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2562:, article by Amélie Bertrand, 27 March 2015, extract: "Quand je suis rentrée à l'École, j'ai tout de suite beaucoup apprécié cette danseuse. Avoir Mathilde Froustey dans votre classe vous tire vers le haut. ... Nous sommes rentrées ensemble dans la compagnie. Nous avons été poussées très vite toutes les deux, avant de nous retrouver bloquées dans la classe des Sujets. Je crois que nous l'avons vécu de la même manière, même si Mathilde a dansé un peu plus que moi des premiers rôles. On ne comprenait pas pourquoi nous étions bloquées. Sans forcément que l'on en parle, ce sentiment nous a unies et nous a donné énormément de force. ... Mathilde Froustey a continué, mais ça ne marchait pas mieux pour elle, ça ne décollait pas non plus. Elle a pris cette décision de partir. J'ai trouvé qu'elle avait eu beaucoup de courage d'aller tenter sa chance ailleurs." (Laura Hecquet).
40:
366:(Royal Academy of Dance) in an effort "to improve the quality of dance instruction for court entertainments". Members of the academy, as well as the dance teachers who were certified by it, and their students, participated in creating the ballets for the court, Molière, and later the opera. In 1680, Beauchamps became the chancellor (director) of the Académie Royale de Danse. Although the Académie Royale de Danse and the Opera were closely connected, the two institutions remained separate, and the former disappeared with the fall of the monarchy in 1792.
780:, a former principal dancer of the New York City Ballet and French, took over the direction of the company and promised a change: "They asked for a change and they will get a change." When Benjamin Millepied nominated for the first (and only) time a "Danseuse Ă©toile", Laura Hecquet was chosen. Laura Hecquet and Mathilde Froustey were described in the press as "the lost generation" of dancers working up the ranks who have become soloist (Sujet) but have been unlucky for years as far as climbing up the last step of the career ladder is concerned.
708:, the Paris Opera director who hired Benjamin Millepied in January 2013 — and who has final authority on decisions about budget, hiring and promotion — said at a news conference at the Palais Garnier on Thursday 4 February 2016 that he had no regrets about that choice. “He leaves too soon, but others leave too late.” Lissner added, “I think that the two jobs, director of dance and a choreographer who is more and more in demand, not just at the Opera, raised a certain number of questions.”
690:, director of the Paris Opera Ballet from November 2014 until he quit on 15 July 2016. There were two stumbling blocks with Millepied, a French dancer and choreographer, who left France in 1993, at the age of 16, got his main professional education as a dancer and choreographer in the United States and came back to France in 2014 as newly appointed director of the Paris Opera Ballet. The first one was that Millepied wanted the Paris Opera Ballet dancers to interpret
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team" of 16 dancers which he considered to be the fittest to put to practice his ideas and visions (on the programming, the dream team was named "United visual artists"). Karl
Paquette, principal dancer, said in an interview that he had never felt as bad in his 30 years at the Paris Opera Ballet as he had the past 6 months. Stéphane Bullion, principal dancer, added that it was clear that things could not be straightened out.
803:, director of the Paris Opera at the time. In January 2013 Stéphane Lissner the new director of the Paris Opera (in the hierarchy above the Paris Opera Ballet's director) appointed Benjamin Millepied. Hilaire announced in May 2014 his departure and quit the company in July. The Paris Opera Ballet's new director Benjamin Millepied on his part stayed only two seasons and was followed in August by
1832:"There are three world-best ballet companies, unquestionably the Royal Ballet, unquestionably the Bolchoi Ballet, and unquestionably the Paris Opera Ballet" - « Il y en a trois meilleures compagnies du monde, sans doute Le Royal Ballet, sans doute Le Bolchoï et sans doute Le Ballet de l'Opéra de Paris.», Philippe Noisette, journaliste, dans
2047:(e.g., Astier 1998a, p. 3). According to Powell, this misunderstanding is based on the 'Recueil de Tralage' (ca. 1697; MS 6544, Bibliothèque de l'Arsenal, Paris). A manuscript legal document in the Archives of the Comédie-Française makes clear, however, that Anthoine des Brosses, who had earlier served as dancing master for the
437:), also premiered at the Jeu de Paume de Béquet and was choreographed by Anthoine des Brosses. Pierre Beauchamps, who had been working with Molière at the Palais-Royal, joined Lully's company in June 1673 (not long after Molière's death), when Lully took over the Palais-Royal theatre, forcing Molière's troupe to move to the
2594:, extract: "Like her classmate, San Francisco Ballet principal Mathilde Froustey, Hecquet was pegged as a future star when she graduated from the POB School in 2002. A decade as a sujet and a serious knee injury later, it seemed like the company would never give her the opportunity to prove herself.".
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The competition for admission to both institutions is extremely fierce. For a dancer to enter the Paris Opera Ballet, it is almost compulsory to be admitted to the Paris Opera Ballet School, to pass the annual competitive examinations in May, and to attend at least the final two classes. 95 percent
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The other stumbling block was that
Millepied had broken the hierarchy of the "Danseurs Étoiles" dancing the leading roles, as he had chosen for the cast of his first contemporary ballet creation "Clear, Loud, Bright, Forward" (the first one in his time as director) out of the 154 danseurs a "dream
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Laurent
Hilaire was highly appreciated as principal dancer. After his farewell as a dancer he continued his career in the company attaining in 2011 the second-highest position as "Maitre de ballet associated to the direction". Laurent Hilaire was the favourite of Brigitte Lefèvre, director of the
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To become a regular member of the Paris Opera Ballet as "Quadrille" (fifth and lowest rank in the hierarchy), you have to pass the annual competitive examination in
November. Promotion to the next rank depends exclusively on success in the following annual competitive examinations ("les concours
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More than 90 percent of the candidates don't pass the Ballet School entrance examination, and 20 percent of its pupils have to leave at the end of the year after failing the annual competitive examinations ("les concours annuels") in May. Only 5 to 20 percent of the Ballet School graduates are
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Lully paid such great attention to the ballets mentioned here that he engaged for their choreography a 'maître de danse particulier' named d'Olivet. It was he, and not des
Brosses or Beauchamps, whom Lully engaged for the 'ballets ordinaires', who composed the ballets of the infernal scenes of
441:. Lully and Quinault continued to collaborate on a series of successful productions, in the process creating a new genre of French opera in which dance interludes played an important part in the musical drama. The ballets for these works were created by Beauchamps, des Brosses, and d'Olivet.
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within the company, originally limited to four, has progressively increased over time and is nowadays set at eighteen. The title is conferred for life and is therefore kept after retirement, which is set at a maximum age of 42, as for all other dancers of the Paris Opera Ballet.
290:, which was founded in 1669 as the Académie d'Opéra (Academy of Opera), although theatrical dance did not become an important component of the Paris Opera until 1673, after it was renamed the Académie Royale de Musique (Royal Academy of Music) and placed under the leadership of
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Lifar gave the company a new strength and purpose, initiating the rebirth of ballet in France, and began to create the first of many ballets for that company. During his three decades as director of the Paris Opéra Ballet, Lifar led the company through the turbulent times of
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As the Paris Opera Ballet has a large quantity of first-class French dancers, there are hard times for those who have not been promoted to the highest ranks as dancers or have not been appointed afterwards to positions for which they would have been extremely qualified.
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internes de promotion") in front of a board of judges. To achieve the highest rank as
Danseur Étoile (only by nomination) you have to perform in leading roles as "Premier Danseur" for many years before you are nominated due to outstanding excellence and merit.
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is regarded as the greatest classical dancer ever and as one of the most preeminent choreographers. In 1983, Rudolf
Nureyev was appointed director of the Paris Opera Ballet, where, as well as directing, he continued to dance and to promote younger dancers.
776:, Sujet from 2005 till 2013, left the Paris Opera Ballet in July 2013 and joined the San Francisco Ballet as a principal dancer because there was no chance for her becoming eventually Danseuse Ă©toile (principal dancer) in this company. In November 2014
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Just as prestigious as the Paris Opera Ballet is its dance school, the Paris Opera Ballet School (French: École de danse de l'Opéra national de Paris), considered to be one of the world's best dance schools. Its former pupils have won a record of 20
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Yet Sylvie
Guillem, being principal dancer since 1984, left the company in 1989 at the age of 24 because she wanted more freedom, the right to perform with other companies, an arrangement the management of the Paris Opera Ballet declined.
218:. It is the oldest national ballet company, and many European and international ballet companies can trace their origins to it. It is still regarded as one of the four most prominent ballet companies in the world, together with the
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put it: "You cannot get into the company if you have not done the school". The competition for admission to both institutions is extremely fierce, as well as the competition for the highest ranks in the ballet company.
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In 1672, Lully purchased Perrin's privilege and also obtained new letters patent limiting the use of musicians and dancers by other French companies. With
Anthoine des Brosses and Lully as choreographers and
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choreographed by des
Brosses. A crucial difference, however, from the previous court ballets was that the members of the court no longer participated, and all of the dancers were professionals.
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from 1930 to 1944, and from 1947 to 1958, he devoted himself to the restoration of the technical level of the Opéra Ballet, returning it to its place as one of the best companies in the world.
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giving him a monopoly to form a separate academy for the performance of opera in French. The first production of the company founded by Perrin, the Académie d'Opéra (Academy of Opera), was
648:, who was nominated principal dancer at the age of 19 by Rudolf Nureyev in 1984. They were an exceptional dance couple. The years of Nureyev marked a golden era of the Paris Opera Ballet.
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Among the dancers of the Paris Opera Ballet, 95 percent have attended the Paris Opera Ballet School. To describe it differently, for a young dancer to be accepted in the Paris Opera
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Benjamin Millepied explained his ideas in a documentary "Relève" which could be watched in a preview on 25 November 2015 and broadcast regularly on Canal+ on 23 December 2016.
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2055:. Beauchamps only took over des Brosses's position with Perrin's company in the late autumn or early winter of 1671, when des Brosses moved back to the Marais to choreograph
581:, who was however highly criticized for using too much mime and failing to use choreography which furthered plot or character. In 1821, the company moved to a new house, the
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294:. The Paris Opera has had many different official names during its long history, but since 1994, it has been called the Opéra National de Paris (Paris National Opera).
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694:, a classic ballet choreographed by Rudolf Nureyev in 1992, like a contemporary ballet. To achieve this goal, he had already hired guest principal dancers to present
17:
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819:: École de danse de l'Opéra national de Paris) is one of the most preeminent dance schools in the world. It has six classes for boys and girls separately named
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2519:"Graines des étoiles", documentary film by Françoise Marie from 2013, was broadcast starting on 2 February 2013 on France 3, 156 min, six episodes of 26 min.
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For example Laura Hecquet and LĂ©onore Baulac, who passed only on the second attempt, or Mathias Heymann, who was accepted only as a fee-paying pupil.
659:, director from 1995 to 2014, with Patrice Bart as maitre de ballet from 1990 to 2011, succeeded to maintain the high standard that Nureyev has set.
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1946:, by Laura Jaye Cramer, 23 January 2014, SF Weekly, extract: "You cannot get into the company if you have not done the school" (Mathilde Froustey).
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The hierarchy of the Paris Opera Ballet is very strict. For a dancer, it is virtually compulsory to enter first the Paris Opera Ballet School. As
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883:) of the Paris Opera Ballet passed the entrance examination only on the second attempt, or were accepted only as fee-paying pupils.
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Powell, John S. (2010). "Performance Practices at the Théâtre de Guénégaud and the Comédie-Française: Evidence from Charpentier's
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Powell 1995, p. 179; Guest 2006, p. 7; Powell 2010, p. 178. It is frequently stated that Beauchamps choreographed the ballets for
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Between 1987 and 1995 the Paris Opera Ballet School was a boarding school as well, but obtaining the bac was not compulsory.
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on 21 January 1681. Pierre Beauchamps continued to collaborate with Lully at the Paris Opera until Lully's death in 1687.
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and the German occupation of France. Lifar brought the Paris Opéra Ballet to America and performed to full houses at the
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The Paris Opera Ballet had its origins in the earlier dance institutions, traditions and practices of the court of
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to become the maitre de ballet of the Paris Opéra Ballet, which had fallen into decline in the late 19th century.
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interpreted by Éleonore Baulac and Allister Madin, choreography by Benjamin Millepied, film by Louis de Caunes.
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The 18th century saw the creation of an associated school, now referred to as the Paris Opera Ballet School (
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as stage designer, Lully's company, now called the Académie Royale de Musique, produced Lully's first opera,
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The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers, and Performers. Genesis and Glory, 1671–1715
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took over the direction of the ballet company on 1 August 2016. She was Danseuse Étoile from 1994 to 2015.
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Choreographers associated with the Paris Opera Ballet and works created for the Paris Opera Ballet are:
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in Paris, which was later to become the first permanent home of the opera company and the opera ballet.
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reports that nobles did dance in public at certain performances (cited by La Gorce 2002, pp. 189–190).
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1836:, television documentary by Carlos Simoes, 2012, 129 min, broadcast on 26 December 2012 on France 2.
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The Paris Opera Ballet School has churned out some of the most famous dancers of all time, such as
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Christout, Marie-Françoise (1998). "Paris Opera Ballet" in Cohen 1998, vol. 5, pp. 86–100.
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who are nominated by the Director of the Opera, on a proposal from the Director of the Ballet.
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Dupond is stepped down from the position on 31 July 2022, as announced in June of that year.
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There are five ranks of dancers in the Paris Opera Ballet; from highest to lowest they are:
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Laura Hecquet : « Avoir des responsabilités est quelque chose qui me plait »
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Benjamin Millepied démissionne de ses fonctions de directeur de la danse à l’Opéra de Paris
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Dupont was the inspiration behind the CĂ©dric Klapisch film about the star, considered the
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Powell, John S. (2008). "Pierre Beauchamps and the Public Theatre", pp. 117–135 in
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Powell, John S. (1995). "Pierre Beauchamps, Choreographer to Molière's Troupe de Roy",
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Astier, Régine (1998a). "Académie Royale de Danse" in Cohen 1998, vol. 1. pp. 3–5.
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Astier, Régine (1998b). "Beauchamps, Pierre" in Cohen 1998, vol. 1., pp. 396–397.
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accepted in the Paris Opera Ballet, initially as dancers on trial (the "stagiaires").
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was a particularly influential ballet master from 1776 to 1781. He created the ballet
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Pourquoi les ballets de l'Opéra de Paris font partie des spectacles favoris des fêtes
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Pourquoi les ballets de l'Opéra de Paris font partie des spectacles favoris des fêtes
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Babsky, Monique (1998). "Aumer, Jean-Louis" in Cohen 1998, vol. 1, pp. 201–203.
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Relève, le documentaire sur le ballet de Benjamin Millepied - Bande annonce CANAL+
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Sylvie Guillem: Life in Progress - the greatest dancer of our time calls it quits
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The first entrance examination is a physical test, the second one an audition.
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Brigitte Lefèvre invited some of the most preeminent choreographers, such as
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Astier 1998a, p. 4. The last list of its members was published in the 1779
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532:: École de Danse de l’Opéra de Paris), which opened in 1713. The operas of
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JARRE, M.: Notre-Dame de Paris (Petit, Paris National Opera, 1996) (NTSC)
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taking over after Maximilien's death in 1787. Pierre Gardel survived the
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2390:, interview of Benjamin Millepied by Ariane Bavélier, 17 December 2015,
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Also referred to as the Académie Royale des Opéra (Powell 2010, p. 178).
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520:, first produced by the Paris Opera Ballet in 1778 with choreography by
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1918:, L'Ă©cole de danse, un monde Ă part, review of the press of April 2013.
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Interview with New San Francisco Ballet Principal, Mathilde Froustey
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The top female ballet dancer at that time, if not of all times, was
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2590:, review containing a paragraph on Laura Hecquet by Laura Capelle,
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explains that Beauchamps and des Brosses were responsible for the
2331:, article by Roslyn Sulcas, 10 February 2016, The New York Times.
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to the list, you get the top five ballet companies in the world.
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470:. It was also d'Olivet who composed the ballet of the old men in
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Since December 2022, the company has been under the direction of
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Crisp, Clement (Winter 2002). "ICARE: Remembering Serge Lifar".
2063:(performed at the Théâtre du Marais in the winter of 1671–1672).
856:), the general qualification for university entrance in France.
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Brigitte Lefèvre quittera le ballet de l'opéra de Paris en 2014
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1979:(in French) at the Paris Opera website. Retrieved 19 July 2011.
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Initially the dancers of the Paris Opera Ballet were all male.
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The Paris Opera Ballet has always been an integral part of the
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List of productions of Swan Lake derived from its 1895 revival
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of the admitted dancers in the Paris Opera Ballet are French.
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Départ surprise de Benjamin Millepied: les sujets qui fâchent
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Dance Research: The Journal of the Society for Dance Research
1823:"Paris Opera Ballet" in Crane and Mackrell 2000, pp. 360–361.
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Truly Exceptional - Our Top 12 Standout Performances of 2015
2572:
Benjamin Millepied fait souffler un vent nouveau sur l'Opéra
2374:, article and interview by Rosita Boiseau, 4 February 2016,
2362:
2256:, article by Sarah Crampton, 4 November 2014, The Telegraph.
392:
and included ballets choreographed by Anthoine des Brosses.
3827:
Laurence Olivier Award for Outstanding Achievement in Dance
2666:
2254:
Sylvie Guillem: the greatest female dancer I have ever seen
2679:
Review: William Forsythe’s Wonderful Love Letter to Ballet
2329:
Benjamin Millepied Opens Up on Leaving Paris Opera Ballet
1867:, article by Martine Robert, 27 December 2013, Les Echos.
764:
577:
In 1820, Pierre Gardel was succeeded as ballet master by
516:
AdelaĂŻde Simonet as the Princess in the pantomime-ballet
2893:, edited by Shirley Thompson. Farnham, Surrey: Ashgate.
2639:, article by Martine Robert, 27 December 2013, Les Echos
2574:, interview of Benjamin Millepied by Élisabeth Quinn on
2501:"José Martinez Named New Director of Paris Opera Ballet"
2072:
Powell 2008, pp. 127, 233 note 44; Powell 2010, p. 178;
247:
give 180 dance performances each year, primarily at the
2480:"Paris Opera Ballet Loses Its Second Head in Six Years"
2459:, which had been made over the previous two years. See
2436:
Benjamin Millepied to Step Down From Paris Opera Ballet
2340:
842:. Since 1995, the Paris Opera Ballet School has been a
830:
In 1987, the Paris Opera Ballet School moved from the
2149:
Réflexions critiques sur la poésie et sur la peinture
2147:
Quoted and translated by Powell 1995, p. 185, citing
333:
with, among others, the choreographers and composers
2738:"Retraite des danseurs de l'Opera National de Paris"
2276:
2274:
1904:
1902:
2499:Sulcas, Roslyn; Cappelle, Laura (28 October 2022).
1858:
388:, which was first performed on 3 March 1671 at the
2201:
2199:
2076:, "Lully's first opera. A rediscovered poster for
500:when she danced in the premiere of Lully's ballet
2271:
1899:
596:
4126:
2168:Guest 2006, p. 9; Pitou 1983, pp. 249, 325–326.
838:. The new dance school building was designed by
686:There were turbulent times for the company with
2196:
2769:(6 volumes). Oxford: Oxford University Press.
2498:
2237:« Que reste-t-il de Noureev ? »
1954:
1952:
1909:Paris Opera Ballet School - a World of its Own
558:was ballet master from 1781, with his brother
351:in 1670. Many of these were also performed by
323:. Of particular importance were the series of
174:
3811:
2932:
2438:, article by Roslyn Sulcas, 4 February 2016,
369:
3249:National Opera and Ballet Theatre of Moldova
2891:New Perspectives on Marc-Antoine Charpentier
2112:
2110:
2005:
2003:
810:
589:was born. In 1875, the company moved to the
2345:Les mille et une vies de Benjamin Millepied
2341:Vernay, Marie-Christine (27 October 2009).
1949:
3818:
3804:
2939:
2925:
2855:, vol. 76, no. 2 (May), pp. 168–186.
2840:. Westport, Connecticut: Greenwood Press.
2125:Astier 1998a, p. 3. Note however that the
496:(1665–1738) became the first professional
38:
2189:
2187:
2107:
2000:
1521:
2788:Craine, Debra; Mackrell, Judith (2000).
2548:Laura Hecquet nominated Principal Dancer
2477:
2471:
740:took over the company in December 2022.
631:
511:
362:Also in 1661, Louis XIV had founded the
301:
18:Ballet de l'Opéra National de Paris
2522:
2347:(The Many Lives of Benjamin Millepied)"
1819:
1817:
1815:
1813:
14:
4127:
3651:National Ballet Theater of Puerto Rico
2868:Dance, Spectacle, and the Body Politic
2606:, 29 September 2012, Revista da danca.
2492:
2184:
765:Small scandals and the lost generation
3799:
3507:Les Ballets Trockadero de Monte Carlo
3259:National Opera and Ballet of Bulgaria
2920:
2455:released a documentary about Dupont,
2300:
2205:
1969:Histoire de l'Opéra national de Paris
507:
374:On 28 June 1669, Louis XIV granted a
3189:Sukhishvili Georgian National Ballet
2946:
2765:Cohen, Selma Jeanne, editor (1998).
1810:
982:Le Palais de cristal (Symphony in C)
937:(1801, in collaboration with Gardel)
540:, raised standards for the dancers.
3871:Ballet de l'Opéra National de Paris
3269:Norwegian National Opera and Ballet
2792:. Oxford: Oxford University Press.
2767:International Encyclopedia of Dance
651:
208:Ballet de l'Opéra national de Paris
70:Ballet de l'Opéra national de Paris
24:
3992:and Mark Morris Dance Group (2002)
2708:"Le chemin des étoiles, 1972–2014"
2078:Les fĂŞtes de l'Amour et de Bacchus
402:Les fĂŞtes de l'Amour et de Bacchus
259:awards. The school celebrated its
25:
4161:
3927:London Contemporary Dance Theatre
3895:London Contemporary Dance Theatre
2905:
2807:. Alton, Hampshire: Dance Books.
2681:, by Roslyn Sulcas, 5 July 2016,
2061:Le Mariage de Bacchus et d'Ariane
886:
711:
593:, where it continues to perform.
3234:Lviv Theatre of Opera and Ballet
2051:, choreographed the ballets for
2020:Almanach des spectacles de Paris
1927:See below (paragraph hierarchy).
1102:In the Middle, Somewhat Elevated
732:
524:, as performed in London in 1781
449:, while d'Olivet specialized in
345:in 1661 and the most important,
214:that is an integral part of the
3591:Complexions Contemporary Ballet
3364:United Ukrainian Ballet Company
3324:Saint Petersburg Ballet Theatre
3319:Russian State Ballet of Siberia
3008:Iranian National Ballet Company
2730:
2700:
2688:
2672:
2660:
2651:
2642:
2630:
2621:
2609:
2597:
2581:
2565:
2553:
2513:
2478:Marshall, Alex (16 June 2022).
2445:
2429:
2417:
2405:
2396:
2381:
2334:
2322:
2259:
2247:
2162:
2141:
2132:
2119:
2066:
2037:
2028:
2012:
1991:
1982:
1961:
1204:Darkness is Hiding Black Horses
815:The Paris Opera Ballet School (
3359:Turkish State Opera and Ballet
3334:Spanish National Dance Company
3279:Odesa Opera and Ballet Theatre
2790:The Oxford Dictionary of Dance
2357:English translation via Google
2283:Sylvie Guillem:Force of Nature
1921:
1887:
1878:St Petersburg Mariinsky Ballet
1870:
1839:
1826:
597:Serge Lifar as ballet director
13:
1:
4145:1661 establishments in France
3641:Moscow Ballet (United States)
1799:
1513:The maximum number of active
1132:MC/14-22 (Ceci est mon corps)
867:deuxième et première division
681:
297:
85:Académie Impériale de Musique
3732:Ballet Theatre of Queensland
3532:Les Grands Ballets Canadiens
2825:(in French). Paris: Fayard.
743:
390:Jeu de Paume de la Bouteille
226:in Saint Petersburg and the
101:; 355 years ago
7:
3537:California Riverside Ballet
3304:National Ballet of Portugal
3244:Mikhailovsky Theatre Ballet
2151:, Paris, 1719, p. 357. See
1777:
726:of the Paris Opera Ballet.
605:invited 24-year-old dancer
494:Mademoiselle de la Fontaine
476:, of the baneful dreams in
427:(27 April 1673), the first
88:Théâtre National de l'Opéra
10:
4166:
3785:National Ballet of Uruguay
3502:Ballet Theatre of Maryland
3274:Novosibirsk Theatre Ballet
3033:New National Theatre Tokyo
2962:Cairo Opera Ballet Company
2618:, site of the Paris Opera.
2138:Christout 1998, pp. 86–87.
2009:Astier 1998b, pp. 396–397.
1896:, site of the Paris Opera.
1259:
1225:
1180:L'Anatomie de la sensation
1022:Les Créatures de Prométhée
482:, and of the tremblers in
408:) in November 1672 at the
370:Founding and early history
274:
270:
82:Académie Royale de Musique
3976:
3833:
3760:
3719:
3646:National Ballet of Canada
3417:American Repertory Ballet
3377:
3209:Hungarian National Ballet
3119:Bayerisches Staatsballett
3076:
3038:Philippine Ballet Theatre
2975:
2954:
2785:(2004 paperback edition).
2712:Google Cultural Institute
2310:(in French). France Inter
811:Paris Opera Ballet School
566:creating ballets such as
421:Lully's next production,
281:
207:
180:
175:Paris Opera Ballet School
170:
165:
155:
147:
142:
132:
126:Paris, 9th arrondissement
113:
95:
75:
65:
57:
52:
37:
32:
4036:Royal Ballet of Flanders
3770:Ballet Municipal de Lima
3747:Royal New Zealand Ballet
3676:Pacific Northwest Ballet
3402:Alonzo King LINES Ballet
3184:Royal Ballet of Flanders
3028:National Ballet of China
2059:'s musical machine-play
1715:Marie-Claude Pietragalla
840:Christian de Portzamparc
636:In the world of ballet,
364:Académie Royale de Danse
348:Le Bourgeois gentilhomme
4081:English National Ballet
3775:Chilean National Ballet
3601:Dance Theatre of Harlem
3557:Chicago Festival Ballet
3437:Atlanta Festival Ballet
3412:American Midwest Ballet
3407:American Ballet Theatre
3229:La Scala Theatre Ballet
3179:Finnish National Ballet
3174:English National Ballet
3134:Birmingham Royal Ballet
3058:State Ballet of Georgia
3053:Singapore Dance Theatre
3048:Shanghai Ballet Company
2889:", pp. 161–183 in
357:Théâtre du Palais-Royal
312:Ballet Royal de la Nuit
3841:London Festival Ballet
3752:West Australian Ballet
3392:Alberta Ballet Company
3299:Polish National Ballet
3254:The Monte-Carlo Ballet
2805:The Paris Opéra Ballet
2669:Retrieved 16 May 2020.
2178:Le Triomphe de l'Amour
2171:Le Triomphe de l'Amour
1958:Christout 1998, p. 86.
1522:Notable former dancers
525:
502:Le Triomphe de l'Amour
490:
410:Jeu de Paume de BĂ©quet
316:
4115:Isabela Coracy (2024)
4042:Rambert Dance Company
3945:Rambert Dance Company
3742:Melbourne City Ballet
3727:The Australian Ballet
3701:The Washington Ballet
3691:Royal Winnipeg Ballet
3671:Oregon Ballet Theatre
3596:Cuban National Ballet
3427:Aspen Santa Fe Ballet
3314:Rambert Dance Company
3284:Original Ballet Russe
3164:Dutch National Ballet
3023:Korea National Ballet
2967:Cape Town City Ballet
2836:Pitou, Spire (1983).
2462:L'espace d'un instant
2457:L'espace d'un instant
1300:Jean-Pierre Bonnefoux
1162:Le Sacre du printemps
632:Era of Rudolf Nureyev
572:Offrande à la Liberté
515:
455:
305:
27:French ballet company
4109:Arielle Smith (2022)
4065:Michael Hulls (2014)
4012:San Francisco Ballet
3780:Colon Theater Ballet
3696:San Francisco Ballet
3666:Oklahoma City Ballet
3661:New York City Ballet
3349:Royal Swedish Ballet
3199:Greek National Opera
3043:Seoul Ballet Theatre
2887:MĂ©langes autographes
2803:Guest, Ivor (2006).
2424:documentary "Relève"
2193:Babsky 1998, p. 202.
2174:at operabaroque.fr.
2116:Powell 2010, p. 178.
2057:Jean Donneau de Visé
1988:Guest 2006, pp. 5–7.
1882:New York City Ballet
1834:La Danse Ă tout prix
1553:Giuseppina Bozzacchi
1429:JosĂ© Carlos MartĂnez
1214:La Dame aux Camélias
935:Les Noces de Gamache
921:Le Jugement de Pâris
873:(first soloists) or
626:New York City Center
542:Jean-Georges Noverre
433:(with a libretto by
3681:Pennsylvania Ballet
3369:Vienna State Ballet
3339:Stanislavski Ballet
3294:Perm Theatre Ballet
3154:Royal Danish Ballet
3129:Berlin State Ballet
3104:Les Ballets Persans
2998:Gwangju City Ballet
2853:Music & Letters
2823:Jean-Baptiste Lully
2819:La Gorce, JĂ©rĂ´me de
2235:Philippe Noisette,
2157:of the 1740 edition
2127:Gazette d'Amsterdam
2102:Philidor Collection
1997:Astier 1998a, p. 3.
1642:Dominique Khalfouni
1497:Christiane Vaussard
1391:Dominique Khalfouni
1320:Valentine Colasante
1166:Orpheus et Eurydice
1147:Notre-Dame-de-Paris
902:La Fille mal gardée
443:Jean-Baptiste Dubos
339:Jean-Baptiste Lully
292:Jean-Baptiste Lully
137:www.operadeparis.fr
53:General information
4135:Paris Opera Ballet
4112:Dickson Mbi (2023)
3631:Los Angeles Ballet
3626:Kansas City Ballet
3566:Cleveland Ballet (
3492:Ballet Quad Cities
3472:Ballet Magnificat!
3462:Ballet Fantastique
3354:Théâtre du Silence
3289:Paris Opera Ballet
3224:Kyiv Modern-Ballet
2988:Ballet Philippines
2683:The New York Times
2506:The New York Times
2485:The New York Times
2440:The New York Times
2308:"Brigitte Lefèvre"
2074:JĂ©rĂ´me de La Gorce
1975:2016-04-03 at the
1914:2016-03-03 at the
1894:Paris Opera Ballet
1851:2015-03-28 at the
1609:Marie-Agnès Gillot
1563:Isabelle Ciaravola
1487:Marjorie Tallchief
1447:Myriam Ould-Braham
1355:Marie-Agnès Gillot
1315:Isabelle Ciaravola
1267:Eleonora Abbagnato
1196:Saburo Teshigawara
1048:Les Quatre Saisons
778:Benjamin Millepied
688:Benjamin Millepied
672:Saburo Teshigawara
526:
508:Subsequent history
447:ballets ordinaires
424:Cadmus et Hermione
317:
257:Benois de la Danse
200:Paris Opera Ballet
171:Associated schools
61:Paris Opera Ballet
33:Paris Opera Ballet
4150:History of ballet
4122:
4121:
3961:Ballett Frankfurt
3897: (1989/1990)
3793:
3792:
3737:Queensland Ballet
3686:Pittsburgh Ballet
3656:New Jersey Ballet
3636:Louisville Ballet
3611:Greensboro Ballet
3562:Cincinnati Ballet
3522:Bay Pointe Ballet
3457:Ballet Des Moines
3194:Grand Kyiv Ballet
2846:978-0-686-46036-7
2813:978-1-85273-109-0
2798:978-0-19-860106-7
2783:978-0-19-517369-7
2775:978-0-19-509462-6
2718:on March 30, 2014
2616:The Ballet School
2533:Frederick Wiseman
2426:, site of canal+.
2297:, 9 octobre 2013.
2049:Théâtre du Marais
1784:History of ballet
1771:Carlotta Zambelli
1767:Claude de Vulpian
1753:Emmanuel Thibault
1748:Ghislaine Thesmar
1695:Jacqueline Moreau
1677:Monique Loudières
1576:Lycette Darsonval
1507:Carlotta Zambelli
1492:Ghislaine Thesmar
1330:Lycette Darsonval
1290:Jérémie Bélingard
1271:Amandine Albisson
1218:Song of the Earth
1136:Le Songe de Médée
1120:Angelin Preljocaj
1070:Le Lac des cygnes
1040:Kenneth MacMillan
994:Arthur Saint-LĂ©on
977:George Balanchine
941:Philippe Taglioni
881:principal dancers
871:premiers danseurs
825:première division
774:Mathilde Froustey
750:Mathilde Froustey
668:Angelin Preljocaj
583:Salle Le Peletier
556:Maximilien Gardel
522:Maximilien Gardel
518:Ninette Ă la Cour
439:Théâtre Guénégaud
435:Philippe Quinault
353:Molière's company
335:Pierre Beauchamps
309:as Apollo in the
277:History of ballet
245:principal dancers
196:
195:
16:(Redirected from
4157:
4140:Culture of Paris
4087:Francesca Velicu
4075:Alessandra Ferri
4030:The Royal Ballet
3957:William Forsythe
3915:The Royal Ballet
3911:William Forsythe
3865:Stuttgart Ballet
3859:The Royal Ballet
3820:
3813:
3806:
3797:
3796:
3547:Charlotte Ballet
3487:Ballet Minnesota
3467:Ballet Hispanico
3397:Alexandra Ballet
3344:Stuttgart Ballet
3309:The Royal Ballet
3239:Mariinsky Ballet
3219:Kyiv City Ballet
3149:Cork City Ballet
3144:Charleroi Danses
3114:Barcelona Ballet
3068:Universal Ballet
3003:Hong Kong Ballet
2993:Guangzhou Ballet
2948:Ballet companies
2941:
2934:
2927:
2918:
2917:
2912:Official website
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2714:. Archived from
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2023:Archive Larousse
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1725:Élisabeth Platel
1720:Wilfride Piollet
1700:Clairemarie Osta
1687:Antonine Meunier
1652:Nicolas Le Riche
1589:Michel Descombey
1528:Cyril Atanassoff
1515:danseurs Ă©toiles
1452:Ludmila Pagliero
1442:Clairemarie Osta
1401:Nicolas Le Riche
1350:Dorothée Gilbert
1305:Stéphane Bullion
1254:danseurs Ă©toiles
1190:Romeo and Juliet
1098:William Forsythe
1074:Romeo and Juliet
876:danseurs Ă©toiles
821:sixième division
706:Stéphane Lissner
664:William Forsythe
657:Brigitte Lefèvre
652:Brigitte Lefèvre
579:Jean-Louis Aumer
547:Les petits riens
451:ballet-pantomime
430:tragédie lyrique
341:. The first was
326:comédies-ballets
240:Danseurs Étoiles
224:Mariinsky Ballet
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122:Place de l'Opéra
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3951:Lez Brotherston
3905:Jennifer Tipton
3853:Peter Schaufuss
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3586:Colorado Ballet
3542:Carolina Ballet
3497:Ballet San Jose
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3329:Scottish Ballet
3264:Northern Ballet
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1853:Wayback Machine
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1629:Laurent Hilaire
1614:Isabelle Guérin
1604:Flemming Flindt
1558:Yvette Chauviré
1524:
1511:
1482:Solange Schwarz
1472:Carolina Rosati
1381:Laurent Hilaire
1377:Mathias Heymann
1360:Isabelle Guérin
1310:Yvette Chauviré
1262:
1238:premier danseur
1228:
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889:
862:corps de ballet
844:boarding school
813:
789:Laurent Hilaire
767:
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587:Romantic ballet
568:La Marseillaise
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222:in Moscow, the
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186:Premier Danseur
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4057:
4051:
4048:Antony Gormley
4045:
4039:
4033:
4027:
4021:
4015:
4009:
3999:
3993:
3987:
3984:Deborah Colker
3980:
3978:
3974:
3973:
3971:
3970:
3964:
3954:
3948:
3942:
3939:Siobhan Davies
3936:
3930:
3924:
3921:Siobhan Davies
3918:
3908:
3898:
3892:
3886:
3880:
3877:Ballet Rambert
3874:
3868:
3862:
3856:
3850:
3844:
3837:
3835:
3831:
3830:
3823:
3822:
3815:
3808:
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3678:
3673:
3668:
3663:
3658:
3653:
3648:
3643:
3638:
3633:
3628:
3623:
3621:Joffrey Ballet
3618:
3616:Houston Ballet
3613:
3608:
3603:
3598:
3593:
3588:
3583:
3564:
3559:
3554:
3552:Chicago Ballet
3549:
3544:
3539:
3534:
3529:
3524:
3519:
3514:
3509:
3504:
3499:
3494:
3489:
3484:
3479:
3477:Ballet Memphis
3474:
3469:
3464:
3459:
3454:
3449:
3444:
3442:Ballet Arizona
3439:
3434:
3432:Atlanta Ballet
3429:
3424:
3422:Anaheim Ballet
3419:
3414:
3409:
3404:
3399:
3394:
3389:
3387:Alabama Ballet
3383:
3381:
3375:
3374:
3372:
3371:
3366:
3361:
3356:
3351:
3346:
3341:
3336:
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3296:
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3256:
3251:
3246:
3241:
3236:
3231:
3226:
3221:
3216:
3211:
3206:
3204:Hamburg Ballet
3201:
3196:
3191:
3186:
3181:
3176:
3171:
3166:
3161:
3159:Donetsk Ballet
3156:
3151:
3146:
3141:
3139:Bolshoi Ballet
3136:
3131:
3126:
3121:
3116:
3111:
3109:Ballets Russes
3106:
3101:
3096:
3091:
3089:Ballet Ireland
3086:
3080:
3078:
3074:
3073:
3071:
3070:
3065:
3060:
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2906:External links
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2153:p. 247 of the
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2094:Libretto, 1672
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1794:Rudolf Nureyev
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1763:Gaetan Vestris
1760:
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1734:Michel Renault
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1340:Aurélie Dupont
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1335:Guillaume Diop
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1280:LĂ©onore Baulac
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1233:Danseur Étoile
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1172:Wayne McGregor
1169:
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1139:
1117:
1095:
1088:Maurice BĂ©jart
1085:
1078:The Nutcracker
1054:Rudolf Nureyev
1051:
1037:
1034:Suite en blanc
1015:
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991:
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938:
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897:Jean Dauberval
893:
888:
887:Choreographers
885:
832:Palais Garnier
812:
809:
805:Aurélie Dupont
785:Sylvie Guillem
766:
763:
745:
742:
734:
731:
717:Aurélie Dupont
713:
712:Aurélie Dupont
710:
683:
680:
653:
650:
646:Sylvie Guillem
638:Rudolf Nureyev
633:
630:
603:Jacques Rouché
598:
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591:Palais Garnier
509:
506:
398:Carlo Vigarani
371:
368:
355:at the public
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249:Palais Garnier
220:Bolshoi Ballet
212:ballet company
210:) is a French
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118:Palais Garnier
115:
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76:Previous names
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4054:Edward Watson
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4024:Carlos Acosta
4022:
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3933:Peter Mumford
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3606:Dayton Ballet
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3527:Boston Ballet
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3505:
3503:
3500:
3498:
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3475:
3473:
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3448:
3447:Ballet Austin
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3169:Eifman Ballet
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3124:BĂ©jart Ballet
3122:
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3110:
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3099:Ballet ZĂĽrich
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3013:Israel Ballet
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3009:
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2777:(hardcover).
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1710:Lucien Petipa
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1657:Manuel Legris
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1647:Attilio Labis
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1634:Josua Hoffalt
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1624:Jean Guizerix
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1581:Frances Davis
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1543:Kader Belarbi
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1420:
1419:Hugo Marchand
1417:
1414:
1412:
1411:Agnès Letestu
1409:
1407:
1406:Manuel Legris
1404:
1402:
1399:
1397:
1396:Attilio Labis
1394:
1392:
1389:
1387:
1386:Josua Hoffalt
1384:
1382:
1379:
1376:
1374:Laura Hecquet
1373:
1371:
1370:Jean Guizerix
1368:
1366:
1363:
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1358:
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1351:
1348:
1346:
1345:Mathieu Ganio
1343:
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1285:Kader Belarbi
1283:
1281:
1278:
1276:
1275:Josette Amiel
1273:
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1257:
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1234:
1219:
1215:
1211:
1210:John Neumeier
1208:
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1118:
1115:
1114:Blake Works I
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4069:Crystal Pite
3977:2001-present
3969: (2000)
3963: (1999)
3953: (1998)
3947: (1997)
3941: (1996)
3935: (1995)
3929: (1994)
3923: (1993)
3917: (1992)
3907: (1991)
3891: (1988)
3889:Kirov Ballet
3885: (1987)
3883:Trisha Brown
3879: (1986)
3873: (1982)
3867: (1981)
3861: (1980)
3855: (1979)
3849: (1978)
3847:Robert Cohan
3843: (1977)
3706:Tulsa Ballet
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3084:Ballet Cymru
3063:Tokyo Ballet
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2716:the original
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1993:
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1968:
1963:
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1828:
1804:
1803:
1691:Hervé Moreau
1638:Charles Jude
1548:Claude Bessy
1539:Patrice Bart
1535:Jean Babilée
1531:Karin Averty
1514:
1512:
1457:Sae Eun Park
1295:Claude Bessy
1253:
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849:baccalauréat
847:
829:
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801:Nicolas Joel
799:ballet, and
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378:to the poet
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361:
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318:
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285:
265:
253:
238:
232:
228:Royal Ballet
199:
197:
143:Senior staff
96:Year founded
44:Logo of the
4018:Pina Bausch
4002:Thomas Edur
3996:Robyn Orlin
3990:Mark Morris
3967:Jiřà Kylián
3901:Twyla Tharp
3711:Wonderbound
3512:Ballet West
3214:Kyiv Ballet
2214:(2): 3–15.
2181:at Gallica.
2159:at Gallica.
2082:Early Music
1738:Marie Sallé
1433:Marc Moreau
1424:Paul Marque
1186:Sasha Waltz
1158:Pina Bausch
1106:Woundwork I
1082:La Bayadère
1018:Serge Lifar
946:La Sylphide
931:Louis Milon
724:grande dame
696:La Bayadère
692:La Bayadère
607:Serge Lifar
550:in 1778 on
343:Les Fâcheux
329:created by
288:Paris Opera
230:in London.
216:Paris Opera
46:Paris Opera
4129:Categories
4099:Sara Baras
4093:Akram Khan
4006:Agnes Oaks
2880:Online pdf
2722:3 November
2531:, film by
2414:, 1:07 min
2351:Libération
1800:References
1672:Emma Livry
1571:La Camargo
1110:Pas./Parts
1072:) (1984),
682:Transition
564:Revolution
554:'s music.
298:Background
275:See also:
66:Local name
3834:1977-2000
3482:BalletMet
3452:Ballet BC
2451:In 2010,
2392:Le Figaro
2241:Les Échos
2176:Score of
2100:from the
1250:quadrille
1065:Swan Lake
1044:MĂ©taboles
913:Télémaque
744:Hierarchy
601:In 1929,
498:ballerina
406:pastorale
376:privilege
321:Louis XIV
307:Louis XIV
263:in 2013.
192:Quadrille
181:Formation
3018:K-ballet
2821:(2002).
2667:MémOpéra
2529:La Danse
2376:Le Monde
2314:18 March
2098:ms score
1973:Archived
1912:Archived
1880:and the
1849:Archived
1846:Haut vol
1778:See also
1246:coryphée
1216:(2006),
1202:(2003),
1178:(2007),
1164:(1997),
1150:(1965),
1134:(2004),
1130:(1996),
1126:(1994),
1112:(1999),
1104:(1987),
1080:(1985),
1076:(1984),
1062:(1983),
1059:Raymonda
1046:(1978),
1032:(1941),
1028:(1935),
1024:(1929),
999:Coppélia
923:(1793),
919:(1793),
915:(1790),
836:Nanterre
585:, where
190:Coryphée
156:Director
128:, France
3763:America
3720:Oceania
3380:America
2748:Sources
2295:BBC Two
2285: »
2281:«
2104:, 1705.
2090:3137552
1260:Étoiles
1226:Dancers
1152:Clavigo
1124:Le Parc
970:Giselle
958:Giselle
905:(1789).
467:Alceste
415:entrées
331:Molière
271:History
133:Website
104: (
4101:(2020)
4095:(2019)
4089:(2018)
4083:(2017)
4077:(2016)
4071:(2015)
4062:(2013)
4056:(2012)
4050:(2011)
4044:(2010)
4038:(2009)
4032:(2008)
4026:(2007)
4020:(2006)
4014:(2005)
4008:(2004)
3998:(2003)
3986:(2001)
3517:Ballez
3077:Europe
2955:Africa
2897:
2874:
2861:737729
2859:
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2796:
2781:
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2592:Pointe
2088:
2053:Pomone
2045:Pomone
1248:, and
1220:(2015)
1206:(2013)
1192:(2007)
1182:(2011)
1168:(2005)
1154:(1999)
1138:(2004)
1116:(2016)
1094:(1986)
1084:(1992)
1050:(1978)
1036:(1943)
1014:(1876)
1011:Sylvia
1002:(1870)
985:(1947)
973:(1842)
961:(1842)
949:(1832)
927:(1800)
917:Psyché
817:French
674:, and
552:Mozart
534:Rameau
530:French
473:Thesée
461:Psyché
385:Pomone
315:(1653)
282:Naming
243:. The
204:French
184:Étoile
3761:South
3378:North
2857:JSTOR
2210:. 2.
2086:JSTOR
1805:Notes
1242:sujet
1176:Genus
1092:Arepo
1030:Istar
1026:Icare
852:(the
538:Gluck
188:Sujet
166:Other
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