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Lux Film

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984: 359: 48:. Founded in 1934, the Turin-based company specialised in distributing non-Italian films during its first few years. Relocating in Rome in 1940, Lux began making its own films around this time, with the aim of its output being "low risk and low budget by packaging high-quality art films with cultural content". Unlike the 227: 158:(1954), led to conflict with both the Italian Army and the censors who progressively extended their demand for cuts, before the company protested and the authorities largely relented. 139:
rated it 'C' (Condemned) before the distributor agreed to cuts, and the controversy abated. De Laurentiis and Ponti remained with Lux until they formed a partnership in 1950, though
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film whose plot includes "abortion, crime, illicit sex, a gruesome murder, suicide, nudity, and a realistic childbirth scene", was deliberately not submitted by Lux for
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current in Hollywood at the time, the company did not have its own studios, but financed, distributed, and exhibited projects which others brought to it with '
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Lux suffered from a run of loss making productions during the 1950s, which led to a gradual reduction in its production schedule. One of these films,
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The History of Italian Cinema: a Guide to Italian Film From its Origins to the Twenty-First Century
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Gualino died in 1964. Lux was acquired by Rovelli SIR, a chemicals conglomerate the same year.
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Ponti joined the firm in 1940 and was allocated an adaptation of an Italian classic novel
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Gualino was an anti-fascist businessman who had clashed with the regime of
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was an Italian film distribution (and later production) company founded by
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in 1931 and had been forced into internal exile on the island of
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Audiovisual Archive of the Democratic and Labour Movement
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approval when it reached the United States. The Catholic
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Black 251:, 11 October 2010 201:, 11 January 2007 137:Legion of Decency 1511: 1417:Cinematographers 1277:Nastro d'Argento 1229:Tirrenia Studios 986: 380:Cinema of Europe 375:Culture of Italy 362: 361: 360: 350: 343: 336: 327: 326: 307: 300: 294: 287: 281: 274: 268: 261: 252: 241: 235: 224: 218: 208: 202: 191: 185: 178: 150:Luchino Visconti 91:Alberto Lattuada 35:Riccardo Gualino 1519: 1518: 1514: 1513: 1512: 1510: 1509: 1508: 1479: 1478: 1477: 1472: 1441: 1390: 1362: 1339: 1301: 1238: 1170: 1151:Tirelli Costumi 987: 978: 392: 384: 366: 364:Cinema of Italy 358: 356: 354: 316: 311: 310: 301: 297: 288: 284: 275: 271: 262: 255: 242: 238: 232:The Independent 225: 221: 209: 205: 192: 188: 179: 172: 167: 58:budget overruns 28: 17: 12: 11: 5: 1517: 1507: 1506: 1501: 1496: 1491: 1474: 1473: 1471: 1470: 1468:Film festivals 1465: 1460: 1455: 1449: 1447: 1443: 1442: 1440: 1439: 1434: 1429: 1424: 1419: 1414: 1409: 1404: 1398: 1396: 1392: 1391: 1389: 1388: 1387: 1386: 1376: 1370: 1368: 1364: 1363: 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Index

Istituto Luce
LUX (British film company)
Riccardo Gualino
Mussolini
Lipari
studio system
fixed-price contracts
budget overruns
Dino De Laurentiis
Carlo Ponti
Piccolo mondo antico
Mario Soldati
Totò
Alberto Lattuada
Il bandito
Mario Camerini
La figlia del capitano
Bitter Rice
neorealist
PCA
Legion of Decency
Ulysses
Luchino Visconti
Senso


Obituary: Carlo Ponti
Obituary: Dino De Laurentiis
Obituary: Dino De Laurentiis
Obituary: Dino De Laurentiis

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