211:
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60:
75:
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149:
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202:. When the plot was uncovered, Charles was forced to flee to Italy, and as a result the Hôtel de Bourbon was partly demolished. "Salt was strewed upon the ground which it occupied; the armorial ensigns of the offender were effaced, and the windows and doors that remained were smeared by the executioner with yellow ochre."
528:
For the name Hôtel de
Bourbon, see the Paris maps of Truschet & Hoyau (1550) and Saint Victor (1550); for the name Petit-Bourbon, see the map of Gomboust (1652). The latter also shows a street next to the Petit-Bourbon running perpendicular to the Louvre as the rue du Petit-Bourbon. This Hôtel de
546:
335:
The dimensions of the hall were ample by
Parisian standards: 15 meters wide and 35 meters long with an apse adding an additional 13.5 meters at one end. During the Estates General of 1614, the King and his courtiers sat in the apse, which was decorated with
183:, from 1303 to 1404 the Bourbons purchased houses of more than 300 persons to assemble the site on which their new hotel was built. Over the years they augmented and embellished it such that it became one of the most magnificent in the kingdom.
313:. It was first performed on 29 January 1617, when the King danced a demon of fire. It was not difficult to draw a parallel between Tancrède and his knights fighting the monsters of the enchanted forest and Louis XIII and his favorite,
464:
937:
545:). The former rue du Petit-Bourbon near Saint-Sulpice is now the portion of the rue Saint-Sulpice which runs between the rue de Tournon and the rue Garancière and can be found on the
278:
942:
404:
947:
187:
describes the great hall and the chapel (which both still existed at the time he was writing), as the largest and most sumptuous of their kind in Paris.
475:
439:
118:
927:
364:
in
December 1645. The production employed elaborate stage scenery with set changes and special effects accomplished via theatre machines designed by
865:
170:
needed to be in Paris in order to pay their respects to the king and to receive his favors. They therefore constructed magnificent town houses (
210:
622:
Anthony 2001. Marguerite de Vaudémont, also known as
Marguerite of Lorraine, was the Queen's half-sister, daughter of the Queen's father
451:
59:
932:
314:
29:
412:
was performed on 14 April 1654 with
Torelli's scenic machinery again the main attraction, and again Louis XIV danced six roles:
542:
17:
487:
113:
enlarged the fortress of the Louvre in order to use it as a royal residence. On two 1550 maps it is shown simply as the
463:
344:, a kind of stage was located in the apse. The general public was accommodated in two tiers of balconies on the walls.
874:
854:
839:
824:
74:
269:, was performed at the Petit-Bourbon on 15 October 1581, during the festivities surrounding the marriage of the
530:
516:
136:
and his actors were evicted, and the Petit-Bourbon was pulled down to make space for the construction of the
386:
385:
was premiered. This was yet another spectacular play designed by
Torelli. The incidental music composed by
191:
103:
911:
735:
623:
534:
261:
216:
121:(see below). The Bourbons took control of France in 1589, at which time they also acquired the Louvre.
286:
152:
229:
847:
The French Stage and
Playhouse in the XVIIth Century: A Study in the Advent of the Italian Order
774:
163:
99:
601:
588:
575:
562:
538:
512:
172:
282:
900:
896:
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805:
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Discours au vray du ballet dansé par le roy, le dimanche XXIXe jour de janvier M. VIc. XVII
309:
239:
402:
appeared as the "Sun brilliant with light" and danced five other roles. The
Italian opera
129:
8:
325:
was performed by "sixty-four voices, twenty-eight viols, and fourteen lutes conducted by
199:
195:
68:
756:
745:, 2nd revised edition, translated from the Swedish. Stockholm: Almqvist & Wiksell.
274:
243:
234:
870:
850:
835:
820:
746:
394:
357:
176:) in the vicinity of the Louvre, very few of which have survived to the present day.
537:, and was also located on a street named rue du Petit-Bourbon (see Galignani 1825,
425:
392:
Mazarin's triumph over the
Frondeurs and return from exile was celebrated with the
376:
361:
238:
at the Petit-Bourbon on 20 August 1572, at the time of the wedding of the
Catholic
137:
87:
365:
326:
270:
128:, was larger than any room in the Louvre, and served as the first theatre of the
110:
860:
353:
348:
304:
252:
107:
921:
880:
409:
398:, produced on 23 February 1653 with sets and machinery by Torelli. The young
64:
44:
31:
904:
809:
794:
768:
337:
289:
of 1614 and 1615 and some of the celebrations accompanying the marriage of
184:
180:
381:
285:
performed as a ballet) was held in the Grande Salle in February 1605. The
750:
247:
91:
148:
106:
to the east. It was constructed in the 14th century, not long after the
653:
372:
290:
133:
399:
162:
When in the fourteenth century the kings of France began to use the
832:
Music in the Service of the King. France in the Seventeenth Century
515:, calls it the rue d'Autriche. Other sources, e.g., Félibien 1725,
277:'s sister, Marguerite de Vaudémont. The French court's first great
167:
734:
Anthony, James R. (2001). "Ballet de cour" in Sadie 2001. Also at
198:
at the time, plotted to partition France against the will of King
417:
779:
The History of Paris from the Earliest Period to the Present Day
413:
721:
Isherwood 1973, pp. 129–130; Bjurström 1962, pp. 128, 160–176.
849:, second edition, revised and enlarged. New York: AMS Press.
421:
95:
938:
Buildings and structures in the 1st arrondissement of Paris
887:, 3 volumes. Paris: Charles Moette; Jacques Chardon. Vols.
885:
Histoire et recherches des antiquite's de la ville de Paris
431:
340:. Lawrenson suggests that on some occasions, such as the
63:
View of the river facade of the Petit-Bourbon (with the
943:
Buildings and structures demolished in the 17th century
694:
Bjurström 1962, pp. 122, 134–133; Howarth 1997, p. 204.
910:
Timms, Colin (2001). "Tourney" in Sadie 2001. Also at
763:, vol. 4. Paris: Guillaume Desprez; Jean Desessartz.
389:
was intended to cover up the noise of the machinery.
317:, rescuing France from its enemies. According to the
817:French Theatre in the Neo-classical Era, 1550–1789
117:, but by 1652, as the Petit-Bourbon on the map of
529:Bourbon should not be confused with one near the
321:published by Pierre Ballard in 1617, the opening
265:, regarded by James R. Anthony as the first true
246:. It was a dramatic ballet with scenery and sung
132:upon their arrival in Paris in 1658; but by 1660
919:
658:, p. 3; cited and quoted by Anthony 1997, p. 49.
533:on the Left Bank which belonged to the widow of
866:The New Grove Dictionary of Music and Musicians
781:, 3 volumes. Paris: A. and W. Galignani. Vols.
557:
555:
703:Bjurström 1962, p. 147; Howarth 1997, p. 205.
511:The street no longer exists. Galignani 1825,
948:Demolished buildings and structures in Paris
552:
86:, a former Parisian town house of the royal
819:. Cambridge: Cambridge University Press.
228:) was used for numerous court functions.
928:Former buildings and structures in Paris
743:Giacomo Torelli and Baroque Stage Design
296:Louis XIII selected the subject for the
209:
147:
73:
58:
804:. New York: George Routledge and Sons.
626:, and his second wife, Joanna of Savoy.
519:, refer to it as the rue de l'Autruche.
14:
920:
432:The Petit-Bourbon on old maps of Paris
375:when all things Italian were suspect,
67:on the left) from a 1646 engraving by
877:(hardcover). OCLC 419285866 (eBook).
834:. Ithaca: Cornell University Press.
815:Howarth, William D., editor (1997).
315:Charles d'Albert, 1st Duke of Luynes
303:, based on the story of Rinaldo in
205:
98:on the rue d'Autriche, between the
24:
869:, 2nd edition. London: Macmillan.
635:Isherwood 1973, p. 95; Timms 2001.
424:, an academician, a courtier, and
250:, and introduced the new genre of
166:as their primary Paris residence,
25:
959:
232:staged the "politically charged"
486:
474:
462:
450:
438:
360:was given under the auspices of
728:
715:
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445:ca. 1550 (Truschet & Hoyau)
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616:
607:
594:
581:
568:
522:
505:
293:in 1615 were also held there.
102:to the west and the Church of
78:Site plan of the Petit-Bourbon
13:
1:
830:Isherwood, Robert M. (1973).
761:Histoire de la ville de Paris
126:Grande Salle du Petit-Bourbon
933:Hôtels particuliers in Paris
800:Hare, Augustus J.C. (1888).
775:Galignani, A.; Galignani, W.
712:Isherwood 1973, pp. 136–138.
192:Charles III, Duke of Bourbon
7:
405:Le nozze di Peleo e di Teti
10:
964:
535:Louis, Duke of Montpensier
342:Ballet Comique de la Reine
307:'s popular 1581 epic poem
262:Ballet Comique de la Reine
220:at the Petit-Bourbon, 1581
217:Ballet Comique de la Reine
143:
845:Lawrenson, T. E. (1986).
387:Charles Coypeau d'Assoucy
371:In February 1650, during
104:Saint-Germain l'Auxerrois
914:(subscription required).
738:(subscription required).
644:Anthony 1997, pp. 46–47.
624:Nicolas, Duke of Mercœur
498:
323:grand concert de musique
224:The Great Hall (French:
741:Bjurström, Per (1962).
685:Bjurström 1962, p. 123.
676:Lawrenson 1986, p. 188.
667:Bjurström 1962, p. 122.
457:ca. 1550 (Saint Victor)
356:mixed with an opera by
301:La délivrance de Renaud
613:Isherwood 1973, p. 60.
547:full 1652 Gomboust map
221:
159:
157:Salle du Petit-Bourbon
84:Hôtel du Petit-Bourbon
79:
71:
18:Salle du Petit-Bourbon
777:, publishers (1825).
352:, an Italian play by
213:
151:
90:, was located on the
77:
62:
531:Église Saint-Sulpice
310:Gerusalemme liberata
240:Marguerite de Valois
230:Catherine de' Medici
124:The Great Hall, the
45:48.85950°N 2.33970°E
912:Oxford Music Online
736:Oxford Music Online
589:vol. 2, pp. 208–211
242:and the Protestant
196:Constable of France
173:hôtels particuliers
69:Stefano della Bella
41: /
563:vol.2, pp. 190–192
275:Louise of Lorraine
222:
160:
80:
72:
863:, editor (2001).
785:(2nd ed., 1832),
541:, and Hare 1888,
395:Ballet de la Nuit
358:Francesco Sacrati
130:troupe of Molière
50:48.85950; 2.33970
16:(Redirected from
955:
757:Félibien, Michel
722:
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561:Galignani 1825,
559:
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526:
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509:
490:
478:
466:
454:
442:
377:Pierre Corneille
362:Cardinal Mazarin
244:Henri of Navarre
206:The Grande Salle
158:
138:Louvre Colonnade
115:Hôtel de Bourbon
88:House of Bourbon
56:
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493:1652 (Gomboust)
491:
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458:
455:
446:
443:
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379:'s French play
366:Giacomo Torelli
287:Estates General
271:Duke of Joyeuse
235:Paradis d'amour
208:
156:
155:of 1614 in the
153:Estates General
146:
111:kings of France
49:
47:
43:
40:
35:
32:
30:
28:
27:
23:
22:
15:
12:
11:
5:
961:
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950:
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940:
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930:
916:
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908:
895:and 3 (copies
878:
861:Sadie, Stanley
858:
843:
828:
813:
802:Walks in Paris
798:
772:
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730:
727:
724:
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669:
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602:vol. 2, p. 191
593:
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576:vol 2., p. 114
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539:vol. 2, p. 190
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513:vol. 2, p. 191
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469:1609 (Quesnel)
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437:
433:
430:
354:Giulio Strozzi
349:La finta pazza
305:Torquato Tasso
298:ballet de cour
267:ballet de cour
253:ballet de cour
207:
204:
145:
142:
9:
6:
4:
3:
2:
960:
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881:Sauval, Henri
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875:9781561592395
872:
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855:9780404617219
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840:9780801407345
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825:9780521100878
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587:Sauval 1724,
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481:1615 (Mérian)
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410:Carlo Caproli
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179:According to
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801:
795:Google Books
789:(1825), and
778:
769:Google Books
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729:Bibliography
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338:fleur-de-lis
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226:Grande Salle
225:
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189:
185:Henri Sauval
181:Henri Sauval
178:
171:
161:
125:
123:
114:
83:
81:
26:
281:(a type of
248:recitatives
48: /
922:Categories
793:(1825) at
373:the Fronde
291:Louis XIII
273:and Queen
194:, who was
92:right bank
33:48°51′34″N
400:Louis XIV
382:Andromède
200:Francis I
168:courtiers
36:2°20′23″E
883:(1724).
759:(1725).
751:10226792
328:le sieur
279:carousel
190:In 1523
119:Gomboust
108:Capetian
330:Mauduit
283:tourney
144:History
134:Molière
94:of the
873:
853:
838:
823:
749:
543:p. 406
517:p. 130
414:Apollo
319:livret
164:Louvre
100:Louvre
65:Louvre
903:) at
499:Notes
422:dryad
96:Seine
899:and
871:ISBN
851:ISBN
836:ISBN
821:ISBN
806:View
765:View
747:OCLC
420:, a
418:Fury
416:, a
259:The
214:The
82:The
808:at
767:at
426:War
408:by
332:."
924::
891:,
554:^
428:.
368:.
256:.
140:.
907:.
901:2
897:1
893:2
889:1
857:.
842:.
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20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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