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his shoes for a peacock feather because he knew Pari would treasure it. Ignorant of his father's plans, 10 year old
Abdullah, who has raised Pari since their mother died giving birth to her, insists on following when his father departs from the village to Kabul with Pari. After slapping and ordering him to return to the village several times, Saboor finally relents and allows Abdullah to come along on the condition that no tears be shed. While camping out for the night, Saboor tells the children a story about another poor farmer who was forced to give up a beloved child, but the significance of the tale doesn't register with Abdullah. It is only after they arrive at the home of the adoptive parents in Kabul and he visits a bazaar to buy things for Pari that Abdullah realizes what is happening. He pleads and wails against Saboor's rule that he could not cry in Kabul as Ms. Wahdati tries to assure him that the arrangement is for the best and he will understand when he is older. Abdullah keeps Pari's box of feathers safe.
264:. While there, he heard stories from several village elders about the deaths of young, impoverished children during the winters, which gave the foundation for the fundamental event of the novel: a parent's choice to sell a child to prevent this from occurring. "The novel began very, very small, and it began with a single image in my head that I simply could not shed," he relayed. "It was the image of a man walking across the desert and he's pulling a little Radio Flyer red wagon, and in it there's a little girl about 3 years old, and there's a boy walking behind him, and these three people are walking across the desert." Hosseini originally planned for it to be written in a linear fashion similar to his previous novels, but, during the writing process, it was expanded to cover a series of interconnected stories surrounding a large number of characters not directly related to each other. Comparing the process to a tree, he stated that the story "just branched out" and "got bigger and bigger as it went along".
524:. The separation of the two siblings, Abdullah and Pari, is "the heart of the book". Both subsequently become "victims of the passage of time": Abdullah, who is older and remembers Pari, agonizes over her loss for most of his life, while Pari is younger and able to forget her brother after losing him. However, towards the end of the book, Pari is informed that she was adopted and that she has a brother, Abdullah; she locates him in the United States only to discover that he is suffering from Alzheimer's disease and has forgotten her. Hosseini stated, "The question is raised a number of times about whether memory is a blessing — something that safeguards in all the things that are dear to you — or is memory a curse — something that makes you relive the most painful parts of your life, the toil, the struggle, the sorrows." Thus, the combination of these events make
544:, wrote that the themes of guilt and gratitude also feature prominently. She used the backstory of Parwana, Abdullah and Pari's stepmother, and her sister Masooma as an example: "We find a poignant tale of a plain twin whose single act of vengeance, of pushing her pretty sister off a swing results in a lifelong moral burden. The sister, who was to be married to a man both sisters love, becomes an invalid for life, and both serve the sentence, the healthy one tending to the other and wrecked within by the knowledge that she was the cause of their collective misfortune." She stated the theme of dependence also extended to the story of Nabi, the brother of Parwana who arranges the selling of Pari and who is later left as the sole caretaker of his paralyzed employer.
357:. Cousins Idris and Timur return to Afghanistan over two decades later in 2003 to reclaim their family's property. While there, Timur makes a great show of publicly distributing money to street beggars while Idris privately bonds with Roshi, an Afghan girl who suffers from a horrific injury and whose family was murdered by her uncle. Idris at first promises to arrange for Roshi to undergo the operations needed for her recovery but distances himself from her and Afghanistan on returning to the States. Several years later, Idris comes across Roshi signing copies of her bestselling memoir, which she has dedicated to her adoptive mother and Timur, who paid for her surgery.
346:. Parwana subsequently spent several years caring for her sister until the latter asked her to help her commit suicide and to then marry Saboor. At Masooma's request Parwana takes Masooma out to the middle of nowhere and leaves her there. Their older brother, Nabi, left to work for Mr. Wahdati, a wealthy man in Kabul, and became infatuated with his wife, Nila. After Nila expressed dismay about her inability to have children, Nabi arranged for Pari to be sold to the couple, because Parwana has given birth to a son and Saboor cannot support 3 children. After Pari is sold in Kabul, Nabi is no longer welcome in the village.
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filled with pictures of him drawn before the stroke. Unnerved by the discovery that Mr. Wahdati loves him, he resolves to leave but decides against it after he is unable to find someone suitable to take over for him. Nabi subsequently spends the next 50 years working for Mr. Wahdati. He develops a deep bond with his employer, and Nabi comes to the realization that his purpose is to take care of Mr. Wahdati. Later Mr. Wahdati's health deteriorates further, and Nabi helps him commit assisted suicide by kissing him on the lips and pressing a pillow over his face.
433:"beautiful, very outspoken, temperamental...drinking freely, smoking". At some point prior to the beginning of the story, she was apparently sterilized while undergoing treatment for an illness, leading her to buy Pari as an adopted daughter. Described as unusually beautiful and discontent, she later relocates to Paris following her husband's stroke and eventually commits suicide. Hosseini explained that he was unconcerned with making Nila likable—"I just wanted her to be real – full of anger and ambition and insight and frailty and narcissism."
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her adoption. She spends her adolescence and adulthood in France following her adoptive father's stroke and eventually becomes aware of her history through a posthumous letter from her uncle Nabi, who had arranged for her to be sold as a child. When she is finally reunited with
Abdullah, he is unable to remember her due to his Alzheimer's. "I could see that if the reunion were to occur, it would occur on these terms and it wouldn't be the reunion we'd expect and perhaps the one we want," Hosseini explained.
383:"Is the quintessential Afghan woman Nila, the dramatic Kabul socialite turned Parisian poetess? Or is she the guilt wracked Parwana, who feels condemned to a life of grief for a single moment of jealousy? Or is she the war-maimed , whose story is written into an archetypal tale of woe for mass consumption by American readers, where the guilt of the Afghan character melts indelibly with the guilt of the Western reader, accomplishing with grace the revelation of the complicated relationship between the two?"
269:"Slowly, a family began to take shape in my mind-not unlike the many I had visited-one living in a remote village, forced to make a painful choice that most of us would find unbearable. At the heart of this family, I pictured a young brother and sister, who become the unwitting victims of their family's despair. The novel begins, then, with this single act of desperation, of sacrifice, an act that ruptures the family and ultimately becomes the tree trunk from which the novel's many branches spread out."
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encountered a number of people who had left comfortable lifestyles to help provide relief aid, and he had wanted to pay tribute to them through the portrayal of Amra. Hosseini described the character as one of his favorites and said, "She has seen humanity at its worst, having worked in war zones most of her career, and yet she has retained great capacity for compassion and mercy. She is also very street smart, fiercely intelligent, and brutally honest."
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that Idris' experience as an Afghan expatriate was partly based on his own. "He was a vehicle to describe what it's like to be an Afghan in exile, to return to see how divergent my experience was from other
Afghans," Hosseini said. Idris begins to set up plans to pay for her surgery in America, but upon returning home, he loses that drive. It is later revealed Timur pays for Roshi's surgery.
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infatuated with the childless Nila and arranges for Pari to be sold to her in hopes that she will become his lover. After Nila's husband suffers a stroke and Nila leaves for Paris, he realizes that he had been foolish to think so and becomes the primary caregiver for his bedridden employer. He later develops a deep bond with Mr. Wahdati, and they become platonic lifelong partners.
566:"It's hard to do justice to a novel this rich in a short review. There are a dozen things I still want to say — about the rhyming pairs of characters, the echoing situations, the varied takes on honesty, loneliness, beauty and poverty, the transformation of emotions into physical ailments. Instead, I'll just add this: Send Hosseini up the bestseller list again."
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whose single act of vengeance, of pushing her pretty sister off a swing results in a lifelong moral burden". Masooma's accident leaves her paralyzed, leaving
Parwana tortured by guilt and forced to care for her from then on. After several years, Masooma persuades Parwana to leave her in the desert to die and marry Saboor, Abdullah and Pari's father.
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daughter and plans a trip to
Afghanistan to explore her heritage. However, she postpones it indefinitely after marrying and becoming pregnant. After having three children and being widowed at the age of 48, she receives a posthumous letter from Nabi in 2010, at the age of 63, detailing the circumstances of her adoption by the Wahdatis.
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were largely personal and unrelated to the political turmoil in
Afghanistan. Hosseini added, "I hope a day will come when we write about Afghanistan, where we can speak about Afghanistan in a context outside of the wars and the struggles of the last 30 years. In some way I think this book is an attempt to do that."
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tries to obtain the documents proving he is the owner of the land, but Adel's father pays off a judge to say they were burned in a fire. Outraged and upset, Iqbal marches to Adel's home and throws a rock through the window. Adel's father "deals" with Iqbal, and Adel is convinced his father has him killed.
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is the son of a wealthy war criminal who has turned
Shadbagh into "Shadbagh-e-Nau" or "New Shadbagh". Adel is raised in an isolated mansion with the belief that his father is a hero, witnessing him donate money and fund the building of schools. When he discovers the truth (from Gholar the grandson of
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Arifa Akbar stated, "The changing points of view and leaps in time can confuse and confine, leaving characters clearly defined but lacking depth. Decades gallop by and it is as if the story of these interconnected, cross-generational lives will simply go on echoing the original crime of
Abdullah and
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I think at the core, all three of my books have been love stories — and they haven't been traditional love stories in the sense that a romantic love story between a man and a woman, you know, they've been stories of love between characters where you would not expect love to be found. So it is always
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is an Afghan growing up in the fictional village of
Shadbagh. After his father Saboor's choice to sell his younger sister to a wealthy couple, Mr. and Mrs. Whadati in Kabul, he resolves to leave Afghanistan, travelling to Pakistan and eventually the United States. He opens an Afghan restaurant there
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and is unable to remember her echoing the conclusion of the story their father told them so many years ago as children on their last night together in
Afghanistan. Abdullah's daughter finds the box of feathers and gifts it to Pari, although she does not remember the significance of the feathers, she
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The novel opens in the year 1952. Saboor, an impoverished farmer from the fictional village of Shadbagh, decides to sell his three-year-old daughter Pari to a wealthy, childless couple in Kabul. Abdullah adores Pari, and helps collect various feathers for her which she loves. Once, he sold a pair of
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became the first to not deal directly with the Taliban, which featured prominently in both of his previous works. Though Hosseini did not consciously decide to avoid that topic, he stated that he was glad that he had moved away from it in order to keep the storyline fresh. The characters' struggles
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gave a more mediocre review and said, "I enjoyed this novel in a very undemanding sort of way. The shifts of viewpoint would be ambitious if the novel had any interest in varieties of psychology. But it serves its purpose in providing amusement for two and a half hours; a day after finishing it, I
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is an Afghan-American doctor who left Afghanistan during the Soviet invasion. He later returns to Afghanistan, along with his narcissistic and childish cousin Timur, in 2003 to reclaim their family's land. While there, Idris meets Roshi and befriends her, moved by her tragic story. Hosseini stated
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is a young French-Afghan woman renowned for her sexually charged poetry who is married off to a wealthy Kabul businessman. According to Hosseini, many aspects of her character were derived from women he encountered during parties his parents hosted in Kabul in the 1970s, many of whom he recalls as
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is Abdullah's younger sister who, at the age of three, is sold by her father Saboor to the wealthy Wahdati couple in Kabul. She and Abdullah are portrayed as having an unusually close relationship during her early years, though she forgets him along with the rest of her biological family following
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is the older brother of Parwana and Masooma. Despite being "a character who slips beneath the notice of many of the novel's noisier characters", he organizes the event that serves as the primary plot of the story: the adoption of Pari. After being hired as a chauffeur for the Wahdatis, he becomes
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is the stepmother of Abdullah and Pari. She grew up in Shadbagh with her brother, Nabi, and twin sister, Masooma. Parwana is ill-favored for most of her life as opposed to the strikingly beautiful Masooma. This eventually results in what Rafia Zakaria describes as a "poignant tale of a plain twin
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Later chapters focus on Adel, a boy learning that his father is a war criminal and that his house is built on land that previously belonged to Saboor, and Markos, a Greek aid worker in Afghanistan and acquaintance of Nabi. In this chapter, Iqbal, Saboor's and Parwana's son, is an older man and he
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In the ensuing years, Abdullah leaves Afghanistan. Mr. Wahdati suffers a stroke, prompting Nila, who had a French mother and spoke fluent French, to take Pari and move to Paris, France. Nabi, while assuming the role of Wahdati's primary caregiver, finds a number of sketchbooks in Wahdati's closet
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Nila, now living in Paris, is unhappy for much of her life, taking up a number of lovers and beginning to refer to the plain and practical Pari as her "punishment". She commits suicide in 1974 after giving a detailed interview about her early life. Pari suspects that she is not Nila's biological
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later in life also influenced his writing, albeit involuntarily. For example, during a 2009 visit, he met two young sisters in a remote village outside Kabul. The older one, who he estimated to be around six years old, acted as a mother figure to the younger girl. Hosseini stated that their bond
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nurse working in a hospital in Afghanistan after the fall of the Taliban. She cares for and later adopts Roshi, a critically wounded Afghan orphan. Amra, according to Hosseini, was created to represent the foreign aid workers serving in Afghanistan. While visiting the country in 2003, he had
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Subsequent chapters expound on how the arrangement came to be: the children's stepmother, Parwana, grew up as the less-favored child to her beautiful twin sister Masooma. One day, in a flash of jealousy because Masooma and Saboor were to be wed, she pushed Masooma out of a tree resulting in
179:, with each of the nine chapters being told from the perspective of a different character. The book's foundation is built on the relationship between ten-year-old Abdullah and his three-year-old sister Pari and their father's decision to sell her to a childless couple in
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Kim Hughs describing it as "the novel's most defining feature and its most exasperating conceit". She believed that Pari was meant to be the protagonist of the story but that the shifting focus on the numerous other personalities left her "barely through the clutter".
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wrote, "From the moment the realisation dawns that Saboor is going to give Pari to the wife of a wealthy man in Kabul, Hosseini saturates the various layers and characters of his novel with a yearning for the moment that brother and sister will reunite."
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critic Kevin Nance found the story of Abdullah and Pari "devastating" but thought the large cast of characters, "including some introduced fairly late in the proceedings, when the reader just wants to return to the core cast", was excessive.
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Khaled Hosseini chose to tell the story in a "fragmented and fluid" form; each of the nine chapters is told from a different character's perspective, and each narrative provides an interconnection with the others'.
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was priced at $ 28.95 in the United States and £14.99 in the United Kingdom. Hosseini went on a five-week tour to 41 cities across America to promote the book. In October 2013, plans were confirmed to translate
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centers on the rapport between siblings. Besides Abdullah and Pari, Hosseini introduced two other sibling and sibling-like relationships—the children's stepmother Parwana and her disabled sister Masooma and an
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Saboor and Parvana) he is deeply upset but aware of "he part of him that over time would gradually, almost imperceptibly, accept this new identity that at present prickled like a wet wool sweater."
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and has a daughter, whom he names after his sister. Following his wife's death, Abdullah is diagnosed with Alzheimer's and is later unable to remember his sister after being reunited with her.
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on that between mothers and daughters, this novel tells its story through the prism of sibling relationships — a theme refracted through the lives of several pairs of brothers and sisters.
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was particularly favorable towards Amra, the Bosnian aid worker who cares for and adopts Roshi, as she "stuns with her hope in humanity no matter what callousness she has witnessed".
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Khaled Hosseini was born in Afghanistan but left the country in 1976 at the age of 11, eventually moving to the United States where he worked as a doctor. He wrote his first novel,
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In the final chapter, narrated by Abdullah's daughter, also named Pari, Abdullah and Pari are reunited in California after more than 50 years apart. However, he is suffering from
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released a statement that the novel was about "how we love, how we take care of one another, and how the choices we make resonate through generations". First printed in hardback,
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described the book as "masterful storytelling" and a "haunting portrayal of war-ravaged Afghanistan and insight into the life of Afghan expatriates". Susan Balee from
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Hosseini stated his intentions to make the characters more complex and morally ambiguous. Continuing the familial theme established in his previous novels,
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s Sherine El Banhawy added that the focus on multiple characters allowed to readers to gain a better understanding of the diversities of Afghan culture.
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was reportedly in high demand. It received favorable pre-publication reviews and was anticipated as another strong success, reaching the top 10 on
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may have the most awkward title in his body of work, but it's his most assured and emotionally gripping story yet, more fluent and ambitious than
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As is his pattern, Hosseini drew on his early experiences in Afghanistan to create the foundation of the book. He states that his travels to
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Iran does not recognize various international copyright accords. As a result, by 2017, sixteen different unofficial Persian translations of
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and undergoing a botched surgery. This motivated Markos to become a surgeon and work in various developing countries, including Afghanistan.
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wrote that it " at the personal level the history of his war-torn homeland: Fierce loyalties alternate with bloody betrayals".
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Reviewers agreed that Hosseini has succeeded in making his characters complex. Alexander Linklater from
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1087:"Khaled Hosseini's tour for AND THE MOUNTAINS ECHOED announced exclusively by Entertainment Weekly!"
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thought the novella-like storytelling was handled well and wrote, "Khaled Hosseini's new novel,
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were sold within five months of its publication. In general, the novel was received well, with
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critic Wendy Smith finding it "painfully sad but also radiant with love". Fran Hawthorne of
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475:. His childhood best friend, Thalia, suffered from severe facial disfigurement after being
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1587:"And the Mountains Echoed, By Khaled Hosseini; A Fort of Nine Towers, By Qais Akbar Omar"
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before its release and later becoming a bestseller. Five months after the publication of
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Wahdati's neighbors, meanwhile, move to the United States with their children after the
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Khaled Hosseini considers pain, love, and familial love to be the primary themes of
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formed the foundation of the relationship between Abdullah and Pari in the novel.
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661:(2007)." Kamal agreed, saying that the structure was "exquisitely crafted".
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1191:"Khaled Hosseini: 'If I could go back now, I'd take The Kite Runner apart'"
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1158:"Khaled Hosseini sets 'And the Mountains Echoed' against Afghan history"
1127:"Resurrecting Afghanistan: Khaled Hosseini's 'And the Mountains Echoed'"
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1338:"Why Iran has 16 different translations of one Khaled Hosseini novel"
711:"Relative unease: Khaled Hosseini discusses And The Mountains Echoed"
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these intense relationships that form under unexpected circumstances.
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is touched that Abdullah has kept her in mind all these years.
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As it was Hosseini's first novel to be published in six years,
877:"Siblings' Separation Haunts In 'Kite Runner' Author's Latest"
742:"Khaled Hosseini on his new novel "And the Mountains Echoed""
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911:"Khaled Hosseini struggled with 'And the Mountains Echoed'"
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announced the publication date as May 21 of that year, and
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802:"Khaled Hosseini condemns Western 'fortress mentality'"
1474:"And the Mountains Echoed by Khaled Hosseini – review"
1448:"And the Mountains Echoed by Khaled Hosseini – review"
1222:"And The Mountains Echoed, by Khaled Hosseini, review"
1059:"Purchase Khaled Hosseini's new novel for just £14.99"
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critic Wendy Smith compared this style to the classic
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1560:"And the Mountains Echoed by Khaled Hosseini: Review"
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The structure of the book drew mixed reactions, with
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focused on the dynamic between fathers and sons, and
944:"Khaled Hosseini on parenthood and political asylum"
1255:"Khaled Hosseini Discusses Unforeseen Consequences"
769:"'And the Mountains Echoed' is a local best-seller"
1004:"New Khaled Hosseini Book To Publish in May 2013"
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528:"kind of like a fairytale turned on its head".
302:: "And all the hills echoed". In January 2013,
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657:(2003), more narratively complex than
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607:had forgotten everything about it."
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130:402 pp (first edition, hardcover)
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1394:Hawthorne, Fran (May 18, 2013).
1363:Valdes, Marcela (May 20, 2013).
1125:Zarkaria, Rafia (May 28, 2013).
834:Jain, Saudamini (May 26, 2013).
122:Print (hardback & paperback)
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321:into 40 languages, among them
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1532:Nance, Kevin (May 21, 2013).
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1220:Brown, Helen (May 23, 2013).
1156:Smith, Wendy (May 23, 2013).
709:Medley, Mark (May 13, 2013).
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16:2013 novel by Khaled Hosseini
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1767:Bloomsbury Publishing books
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408:One Thousand and One Nights
226:Composition and publication
177:collection of short stories
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258:And the Mountains Echoed
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164:And the Mountains Echoed
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171:. Published in 2013 by
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1737:2013 American novels
973:"Khaled Hosseini on
923:on February 11, 2015
641:Pari's separation."
1369:The Washington Post
1227:The Daily Telegraph
1064:The Daily Telegraph
982:The Huffington Post
573:The Washington Post
571:—Marcela Valdes of
370:Alzheimer's disease
23:
1772:2013 Afghan novels
1631:on August 12, 2013
1316:The New York Times
1012:. January 14, 2013
808:. October 19, 2013
647:The New York Times
514:The New York Times
298:" by English poet
239:
94:Sathish Venkatesan
64:Historical fiction
33:First edition (US)
21:
1742:Afghan literature
1724:
1723:
1513:on April 20, 2016
1162:Los Angeles Times
1037:Los Angeles Times
1009:Publishers Weekly
774:The Seattle Times
638:The Independent's
586:Los Angeles Times
540:, a director for
477:attacked by a dog
403:Los Angeles Times
305:Publishers Weekly
262:UN Refugee Agency
160:
159:
111:Publication place
1779:
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643:Michiko Kakutani
575:
560:Critical reviews
516:
510:Michiko Kakutani
396:
392:, a director of
296:The Nurse's Song
275:
274:—Khaled Hosseini
150:
102:Publication date
31:
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1593:The Independent
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469:Markos Varvaris
398:
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355:Soviet invasion
335:
310:Riverhead Books
277:
273:
244:The Kite Runner
235:Khaled Hosseini
228:
205:Afghan-American
189:The Kite Runner
173:Riverhead Books
169:Khaled Hosseini
119:Media type
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1511:the original
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1506:
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548:Translations
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18:
1292:November 2,
1264:November 2,
1233:November 2,
916:Dallas News
812:November 2,
747:Denver Post
281:Afghanistan
1731:Categories
1714:Sea Prayer
1676:Novels by
1635:August 25,
1604:August 25,
1569:August 24,
1517:August 25,
1483:August 24,
1431:August 25,
1426:Philly.com
1405:August 25,
1349:2018-12-25
1321:August 24,
1167:August 24,
852:August 25,
697:References
597:Philly.com
377:Characters
344:paraplegia
216:Amazon.com
85:Bloomsbury
1538:USA Today
625:USA Today
323:Icelandic
155:829999614
76:Publisher
1598:Archived
1564:The Star
806:Dawn.com
683:See also
507:—
496:Whereas
416:Abdullah
49:Language
455:Bosnian
437:Parwana
52:English
1717:(2018)
1709:(2013)
1701:(2007)
1693:(2003)
674:2013:
669:Awards
491:Themes
237:, 2007
92:(CAN)
39:Author
645:from
473:Tinos
462:Idris
453:is a
327:Malay
181:Kabul
127:Pages
96:(IND)
68:Drama
57:Genre
1637:2013
1606:2013
1571:2013
1545:2013
1519:2013
1485:2013
1459:2013
1433:2013
1407:2013
1381:2013
1323:2013
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1266:2013
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1138:2013
1103:2013
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1045:2013
1018:2013
990:2013
955:2013
929:2013
891:2013
854:2013
814:2013
783:2013
755:2013
724:2013
483:Adel
444:Nabi
423:Pari
333:Plot
325:and
192:and
149:OCLC
136:ISBN
87:(UK)
82:(US)
948:CNN
882:NPR
619:of
512:of
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388:—
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