116:. The facade is covered with square marble slabs and aluminum applications reminiscent of a money storage. Granite slabs are attached to the lower and upper levels. The rivets with which the marble cladding seems to be fixed to the wall are purely ornamental and articulate the facade. Since the approximately 10 cm thick plates are kept in place by plaster, the rivets do not have supporting function. The use of marble makes the maintenance and cleaning of the facade very easy and inexpensive, important functional element in Wagner's design. Wagner greatly valued the aluminum, material perfected by Austrian chemist
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allowing natural light to enter the heart of the building at all times. Natural light is not used only for stylistic reasons, but also to reduce the cost of electric lighting. Even the floor of the main hall is constructed of glass tiles, allowing natural light to reach further down to the floor
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The building's office space is divided according to the axis of the outside windows, again making use of natural light as much as possible. The interior walls are non-load-bearing, and can therefore be re-arranged according to need, a feature that has become standard in modern office buildings.
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and mail sorting rooms are located. Wagner kept decoration in the main hall minimal, using only glass and polished steel as materials. The decorative effect is created by the simple but elegant use of the material itself. The
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for industrial production. He used the material not only for the rivets, but also for other decorative elements on the outside and inside of the building, such as the
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It was constructed between 1904 and 1906 using then completely new reinforced concrete, and was opened on 17 December 1906. Extension was added between 1910 and 1912.
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Christa Veigl: Otto
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columns and the central heating fans. The 4.3 meters high sculptures, for the first time made of cast aluminum and located on the
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in 2005. It is located at Georg-Coch-Platz 2, in the first district
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Otto Wagner Museum located within the
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of the building are work of Wagner long time collaborator
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245:. Falter Verlag, Wien. 1996.
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