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Ballad of a Soldier

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289:) later sneaks aboard as well, but when she sees him, she becomes frightened and tries to jump off the speeding train. Alyosha stops her from risking her life. She tells him she is going to see her fiancé, a pilot who is recuperating in a hospital. As the hours pass, she loses her fear and mistrust of him. Gavrilkin spots the civilian stowaway, forcing Alyosha to bribe him anew. When the lieutenant discovers the unauthorized passengers, he lets them remain aboard and even makes Gavrilkin return the bribe. 297:
running out, Alyosha rafts across the river and persuades another truck driver to give him a ride to his rural village, Sosnovka. He gets to see his mother only for a few minutes before having to make his way back to his unit. His mother vows to wait for him. The voiceover tells us that while he could have gone far in life if he had lived, he will always be remembered simply as a Russian soldier.
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At one stop, Alyosha gets out to fetch some water, but the train leaves without him. Frantic, he gets a lift to the next station from an old woman truck driver. He is too late; the train has already departed. However, Shura got off and is waiting for him. The couple then go to see Pavlov's wife. They
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When they finally part, Shura confesses she lied; there was no fiancé, only an aunt. Alyosha realizes too late, after his train departs, that when Shura said she had no one, she was telling him that she loves him. His train is stopped by a blown-up bridge and set on fire by German bombers. With time
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At the train station, Alyosha helpfully carries the suitcase of Vasya, a soldier discharged because he has lost a leg. Vasya does not want to go home, as he would be a burden to his wife, and their relationship had already been troubled. However, he changes his mind and is welcomed with open arms by
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During his journey, he sees the devastation the war has wrought on the country and meets various people. When the jeep Alyosha is riding gets stuck in the mud, Private Pavlov helps push it out. As Alyosha will be passing through his home city, Pavlov persuades him to take a present to Pavlov's wife.
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We took a big risk. It was risky to give the main roles to quite inexperienced actors. Not many would have done so in those times, but we ventured and did not regret afterwards. Volodya and Zhanna gave the most precious colouring to the film, that is, the spontaneity and charm of
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The film received considerable praise for both its technical craft and its strong, yet subtle story. Viewed from the earnestness and unabashed youthfulness of the protagonist, the film was hailed as an instant classic by Soviet and American critics.
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tanks, more out of self-preservation than bravery. His commanding general wants to give him a decoration, but Alyosha asks instead for a leave to see his mother and to repair the leaking roof of their home. He is given six days.
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is not primarily a war film. It recounts, within the context of the turmoil of war, various kinds of love: the romantic love of a young couple, the committed love of a married couple, and a mother's love of her child, as a
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applauded Chukray's ability to make the film "flow in such a swift, poetic way that the tragedy of it is concealed by a gentle lyric quality." He also noted the "two splendid performances" by Ivashov and Prokhorenko.
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When he attempts to board a freight car of an army supply train, Alyosha is stopped by Gavrilkin, a sentry. However, a bribe of a can of beef eases Gavrilkin's fear of his lieutenant, a "beast". Shura (
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The two lead actors, Ivashov and Prokhorenko, were both only nineteen years old and did not have much acting experience. Grigory Chukhray commented on his casting choice:
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A middle-aged farm woman walks through her village and gazes down a country road. A voiceover reveals that her son was killed in the war and buried in a foreign land.
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discover that she is living with another man and leave. Alyosha returns, takes back the soap he had given her, and gives it instead to Pavlov's invalid father.
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soldier tries to make it home during a leave, meeting several civilians on his way and falling in love. The film was produced at
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The film was released in the United States in 1960 as part of a Soviet-American film exchange during a
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was released on December 1, 1959, in the Soviet Union and sold 30.1 million tickets at screenings.
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Pavlov's sergeant reluctantly parts with two bars of soap, the entire supply for their platoon.
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Domashniaia sinemateka 1918–1996 (Домашняя Синематека 1918–1996)
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was a fan of the director, so Chukray was given more leeway than normal.
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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
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The Foreign Film Renaissance on American Screens, 1946–1973
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Index


Grigory Chukhray
Valentin Yezhov
Vladimir Ivashov
Zhanna Prokhorenko
Nikolai Kryuchkov
Mikhail Ziv
Mosfilm

Russian
Soviet
Grigory Chukhray
Vladimir Ivashov
Zhanna Prokhorenko
World War II
Red Army
Mosfilm
BAFTA Award for Best Film From Any Source
Academy Award for Best Original Screenplay
Eastern Front
German
Zhanna Prokhorenko
Vladimir Ivashov
Zhanna Prokhorenko
Antonina Maksimova
Nikolai Kryuchkov
Yevgeni Urbansky
Elza Lezhdey
Yevgeni Teterin
Georgi Yumatov

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