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courtly friend Don Carlos. Mendoza is recognized by Louisa but he has never seen her. She therefore approaches
Mendoza claiming to be Clara and asks him to take her under his protection and find Antonio with whom she is in love. Mendoza is attracted by this idea as a means to rid himself of his rival Antonio by marrying him off to 'Clara'. Don Carlos escorts 'Clara' to Mendoza's house.
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At the monastery, Clara meets with
Antonio and Luisa and laments her apparent loss of Ferdinand. Enter Ferdinand, who mistaking Clara for a nun exclaims that he is chasing his false friend Antonio who has run off with his beloved Clara. Clara is secretly overjoyed at this demonstration of Ferdinand's
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At Don Jerome's feast, the host is increasingly amazed, exasperated and infuriated as the successive arrival of the newly-weds makes it clear that his plans have gone completely awry. He is slightly compensated by the likely size of Clara's dowry. He sings a drinking song, accompanying himself on a
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By the quayside - where fisherwomen are praising the quality of the fish caught in
Mendoza's boats - Louisa encounters her friend Clara, who has also run away from home and intends to seek sanctuary at the nunnery. Louisa asks to borrow Clara's name for a day - Clara assents. Enter Mendoza and his
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Don Jerome intends his daughter Louisa to marry the vain, wealthy and ugly fish merchant
Mendoza. However, she loves instead Antonio, who is poor, though noble in spirit. Furthermore, Don Ferdinand, son of Don Jerome and prone to fits of jealousy, wants to marry Clara d'Almanza, who is a virtual
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The act opens with a drinking song for the monks in the monastery where the marriages are to be performed. The monks then switch to a hymn that extols fasting and abstinence, to a tune that is a slower variant of the earlier drinking song. Enter
Mendoza and Antonio who by lavish bribery gain the
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Don Jerome locks up Louisa in her room to force her to marry
Mendoza. Louisa's nurse (the Duenna) provokes the fury of Don Jerome by pretending to be a messenger between Antonio and Louisa. Jerome dismisses her - but the Duenna exchanges clothes with Louisa who makes her escape in this disguise.
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Don Jerome is rehearsing some amateur musicians (A trio of trumpet, clarinet and bass drum). He receives two messages- one from
Mendoza saying he has eloped with Louisa, which delights him, and another from the real Louisa who asks for his blessing on her marriage, which he neglects to read
533:
Mendoza visits the house of Don Jerome to meet 'Louisa' (the Duenna in disguise); whilst 'Louisa' is not as young and beautiful as
Mendoza had been led to believe, her dowry is sufficient attraction. they agree to elope that evening.
579:. With N. Korshunov (Don Jerome), Y. Kratov (Ferdinand), V. Kayevchenko (Louise), T. Yanko (Louise's Duenna), N. Issakova (Clara), E. Bulavin (Mendoza), S. Ilyinsky (Don Carlos), I. Petrov (Padre Augustin) cond.
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The mystified
Antonio arrives at Mendoza's house; while he is offstage meeting 'Clara', Mendoza and don Carlos congratulate themselves on their cunning. Still unwitting, they agree to help the pair get married.
194:
Commentators have noted that, given the context of its creation in the 1940s in the Soviet Union, this opera lacks any particular political or social comment, except perhaps for a scene involving drunken monks.
560:
monks consent to marry them to their loves. Enter
Ferdinand who challenges Antonio to a duel, but the genuine Clara arrives and Ferdinand now understands the true situation. The three marriages are agreed.
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carefully. He sends back his consent with both messengers and arranges for a great feast later that evening to celebrate.
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Slonimsky, Nicolas, "The Duenna. A Lyric-Comic Opera in Four Acts, Nine Scenes" (June 1955).
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on May 5, 1963. In recent years, the opera has been performed in 1989 at the
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in 1943. The first performance did not occur until 3 November 1946 at the
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Prokofiev began the work in 1940, and it was in rehearsal that year, but
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halted production of the opera. The composer revised the score in
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The suite, lasting around 20 minutes, consists of five movements:
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Cantata for the 20th Anniversary of the October Revolution
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on June 1, 1948. The opera was first performed in the
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Three Pieces & Six Pieces & Ten Pieces from
828:. London: John Murray (Publishers) Ltd. p. 350.
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Lina and Serge: The Love and Wars of Lina Prokofiev
620:, Sergey Aleksashkin, Yury Shkliar. Chorus cond.
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1724:Shostakovich v. Twentieth Century-Fox Film Corp.
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191:conducting. The producer was I. Shlepianov.
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612:. With Evgeny Akimov, Marianna Tarassova,
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1261:Sinfonietta in A major (orig. & rev.)
826:The Companion to Twentieth-Century Opera
239:in 2008, at Staatsoper Berlin, in 2019.
801:"Betrothal in a Monastery/Glyndebourne"
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1233:Symphony-Concerto for Cello in E minor
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616:, Alexandr Gergalov, Nikolai Gassiev,
334:Luiza's friend, in love with Ferdinand
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667:Dreams (Nocturne): Andante tranquillo
203:The opera was first performed in the
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843:on operadis-opera-discography.org.uk
1529:No. 5 in C major (orig. & rev.)
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1238:Cello Concertino in G minor
1069:The Tale of the Stone Flower
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1605:Tales of an Old Grandmother
679:Recent recordings include:
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1778:Operas by Sergei Prokofiev
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104:'s ballad opera libretto
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1460:Flute Sonata in D major
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824:Martin, George (1989).
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269:Don Zherom, or Jerome,
62:Obrucheniye v monastïre
1475:Sonata for Solo Violin
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349:humble suitor to Luiza
296:Alexandra Khalilejeva
1803:Operas based on plays
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1394:Seven, They Are Seven
1380:Flourish, Mighty Land
769:. Sergei Prokofiev".
765:Law, Joe K. (2000). "
703:Glyndebourne CD Label
225:Glyndebourne Festival
145:Обручение в монастыре
56:Обручение в монастыре
1445:String Quartet No. 2
1440:String Quartet No. 1
924:List of compositions
572:Recordings include:
362:a wealthy fishmonger
159:by the composer and
44:The composer in 1918
1798:Operas set in Spain
1455:Violin Sonata No. 2
1450:Violin Sonata No. 1
1348:The Queen of Spades
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718:Deutsche Grammophon
420:Father Benedictine
199:Performance history
1696:Prokofiev (crater)
1691:Nikolai Myaskovsky
1681:Sviatoslav Richter
1619:Three Pieces from
1585:Toccata in D minor
1430:Quintet in G minor
1387:On Guard for Peace
1295:Peter and the Wolf
1086:No. 1 in D major (
728:Vladimir Ashkenazy
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285:Luiza, or Louisa,
126:, Saint Petersburg
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670:Dance: Allegretto
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378:friend to Mendoza
332:Clara d'Almanza,
318:Luiza's governess
271:a Seville grandee
229:Palau de les Arts
223:, in 2006 at the
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1659:Related articles
1629:Romeo and Juliet
1627:Ten Pieces from
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1509:No. 1 in F minor
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1055:Romeo and Juliet
915:Sergei Prokofiev
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869:at prokofiev.org
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799:(2006-07-25).
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844:
842:
835:
827:
820:
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792:
784:
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776:
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761:
755:(3): 484-485.
754:
750:
744:
740:
730:(Exton, 2002)
729:
725:
722:
719:
715:
711:
708:
705:
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663:
660:
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635:
627:
623:
619:
615:
614:Anna Netrebko
611:
607:
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597:
593:
589:
586:
582:
581:K. Abdullayev
578:
575:
574:
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548:
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531:
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500:
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374:
370:
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365:
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352:
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346:
345:
342:
340:
339:mezzo-soprano
337:
335:
331:
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326:
324:
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311:
309:
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304:
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290:
288:
284:
283:
279:
277:
274:
272:
268:
267:
263:
262:Boris Khaikin
256:Premiere cast
255:
252:
249:
248:
240:
238:
234:
230:
226:
222:
218:
214:
210:
206:
205:United States
196:
192:
190:
189:Boris Khaikin
186:
185:Kirov Theatre
182:
178:
173:
171:
170:
166:
162:
158:
155:to a Russian
154:
150:
146:
142:
138:
137:
125:
124:Kirov Theatre
111:
107:
103:
100:
96:
92:
88:
82:
79:
76:
75:
73:
69:
63:
52:
48:
41:
36:
33:
29:
25:
20:
1749:
1737:
1722:
1705:
1642:
1636:
1628:
1620:
1612:
1603:
1596:
1589:
1568:(unfinished)
1406:
1399:
1392:
1385:
1378:
1371:
1364:
1346:
1339:
1332:
1325:
1307:
1300:
1293:
1286:
1279:
1272:
1267:Summer Night
1265:
1240:(unfinished)
1201:(unfinished)
1087:
1067:
1060:
1053:
1046:
1041:Prodigal Son
1039:
1032:
1025:
1018:
1011:
993:
986:
980:
979:
974:Semyon Kotko
972:
965:
958:
951:
944:
937:
867:Summer Night
866:
858:
840:
834:
825:
819:
808:. Retrieved
805:The Guardian
804:
791:
774:
770:
766:
760:
752:
751:(2nd Ser.),
748:
743:
702:
678:
653:
643:
640:Summer Night
639:
638:
634:Summer Night
633:
600:BMG Classics
571:
562:
558:
549:
545:
541:
532:
528:
524:
515:
377:
376:Don Carlos,
361:
348:
333:
317:
302:
287:his daughter
286:
270:
260:(Conductor:
202:
193:
177:World War II
174:
167:
144:
135:
134:
133:
50:Native title
1793:1940 operas
1495:Piano music
1358:Vocal music
1309:Waltz Suite
1190:(left-hand)
1088:"Classical"
1013:Ala i Lolli
953:The Gambler
797:Tom Service
688:Leonid Grin
610:Kirov Opera
301:Ferdinand,
280:V. Ulyanov
253:Voice type
227:and at the
1772:Categories
1637:Cinderella
1550:No. 8 in B
1539:No. 7 in B
1319:Film music
1182:No. 4 in B
1161:No. 1 in D
1132:No. 7 in C
1121:No. 6 in E
1110:No. 5 in B
1079:Symphonies
1062:Cinderella
810:2007-08-12
735:References
726:conductor
712:conductor
696:conductor
686:conductor
675:Recordings
568:Recordings
327:N. Velter
169:The Duenna
165:Sheridan's
117:1946-11-03
71:Librettist
1408:Zdravitsa
1147:Concertos
946:Maddalena
939:The Giant
876:from the
650:Movements
551:passion.
430:Lauretta
382:baritone
360:Mendoza,
347:Antonio,
323:contralto
77:Prokofiev
1744:Category
1591:Sarcasms
1553:♭
1542:♭
1483:♯
1185:♭
1164:♭
1135:♯
1124:♭
1113:♭
874:Synopsis
585:Melodyia
507:Synopsis
443:soprano
433:soprano
308:baritone
233:Valencia
209:New York
157:libretto
147:) is an
109:Premiere
98:Based on
90:Language
1566:No. 10
1502:Sonatas
1027:Trapèze
1005:Ballets
720:, 1994)
706:, 2008)
628:, 1998)
626:Philips
602:, 1990)
587:, 1963)
478:Miguel
440:Rosina
303:his son
292:soprano
141:Russian
115: (
93:Russian
1788:Operas
1647:(1926)
1199:No. 6
931:Operas
664:Minuet
594:cond.
469:Pedro
460:Pablo
453:tenor
450:Lopez
403:tenor
353:tenor
217:London
181:Almaty
163:after
143:title
1756:Audio
1578:Other
1556:major
1545:major
1486:minor
1211:Other
1188:major
1167:major
1154:Piano
1138:minor
1127:minor
1116:major
1020:Chout
749:Notes
555:Act 4
538:Act 3
521:Act 2
512:Act 1
423:bass
413:bass
393:bass
276:tenor
250:Role
243:Roles
237:Spain
187:with
149:opera
28:Opera
608:and
367:bass
779:doi
598:, (
231:in
172:.
30:by
1774::
803:.
775:16
773:.
753:12
646:.
264:)
235:,
59:;
1090:)
907:e
900:t
893:v
880:.
813:.
785:.
781::
716:(
700:(
624:(
583:(
139:(
119:)
65:)
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