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269:. The album was praised for "Barnes's strong material, as well as the group's tight musical interaction". Barnes credited the latter with improving the former: "The musical telepathy is really good. I can sort of tailor-make a song to the guys' playing, make the song fit what they're doing, since I write most of the material."
392:, was released in September 1998 with only Barnes and Rubin credited as members of the band, though the album features various guest musicians, including members of Rubin's side project, Rubinchik’s Orkestyr, who are featured on the track "A Yid Ist Geboren inz Oklahoma". The album garnered positive reviews, and the
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twice described the Bad Livers as "Austin's best band" and raved of one live show: "The uncommon telepathy enjoyed by Danny Barnes, Mark Rubin and Ralph White makes the band's frenetic acoustic interplay sound like the work of a six-armed, multistringed monster." Barnes was voted "Best Player of Any
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Imprecise descriptions of the Bad Livers' music abounded: "thrash-grass", "acoustic bluegrass with a punk death wish", "something called 'contemporary bluegrass,'" and "acoustic-metal-bluegrass", although these same sources would cite the band as "much-lauded" and note that "the musicians can really
216:
The Bad Livers formed in 1990, when Barnes "came up with this idea that it would be great to have a small-format acoustic band that could play different kinds of music virtuoso level, where they could play any kind of music". He began playing with Rubin and White, and the trio adopted the name Bad
313:
found that the record "sounded quite authentic—almost as if it had long held a place in the
Library of Congress". Raoul Hernández poetically concurred, saying that the record sounded "like a bunch of skeletons cackling into the sole microphone that dangles from the outhouse ceiling".
443:
depressed, Daniel Wolff found the album to be uniquely evocative of a "rural eccentricity" that had not yet been extinguished and formed a kind of continuum with punk and old-time country: "Either the Bad Livers pick up where 'I Wish I Were a Mole in the Ground' left off, or
272:
Rubin claimed that they had decided to incorporate the accordion and tuba into the band to counteract their growing popularity, but to no avail: their audience continued to widen and more critics saw beyond the gimmicky descriptions to the band's innovation and skill.
252:
Barnes insisted that the Bad Livers were not a bluegrass band, but had created an original sound: "This isn't bluegrass and it isn't this or that. It's Bad Liver music. We end up making our own thing." Barnes' original compositions were featured on their first album,
186:
and guitar. Barnes and Rubin then continued to perform and record as a duo until unofficially dissolving the band in 2000. The band has neither toured nor recorded since then, but Barnes and Rubin have played a few live shows with Grant in 2008, 2009, and 2014.
245:, however bizarrely it was modified, along with counter-assessments of them as "good, faithful traditionalists" who "preserve the spirit as well as the technique of old-timey folk music", created a generic perplexity that led Austin country legend
142:, United States, whose inventive musical style defied attempts to categorize them according to existing genres. Their influences included bluegrass, folk, punk, and other musical styles. The original lineup, formed in 1990, included
217:
Livers in the summer of 1990. They began playing frequently in Austin, including a weekly set at the Saxon Pub. A typical set in 1991 included a wide variety of styles and periods of music, as Rubin later explained: "We were doing
29:
327:, was released along with the information that White had decided to leave the band. It was announced that he was to be replaced by Bob Grant, though Grant's tenure with the band did not last long. Both White and Grant appeared on
307:, was produced by Barnes and released on Quarterstick in 1994. In his review, McLeese admired them as "a band drawing from the wellspring of tradition to create something fresh, vital and original".
317:
The Bad Livers spent 1995 and 1996 touring and working on side projects as well as looking for a new label to release their next album. Finally the band signed a three-album deal with
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Other
Instrument" for the banjo at the Austin Music Awards in 1991 and 1992, and the Bad Livers were voted "Best None of the Above" for four consecutive years from 1991 to 1994.
388:
as well as the Austin papers, the film did not fare well at the box office, and the soundtrack album did not sell well. The Bad Livers' second album for Sugar Hill,
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182:. Barnes composed the majority of the group's original songs. When White left the group at the end of 1996, he was briefly replaced by Bob Grant on
1446:
Riemenschneider, Chris. "Number 1 with a bullet: How a
Hollywood soundtrack became a showcase for the heart, soul and guts of Austin musicians".
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was puzzled but invigorated by a live show supporting the album, concluding that it had been "Fascinating. Even refreshing". Although it left
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McLeese, Don. "Step right up for big springtime shows: Austin takes on all it can handle with touring acts and South by
Southwest".
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Riemenschneider, Chris. "Bad Livers transplant: Austin band is doing nicely after music-saving procedure".
321:, which had more experience than Quarterstick at "selling banjo records". Their first album for the label,
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punk rock, sample-based tunes with drum tracks, and a shocking scarcity of juiced-up banjo playing".
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named it "the leftfield album of the week" and found that it "brims with enthusiastic ideas", while
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to observe that the only question he couldn't answer was what kind of music the Bad Livers played.
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34:
The Bad Livers on stage at Old
Settlers' Park, Round Rock, Texas, October 7, 1994. Left to right:
808:
204:
143:
43:
969:
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Duckman, David. "Sound
Decisions: Our Critics Choose the Best Albums of the Year (Bluegrass)".
1578:
1559:
1007:
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1085:
April 21, 1993. Remarks spoken at the end of "Turpentine Willie". Retrieved
November 10, 2012.
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agreed that Barnes was "an entirely underrated songwriter" as well as a "banjo wizard", while
309:
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admired their "striking blend of virtuoso flash and poignant simplicity". Don McLeese of the
218:
159:
35:
581:
McLeese, Don. "Musical Mayhem: Bill Monroe, Metallica inspire Bad Livers' High-Speed Style"
452:
did not sell well, and by the summer of 2000 the Bad Livers appeared to be "over for good".
190:
The Bad Livers' music has often been cited for its influence on other groups, creating what
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Kale, Wendy. "Club Notes: Juno What?!, Danny Barnes and Edward Sharpe at
Boulder Theater"
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Armstrong, Gene. "Pop band
Overwhelming Colorfast on bill with a unique hip-hop duo".
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praised their "serious musicianship" and Barnes' "soulful, urgent lead vocals", while
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753:"Come together: Split Lip Rayfield, Bad Livers members see no limits to new project"
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had, however, and as Barnes lamented, the album "fell off the face of the earth".
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was appreciative of the "beautifully controlled ambience" of the entire album.
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as well as the Bad Livers' next album. Although the soundtrack was admired by
366:, though he and Rubin continued to work closely together on the score for the
341:, admiring the "considerable skill" with which Barnes crafted his lyrics. The
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677:"Mt. Hood Meadows' season ender on tap, featuring Austin-legend Bad Livers"
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The Bad Livers were inducted into the Austin Music Hall of Fame in 2007.
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Horak, Terri. "Bad Livers reach out to new fans with Sugar Hill set".
699:"Phantom Power & Spiritual Benefits: The Return of the Bad Livers"
1634:
1349:
Corcoran, Michael. "Don't forget these local albums next
Christmas".
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Ellenrider, Manfred. "Fettlebe; Die „Bad Livers” wechseln das Label"
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credited them with "revitalizing roots music", and, according to the
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99:
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Elder, Bruce. "Country CD of the week: Texans mix up a tasty brew".
1083:
Live recording of the Bad Livers at the Nick in Birmingham, Alabama.
905:
Live recording of the Bad Livers at Cicero's in St. Louis, Missouri.
921:
Live recording of the Bad Livers at the Saxon Pub in Austin, Texas.
183:
664:
Bad Livers collection on the Internet Archive's live music archive
337:, praising Barnes' "quirky and inventive" original songs, and the
1632:
Humphries, Patrick. "New album releases—Music—Country choice".
358:
Shortly after the album's release, Barnes moved from Austin to
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151:
1685:
McClain, Buzz. "For the Bad Livers, the Diagnosis Is Weird".
147:
95:
87:
167:
883:"Year of the Squirrel: Ralph White's Old, Weird Americana"
755:. Lawrence.com. June 6, 2012. Retrieved December 27, 2012.
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Lupton, John. "Bad Livers: Dust on the Bible" (Review).
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selected it as the best bluegrass album of 1998, while
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Beal, Jim Jr. "Bad Livers Indescribably Delicious".
408:
did not receive as much attention from the press as
987:Stoute, Lenny. "Mud puppies left holding the bag".
1714:#26 March–April 2000. Retrieved December 24, 2012.
1608:. December 23, 1998. Retrieved December 30, 2012.
978:. December 24, 1992. Retrieved December 22, 2012.
793:September 15–21, 2005. Retrieved January 1, 2013.
733:"Folktronics with Danny Barnes: January 29, 2010"
617:#8. March–April 1997. Retrieved December 21, 2012
419:, was released in February 2000 and featured, as
1798:
891:. December 8, 2006. Retrieved December 21, 2012.
648:Nitchie, Donald. "Interview with Danny Barnes".
1702:"Trading in the tools of the trad. Bad Livers:
1544:. August 21, 1998. Retrieved December 30, 2012.
1256:November 29, 1996. Retrieved December 21, 2012.
1465:The Newton Boys: Music from the Motion Picture
1340:. Winter 1997-98. Retrieved December 22, 2012.
1293:November 5, 1999. Retrieved December 21, 2012.
1216:McLeese, Don. "Releases play with tradition".
1053:. "The Bad Livers Play Music from the Heart".
857:November 5, 1999. Retrieved December 21, 2012.
707:February 14, 1997. Retrieved December 21, 2012
1536:"Klezmatic Convergence: Rubinchik's Orkestyr"
931:
929:
923:August 12, 1991. Retrieved November 10, 2012.
448:discovered the punk aesthetic in the 1920s."
404:of London admired its "genuine originality".
1484:Kirschling, Gregory. "A League of His Own".
1475:March 20, 1998. Retrieved December 31, 2012.
1201:"Austin Music Awards: Best Performing Bands"
1185:"Austin Music Awards: Best Austin Musicians"
1001:
999:
950:Fricke, D. "Rockin' in the Heart of Texas".
812:. March 19, 2009. Retrieved January 1, 2013.
766:"Bad Livers: The Ridgetop Sessions (Review)"
1756:June 16, 2000. Retrieved December 21, 2012.
1670:Perry, Tim. "Going Out—Pop—Album Reviews".
1661:March 3, 2000. Retrieved December 31, 2012.
1407:April 4, 1997. Retrieved December 31, 2012.
1094:Brace, Eric. "Shocked and Soundly Rocked".
820:
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774:June 30, 2000. Retrieved December 31, 2012.
331:, which received enthusiastic reviews from
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824:Morris, Chris "Banjo Widens Its Horizons"
804:"The Bad Livers: Old-time hip, not hippie"
603:"Bad Livers: Deconstruction of the Labels"
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907:May 4, 1991. Retrieved November 10, 2012.
693:
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1109:Sandmel, Ben. "Bad Livers Play It All".
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1020:Schoemer, Karen. "Sounds Around Town".
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349:lauded his "timeless, deadpan voice".
1842:Musical groups disestablished in 2000
1737:
1717:
1505:October 2008, Vol. 36, Issue 10. 223.
1274:
1026:. September 25, 1992. Weekend Desk C.
785:"Border Radio: Roots & Americana"
685:May 12, 2014. Retrieved May 14, 2014.
644:
642:
640:
638:
590:
572:
196:described as "an impressive legacy".
1832:American experimental musical groups
467:(1991, self-released cassette/1994,
1508:
481:(1991, Fist Puppet vinyl 7" single)
13:
1837:Musical groups established in 1990
1154:McLeese, Don. "The Noise of '94".
1056:The Roanoke Times & World News
635:
241:play". The recurrence of the term
14:
1858:
1812:Musical groups from Austin, Texas
1775:
850:"Complete Freedom: Danny Barnes".
632:Volume 43 #4. Summer 1999. p. 125
279:described them as "truly great",
1416:Taubin, Amy. "Let's Misbehave".
1309:Sing Out! The Folk Song Magazine
866:Blackstock, Peter. "Best bets".
629:Sing Out! The Folk Song Magazine
28:
1827:American bluegrass music groups
1817:Country music groups from Texas
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1285:"Against the Grain: Mark Rubin"
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1191:.] Retrieved December 22, 2012.
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1068:Foster, Dan. "The Bad Livers".
1062:
1059:. February 22, 1997. Metro, 10.
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471:cassette-only re-release/1999,
1364:Himes, Geoffrey. "Bad Livers:
1207:. Retrieved December 22, 2012.
725:
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657:
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458:
301:The Bad Livers' second album,
229:—anything, really, but it was
1:
1782:Danny Barnes Official Website
1591:Carlson, Scott. "Bad Livers:
1352:The Austin American-Statesman
1219:The Austin American-Statesman
1172:The Austin American-Statesman
1157:The Austin American-Statesman
1142:The Austin American-Statesman
1130:. December 15, 1994. Page 40.
1124:Darzin, Daina. "Bad Livers".
938:The Austin American-Statesman
869:The Austin American-Statesman
584:The Austin American-Statesman
565:
415:The Bad Livers' final album,
1847:1990 establishments in Texas
1822:American folk musical groups
1792:Ralph White Official Website
1768:Retrieved December 22, 2012.
1748:"Dancing about Architecture"
1726:Wolff, Daniel. "Bad Livers:
1400:"Dancing about Architecture"
1139:McLeese, Don. "Amusements".
479:Lust for Life/Jeffro's Dream
7:
1787:Mark Rubin Official Website
1732:Rock & Rap Confidential
1302:Wald, Elijah. "Bad Livers:
742:Retrieved December 23, 2012
138:were an American band from
10:
1863:
1431:Staff. "The week: Music".
666:Retrieved January 1, 2013.
513:vinyl LP, CD and cassette)
501:vinyl LP, CD and cassette)
423:noted with astonishment: "
211:
1449:Austin American-Statesman
1386:The Sydney Morning Herald
1332:February 4, 2012, at the
352:The Sydney Morning Herald
343:Austin American-Statesman
294:Austin American-Statesman
115:
105:
67:
56:
51:
27:
20:
1553:Riess, Al. "Bad Livers:
1100:. October 25, 1991. B06.
1038:San Antonio Express-News
830:October 10, 1998. p. 52.
1623:. December 6, 1998. 10.
1175:. January 17, 1995. E6.
1160:. December 22, 1994. 5.
1145:. January 12, 1993. F5.
809:San Francisco Chronicle
608:April 19, 2016, at the
205:San Francisco Chronicle
1807:American musical trios
1691:. April 12, 2000. C05.
1008:The Arizona Daily Star
257:, released in 1992 on
52:Background information
1499:Spong, John. "Dude!"
1422:. March 31, 1998. 68.
1271:March 1, 1997. 10, 77
1248:"Bogs on the Highway"
559:The Ridgetop Sessions
219:Mississippi John Hurt
1766:The Austin Chronicle
1753:The Austin Chronicle
1676:. March 4, 2000. 37.
1658:The Austin Chronicle
1605:Baltimore City Paper
1572:Staff. "Bad Livers:
1563:. February 1999. 53.
1541:The Austin Chronicle
1487:Entertainment Weekly
1472:The Austin Chronicle
1434:Entertainment Weekly
1404:The Austin Chronicle
1290:The Austin Chronicle
1253:The Austin Chronicle
1205:The Austin Chronicle
1189:The Austin Chronicle
1070:The Old-Time Herald.
1041:. May 17, 1996. 9 H.
993:. May 14, 1992. F10.
956:. 30 April 1992. 28.
941:. February 13, 1997.
888:The Austin Chronicle
854:The Austin Chronicle
771:The Austin Chronicle
704:The Austin Chronicle
654:. August 1995. 6-11.
561:(2000, Lumpydisc CD)
541:(Soundtrack) (1998,
421:The Austin Chronicle
385:Entertainment Weekly
259:Quarterstick Records
193:The Austin Chronicle
1688:The Washington Post
1647:Hess, Christopher.
1638:. November 7, 1998.
1599:Industry and Thrift
1593:Industry and Thrift
1574:Industry and Thrift
1555:Industry and Thrift
1534:Hess, Christopher.
1519:Industry and Thrift
1452:. March 5, 1998 32.
1371:The Washington Post
1366:Hogs on the Highway
1355:. July 1, 1997. E1.
1338:The Old-Time Herald
1325:Hogs On the Highway
1304:Hogs on the Highway
1237:. November 5, 1997.
1234:SĂĽddeutsche Zeitung
1097:The Washington Post
1011:. May 27, 1994. 2E.
764:Hess, Christopher.
738:April 15, 2013, at
731:KUT Music Archive.
529:Industry and Thrift
518:Hogs on the Highway
506:Horses in the Mines
495:Delusions of Banjer
435:The Washington Post
410:Hogs on the Highway
406:Industry and Thrift
390:Industry and Thrift
347:The Washington Post
329:Hogs on the Highway
324:Hogs on the Highway
310:SĂĽddeutsche Zeitung
304:Horses in the Mines
276:The Washington Post
255:Delusions of Banjer
1523:Sugar Hill Records
1461:Hernández, Raoul.
1437:February 27, 1998.
1112:The Times-Picayune
1081:Internet Archive.
1051:Rosenberg, Madelyn
1023:The New York Times
881:Schroeder, Audra.
848:Hernández, Raoul.
783:Reighley, Kurt B.
319:Sugar Hill Records
282:The Times-Picayune
1582:. April 1999. 66.
1419:The Village Voice
1374:July 4, 1997. N14
1072:Fall 1993. 11-13.
975:Houston Chronicle
722:November 25, 2009
465:Dust on the Bible
379:The Village Voice
368:Richard Linklater
237:that caught on."
227:Captain Beefheart
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485:The Golden Years
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261:and produced by
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339:Old-Time Herald
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172:Ralph White III
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1700:Alden, Grant.
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164:upright bass
144:Danny Barnes
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120:Quarterstick
107:Years active
44:Danny Barnes
15:
1730:(Review)".
1595:(Review)".
1579:Bass Player
1576:(Review)".
1560:Dirty Linen
1557:(Review)".
1368:(Review)".
1306:(Review)".
459:Discography
40:Ralph White
1801:Categories
566:References
553:Sugar Hill
533:Sugar Hill
523:Sugar Hill
364:Washington
263:Paul Leary
247:Don Walser
160:Mark Rubin
136:Bad Livers
124:Sugar Hill
36:Mark Rubin
22:Bad Livers
1653:(Review)"
1635:The Times
1601:(Review)"
1467:(Review)"
1327:(Review)"
1268:Billboard
827:Billboard
491:vinyl EP)
401:The Times
334:Sing Out!
243:bluegrass
231:Motörhead
180:accordion
111:1990–2000
100:folk punk
80:Bluegrass
1330:Archived
736:Archived
606:Archived
425:Electric
184:mandolin
72:Old-time
1525:, 1998.
1246:Staff.
968:Staff.
697:Staff.
551:(2000,
531:(1998,
521:(1997,
509:(1994,
497:(1992,
487:(1992,
265:of the
235:Misfits
233:or the
225:tunes,
212:History
76:Country
223:gospel
176:fiddle
170:, and
152:guitar
116:Labels
92:Gospel
68:Genres
57:Origin
370:film
148:banjo
96:Polka
88:Blues
543:Sony
382:and
178:and
168:tuba
166:and
154:and
134:The
84:Folk
555:CD)
545:CD)
535:CD)
525:CD)
174:on
162:on
146:on
1803::
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