63:
48:
38:
27:
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describes
Meldolla as well adapted to the Mannerist vocabulary, and says that while he was "able to invent a Venetian Maniera...he was strangely uncreative in the more ordinary workings of artistic invention." Later in the 1550s, "occasionally, the sensibility – too receptive, almost feminine – that
224:
inclined
Schiavone towards imitation brought him to the verge of echo of the larger personality" (Titian). Other works have attributions disputed between him and Tintoretto. Few of his paintings are documented; this may be because, as Vasari states, he mostly worked for private clients.
231:
he was similarly innovative. His technique was unlike that of any contemporary: unsystematically he used dense webs of light, fine, multidirectional hatching to create a tonal continuum embracing form, light, shadow, and air. His etchings are the only real equivalent in
216:
and Titian's compositional elements with his own interest in atmosphere, effecting a "fusion of form with a dense atmosphere in a pictorial fabric whose elements tend to lose their separate indenties".
188:. He worked in fresco, panel painting, and etching (teaching himself to etch by working initially from drawings by Parmigianino). By 1540, he was well enough established in Venice that
173:
in the
Dalmatian city, and therefore moved there with his family from Romagna. The Meldolla family continued to own property in Romagna until the early 16th century.
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the people born in
Dalmatia and Istria arriving to Venice; i.e. including the Italians and Venetians themselves. Indeed, in the case of Andre Meldolla, the nickname
340:
308:
200:, "he was also a strikingly daring exponent of Venetian painting techniques", and ultimately combined both in his works, influencing
539:
574:
500:
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among others. His works "shocked some contemporaries and stimulated others". By the 1550s, he had achieved a new synthesis of
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of later 16th-century
Venetian painting modes, and his technical experiments were emulated by 17th-century etchers such as
584:
512:
363:
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411:(derived from the Italian surname Meldola, or Meldolla, itself from the city of origin of both of his parents,
241:
589:
20:
569:
407:
Because of his birthplace, Lo
Schiavone appears in Croatian literature and history of art exclusively as
102:
564:
443:; however, it was not necessarily an ethnonym, as with this word the Venetians scornfully referred to
157:, the son of a garrison commander of a post nearby. Both of his parents came from the small town of
503:
Italian
Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art, Venetian School
534:
220:
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271:
559:
8:
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is due to his geographical provenance, and was given to him after he returned to Italy.
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185:
177:
110:
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359:
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commissioned him a large battle picture (which the
Florentine author mentions in his
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84:
529:
420:
237:
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elements, a relative rarity in Venice, with much influence from the mainstream of
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209:
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548:
184:, but this has been doubted. There are unproven claims that he trained with
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62:
233:
205:
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245:
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170:
126:
415:), which is the Croatian version of his name. His Italian nickname,
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Birmingham Museum & Art
Gallery - Biography of Andrea Schiavone
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146:
196:). Although initially much influenced by Parmigianino and Italian
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428:
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Richardson also insists on his importance as an etcher: "In
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465:
Freedberg, Sydney J. (1993). Pelican History of Art (ed.).
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Archivio storico per Trieste, l'Istria e il Trentino v. 3
145:
Meldolla was born in the Venetian-ruled city of Zara in
289:
La Dalmazia nell'arte italiana, venti secoli di civiltĂ
498:
180:stated, in a book of 1584, that he was a pupil of
546:
478:. Oxford and New York: Oxford University Press.
507:. New York: The Metropolitan Museum of Art.
169:. His father, Simon, had been employed as a
535:Andrea Schiavone, The J. Paul Getty Museum
473:
353:
302:
300:
298:
464:
321:
51:Andrija Medulić/Andrea Schiavone bust in
176:He trained either in Zara or in Venice.
61:
46:
36:
25:
295:
547:
482:
427:usually indicated origins in parts of
341:"MELDOLLA, Andrea, detto lo Schiavone"
338:
306:
540:Giorgio Vasari's Lives of the Artists
286:
499:Zeri, F. & Gardner, E. (1973).
13:
492:
469:. Penguin Books. pp. 532–534.
14:
601:
523:
73:by Schiavone after a painting by
19:For the Italian footballer, see
474:Richardson, Francis E. (1980).
354:Richardson, Francis L. (1980).
121:, active mainly in the city of
401:
381:
372:
358:. Clarendon Press. p. 6.
347:
332:
315:
280:
265:
242:Giovanni Benedetto Castiglione
1:
575:16th-century Italian painters
275:The Oxford Dictionary of Art.
258:
31:Holy Family with St Catherine
21:Andrea Schiavone (footballer)
467:Painting in Italy, 1500-1600
419:, literally meant "Slav" in
140:
7:
487:. pp. 1502–04 at 1503.
322:Del Lungo, Isidoro (1886).
109:, born in Dalmatia, in the
103:Italian Renaissance painter
16:Italian painter (1510–1563)
10:
606:
585:Italian Mannerist painters
458:
287:Dudan, Alessandro (1922).
18:
519:(see index; plates 56-57)
101:(c. 1510/15–1563) was an
439:) under the rule of the
394:
67:The Crowning with thorns
483:Richardson, Francis E.
221:Sydney Joseph Freedberg
161:, close to the city of
291:. Treves. p. 451.
125:. His style combined
88:
77:
59:
44:
42:Conversion of St. Paul
34:
580:Italian male painters
65:
50:
40:
29:
590:Painters from Venice
272:"Schiavone, Andrea."
186:Bonifazio de Pitati
99:Andrea Lo Schiavone
570:Dalmatian Italians
441:Republic of Venice
339:Bortolotti, Luca.
309:"MELDOLLA, Andrea"
307:Bortolotti, Luca.
277:Web. 27 Apr. 2011.
178:Gian Paolo Lomazzo
117:) to parents from
111:Republic of Venice
78:
60:
45:
35:
565:People from Zadar
251:Meldolla died in
131:Venetian painting
93:), also known as
597:
518:
488:
479:
476:Andrea Schiavone
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238:Jacques Bellange
95:Andrea Schiavone
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493:Further reading
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409:Andrija Medulić
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90:Andrija Medulić
81:Andrea Meldolla
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524:External links
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328:. p. 226.
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210:Jacopo Bassano
190:Giorgio Vasari
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119:Emilia-Romagna
33:, 1552, Vienna
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560:1563 deaths
421:Old Italian
343:. Treccani.
311:. Treccani.
234:printmaking
549:Categories
259:References
206:Tintoretto
449:Schiavone
425:Schiavone
417:Schiavone
255:in 1553.
246:Rembrandt
198:Mannerism
171:constable
141:Biography
127:Mannerist
433:Dalmatia
147:Dalmatia
85:Croatian
459:Sources
429:Croatia
413:Meldola
229:etching
214:Raphael
167:Romagna
159:Meldola
155:Croatia
115:Croatia
71:woodcut
57:Croatia
511:
437:Istria
362:
253:Venice
208:, and
202:Titian
149:, now
135:Titian
123:Venice
107:etcher
75:Titian
395:Notes
194:Lives
163:Forlì
151:Zadar
53:Zadar
509:ISBN
360:ISBN
244:and
105:and
445:all
435:or
248:".
165:in
153:in
97:or
551::
423:.
297:^
240:,
204:,
137:.
87::
69:,
55:,
517:.
431:(
368:.
83:(
23:.
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