in printing. His photographs' use of
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On 4 October 2008, Henson became the centre of controversy again after it was revealed in extracts of
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Boddington, J., Henson, B., (July 1975) exhibition catalogue. Melbourne:National Gallery of Victoria
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Dreamscapes and Sensory Experience: An Interview with Bill Henson By Sabine Mirlesse, June 15, 2015.
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http://www.theage.com.au/news/entertainment/arts/seeing-in-the-dark/2008/10/16/1223750228676.html
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The situation provoked a national debate on censorship. In a televised interview, Prime Minister
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Raised in the Eastern suburbs of Melbourne, Henson studied Visual Arts and Design 1974–1975 at
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932:'The first city I wanted to see was Dresden.' Henson quoted by Smee, Sebastian. Bill Henson.
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http://www.abc.net.au/radionational/programs/artworks/artworks-feature-bill-henson/3020240
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http://www.abc.net.au/radionational/programs/artworks/artworks-feature-bill-henson/3020240
8:
332:, suggesting viewing by children under the age of 16 is suitable with parental guidance.
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the Roslyn Oxley9 Gallery website, where remainder of the series could be viewed online.
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Smee, Sebastian. Bill Henson. Art and Australia Vol.42, No.3, Autumn 2005, p. 396 – 405
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From his period as a student until its closure in 1980, he worked at The Bookshop of
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Published Photography Gallery room brochure, National Gallery of Victoria. Melbourne
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advocate also lodged a complaint with the New South Wales police. On the same day a
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On 22 May 2008, the opening night of Bill Henson's 2007–2008 exhibition at the
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Henson states that he is not interested in a political or sociological agenda.
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232:, Australia's richest at $ A150,000, with her double portrait of Bill Henson.
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Henson has exhibited nationally and internationally in galleries such as the
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with the result that Henson's first solo show was exhibited there in 1975.
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after his parents were approached by the school on behalf of the artist.
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On 5 June 2008 the former director of the National Gallery of Australia,
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Smee, S., Touch of Innocence, Weekend Australian . 22–23 January 2005.
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http://ekphrasis.accentpublisher.ro/files/magazines_content/47/0.pdf
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Henson, Bill; Annear, Judy; Art Gallery of New South Wales (2004),
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1275:. Theaustralian.news.com.au (2012-02-17). Retrieved on 2012-05-24.
788:. Scalo in association with Art Gallery of New South Wales, Zurich
641:(First ed.), Scalo ; London : Thames & Hudson,
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criticised Devine's response to Henson's art in his 2010 book
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PM says Henson photos have no artistic merit | The Australian
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659:, Scalo ; Sydney : Art Gallery of New South Wales,
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1256:. News.ninemsn.com.au (2008-05-23). Retrieved on 2012-05-24.
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Tovey, Josephine; Kennedy, Les; Welch, Dylan (24 May 2008).
737:, Art Gallery of New South Wales, Scalo, (2205) 8-9, 12, 35.
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1311:'Not surprising' no charges laid over NGA Henson collection
986:. Melbourne: Australian Scholarly Publishing Pty, Limited
584:, Roslyn Oxley9 Gallery, Sydney, Travelled over Australia
1237:. theage.com.au (2008-05-28). Retrieved on 2012-05-24.
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in Melbourne, where he met Luminist Melbourne painter
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Henson, Bill; Keller, Walter; Jaeggi, Martin (2002),
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An investigation into the matter was launched by the
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Rudd stands by criticism of Henson images – National
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Roslyn Oxley Gallery, 'Media Statement', 23 May 2008
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Photographers' Gallery, London, 12 Nov – Dec 13 1981
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convened by Rudd (18-19 April 2008), led by actress
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Australian contemporary art photographer (born 1955)
1225:. smh.com.au (2008-05-23). Retrieved on 2012-05-24.
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New Romantics: Darkness and Light in Australian Art
442:, Museum Moderner Kunst, Palais Liechtenstein, Wien
1523:Tomazin, Farrah; Smith, Bridie (8 November 2008).
1745:. Archived from the original on 26 September 2007
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1145:: CS1 maint: bot: original URL status unknown (
578:, Robert Miller Gallery, New York, United States
533:, Robert Miller Gallery, New York, United States
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1099:"Moral backlash over sexing up of our children"
964:http://www.artgallery.nsw.gov.au/work/502.1995/
798:Crawford, A (2003). "Bill Henson: Lux et Nox".
1286:"Blanchett joins chorus against Henson attack"
657:Henson/Mnemosyne : photographs 1974–2004
576:Diane Arbus, Bill Henson, Robert Mapplethorpe
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1494:"Gillard attacks artist's search for models"
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1128:. Archived from the original on 11 July 2009
711:"As the new Biss recording of Mozart's K364
1735:"Bill Henson photographs taken at twilight"
1591:"NGV Festival of Photography (Bill Henson)"
733:Capon, E., Malouf, D. & Annear, J., in
165:atmosphere. The work is often presented as
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1438:"Henson 'scouted school for child models'"
818:EKPHRASIS: IMAGES, CINEMA, THEATRE, MEDIA,
552:, Roslyn Oxley9 Gallery, Sydney, Australia
539:, Roslyn Oxley9 Gallery, Sydney, Australia
208:, inaugural Curator of Photography at the
565:, Tolarno Galleries, Melbourne, Australia
399:, National Gallery of Victoria, Melbourne
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1390:. Melbourne, Victoria: Text Publishing.
1247:Rudd 'revolted' at art of naked children
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597:, Art Gallery of New South Wales, Sydney
196:was head of the Photography program and
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936:Vol.42, No.3, Autumn 2005, p. 396 – 405
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754:. Australia: Music and Image in Concert
632:Major monographs on the artist's work:
520:, Galerie Thierry Marlat, Paris, France
481:, ACP Galerie Peter Schuengel, Salzburg
1831:Obscenity controversies in photography
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1067:"Gallery: Nude children exhibit shut"
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341:Pomo Oz: Fear and Loathing Down Under
190:Prahran College of Advanced Education
1846:Victorian College of the Arts alumni
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1374:Pomo Oz: Fear and Loathing Downunder
1223:Rudd revolted – Arts – Entertainment
922:http://trove.nla.gov.au/work/7648003
844:, Vol. 40, No. 3, Oct 1981: 375-388.
1772:Leo Scofield Interviews Bill Henson
1504:from the original on 8 October 2008
1474:from the original on 8 October 2008
1464:"Parents Back School in Henson Row"
1444:from the original on 5 October 2008
1416:. Text Publishing. 3 October 2008.
1376:(Fremantle: Fremantle Press, 2011).
1330:No case against Henson: prosecutors
507:, Institute of Modern Art, Brisbane
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1821:Officers of the Order of Australia
1013:Australian Honours Search Facility
353:Victorian Premier's Literary Award
322:On 6 June 2008 it was reported in
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1301:. The Canberra Times (2008-05-28)
1047:from the original on 13 July 2008
237:Officer of the Order of Australia
177:do not directly face the viewer.
1663:"Bill Henson Public Collections"
1525:"Principal in clear over Henson"
949:18 October 2008. Online article
494:, The Speed Art Museum, Kentucky
357:Prime Minister's Literary Awards
347:'s book about the 2008 incident
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1856:20th-century Australian artists
1851:Australian contemporary artists
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455:, Bibliothèque Nationale, Paris
330:Australian Classification Board
122:contemporary art photographer.
19:For the American animator, see
1547:"Bill Henson career biography"
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144:Art Gallery of New South Wales
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1555:. 22 May 2008. Archived from
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423:Bill Henson, Untitled 1983/84
410:Three Sequences: Bill Henson,
222:Victorian College of the Arts
146:in Sydney, Australia and the
142:in Melbourne, Australia, the
1826:Photographers from Melbourne
1351:. theage.com.au (2008-06-06)
1170:Kennedy, Les (23 May 2008).
210:National Gallery of Victoria
140:National Gallery of Victoria
132:Solomon R. Guggenheim Museum
118:(born 7 October 1955) is an
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1531:. Melbourne. Archived from
1440:. The Age. 4 October 2008.
774:Allegory of Vice and Virtue
689:. Retrieved 8 February 2014
161:is intended to give them a
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1743:Victoria and Albert Museum
1718:at Christophe Guye Galerie
857:American Suburb X website
752:Music and Image in Concert
387:A few of his exhibitions:
241:2024 Australia Day Honours
18:
1763:: CS1 maint: unfit URL (
1577:Christophe Guye Galerie,
1498:The Sydney Morning Herald
1468:The Sydney Morning Herald
1177:The Sydney Morning Herald
1104:The Sydney Morning Herald
1040:The Sydney Morning Herald
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1816:Australian photographers
1777:Review of Bill Henson's
1363:Retrieved on 2008-06-06.
1339:Retrieved on 2008-06-06.
1320:Retrieved on 2008-06-06.
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468:, Tel Aviv Museum of Art
351:was listed for the 2009
235:Henson was appointed an
1692:Christophe Guye Galerie
1579:Bill Henson (Biography)
1271:19 October 2009 at the
1252:8 December 2008 at the
1035:"Art obscenity charges"
605:Christophe Guye Galerie
492:Presence 3: Bill Henson
453:Bill Henson Photographs
440:Bill Henson Fotografien
377:Department of Education
1841:RMIT University alumni
1836:Censorship in the arts
1361:'No charges for Henson
873:Downloaded 26 May 2012
746:see discussion of the
724:Downloaded 26 May 2012
700:Artforum International
427:Pinacotheca, Melbourne
383:Exhibitions (selected)
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148:Bibliothèque Nationale
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1785:22 April 2016 at the
1667:Roslyn Oxley9 Gallery
1637:Robert Miller Gallery
1349:No charges for Henson
1203:Roslyn Oxley9 Gallery
1172:"Henson show charges"
913:Henson, Bill, (1980)
860:Accessed 20 June 2015
800:Art Monthly Australia
622:Gippsland Art Gallery
607:, Zurich, Switzerland
518:Bill Henson 1998/1999
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275:Sydney Morning Herald
258:Roslyn Oxley9 Gallery
1386:Marr, David (2008).
1316:10 June 2008 at the
982:Gregg, Simon (2011)
973:accessed 26 May 2012
953:accessed 26 May 2012
831:accessed 27 May 2012
827:11 June 2015 at the
713:Sinfonia Concertante
230:Moran portrait prize
1596:. NGV International
1552:The Daily Telegraph
1535:on 17 October 2009.
1335:9 June 2008 at the
1292:on 4 September 2010
1199:"Bill Henson, 2008"
969:31 May 2020 at the
363:Selection of models
335:Australian scholar
184:Life and influences
1500:. 4 October 2008.
1470:. 4 October 2008.
1791:Christian Perring
1633:"Past Exhibition"
1397:978-1-921520-03-7
934:Art and Australia
666:978-0-7347-6361-7
648:978-3-908247-55-5
429:, Australia, July
206:Jennie Boddington
134:in New York, the
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21:Bill "Tex" Henson
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1072:News.com.au
618:Dark Desire
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563:Bill Henson
550:Bill Henson
537:Bill Henson
531:Bill Henson
505:Bill Henson
479:Bill Henson
466:Bill Henson
397:Bill Henson
300:2020 Summit
278:columnist,
155:chiaroscuro
153:The use of
111:Bill Henson
100:.billhenson
87:Photography
73:Nationality
32:Bill Henson
1800:Categories
1697:10 October
1672:10 October
1642:10 October
1600:10 October
1296:2010-09-04
1132:2009-07-11
1083:2008-05-28
1018:25 January
806:(October).
674:References
639:Lux et nox
345:David Marr
337:Niall Lucy
296:Kevin Rudd
262:Paddington
120:Australian
77:Australian
51:1955-10-07
1779:Mnemosyne
1749:25 August
1724:Mnemosyne
1508:6 October
1478:6 October
1448:5 October
786:Mnemosyne
735:Mnemosyne
198:John Cato
171:triptychs
163:painterly
66:Australia
62:Melbourne
1783:Archived
1759:cite web
1502:Archived
1472:Archived
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1269:Archived
1250:Archived
1141:cite web
1045:Archived
967:Archived
825:Archived
748:Luminous
202:Paul Cox
167:diptychs
1716:Gallery
1529:The Age
1110:16 June
947:The Age
842:Meanjin
717:Andante
325:The Age
239:in the
93:Website
1563:28 May
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1183:28 May
1051:28 May
715:, the
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192:where
138:, the
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628:Books
159:bokeh
1765:link
1751:2007
1699:2018
1674:2018
1644:2018
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1565:2008
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1480:2008
1450:2008
1418:ISBN
1392:ISBN
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1185:2008
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1053:2008
1020:2024
661:ISBN
643:ISBN
612:2014
589:2013
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318:art.
268:, a
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