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Armstrong Studios

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496:. According to Armstrong, industry professionals such as EMI house producer David Mackay and Festival house producer Pat Aulton greatly preferred to use the Armstrong facilities over their company's own studios in Sydney, and regularly travelled to Melbourne to record there. Interviewed in 2013, Armstrong also recalled that young Melbourne singer Johnny Farnham was often hired to record vocals for the many commercial jingles recorded at Armstrong's, and it was there that he was discovered by producer David Mackay, who subsequently signed the singer to a recording contract with EMI, and produced his breakthrough hit single "Sadie The Cleaning Lady". Farnham returned the favour many years later when he returned to Armstrong's to record his hugely successful 'comeback' album 65: 24: 167: 336:, who had recently arrived from the UK as an assisted migrant. Reflecting on Savage's subsequent importance to the Australian music industry in a 2013 ABC radio interview, Bill Armstrong quipped that Savage's assisted passage to Australia represented "probably the best £20 the Australian government ever spent". 315:
in Melbourne, where he recorded radio commercials and soundtracks for television advertisements. From 1961-65 he was manager of Telefil Sound Recording and Film Studios, which was at the time the largest commercial recording studio in Melbourne. Housed in a converted Melbourne cinema, it was equipped
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Armstrong's studios soon overtook two other major studios in Australia at the time - the EMI and Festival Records facilities in Sydney - to become the most sought-after recording venue in the country, and the "engine room" of Australian pop and rock recording. Many of the most popular and successful
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In the meantime Edensound Mastering had taken residence in the famed 180 Bank Street building and directors Martin Pullan and David Drew took the opportunity to take over the lease and return the studio to its original Armstrong name. Doug Brady returned as a partner in the business having recorded
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In 1972 the company bought a former butter factory in Bank St, South Melbourne, and converted it into a five-studio complex, making Armstrong the largest commercial studio in the southern hemisphere. At this time Armstrong was responsible for 80% of the locally recorded hit records for major labels
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Over the next few years it expanded into six adjoining properties, including four studios equipped with 4-track machines. In 1968 Armstrong installed one of the first 8-track recorders in Australia, followed by 16 and then 24-track machines, together with state-of-the-art mixing desks in the early
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In the 1990s the audio operations of AAV were acquired by a staff consortium headed by producer-engineer Ern Rose and the company's name was changed to Metropolis Audio. A controlling share was later acquired by another audio-visual company, Celtex, but this company eventually got into financial
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Armstrong's also quickly became the leading studio for recording national advertising commercials, and a team of music jingle writers occupied offices in the facility, including John and Anne Hawker, Peter Best,
304:. Armstrong established the W&G disc-cutting room and in 1957 built their recording studio in West Melbourne. That year he also supervised the sound system for Phillips Bell at the Main Stadium at the 292:
from 1954–56, where his work included disc cutting of radio shows and live-to-air orchestral music broadcasts. From 1956-60 he was the manager of a recently founded independent label,
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numerous giant albums and recording projects as a freelance including the music for the Sydney Olympic Games in 2000. After a massive revamp including the installation of a vintage
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including EMI, RCA, Mushroom and Fable. In 1974 the studios were sold to the Age Newspaper Group and the name of the company was changed to Armstrong Audio Video (AAV).
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In 1965, Armstrong opened his own studio in a small terrace house in Albert Rd, South Melbourne. One of the first pop recordings made there was the backing track for
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joined the staff and started his career at AAV by recording and mixing Australia's highest selling record of all time: John Farnham's
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was also added to the roster. He went on to work with Julian Menndelson & Trevor Horn, multi-platinum Queensrÿche and won a
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console, Armstrong Studios today continues to be one of the foremost recording facilities in the southern hemisphere.
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joined the team and later Alan Pay resigned. Then Graham Owens and Ernie Rose joined as engineers. The EMI producers
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Australian recordings from the mid-1960s to the mid-1980s were made there, including hit albums and singles by
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and many others. Many famous overseas artists also recorded there while visiting Australia, including
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recorders, and its clients included the local divisions of the EMI, CBS and RCA labels.
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difficulties and Metropolis was abruptly closed down by the building's owners in 2006.
477: 453: 429: 405: 332:' 1965 breakthrough hit "She's So Fine", which was overseen by British-born engineer 177: 578: 561: 433: 353: 256: 520: 498: 449: 441: 385: 541: 536:'s "Unplugged". Other renowned acts who recorded at AAV in this period include 473: 421: 293: 687: 669: 656: 557: 489: 485: 461: 401: 373: 345: 329: 311:
From 1960-61 Armstrong was the manager of the Custom Recording Department at
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The studio's success continued into the 1980s. Young engineer
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he started his career as an engineer at radio station
632:, ABC Radio National, first broadcast 25 August 2013 617:, ABC Radio National, first broadcast 25 August 2013 602:, ABC Radio National, first broadcast 25 August 2013 89:. Unsourced material may be challenged and removed. 284:in 1929. After studying electrical engineering at 685: 628:Bill Armstrong, interview with Jordie Kilby, 613:Bill Armstrong, interview with Jordie Kilby, 598:Bill Armstrong, interview with Jordie Kilby, 187:opinionated comments, promotional language. 52:Learn how and when to remove these messages 228:Learn how and when to remove this message 210:Learn how and when to remove this message 149:Learn how and when to remove this message 344:, Allan Pay and Philip Webster. In 1968 686: 160: 87:adding citations to reliable sources 58: 17: 709:2006 disestablishments in Australia 323: 13: 14: 720: 640: 33:This article has multiple issues. 704:1965 establishments in Australia 165: 63: 22: 567: 255:), is an Australian commercial 74:needs additional citations for 41:or discuss these issues on the 699:Recording studios in Australia 621: 606: 591: 316:with one, two and three track 271: 1: 584: 532:for Best Live Recording for 505: 380:of Lewis Young Productions, 7: 286:Caulfield Technical College 185:. The specific problem is: 10: 725: 266: 694:Australian music industry 296:, whose A&R manager 398:The Masters Apprentices 245:Bill Armstrong's Studio 670:37.83361°S 144.96167°E 300:discovered and signed 253:Armstrong Audio Video 675:-37.83361; 144.96167 526:James "JIMBO" Barton 192:improve this article 181:to meet Knowledge's 83:improve this article 666: /  492:, Peter Jones and 98:"Armstrong Studios" 306:1956 Olympic Games 247:and later renamed 478:Stephane Grapelli 454:Little River Band 241:Armstrong Studios 238: 237: 230: 220: 219: 212: 183:quality standards 174:This article may 159: 158: 151: 133: 56: 716: 681: 680: 678: 677: 676: 671: 667: 664: 663: 662: 659: 647:Official website 634: 630:Rare Collections 625: 619: 615:Rare Collections 610: 604: 600:Rare Collections 595: 562:Australian Crawl 434:Franciscus Henri 354:Franciscus Henri 324:Opening a studio 257:recording studio 243:, also known as 233: 226: 215: 208: 204: 201: 195: 169: 168: 161: 154: 147: 143: 140: 134: 132: 91: 67: 59: 48: 26: 25: 18: 724: 723: 719: 718: 717: 715: 714: 713: 684: 683: 674: 672: 668: 665: 660: 657: 655: 653: 652: 643: 638: 637: 626: 622: 611: 607: 596: 592: 587: 570: 521:Whispering Jack 508: 499:Whispering Jack 386:G. Wayne Thomas 326: 294:W&G Records 274: 269: 234: 223: 222: 221: 216: 205: 199: 196: 189: 170: 166: 155: 144: 138: 135: 92: 90: 80: 68: 27: 23: 12: 11: 5: 722: 712: 711: 706: 701: 696: 650: 649: 642: 641:External links 639: 636: 635: 620: 605: 589: 588: 586: 583: 569: 566: 542:Paul McCartney 507: 504: 474:John Dankworth 422:Russell Morris 325: 322: 308:in Melbourne. 278:Bill Armstrong 273: 270: 268: 265: 236: 235: 218: 217: 173: 171: 164: 157: 156: 71: 69: 62: 57: 31: 30: 28: 21: 9: 6: 4: 3: 2: 721: 710: 707: 705: 702: 700: 697: 695: 692: 691: 689: 682: 679: 648: 645: 644: 633: 631: 624: 618: 616: 609: 603: 601: 594: 590: 582: 580: 574: 565: 563: 559: 558:Crowded House 555: 551: 547: 543: 539: 535: 531: 527: 523: 522: 517: 512: 503: 501: 500: 495: 491: 490:Bruce Woodley 487: 486:Bruce Smeaton 481: 479: 475: 471: 467: 463: 459: 455: 451: 447: 443: 439: 435: 431: 427: 423: 419: 415: 411: 407: 403: 402:The Twilights 399: 393: 391: 387: 383: 379: 375: 374:Fable Records 371: 367: 363: 362:Peter Dawkins 359: 355: 351: 347: 346:John L Sayers 343: 337: 335: 331: 330:The Easybeats 321: 319: 314: 309: 307: 303: 299: 295: 291: 287: 283: 279: 264: 262: 258: 254: 250: 246: 242: 232: 229: 214: 211: 203: 193: 188: 184: 180: 179: 172: 163: 162: 153: 150: 142: 131: 128: 124: 121: 117: 114: 110: 107: 103: 100: –  99: 95: 94:Find sources: 88: 84: 78: 77: 72:This article 70: 66: 61: 60: 55: 53: 46: 45: 40: 39: 34: 29: 20: 19: 16: 651: 629: 623: 614: 608: 599: 593: 575: 571: 568:Recent years 534:Eric Clapton 530:Grammy Award 519: 513: 509: 497: 482: 446:John Farnham 438:Hans Poulsen 394: 378:Johnny Young 358:Howard Gable 350:David Mackay 342:Roger Savage 338: 334:Roger Savage 327: 310: 280:was born in 275: 259:located in 252: 248: 244: 240: 239: 224: 206: 197: 190:Please help 186: 175: 145: 139:January 2018 136: 126: 119: 112: 105: 93: 81:Please help 76:verification 73: 49: 42: 36: 35:Please help 32: 15: 673: / 661:144°57′42″E 494:John Farrar 390:Ian Meldrum 302:The Seekers 272:The founder 194:if you can. 688:Categories 585:References 516:Doug Brady 470:Cleo Laine 466:Earl Hines 458:The Sports 430:Daddy Cool 426:Brian Cadd 418:The Aztecs 406:The Groove 382:Pat Aulton 366:Ted Albert 109:newspapers 38:improve it 658:37°50′1″S 554:Split Enz 550:Bob Dylan 506:Expansion 410:The Groop 370:Ron Tudor 298:Ron Tudor 282:Melbourne 261:Melbourne 44:talk page 450:Skyhooks 442:Spectrum 276:Founder 200:May 2013 176:require 546:Madonna 267:History 178:cleanup 123:scholar 476:, and 462:Models 125:  118:  111:  104:  96:  318:Ampex 130:JSTOR 116:books 579:Neve 560:and 472:and 414:Zoot 388:and 364:and 102:news 372:of 313:3DB 290:3UZ 249:AAV 85:by 690:: 564:. 556:, 552:, 548:, 544:, 540:, 538:U2 502:. 488:, 480:. 468:, 460:, 456:, 452:, 448:, 444:, 440:, 436:, 432:, 428:, 424:, 420:, 416:, 412:, 408:, 404:, 400:, 392:. 384:, 376:, 360:, 356:, 352:, 47:. 251:( 231:) 225:( 213:) 207:( 202:) 198:( 152:) 146:( 141:) 137:( 127:· 120:· 113:· 106:· 79:. 54:) 50:(

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recording studio
Melbourne
Bill Armstrong
Melbourne
Caulfield Technical College
3UZ
W&G Records
Ron Tudor
The Seekers
1956 Olympic Games
3DB

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