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Betrothal in a Monastery

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courtly friend Don Carlos. Mendoza is recognized by Louisa but he has never seen her. She therefore approaches Mendoza claiming to be Clara and asks him to take her under his protection and find Antonio with whom she is in love. Mendoza is attracted by this idea as a means to rid himself of his rival Antonio by marrying him off to 'Clara'. Don Carlos escorts 'Clara' to Mendoza's house.
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At the monastery, Clara meets with Antonio and Luisa and laments her apparent loss of Ferdinand. Enter Ferdinand, who mistaking Clara for a nun exclaims that he is chasing his false friend Antonio who has run off with his beloved Clara. Clara is secretly overjoyed at this demonstration of Ferdinand's
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At Don Jerome's feast, the host is increasingly amazed, exasperated and infuriated as the successive arrival of the newly-weds makes it clear that his plans have gone completely awry. He is slightly compensated by the likely size of Clara's dowry. He sings a drinking song, accompanying himself on a
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By the quayside - where fisherwomen are praising the quality of the fish caught in Mendoza's boats - Louisa encounters her friend Clara, who has also run away from home and intends to seek sanctuary at the nunnery. Louisa asks to borrow Clara's name for a day - Clara assents. Enter Mendoza and his
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Don Jerome intends his daughter Louisa to marry the vain, wealthy and ugly fish merchant Mendoza. However, she loves instead Antonio, who is poor, though noble in spirit. Furthermore, Don Ferdinand, son of Don Jerome and prone to fits of jealousy, wants to marry Clara d'Almanza, who is a virtual
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The act opens with a drinking song for the monks in the monastery where the marriages are to be performed. The monks then switch to a hymn that extols fasting and abstinence, to a tune that is a slower variant of the earlier drinking song. Enter Mendoza and Antonio who by lavish bribery gain the
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Don Jerome locks up Louisa in her room to force her to marry Mendoza. Louisa's nurse (the Duenna) provokes the fury of Don Jerome by pretending to be a messenger between Antonio and Louisa. Jerome dismisses her - but the Duenna exchanges clothes with Louisa who makes her escape in this disguise.
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Don Jerome is rehearsing some amateur musicians (A trio of trumpet, clarinet and bass drum). He receives two messages- one from Mendoza saying he has eloped with Louisa, which delights him, and another from the real Louisa who asks for his blessing on her marriage, which he neglects to read
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Mendoza visits the house of Don Jerome to meet 'Louisa' (the Duenna in disguise); whilst 'Louisa' is not as young and beautiful as Mendoza had been led to believe, her dowry is sufficient attraction. they agree to elope that evening.
579:. With N. Korshunov (Don Jerome), Y. Kratov (Ferdinand), V. Kayevchenko (Louise), T. Yanko (Louise's Duenna), N. Issakova (Clara), E. Bulavin (Mendoza), S. Ilyinsky (Don Carlos), I. Petrov (Padre Augustin) cond. 542:
The mystified Antonio arrives at Mendoza's house; while he is offstage meeting 'Clara', Mendoza and don Carlos congratulate themselves on their cunning. Still unwitting, they agree to help the pair get married.
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Commentators have noted that, given the context of its creation in the 1940s in the Soviet Union, this opera lacks any particular political or social comment, except perhaps for a scene involving drunken monks.
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monks consent to marry them to their loves. Enter Ferdinand who challenges Antonio to a duel, but the genuine Clara arrives and Ferdinand now understands the true situation. The three marriages are agreed.
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carefully. He sends back his consent with both messengers and arranges for a great feast later that evening to celebrate.
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Slonimsky, Nicolas, "The Duenna. A Lyric-Comic Opera in Four Acts, Nine Scenes" (June 1955).
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on May 5, 1963. In recent years, the opera has been performed in 1989 at the
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in 1943. The first performance did not occur until 3 November 1946 at the
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Prokofiev began the work in 1940, and it was in rehearsal that year, but
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halted production of the opera. The composer revised the score in
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The suite, lasting around 20 minutes, consists of five movements:
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Cantata for the 20th Anniversary of the October Revolution
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on June 1, 1948. The opera was first performed in the
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Three Pieces & Six Pieces & Ten Pieces from
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Lina and Serge: The Love and Wars of Lina Prokofiev
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With Evgeny Akimov, Marianna Tarassova, 38: 1261:Sinfonietta in A major (orig. & rev.) 826:The Companion to Twentieth-Century Opera 239:in 2008, at Staatsoper Berlin, in 2019. 801:"Betrothal in a Monastery/Glyndebourne" 1770: 1233:Symphony-Concerto for Cello in E minor 823: 789: 616:, Alexandr Gergalov, Nikolai Gassiev, 334:Luiza's friend, in love with Ferdinand 198: 887: 724:St. Petersburg Philharmonic Orchestra 667:Dreams (Nocturne): Andante tranquillo 203:The opera was first performed in the 913: 843:on operadis-opera-discography.org.uk 1529:No. 5 in C major (orig. & rev.) 764: 658:Introduction: Moderato, ma con brio 13: 14: 1814: 1470:Sonata for Two Violins in C major 1266: 851: 1750: 1739: 1738: 1223:Violin Concerto No. 2 in G minor 1218:Violin Concerto No. 1 in D major 674: 632: 832: 817: 758: 741: 684:Tampere Philharmonic Orchestra 151:in nine scenes (four acts) by 1: 734: 694:London Philharmonic Orchestra 590:Orchestra and chorus of the 567: 385:Gheorghij Nikolajevich Orlov 1238:Cello Concertino in G minor 1069:The Tale of the Stone Flower 649: 577:Stanislavsky Musical Theatre 517:prisoner of her stepmother. 7: 1605:Tales of an Old Grandmother 679:Recent recordings include: 506: 246: 61: 10: 1819: 1778:Operas by Sergei Prokofiev 1613:The Love for Three Oranges 1480:Sonata for Solo Cello in C 960:The Love for Three Oranges 710:Russian National Orchestra 258:3 November 1946, Leningrad 1733: 1658: 1577: 1501: 1494: 1425:Overture on Hebrew Themes 1417: 1357: 1318: 1253: 1228:Cello Concerto in E minor 1210: 1153: 1146: 1078: 1004: 930: 921: 113:3 November 1946 108: 102:Richard Brinsley Sheridan 97: 89: 70: 55: 49: 37: 26: 21: 16:Opera by Sergei Prokofiev 1644:Fantasia on Scheherazade 981:Betrothal in a Monastery 859:Betrothal in a Monastery 841:Betrothal in a Monastery 767:Betrothal in a Monastery 644:Betrothal in a Monastery 554: 537: 520: 511: 242: 136:Betrothal in a Monastery 104:'s ballad opera libretto 22:Betrothal in a Monastery 1783:Russian-language operas 1611:March and Scherzo from 1465:Cello Sonata in C major 1460:Flute Sonata in D major 995:The Story of a Real Man 824:Martin, George (1989). 316:Duenya, or the Duenna, 269:Don Zherom, or Jerome, 62:Obrucheniye v monastïre 1475:Sonata for Solo Violin 564:set of tuned glasses. 349:humble suitor to Luiza 296:Alexandra Khalilejeva 1803:Operas based on plays 1686:Mstislav Rostropovich 1394:Seven, They Are Seven 1380:Flourish, Mighty Land 769:. Sergei Prokofiev". 765:Law, Joe K. (2000). " 703:Glyndebourne CD Label 225:Glyndebourne Festival 145:Обручение в монастыре 56:Обручение в монастыре 1445:String Quartet No. 2 1440:String Quartet No. 1 924:List of compositions 572:Recordings include: 362:a wealthy fishmonger 159:by the composer and 44:The composer in 1918 1798:Operas set in Spain 1455:Violin Sonata No. 2 1450:Violin Sonata No. 1 1348:The Queen of Spades 783:10.1093/oq/16.2.319 718:Deutsche Grammophon 420:Father Benedictine 199:Performance history 1696:Prokofiev (crater) 1691:Nikolai Myaskovsky 1681:Sviatoslav Richter 1619:Three Pieces from 1585:Toccata in D minor 1430:Quintet in G minor 1387:On Guard for Peace 1295:Peter and the Wolf 1086:No. 1 in D major ( 728:Vladimir Ashkenazy 410:Father Chartreuse 285:Luiza, or Louisa, 126:, Saint Petersburg 1765: 1764: 1676:George Balanchine 1654: 1653: 1598:Visions fugitives 1569: 1401:Songs of Our Days 1334:Ivan the Terrible 1249: 1248: 1241: 1202: 878:Mariinsky Theatre 698:Vladimir Jurowski 670:Dance: Allegretto 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Index

Opera
Sergei Prokofiev

Mira Mendelson
Richard Brinsley Sheridan
Kirov Theatre
Russian
opera
Sergei Prokofiev
libretto
Mira Mendelson
Sheridan's
The Duenna
World War II
Almaty
Kirov Theatre
Boris Khaikin
United States
New York
United Kingdom
London
Wexford Festival
Glyndebourne Festival
Palau de les Arts
Valencia
Spain
Boris Khaikin
tenor
soprano
baritone

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