375:
contributions are "atypical" of their usual rock and blues repertoire: Didkovsky's "She Closes Her Sister with Heavy Bones" is "suffused with melancholy beauty", and
Lussier's "Ayaya Moses" "shifts from brooding to brutal" with none of his usual "loopy humour". But Hale called the quartet's performance of Vivier's "Pulau Dewata" the highlight of the album, adding that it "allows the four guitarists to range from chime-like percussion to a majestic electric chorus."
1831:
365:, Mike Barnes described it as "a dazzling display of… well, virtually everything that electric guitars can produce in the right hands." He said the music swings from "clean strumming and delicate melody ... to blocks of atonal noise and all points in between". Barnes remarked that while the electric guitar in this chamber ensemble is far removed from its traditionally role in rock music, the "spirit of rock 'n' roll" still surfaces from time to time.
333:
328:
323:
318:
313:
31:
391:
magazine, he said the quartet performs Vivier's complex work "with poised energy, stepping quietly through hushed sections ... then attack percussive punctuations with chiming vigor." Rosenstein opined that "through intriguing compositions thoughtful improvisations", the quartet is opening up new
374:
that the album's diverse range of musical styles gives the quartet an opportunity to display their skills. He said Frith's "Freedom Is Your
Friends II" has "shimmering harmonic overtones", and Stewart's "Trummings" is "thrashing heavily electronic". Hale remarked that Didkovsky and Lussier's
255:
The fourteen-track album comprises three pieces by external composers and arranged by the quartet, a piece composed by each of the four members of the quartet, and seven short pieces improvised by the group. Lussier's piece includes music he composed for
350:"showcases four gifted avant-garde guitarists" negotiating "demanding compositions". He called Lussier's title track, "Ayaya Moses" "the strongest piece", and described the album as a whole as "ore serious and industrious" than the quartet's next album,
1567:
1719:
1471:
1575:
1860:
1412:
996:
1611:
1295:
1635:
1302:
233:
1384:
1288:
1182:
1459:
1405:
1391:
1362:
932:
1487:
1316:
1270:
1263:
1147:
963:
1084:
1079:
1031:
209:
100:
1511:
1348:
1256:
1168:
1161:
1855:
1735:
1140:
248:, Canada, seven years after the ensemble was formed in 1989. It was released by Canadian record label,
1687:
1643:
1583:
1228:
1094:
817:
401:
205:
156:
43:
1655:
989:
686:
542:
229:
969:
809:
249:
138:
1464:
1221:
1154:
1815:
1804:
1531:
267:
1759:
1603:
1249:
881:
1782:
1699:
1679:
1355:
1235:
1203:
1038:
262:
775:
8:
1834:
1764:
1555:
982:
838:
707:
361:
237:
78:
1242:
904:
387:
213:
110:
105:
1751:
1623:
1591:
1548:
1116:
909:
873:
843:
275:
260:, a film by Bernard Hémond. Frith's track "Freedom Is Your Friends II" is taken from
30:
1419:
1196:
1189:
1667:
1660:
1616:
1596:
1111:
1059:
146:
1524:
902:
Rosenstein, Michael (September 1997). "Fred Frith Guitar
Quartet: Ayaya Moses".
885:
725:
674:
431:
221:
1740:
1692:
1648:
1560:
1330:
1175:
868:
680:
625:
370:
352:
225:
180:
1849:
1712:
1437:
1323:
1089:
1074:
913:
877:
847:
524:
1809:
1744:
1492:
1476:
1133:
1106:
1099:
1045:
201:
133:
1707:
1672:
1519:
1504:
1499:
1480:
94:
270:. Didkovsky's piece "She Closes Her Sister With Heavy Bones" comes from
1727:
1628:
1309:
1052:
1005:
836:
Barnes, Mike (January 1998). "Fred Frith Guitar
Quartet: Ayaya Moses".
668:
560:
217:
1536:
1066:
1024:
1017:
1398:
780:
711:
343:
305:
241:
82:
1543:
937:
747:
694:
656:
715:
245:
86:
974:
38:
808:
378:
Michael
Rosenstein also felt that "Pulau Dewata" is
266:, an album composed by Frith and performed by the
18:1997 studio album by Fred Frith Guitar Quartet
866:Hale, James (September 27, 1997). "Soundtracks".
1847:
1576:Live in Trondheim, Berlin & Limoges, Vol. 2
232:. It is their debut album and was recorded in
990:
1429:
897:
895:
804:
802:
800:
798:
310:
1774:
1615:(with Lesli Dalaba, Eric Glick Rieman and
997:
983:
901:
624:"She Closes Her Sister with Heavy Bones" (
29:
1755:(with Nicolas Humbert and Marc Parisotto)
933:"Fred Frith Guitar Quartet – Ayaya Moses"
927:
925:
923:
892:
795:
769:
767:
765:
763:
831:
829:
827:
776:"Fred Frith Guitar Quartet: Ayaya Moses"
495:"Geco Retile Mialgico" (Olivia Bignardi)
272:Their Eyes Bulged With Sparkling Pockets
392:possibilities for the electric guitar.
1848:
920:
861:
859:
857:
835:
760:
638:
620:
573:
1413:All Is Always Now – Live at The Stone
978:
824:
555:
537:
519:
505:
491:
444:
426:
291:
865:
742:Graphic design by Fabrizio Gilardino
700:
1612:Dalaba Frith Glick Rieman Kihlstedt
854:
773:
385:high point. Reviewing the album in
13:
1636:50th Birthday Celebration Volume 5
14:
1872:
957:
706:Recorded and mixed at Studio 12,
312:
1861:Fred Frith Guitar Quartet albums
1830:
1829:
395:
331:
326:
321:
316:
311:
274:, a larger work he composed for
1392:Stone, Brick, Glass, Wood, Wire
739:Illustrations by Finn Timo Liss
1571:(with François-Michel Pesenti)
1004:
559:"Freedom Is Your Friends II" (
411:
1:
1488:Live in Prague and Washington
1264:Field Days (The Amanda Loops)
753:
1085:French Frith Kaiser Thompson
908:. Vol. 23, no. 9.
662:
281:
101:Contemporary classical music
7:
1257:Nowhere, Sideshow, Thin Air
642:"Uruk's Tablets" (Bignardi)
10:
1877:
1736:Angels on the Edge of Time
1647:(with Carla Kihlstedt and
733:Produced by Hélène Prévost
730:Mastered by Denis Frenette
527:, arr. Jean René, Lussier)
216:guitar quartet comprising
1825:
1797:
1644:The Compass, Log and Lead
1451:
1376:
1340:
1280:
1213:
1125:
1095:Fred Frith Guitar Quartet
1012:
818:Fred Frith Guitar Quartet
736:Photography by Heike Liss
421:
418:
415:
410:
402:Fred Frith Guitar Quartet
299:
296:
206:Fred Frith Guitar Quartet
163:
157:Fred Frith Guitar Quartet
155:
145:
132:
116:
93:
73:
65:
50:
44:Fred Frith Guitar Quartet
37:
28:
23:
1656:Duo (Victoriaville) 2005
581:
368:James Hale wrote in the
346:, François Couture said
1535:(with Bob Ostertag and
1460:With Friends Like These
1222:The Technology of Tears
1155:Cheap at Half the Price
721:Recorded by Marc Fortin
452:
448:"The Stinky Boy Suite"
359:Reviewing the album in
1816:Step Across the Border
1805:Fred Frith discography
1296:Step Across the Border
746:Sources: Liner notes,
693:Sources: Liner notes,
655:Sources: Liner notes,
404:, except where noted.
268:Rova Saxophone Quartet
210:contemporary classical
69:July and November 1996
1783:Friends & Enemies
1760:Laying Demons to Rest
1604:2 Gentlemen in Verona
1250:The Happy End Problem
970:Ambiances Magnétiques
810:Ambiances Magnétiques
258:La Manière des Blancs
250:Ambiances Magnétiques
139:Ambiances Magnétiques
1743:, Gianni Gebbia and
1723:(with ARTE Quartett)
1700:The Art of Memory II
1680:The Stone: Issue Two
1356:Freedom in Fragments
1303:Middle of the Moment
1236:The Previous Evening
1204:Guitar Solos / Fifty
724:Mixed by Fortin and
287:Professional ratings
263:Freedom in Fragments
208:, an American-based
1765:Susana Santos Silva
1683:(with Chris Cutler)
1607:(with Chris Cutler)
1579:(with Chris Cutler)
1556:Live Improvisations
1515:(with Henry Kaiser)
1289:The Top of His Head
774:Couture, François.
708:Maison Radio-Canada
577:"The Why Me Suite"
288:
238:Maison Radio-Canada
79:Maison Radio-Canada
1512:Who Needs Enemies?
816:(CD liner notes).
286:
214:experimental music
111:Free improvisation
106:Experimental music
1856:1997 debut albums
1843:
1842:
1793:
1792:
1786:with Henry Kaiser
1752:Cut Up the Border
1688:The Sugar Factory
1624:What Leave Behind
1592:Traffic Continues
1584:The Art of Memory
1549:Ferdinand Richard
1447:
1446:
1372:
1371:
701:Sound and artwork
689:– electric guitar
683:– electric guitar
677:– electric guitar
671:– electric guitar
652:
651:
400:All music by the
340:
339:
276:chamber orchestra
193:
192:
189:
188:
1868:
1833:
1832:
1772:
1771:
1731:(with John Zorn)
1703:(with John Zorn)
1639:(with John Zorn)
1587:(with John Zorn)
1472:Voice of America
1427:
1426:
1317:Rivers and Tides
1211:
1210:
1197:Clearing Customs
1190:To Sail, to Sail
999:
992:
985:
976:
975:
951:
950:
948:
946:
929:
918:
917:
899:
890:
889:
863:
852:
851:
842:. No. 167.
833:
822:
821:
806:
793:
792:
790:
788:
771:
596:
590:
584:
523:"Pulau Dewata" (
467:
461:
455:
413:
408:
407:
384:
336:
335:
334:
330:
329:
325:
324:
320:
319:
315:
314:
289:
285:
236:'s Studio 12 at
165:
164:
128:
127:
123:
61:
59:
33:
21:
20:
1876:
1875:
1871:
1870:
1869:
1867:
1866:
1865:
1846:
1845:
1844:
1839:
1821:
1789:
1770:
1720:The Big Picture
1668:Ironic Universe
1661:Anthony Braxton
1617:Carla Kihlstedt
1597:Ensemble Modern
1443:
1425:
1368:
1336:
1276:
1214:Music for Dance
1209:
1121:
1060:Fred Frith Trio
1008:
1003:
960:
955:
954:
944:
942:
931:
930:
921:
900:
893:
864:
855:
834:
825:
807:
796:
786:
784:
772:
761:
756:
703:
665:
653:
594:
588:
582:
465:
459:
453:
430:"Ayaya Moses" (
398:
382:
342:In a review at
332:
327:
322:
317:
284:
184:
175:
125:
121:
120:
108:
103:
57:
55:
46:
19:
12:
11:
5:
1874:
1864:
1863:
1858:
1841:
1840:
1838:
1837:
1826:
1823:
1822:
1820:
1819:
1812:
1807:
1801:
1799:
1795:
1794:
1791:
1790:
1788:
1787:
1778:
1776:
1769:
1768:
1756:
1748:
1741:Lindsay Cooper
1732:
1724:
1716:
1704:
1696:
1693:Evelyn Glennie
1684:
1676:
1664:
1652:
1649:Stevie Wishart
1640:
1632:
1620:
1608:
1600:
1588:
1580:
1572:
1568:Helter Skelter
1564:
1561:Tim Hodgkinson
1552:
1540:
1532:Attention Span
1528:
1516:
1508:
1496:
1484:
1468:
1455:
1453:
1452:Collaborations
1449:
1448:
1445:
1444:
1442:
1441:
1433:
1431:
1424:
1423:
1416:
1409:
1402:
1395:
1388:
1380:
1378:
1374:
1373:
1370:
1369:
1367:
1366:
1359:
1352:
1344:
1342:
1338:
1337:
1335:
1334:
1331:Eye to Ear III
1327:
1320:
1313:
1306:
1299:
1292:
1284:
1282:
1281:Music for Film
1278:
1277:
1275:
1274:
1267:
1260:
1253:
1246:
1239:
1232:
1225:
1217:
1215:
1208:
1207:
1200:
1193:
1186:
1179:
1172:
1165:
1158:
1151:
1144:
1137:
1129:
1127:
1123:
1122:
1120:
1119:
1114:
1109:
1103:
1102:
1097:
1092:
1087:
1082:
1080:Duck and Cover
1077:
1071:
1070:
1063:
1056:
1049:
1042:
1035:
1028:
1021:
1013:
1010:
1009:
1002:
1001:
994:
987:
979:
973:
972:
959:
958:External links
956:
953:
952:
919:
891:
869:Ottawa Citizen
853:
823:
794:
758:
757:
755:
752:
744:
743:
740:
737:
734:
731:
728:
722:
719:
702:
699:
691:
690:
684:
681:Nick Didkovsky
678:
672:
664:
661:
650:
649:
646:
643:
640:
636:
635:
632:
629:
626:Nick Didkovsky
622:
618:
617:
616:
615:
612:
609:
603:
600:
599:
598:
592:
586:
580:
575:
571:
570:
567:
564:
557:
553:
552:
549:
546:
539:
535:
534:
531:
528:
521:
517:
516:
513:
510:
507:
503:
502:
499:
496:
493:
489:
488:
487:
486:
483:
480:
474:
471:
470:
469:
463:
457:
451:
446:
442:
441:
438:
435:
428:
424:
423:
420:
417:
414:
406:
397:
394:
371:Ottawa Citizen
338:
337:
308:
302:
301:
298:
294:
293:
283:
280:
226:Nick Didkovsky
191:
190:
187:
186:
177:
168:
161:
160:
153:
152:
151:Hélène Prévost
149:
143:
142:
136:
130:
129:
118:
114:
113:
97:
91:
90:
75:
71:
70:
67:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
1873:
1862:
1859:
1857:
1854:
1853:
1851:
1836:
1828:
1827:
1824:
1818:
1817:
1813:
1811:
1808:
1806:
1803:
1802:
1800:
1796:
1785:
1784:
1780:
1779:
1777:
1773:
1766:
1762:
1761:
1757:
1754:
1753:
1749:
1746:
1742:
1738:
1737:
1733:
1730:
1729:
1725:
1722:
1721:
1717:
1714:
1713:ARTE Quartett
1710:
1709:
1705:
1702:
1701:
1697:
1694:
1690:
1689:
1685:
1682:
1681:
1677:
1674:
1670:
1669:
1665:
1662:
1658:
1657:
1653:
1650:
1646:
1645:
1641:
1638:
1637:
1633:
1630:
1626:
1625:
1621:
1618:
1614:
1613:
1609:
1606:
1605:
1601:
1598:
1594:
1593:
1589:
1586:
1585:
1581:
1578:
1577:
1573:
1570:
1569:
1565:
1562:
1558:
1557:
1553:
1550:
1546:
1545:
1541:
1538:
1534:
1533:
1529:
1526:
1522:
1521:
1517:
1514:
1513:
1509:
1506:
1502:
1501:
1497:
1494:
1490:
1489:
1485:
1482:
1478:
1474:
1473:
1469:
1466:
1462:
1461:
1457:
1456:
1454:
1450:
1440:
1439:
1435:
1434:
1432:
1430:Composer only
1428:
1422:
1421:
1417:
1415:
1414:
1410:
1408:
1407:
1403:
1401:
1400:
1396:
1394:
1393:
1389:
1387:
1386:
1385:Live in Japan
1382:
1381:
1379:
1375:
1365:
1364:
1360:
1358:
1357:
1353:
1351:
1350:
1346:
1345:
1343:
1341:Composer only
1339:
1333:
1332:
1328:
1326:
1325:
1324:Eye to Ear II
1321:
1319:
1318:
1314:
1312:
1311:
1307:
1305:
1304:
1300:
1298:
1297:
1293:
1291:
1290:
1286:
1285:
1283:
1279:
1273:
1272:
1268:
1266:
1265:
1261:
1259:
1258:
1254:
1252:
1251:
1247:
1245:
1244:
1240:
1238:
1237:
1233:
1231:
1230:
1226:
1224:
1223:
1219:
1218:
1216:
1212:
1206:
1205:
1201:
1199:
1198:
1194:
1192:
1191:
1187:
1185:
1184:
1183:Eleventh Hour
1180:
1178:
1177:
1173:
1171:
1170:
1166:
1164:
1163:
1159:
1157:
1156:
1152:
1150:
1149:
1145:
1143:
1142:
1138:
1136:
1135:
1131:
1130:
1128:
1126:Studio albums
1124:
1118:
1115:
1113:
1110:
1108:
1105:
1104:
1101:
1098:
1096:
1093:
1091:
1090:Death Ambient
1088:
1086:
1083:
1081:
1078:
1076:
1075:The Orckestra
1073:
1072:
1069:
1068:
1064:
1062:
1061:
1057:
1055:
1054:
1050:
1048:
1047:
1043:
1041:
1040:
1039:Skeleton Crew
1036:
1034:
1033:
1029:
1027:
1026:
1022:
1020:
1019:
1015:
1014:
1011:
1007:
1000:
995:
993:
988:
986:
981:
980:
977:
971:
967:
966:
962:
961:
940:
939:
934:
928:
926:
924:
915:
911:
907:
906:
898:
896:
887:
883:
879:
875:
871:
870:
862:
860:
858:
849:
845:
841:
840:
832:
830:
828:
819:
815:
811:
805:
803:
801:
799:
783:
782:
777:
770:
768:
766:
764:
759:
751:
749:
741:
738:
735:
732:
729:
727:
723:
720:
717:
713:
709:
705:
704:
698:
696:
688:
685:
682:
679:
676:
673:
670:
667:
666:
660:
658:
647:
644:
641:
637:
633:
630:
627:
623:
619:
613:
610:
607:
606:
604:
601:
593:
587:
579:
578:
576:
572:
568:
565:
562:
558:
554:
550:
547:
544:
541:"Trummings" (
540:
536:
532:
529:
526:
525:Claude Vivier
522:
518:
514:
511:
508:
504:
500:
497:
494:
490:
484:
481:
478:
477:
475:
472:
464:
458:
450:
449:
447:
443:
439:
436:
433:
429:
425:
419:Year composed
409:
405:
403:
396:Track listing
393:
390:
389:
381:
376:
373:
372:
366:
364:
363:
357:
355:
354:
349:
345:
309:
307:
304:
303:
295:
292:Review scores
290:
279:
277:
273:
269:
265:
264:
259:
253:
251:
247:
243:
239:
235:
231:
227:
223:
219:
215:
211:
207:
203:
199:
198:
183:
182:
178:
174:
173:
169:
167:
166:
162:
158:
154:
150:
148:
144:
140:
137:
135:
131:
119:
115:
112:
107:
102:
98:
96:
92:
88:
84:
80:
76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
1814:
1810:Fred Records
1781:
1775:Compilations
1758:
1750:
1745:Lars Hollmer
1734:
1726:
1718:
1706:
1698:
1686:
1678:
1666:
1654:
1642:
1634:
1622:
1610:
1602:
1590:
1582:
1574:
1566:
1554:
1542:
1530:
1525:René Lussier
1518:
1510:
1498:
1493:Chris Cutler
1486:
1477:Bob Ostertag
1470:
1465:Henry Kaiser
1458:
1436:
1418:
1411:
1406:Storytelling
1404:
1397:
1390:
1383:
1363:Back to Life
1361:
1354:
1347:
1329:
1322:
1315:
1308:
1301:
1294:
1287:
1269:
1262:
1255:
1248:
1241:
1234:
1227:
1220:
1202:
1195:
1188:
1181:
1174:
1167:
1160:
1153:
1146:
1139:
1134:Guitar Solos
1132:
1107:Aksak Maboul
1100:Maybe Monday
1065:
1058:
1051:
1046:Keep the Dog
1044:
1037:
1030:
1023:
1016:
964:
943:. Retrieved
936:
903:
867:
837:
813:
785:. Retrieved
779:
745:
726:René Lussier
692:
687:Mark Stewart
675:René Lussier
654:
543:Mark Stewart
509:"Blind Date"
432:René Lussier
399:
386:
379:
377:
369:
367:
360:
358:
351:
347:
341:
271:
261:
257:
254:
234:Radio-Canada
230:Mark Stewart
222:René Lussier
202:studio album
196:
195:
194:
179:
171:
170:
39:Studio album
15:
1708:Still Urban
1673:Janet Feder
1520:Nous Autres
1505:Lol Coxhill
1500:French Gigs
1481:Phil Minton
1377:Live albums
965:Ayaya Moses
814:Ayaya Moses
380:Ayaya Moses
348:Ayaya Moses
197:Ayaya Moses
172:Ayaya Moses
77:Studio 12,
24:Ayaya Moses
1850:Categories
1728:Late Works
1629:Toychestra
1310:Eye to Ear
1271:Propaganda
1243:Accidental
1148:Speechless
1117:Naked City
1053:Cosa Brava
1006:Fred Frith
945:August 12,
787:August 10,
754:References
669:Fred Frith
561:Fred Frith
218:Fred Frith
200:is a 1997
159:chronology
1537:John Zorn
1067:Henry Now
1025:Art Bears
1018:Henry Cow
914:0162-6973
886:240126392
878:0839-3222
848:0952-0686
663:Personnel
282:Reception
1835:Category
1420:Woodwork
1399:Impur II
1349:Pacifica
1169:Clearing
1162:Quartets
1112:Material
1032:Massacre
882:ProQuest
839:The Wire
812:(1997).
781:AllMusic
718:, Canada
712:Montreal
597:"Part 3"
591:"Part 2"
585:"Part 1"
468:"Part 3"
462:"Part 2"
456:"Part 1"
362:The Wire
344:AllMusic
306:AllMusic
242:Montreal
147:Producer
141:(Canada)
89:, Canada
83:Montreal
66:Recorded
51:Released
41: by
1798:Related
1544:Dropera
1141:Gravity
938:Discogs
905:Cadence
748:Discogs
695:Discogs
657:Discogs
388:Cadence
204:by the
185:(1998)
176:(1997)
56: (
1763:(with
1739:(with
1711:(with
1691:(with
1671:(with
1659:(with
1627:(with
1595:(with
1559:(with
1547:(with
1523:(with
1503:(with
1491:(with
1475:(with
1463:(with
1229:Allies
1176:Prints
941:. 1997
912:
884:
876:
846:
716:Quebec
595:
589:
583:
466:
460:
454:
422:Length
383:'s
353:Upbeat
300:Rating
297:Source
246:Quebec
181:Upbeat
117:Length
87:Quebec
74:Studio
1438:Impur
605:3:06
533:13:40
476:2:39
440:10:42
416:Title
134:Label
95:Genre
1479:and
947:2019
910:ISSN
874:ISSN
844:ISSN
789:2019
648:3:55
645:1995
634:3:57
631:1995
614:1:03
611:1:02
608:1:01
602:1996
569:5:00
566:1994
551:8:01
548:1989
530:1977
515:1:05
512:1996
501:2:12
498:1995
485:0:57
482:0:45
479:0:57
473:1996
437:1994
228:and
212:and
58:1997
54:1997
968:at
639:14.
621:13.
574:10.
412:No.
240:in
1852::
935:.
922:^
894:^
880:.
872:.
856:^
826:^
797:^
778:.
762:^
750:.
714:,
710:,
697:.
659:.
556:9.
538:8.
520:7.
506:6.
492:5.
445:2.
427:1.
356:.
278:.
252:.
244:,
224:,
220:,
126:29
122:54
109:•
104:•
99:•
85:,
81:,
1767:)
1747:)
1715:)
1695:)
1675:)
1663:)
1651:)
1631:)
1619:)
1599:)
1563:)
1551:)
1539:)
1527:)
1507:)
1495:)
1483:)
1467:)
998:e
991:t
984:v
949:.
916:.
888:.
850:.
820:.
791:.
628:)
563:)
545:)
434:)
124::
60:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
