19:
217:
229:
198:
105:) of the night, beginning at 6 o'clock in the evening and ending at 6 o'clock in the morning: the first watch (sunset) lasted from 6 p.m. to 9 p.m.; the second, from 9 p.m. to 12 a.m.; the third, from 12 a.m. to 3 a.m., and the fourth (sunrise), from 3 a.m. to 6 a.m. With
283:. The volume also includes some of the surviving sources for the ballet, including a facsimile of the livret and a reproduction of the scenography from Rothschild B1/16/6. It also includes a modern edition of the surviving music by Lionel Sawkins. This was the first
477:
109:
by Jean de
Cambefort, it was an extravagant court spectacle featuring forty-five entrees and three ballets within a ballet, which took about 13 hours to perform. The plot included mythological goddesses such as
259:
of Louis
Hesselin on the cover that contains stage and costumes designs is kept. It also met at Oxford on the same day, where papers were given on many aspects of the ballet.
360:"Ballet // Royal // De la Nuict // Divisé en quatre Parties ou quatre Veilles // Dansé // Par sa Majesté le 23e Fevrier 1653. // Recueilly // Par Philidor Laisnée En 1690"
255:
in 2004, and there is an extensive study of the work by a group of scholars. The symposium met at
Waddesdon Manor, where the folio volume (Rothschild B1/16/6) with the
275:"; David Parrott: "Art, ceremony and performance: Cardinal Mazarin and cultural patronage at the court of Louis XIV"; Jennifer Thorp: "Dances and dancers in the
409:
Burden & Thorp 2009, revised 2010. According to an email from
Pendragon, early copies are missing the scenography plates. Based on
182:
216:
173:, was in charge of dress design for the royal ballets. A collection of 10 scenic and 117 costume designs for the ballet made for
197:
498:
280:
158:, one of his many personifications as the rising sun, emphasizing the power of the monarchy and its closeness to the divine.
228:
35:
457:
325:
154:
are among the “realistic” characters of the play. King Louis XIV appears with the coming of the day as the sun god
503:
279:"; and Catherine Massip: "The Ballet de la Nuit: a political and musical statement". The foreword is by
493:
18:
70:
252:
78:
413:
the title of
Michael Burden's essay ("A spectacle for the King" in the 2009 edition) is "The
359:
8:
127:
82:
31:
434:, 2nd revised edition, translated from the Swedish. Stockholm: Almqvist & Wiksell.
186:
62:
453:
435:
115:
111:
81:
in Paris. It took 13 hours to perform and included the debut of the fifteen-year-old
66:
445:
310:
178:
166:
461:
410:
268:
260:
174:
74:
57:
487:
340:
301:
256:
439:
143:
106:
23:
119:
208:
267:
with the
Pendragon Press in New York. The essays in the volume are:
131:
77:
and possibly others, which premiered on
February 23, 1653, at the
363:
151:
139:
135:
329:, Ensemble Correspondances, Sébastien Daucé, Harmonia Mundi 2020
204:
155:
147:
86:
123:
51:
in its original spelling and often referred to simply as the
305:(scene used in this movie is from the end of ballet, called
467:
Apollo's Angels A history of Ballet by
Jennifer Homans 2010
362:(BnF, département Musique, RES F-501) published online at
263:and Jennifer Thorp subsequently published a volume
181:. Another folio with 119 costume designs made for
239:
485:
177:(1602-1662) and attributed to Gissey are now at
22:First page of a 1690 manuscript copy of the
383:
381:
92:
452:. Hillsdale, New York: Pendragon Press.
448:; Thorp, Jennifer (2009; revised 2010).
432:Giacomo Torelli and Baroque Stage Design
369:
17:
480:the ballet livret, costumes and scenery
171:Dessinateur ordinaire du Cabinet du Roy
486:
378:
281:Jacob Rothschild, 4th Baron Rothschild
183:Denis-Pierre-Jean Papillon de la Ferté
450:Ballet de la Nuit: Rothschild B1/16/6
265:Ballet de la Nuit: Rothschild B1/16/6
462:Product page for the revised edition
314:Le Roi représentant le soleil levant
185:(1727-1794) is now in Paris at the
13:
287:to be published in complete form.
14:
515:
471:
227:
215:
196:
36:Bibliothèque nationale de France
424:
403:
390:
387:Burden & Thorp 2009, p. 3.
353:
251:was the subject of the annual
222:The costume of the lute player
1:
499:17th-century ballet premieres
319:
130:in the horrors of the night.
47:(Royal Ballet of the Night),
375:Bjurström 1962, pp. 157–159.
101:concerned the four Watches (
7:
334:
161:
10:
520:
234:The costume of the soldier
188:Bibliothèque de l'Institut
411:Pendragon's product page
346:
299:in the historical movie
295:There is one scene from
122:, demonic creatures and
49:Ballet Royal de la Nuict
28:Ballet Royal de la Nuict
430:Bjurström, Per (1962).
398:Ballet and Modern Dance
327:Ballet Royal de La Nuit
297:Ballet Royal de la Nuit
290:
44:Ballet Royal de la Nuit
253:Oxford Dance Symposium
93:Plot and music outline
79:Salle du Petit-Bourbon
38:
504:1653 ballet premieres
366:on November 11, 2018.
71:Jean-Baptiste Boësset
21:
87:Apollo, the Sun King
61:with a libretto by
32:Philidor Collection
63:Isaac de Benserade
39:
415:Ballet de la Nuit
277:Ballet de la Nuit
273:Ballet de la Nuit
249:Ballet de la Nuit
241:Ballet de la Nuit
126:who celebrated a
99:Ballet de la Nuit
89:(Le Roi Soleil).
67:Jean de Cambefort
53:Ballet de la Nuit
511:
418:
407:
401:
400:, second edition
394:
388:
385:
376:
373:
367:
357:
231:
219:
200:
519:
518:
514:
513:
512:
510:
509:
508:
494:Ballets de cour
484:
483:
478:Waddesdon Manor
474:
446:Burden, Michael
427:
422:
421:
408:
404:
395:
391:
386:
379:
374:
370:
358:
354:
349:
337:
322:
293:
245:
235:
232:
223:
220:
211:
207:, performed by
203:The costume of
201:
179:Waddesdon Manor
167:Henri de Gissey
164:
95:
12:
11:
5:
517:
507:
506:
501:
496:
482:
481:
473:
472:External links
470:
469:
468:
465:
443:
426:
423:
420:
419:
402:
389:
377:
368:
351:
350:
348:
345:
344:
343:
336:
333:
332:
331:
321:
318:
292:
289:
285:ballet de cour
269:Michael Burden
261:Michael Burden
244:
238:
237:
236:
233:
226:
224:
221:
214:
212:
202:
195:
175:Louis Hesselin
169:(c. 1621–73),
163:
160:
94:
91:
75:Michel Lambert
58:ballet de cour
30:, part of the
9:
6:
4:
3:
2:
516:
505:
502:
500:
497:
495:
492:
491:
489:
479:
476:
475:
466:
464:at Pendragon.
463:
459:
458:9781576471432
455:
451:
447:
444:
441:
437:
433:
429:
428:
416:
412:
406:
399:
393:
384:
382:
372:
365:
361:
356:
352:
342:
341:French ballet
339:
338:
330:
328:
324:
323:
317:
315:
312:
308:
304:
303:
298:
288:
286:
282:
278:
274:
270:
266:
262:
258:
254:
250:
242:
230:
225:
218:
213:
210:
206:
199:
194:
193:
192:
190:
189:
184:
180:
176:
172:
168:
159:
157:
153:
149:
145:
141:
137:
133:
129:
128:black Sabbath
125:
121:
117:
113:
108:
104:
100:
90:
88:
84:
80:
76:
72:
68:
65:and music by
64:
60:
59:
54:
50:
46:
45:
37:
33:
29:
25:
24:musical score
20:
16:
449:
431:
425:Bibliography
414:
405:
397:
392:
371:
355:
326:
313:
307:The sun rise
306:
302:Le Roi danse
300:
296:
294:
284:
276:
272:
264:
248:
246:
243:in facsimile
240:
187:
170:
165:
144:lamplighters
102:
98:
96:
56:
52:
48:
43:
42:
40:
27:
15:
191:(MS 1004).
488:Categories
320:Recordings
120:werewolves
396:Susan Au,
209:Louis XIV
132:Shepherds
83:Louis XIV
440:10226792
335:See also
162:Costumes
152:crippled
26:for the
364:Gallica
205:Apollon
148:beggars
140:thieves
136:gypsies
124:witches
103:veilles
55:, is a
34:at the
456:
438:
156:Apollo
347:Notes
271:"The
116:Diana
112:Venus
454:ISBN
436:OCLC
291:Film
257:arms
247:The
150:and
114:and
107:airs
97:The
41:The
316:).
311:fr.
85:as
490::
460:.
417:".
380:^
309:,
146:,
142:,
138:,
134:,
118:,
73:,
69:,
442:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.png)