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rest of the group pressures him to accept so they can stage the burglary, but
Nicoletta unexpectedly quits her job in a huff, and does not know if the spinsters will make their weekly departure. Meanwhile, Cosimo is released from prison. As the plan's mastermind, he had demanded a substantial portion of the loot but was rebuffed. He vows vengeance on the group by robbing the pawn shop with a gun, which the blasé pawnbroker assumes he wants to hock. Deflated, Cosimo leaves, but during a botched purse snatching he is killed by a streetcar.
710:, for its American release the film was "dubbed into English over a six-month period with considerable money and effort expended in matching voices and intonations to achieve artistic and mechanical perfection." At the time, there was a general debate over dubbing versus subtitling foreign films, and the American distributor, Richard Davis, screened the first reel of both versions for critics and writers and asked for their preference. They chose subtitles, though the dubbed version did make it to American TV in the early 1960s.
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between a pawn shop safe and an adjacent vacant apartment. Ultimately, Cosimo's gang bribes Peppe, a boxer with a clean criminal record, to confess. The warden does not believe Peppe; however, he ends up in jail alongside Cosimo. Peppe tells Cosimo that he has been sentenced to three long years for this minor offense. Cosimo, to justify his actions, explains the details of the pawn shop heist to Peppe. Peppe then gleefully reveals that he was only given a year's probation and walks out of the prison gate, infuriating Cosimo.
606:
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who breaks his arm for stealing the movie camera. The group's fortunes brighten; however, when the apartment's elderly occupants make their weekly trip after all. Re-energized, the gang breaks into the apartment. After a couple of misfortunes, they succeed in breaking through a wall that leads to the apartment's kitchen; the elderly women had rearranged the furniture, thus disorienting the gang.
362:
Capannelle, an elderly pickpocket. Tiberio steals a movie camera from a flea market and attempts to film the pawn shop safe's combination with a telephoto lens, but without success. Since none involved have the skill to crack the safe, they enlist the help of genteel local safe cracker Dante, who is careful not to violate his parole but supplies tools and gives them a brief primer.
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dubbed." Furthermore, some cast members spoke in the wrong dialect. Monicelli continued, "So, for example, who plays the
Sicilian was not Sicilian. So I had to have a Sicilian dub his voice. Another one of the actors who was supposed to be Bolognesian (from Bologna) was from Naples, so I had to dub his voice. Cardinale spoke French so I had to dub her voice into Sicilian."
373:
Realizing they have little time left until morning, they resignedly gather round the apartment's kitchen table and raid the refrigerator. Their repast ends abruptly when ever-starved
Capannelle blows up the stove while lighting one of its burners. Thwarted, they all straggle homeward, peeling off one
361:
Peppe takes up the heist plan with Cosimo's gang: Mario, a petty thief and the youngest member of the group; Michele, a posturing
Sicilian crook who needs money for his sheltered sister's dowry; Tiberio, a down and out photographer caring for his baby while his wife is in jail on a minor offense; and
357:
A hapless small-time Roman crook, Cosimo, is arrested for a bungled car theft and sentenced to a few months in prison. He harangues his girlfriend and lawyer to get him released so he can carry out a heist idea stolen from another inmate, a dishonest bricklayer who purposely constructed a flimsy wall
613:
According to director Mario
Monicelli, while the film was intended as a parody of neorealism, "by then neorealism was already a thing of the past, something that was surpassed. It was more a parody that was aligned with a certain realism around us, with the poverty, and with people who had to do the
369:
Mario has fallen for
Michele's sister, Carmelina, and quits the caper in fear of being caught and embarrassing his mother. He vows to pursue a straight life and court Carmelina. Tiberio deposits his baby with his wife in prison to participate in the robbery, but runs into the flea market proprietor,
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Monicelli and cinematographer Gianni Di
Venanzo agreed on a photographic tone that was not comedic or brightly lit. "On the contrary," Monicelli said, "harsh and dramatic, because the film has a dramatic side in that it is about poor people. But Di Venanzo understood the tone. To make people laugh
902:
based on the film. Set in 1930s
Chicago with an African-American cast and using popular songs of the era, the show opened at the Broadway Theatre on April 10, 1986, and closed on June 8, 1986, after 69 performances. It received five Tony Award nominations, with Fosse winning for his choreography.
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The film was shot in ten weeks on locations throughout Rome. Monicelli said: "The only interior that was shot in a studio was the wall that gets broken into at the end, because I couldn't break a wall in an actual apartment! But all the other interiors were shot on location. Which of course was a
365:
The gang soon discovers the vacant apartment is occupied by two spinsters and their young maid, Nicoletta. Ladies' man Peppe learns from
Nicoletta that the two older women leave the apartment overnight once a week. Peppe earns the offer of a tryst with the maid the next time the ladies leave. The
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Dialogue, as was customary in
Italian cinema, was all post-dubbed. Monicelli explained: "First of all because in Italy we often shoot with actors who are not professional." (Carlo Pisacane and Tiberio Murgia were not actors.) "So because they didn't know how to recite their lines they had to be
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The film's original Italian title literally translates as "the usual unknown ones," which is roughly equivalent to the English phrase "the usual suspects." The name of the Roman street in the English title is a slight mistranslation, as the Italian name of the fictional Roman street where the
37:
627:, Monicelli said: "Yes because we saw this as a film shot in a very harsh, realist style. Very scientific, as the Peppe character continually says. So we wanted to do the same thing, but the characters didn't have the means. The way they worked was quite the contrary actually."
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by one for streetcars until only Peppe and Capanelle are left. Peppe then surprises Capannelle by deciding to find legitimate work. A newspaper article later recounts a robbery by unknown persons who apparently broke into an apartment just to steal pasta with chickpeas.
733:, called it "cleverly directed and acted...but there is one disadvantage for the linguistically limited: they have to wait to read the joke at the bottom of the screen, and by the time they can appreciate its purport the actors have already gone on to the next one."
292:, collectively navigate the pitfalls of their ill-fated heist. The film contributed significantly to the careers of Gassman and Mastroianni, with the former breaking into comedic roles previously considered unsuitable for him.
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critic James Rich liked the film, though he noted "the humor tarnished only when the parade of subtitles makes viewing a sort of exercise in speed reading." Philip K. Scheuer, writing for the
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on the original poster to generate audience intrigue. Despite being cast for comic relief, Totò's character opts to serve as a consultant to the heist gang instead of directly joining them.
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girl constrained by her overbearing brother, portrayed by Murgia. Cardinale would later achieve fame for her subsequent work. The film's breezy jazz score by composer
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Crowther, in a follow-up essay, wrote: "Although the routines have whiskers, so old and used in vaudeville are they, the picture has an ageless zest for laughter."
341:("The Street of the Madonnas") rather than "Madonna Street." Compounding the confusion is the fact that the real Roman street on which the scene was filmed is the
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said: "Director Mario Monicelli has endowed the film with such flashes of brilliance, and the cast...has enacted it with such tasteful understatement, that
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called it "an essentially funny picture, artfully and joyously played. It's just too bad those incongruous, flat subtitles have to get in the way."
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called it "one of the most irresistible Italian comedies in years. No one with a sense of humor and an appreciation of humanity should miss it."
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Crowther, Bosley. "The Screen: Italian Parody of 'Rififi': 'Big Deal on Madonna Street' in Premiere Toto Among Bungling Burglars at the Paris" (
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is also noteworthy, contributing to the development of the jazz soundtracks characteristic of European films in the 1960s and 1970s.
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Initially doubtful about the film's potential success, the producers strategically featured the renowned comedian
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wrote: "Most unusual, however, and ever so clever, are the ways the script progresses to its climactic goof-up."
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701:, 89% of critics have given the film a positive review based on nine reviews, with an average rating of 7.5/10.
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Italian Comeback: Two Dandy Films Give Promise of Renascence.New York Times. 4 Dec 1960: X1.
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837:) followed in 1959, reuniting the entire main cast, aside from Totò and Mastroianni.
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List of Italian submissions for the Academy Award for Best Foreign Language Film
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According to Monicelli, the film adhered to the script, without improvisations.
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with a story that was dramatic rather than comic. But seen with a comic eye."
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The plot revolves around a group of small-time thieves attempting to burgle a
253:. Regarded as one of the masterpieces of Italian cinema, the film received an
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List of submissions to the 31st Academy Awards for Best Foreign Language Film
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best they could with whatever means possible to survive, with petty crimes."
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Another sequel was released in 1985, directed by Amanzio Todini and titled
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must be listed as one of the funniest comedies of the last ten years."
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Two remakes of the film were shot in the United States: the 1984 film
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The film was a hit in Italy when it was released and won two Italian
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382:(character names are not indicated in on-screen cast credits)
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in Switzerland. The film was also Italy's Oscar nominee for
1016:"Ecco i cento film italiani da salvare Corriere della Sera"
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particular trait of Italian cinema, to shoot on location."
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Beckley, Paul V. New York Herald Tribune. 23 Nov 1960: 13.
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Other critics simply praised the film. The critic for the
1231:"Big Deal On Madonna Street (1958) - Articles - TCM.com"
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The building depicted in the film, photographed in 2019
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makes a minor appearance in the film, playing a chaste
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in Spain. The film won Best Comedy at the 12th annual
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1207:"The 31st Academy Awards (1959) Nominees and Winners"
1105:"Big Deal on Madonna Street (I Soliti Ignoti) (1960)"
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345:("The Street of the Three Spouts"), rather than the
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337:midnight burglary in the film takes place is the
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680:. The building is still standing as of 2019.
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1151:Chicago Daily Tribune; Sep 8, 1961; pg. B15
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856:Big Deal on Madonna Street - 20 Years Later
2051:Investigation of a Citizen Above Suspicion
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876:(set in San Francisco) and the 2002 film
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846:(known in English-speaking countries as
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713:Several critics decried the subtitles.
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962:"NY Times: Big Deal on Madonna Street"
349:("The Street of the Three Madonnas").
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1768:Un amico magico: il maestro Nino Rota
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1178:The Washington Post. 8 June 1961: D8.
322:Italian Ministry of Cultural Heritage
1698:La moglie ingenua e il marito malato
1160:Los Angeles Times. 22 Sep 1961: A11.
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781:. It also garnered the prestigious
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896:created a Broadway musical titled
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1048:Totaro, Donato (September 1999).
617:Asked if it was also a parody of
2061:The Garden of the Finzi-Continis
1670:Bertoldo, Bertoldino e Cacasenno
1142:New York Times. 23 Nov 1960: 20.
1133:New York Times. 13 Nov 1960: X9.
1050:"Interview with Mario Monicelli"
482:Michele (known as "Ferribotte")
2172:The Night of the Shooting Stars
1854:Best International Feature Film
1614:Goodnight, Ladies and Gentlemen
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756:The Big Deal on Madonna Street
16:1958 Italian comedy caper film
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1991:Yesterday, Today and Tomorrow
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1249:"Big Deal on Madonna Street"
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548:Fernando, the night porter
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1920:Big Deal on Madonna Street
1782:Un altro mondo è possibile
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1481:Big Deal on Madonna Street
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259:Best Foreign Language Film
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1253:The Criterion Collection
964:. Movies & TV Dept.
917:The Criterion Collection
676:), immediately north of
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1971:The Four Days of Naples
1803:The Roses of the Desert
1789:Lettere dalla Palestina
1775:Come quando fuori piove
1705:12 registi per 12 cittĂ
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2001:Marriage Italian Style
1733:Dear Goddamned Friends
1684:Let's Hope It's a Girl
1656:Il Marchese del Grillo
1558:Oh, Grandmother's Dead
1383:Toto Looks for a House
978:. 2012. Archived from
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765:Awards and nominations
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343:Via delle tre cannelle
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172:30 June 1958
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2655:Commedia all'italiana
2405:The Keys to the House
2182:And the Ship Sails On
2011:The Battle of Algiers
1890:The Walls of Malapaga
1663:All My Friends Part 2
1621:An Average Little Man
1551:Caprice Italian Style
1467:Doctor and the Healer
1235:Turner Classic Movies
1187:The Sun. 29 July 1961
879:Welcome to Collinwood
850:; it was released by
819:A sequel directed by
791:Locarno Film Festival
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347:Via delle tre Madonne
1754:Topi di appartamento
1586:We Want the Colonels
1537:L'armata Brancaleone
1495:The Passionate Thief
1369:The Paul Street Boys
1320:Criterion Collection
1004:, November 23, 1960)
890:(set in Cleveland).
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572:Marcello Mastroianni
320:was included in the
290:Marcello Mastroianni
113:Marcello Mastroianni
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2645:Italian heist films
2274:The Stolen Children
1846:Italian submissions
1446:A Hero of Our Times
799:31st Academy Awards
745:The Washington Post
660: /
65:Suso Cecchi d'Amico
41:Italian film poster
2690:Films shot in Rome
2141:A Leap in the Dark
1425:Toto and the Women
1355:Films directed by
1309:TCM Movie Database
1002:The New York Times
967:The New York Times
775:Best Leading Actor
707:The New York Times
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2700:1958 comedy films
2695:1950s heist films
2675:Films set in Rome
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689:Critical response
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982:on 2012-10-20
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2515:Don't Be Bad
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2214:Summer Night
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1397:A Dog's Life
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1214:. Retrieved
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1118:. Retrieved
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1069:. Retrieved
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1023:. Retrieved
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984:. Retrieved
980:the original
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803:Jacques Tati
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619:Jules Dassin
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536:Renato Terra
516:Signora Ada
432:Rossana Rory
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249:directed by
239:) is a 1958
231:
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188:Running time
165:Release date
101:Rossana Rory
2606:Io capitano
2555:The Traitor
2525:Fire at Sea
2425:Golden Door
1761:Dirty Linen
1530:Sex Quartet
1523:Casanova 70
1376:Summer Rain
874:Louis Malle
852:Koch Lorber
667: /
487:Gina Rovere
472:Capannelle
324:'s list of
192:107 minutes
75:Produced by
47:Directed by
2630:1958 films
2624:Categories
2475:Terraferma
2415:Don't Tell
2254:Open Doors
2224:The Family
1691:The Rogues
1600:My Friends
1216:2011-10-27
1211:oscars.org
1120:2019-05-02
1091:igshid.com
1025:2021-03-11
986:2009-03-21
948:References
907:Home video
655:12°29′10″E
652:41°53′48″N
601:Production
456:Carmelina
446:Nicoletta
247:caper film
176:1958-06-30
57:Written by
2596:Nostalgia
2535:A Ciambra
2385:Pinocchio
2366:2001–2020
2153:1981–2000
1952:1961–1980
1900:La Strada
1870:Shoeshine
1861:1947–1960
1572:Le coppie
1460:Donatella
1071:1 January
1066:1712-9559
1054:Offscreen
894:Bob Fosse
888:Joe Russo
821:Nanni Loy
808:Mon Oncle
684:Reception
316:In 2008,
266:pawn shop
134:Edited by
2565:Notturno
2445:Gomorrah
2294:Lamerica
2202:Macaroni
2081:Amarcord
1961:La Notte
1439:Proibito
1287:AllMovie
1115:Fandango
972:Baseline
931:See also
921:Region 2
913:Region 1
899:Big Deal
869:Crackers
773:awards:
697:website
621:'s film
576:Tiberio
530:Massimo
506:Assunta
300:Sicilian
205:Language
158:Lux Film
144:Music by
85:Starring
1913:(1957)
1883:(1949)
1873:(1947)
1307:at the
862:Remakes
823:titled
815:Sequels
797:at the
785:at the
717:critic
540:Eladio
426:Cosimo
241:Italian
235:in the
221:Italian
208:Italian
197:Country
174: (
2609:(2023)
2599:(2022)
2589:(2021)
2568:(2020)
2558:(2019)
2548:(2018)
2545:Dogman
2538:(2017)
2528:(2016)
2518:(2015)
2508:(2014)
2498:(2013)
2488:(2012)
2478:(2011)
2468:(2010)
2458:(2009)
2455:Baarìa
2448:(2008)
2438:(2007)
2428:(2006)
2418:(2005)
2408:(2004)
2398:(2003)
2388:(2002)
2378:(2001)
2357:(2000)
2347:(1999)
2337:(1998)
2327:(1997)
2317:(1996)
2307:(1995)
2297:(1994)
2287:(1993)
2277:(1992)
2267:(1991)
2257:(1990)
2247:(1989)
2237:(1988)
2227:(1987)
2217:(1986)
2205:(1985)
2195:(1984)
2185:(1983)
2175:(1982)
2165:(1981)
2144:(1980)
2134:(1979)
2124:(1978)
2114:(1977)
2104:(1976)
2094:(1975)
2084:(1974)
2074:(1972)
2064:(1971)
2054:(1970)
2044:(1969)
2034:(1968)
2024:(1967)
2014:(1966)
2004:(1965)
1994:(1964)
1984:(1963)
1974:(1962)
1964:(1961)
1943:(1960)
1933:(1959)
1923:(1958)
1903:(1956)
1893:(1950)
1064:
974:&
624:Rififi
592:
558:Luigi
436:Norma
288:, and
244:comedy
129:a.i.c.
1060:(5).
396:Role
393:Actor
332:Title
200:Italy
2071:Roma
1940:Kapo
1852:for
1848:for
1276:IMDb
1073:2019
1062:ISSN
886:and
582:Totò
378:Cast
353:Plot
311:Totò
270:Rome
117:Totò
1296:at
1285:at
1274:at
923:by
915:by
882:by
872:by
858:).
833:or
805:'s
268:in
2626::
1981:8½
1251:.
1233:.
1209:.
1113:.
1107:.
1089:.
1056:.
1052:.
1034:^
1018:.
970:.
927:.
284:,
280:,
276:,
261:.
237:UK
223::
1838:e
1831:t
1824:v
1348:e
1341:t
1334:v
1255:.
1237:.
1219:.
1123:.
1093:.
1075:.
1058:3
1028:.
989:.
810:.
219:(
178:)
30:)
24:(
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