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Anachronism

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798: 547: 522: 382: 401: 604: 196: 568: 633: 422: 174: 1834: 677: 1849: 118: 498:, which would not now deceive schoolchildren, could hope, not quite vainly, to deceive the public of 1765. Where even the most obvious and superficial distinctions between one century (or millennium) and another were ignored, the profounder differences of temper and mental climate were naturally not dreamed of.... , he manners, the fighting, the religious services, the very traffic-regulations of his Trojans, are fourteenth-century. 282:, "time") predates. It is an impossible anachronism which occurs when an object or idea has not yet been invented when the situation takes place, and therefore could not have possibly existed at the time. A prochronism may be an object not yet developed, a verbal expression that had not yet been coined, a philosophy not yet formulated, a breed of animal not yet evolved or bred, or use of a technology that had not yet been created. 38: 445:
attempts to use anachronisms to engage an audience may have quite the reverse effect, as the details in question are increasingly recognized as belonging neither to the historical era being represented, nor to the present, but to the intervening period in which the artwork was created. "Nothing becomes obsolete like a period vision of an older period", writes
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An anachronism may be either intentional or unintentional. Intentional anachronisms may be introduced into a literary or artistic work to help a contemporary audience engage more readily with a historical period. Anachronism can also be used intentionally for purposes of rhetoric, propaganda, comedy,
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justified the use of anachronism in historical literature: "It is necessary, for exciting interest of any kind, that the subject assumed should be, as it were, translated into the manners as well as the language of the age we live in." However, as fashions, conventions and technologies move on, such
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In historical writing, the most common type of anachronism is the adoption of the political, social or cultural concerns and assumptions of one era to interpret or evaluate the events and actions of another. The anachronistic application of present-day perspectives to comment on the historical past
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Anachronism is used especially in works of imagination that rest on a historical basis. Anachronisms may be introduced in many ways: for example, in the disregard of the different modes of life and thought that characterize different periods, or in ignorance of the progress of the arts and sciences
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This may be an object, idiomatic expression, technology, philosophical idea, musical style, material, custom, or anything else so closely bound to a particular time period as to seem strange when encountered in a later era. They may be objects or ideas that were once common but are now considered
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has argued that "a grasp of the fact that past societies are very different from our own, and ... very difficult to get to know" is an essential and fundamental skill of the professional historian; and that "anachronism is still one of the most obvious faults when the unqualified (those expert in
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Works of art and literature promoting a political, nationalist or revolutionary cause may use anachronism to depict an institution or custom as being more ancient than it actually is, or otherwise intentionally blur the distinctions between past and present. For example, the 19th-century Romanian
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of people, events, objects, language terms and customs from different time periods. The most common type of anachronism is an object misplaced in time, but it may be a verbal expression, a technology, a philosophical idea, a musical style, a material, a plant or animal, a custom, or anything else
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anachronisms in novels and films are quite common, both intentional and unintentional. Intentional anachronisms inform the audience more readily about a film set in the past. In this regard, language and pronunciation change so fast that most modern people (even many scholars) would find it
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Unintentional anachronisms may occur even in what are intended as wholly objective and accurate records or representations of historic artifacts and artworks, because the perspectives of historical recorders are conditioned by the assumptions and practices of their own times, in a form of
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says that anachronisms in ancient texts can be used to better understand the stories by asking what the anachronism represents. Repeated anachronisms and historical errors can become an accepted part of popular culture, such as the belief that Roman legionaries wore leather armor.
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or shock. Unintentional anachronisms may occur when a writer, artist, or performer is unaware of differences in technology, terminology and language, customs and attitudes, or even fashions between different historical periods and eras.
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In a living language there are always variations in words, in the meaning of words, in the construction of phrases, in the manner of spelling, which may detect the age of a writing, and lead to legitimate suspicions of forgery. ...
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fiction set in the past may use anachronism for humorous effect. Comedic anachronism can be used to make serious points about both historical and modern society, such as drawing parallels to political or social conventions.
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of the late 16th and early 17th centuries. Working in an age in which beards were in fashion and widespread, the antiquaries seem to have unconsciously projected the fashion back into an era in which they were rare.
400: 453:! Come in and practice your piano now!' we are jerked from our suspension of disbelief by what was intended as a means of reinforcing it, and plunged directly into the American bourgeois world of the filmmaker." 309:, "time") postdates. It is the use of older cultural artifacts in modern settings which may seem inappropriate. For example, it could be considered metachronistic for a modern-day person to be depicted wearing a 437:
and other facts of history. They vary from glaring inconsistencies to scarcely perceptible misrepresentation. Anachronisms may be the unintentional result of ignorance, or may be a deliberate aesthetic choice.
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The ability to identify anachronisms may be employed as a critical and forensic tool to demonstrate the fraudulence of a document or artifact purporting to be from an earlier time.
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The falsehood of a writing will often be detected, by its making direct mention of, or allusions more or less indirect to, some fact posterior to the date which it bears. ...
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and white broth" would have been as familiar to Christ and the disciples as to himself. It is doubtful whether the sense of period is much older than the
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in either 315 or 317 AD, as a later forgery, depended to a considerable degree on the identification of anachronisms, such as references to the city of
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Futuristic technology may appear alongside technology which would be obsolete by the time in which the story is set. For example, in the stories of
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It is only since the beginning of the 19th century that anachronistic deviations from historical reality have jarred on a general audience.
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The metachronism-prochronism contrast is nearly synonymous with parachronism-anachronism, and involves postdating-predating respectively.
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For example, many books, television shows, radio productions and films nominally set in the mid-21st century or later refer to the
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writers risk anachronism as their works age because they cannot predict all political, social, and technological change.
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have served to convince critics that the book was written in the 19th century, and not, as its adherents claim, in
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difficult, or even impossible, to understand a film with dialogue in 15th-century English; thus, audiences
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went naked till he fell. After that, pictured the whole past in terms of their own age. So indeed did the
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rare or inappropriate. They can take the form of obsolete technology or outdated fashion or idioms.
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All medieval narratives about the past are ... lacking in a sense of period.... It was known that
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associated with a particular period that is placed outside its proper temporal domain.
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A Russian commemorative coin of 1995 depicting Soviet and American troops meeting at
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in scholar's clothing of the book's time, 1,800 years too modern for Aristotle.
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ceremony of a kind only instituted more than two hundred years after his death
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in the 19th century, regard this as a great error, and a trap to be avoided.
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The Discarded Image: an introduction to medieval and Renaissance literature
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Forgers and Critics: creativity and duplicity in Western scholarship
1206:"Art in December: M. Verestchagin on his Critics – Art and Politics" 627:. The crown was made a century and a half after Charlemagne's death. 117: 809:, first used in 1960, instead of the 48-star flag used at the time. 777: 722: 389: 339: 1854:
This article incorporates text from a publication now in the
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discusses, for example, the work of the 3rd-century philosopher
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The use of words not used till after the date of the writing;
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the continuing struggle between the Eastern and Western Blocs
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Shakespeare and the Uses of Antiquity: An Introductory Essay
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The New Nature of History: knowledge, evidence, language
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1812 Overture § Anachronism of nationalist motifs
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at the time the painting was made. The Russian artist
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and figures of speech are often used in these films.
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retained them for consistency with older franchises.
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Harris, Oliver D. (2013). "Beards: true and false".
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other disciplines, perhaps) attempt to do history".
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characters speaking an updated language, and modern
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has suffered from future anachronisms; instead of "
1804: 1403:"Time meddlers: anachronisms in print and on film" 1091:Landwehr, Achim; Winnerling, Tobias (2019-10-02). 1090: 1879: 1542:"'Empire': Gangster Tale Sleeps With the Fishes" 1485:The Guide to Writing Fantasy and Science Fiction 95:inconsistency in some arrangement, especially a 1474: 408:Suppression of the Indian Revolt by the English 357:Suppression of the Indian Revolt by the English 1673:. Basingstoke: Palgrave Macmillan. p. 29. 540:as a typical Dutch city of the painter's time. 981:terminology demonstrates that the purported " 51:(invented in the 16th century) rather than a 1873:(11th ed.). Cambridge University Press. 1750:"Anti-Semitic Myth: The Franklin "Prophecy"" 1734:. London: Baldwin, Cradock and Joy. p.  1319: 1216:. Cassell: ix (following p. 430). 1878–1904. 921:wrote at the beginning of the 19th century: 394:: 19th-century flags in a 16th-century scene 963:(a name not in fact bestowed until 330 AD). 860:, working in the traditions established by 746:Buildings or natural features, such as the 1512: 1433:Saint Dominic presiding over an Auto-da-fe 1344: 917:(1700–1754). The philosopher and reformer 792: 1811:. Princeton: Princeton University Press. 1569:"Sliding Through Science History, Part 2" 1447: 158:Learn how and when to remove this message 1859: 1539: 1375: 1237: 1036:List of stories set in a future now past 796: 675: 631: 420: 371:, when mutineers were executed by being 194: 172: 36: 1799: 1720: 1683: 1592: 1274:. Vol. 1. Edinburgh. p. xvii. 872: 772: 756:edited to remove the World Trade Center 614:Imperial Crown of the Holy Roman Empire 14: 1880: 1668: 1649: 1619: 1320:von Wolzogen, Alfred Freiherr (1866). 653: 199:1723 depiction of the Irish High King 1691:. Basingstoke: Palgrave. p. 63. 1566: 1426: 1323:Raphael Santi: His Life and His Works 1293: 1264: 952:, a decree purportedly issued by the 665: 575:The Embarkation of the Queen of Sheba 416: 1769: 1448:van Riper, A. Bowdoin (2013-09-26). 1400: 1086: 1084: 1082: 1080: 502:Anachronisms abound in the works of 330:depicts the peace agreement between 140:adding citations to reliable sources 111: 24: 1016:Anachronisms in the Book of Mormon 977:The use of 19th- and 20th-century 968:anachronisms in the Book of Mormon 727:divided Germany and divided Berlin 690:advanced enough for a large-scale 25: 1899: 1826: 1077: 989:, who died in 1790) is a forgery. 321:Politically motivated anachronism 1847: 1832: 1772:"Is Willie Lynch's Letter Real?" 1513:Glaskowsky, Peter (2009-05-08). 1212:. November 1887 – October 1888. 1051:Society for Creative Anachronism 844:Presentism (historical analysis) 602: 566: 545: 520: 399: 380: 367:), depicts the aftermath of the 116: 30:For the card strategy game, see 1793: 1763: 1742: 1731:A Treatise on Judicial Evidence 1714: 1705: 1677: 1662: 1643: 1613: 1586: 1573:NIH Intramural Research Program 1560: 1533: 1506: 1468: 1441: 1394: 1369: 1338: 1313: 1287: 936:– second indication of forgery. 927:The mention of posterior facts; 909:(1632–1707) and his successors 285: 227: 127:needs additional citations for 1567:Lyons, Michele (9 June 2016). 1376:Montagne, Renee (2014-02-14). 1278: 1258: 1231: 1220: 1198: 1171: 1147: 1123: 929:– first indication of forgery. 837: 805:in 1945. It shows the 50-star 258: 13: 1: 1837:The dictionary definition of 1593:Nunberg, Geoff (2013-02-26). 1345:Martindale, Michelle (2005). 1238:Potthast, Jane (2013-09-18). 1109:10.1080/13642529.2019.1677294 1071: 621: 533: 361: 215:(first used in 1642) and the 55:. A 17th-century painting by 1540:Hornaday, Ann (2002-12-06). 702:Even with careful research, 211:). In the background is the 87: 76: 7: 1515:"Living the Star Trek life" 1155:"Definition of PROCHRONISM" 1004: 966:A large number of apparent 829:in records made by English 582:showing the arrival of the 207:(only introduced after the 27:Chronological inconsistency 10: 1904: 849:is sometimes described as 841: 669: 484:. It is hardly present in 305: 299: 278: 272: 247: 241: 82: 71: 29: 948:in 1440 of the so-called 915:Charles-François Toustain 758:to avoid this situation. 476:; he never doubted that " 1770:Cobb, W. Jelani (2004). 1711:Grafton 1990, pp. 75–98. 1669:Davies, Stephen (2003). 1401:Cole, Tom (2011-03-31). 1026:Evolutionary anachronism 369:Indian Rebellion of 1857 107: 1870:Encyclopædia Britannica 1159:www.merriam-webster.com 950:Donation of Constantine 793:Unconscious anachronism 219:, which dates from the 1671:Empiricism and History 1328:Smith, Elder & Co. 938: 810: 699: 650: 500: 433: 224: 192: 59: 957:Constantine the Great 923: 800: 679: 635: 578:, a 1648 painting by 536:1520, shows Biblical 529:Lot and His Daughters 462: 424: 245:, "on the side", and 209:Anglo-Norman invasion 198: 176: 40: 1492:. pp. 167–170. 1355:. pp. 121–125. 1284:Grafton 1990, p. 67. 994:William Lynch speech 891:Richard Reitzenstein 889:(1559–1614), and of 873:Detection of forgery 773:Language anachronism 739:" these errors, the 692:colonization of Mars 451:Ludwig van Beethoven 426:Lawrence Alma-Tadema 136:improve this article 1547:The Washington Post 1210:The Magazine of Art 1031:Invented traditions 911:René-Prosper Tassin 696:propeller airplanes 654:Comical anachronism 430:originally American 352:Vasily Vereshchagin 332:Ioan Bogdan Voievod 180:Nuremberg Chronicle 1630:The New York Times 1271:Ivanhoe; a Romance 1135:www.etymonline.com 1097:Rethinking History 811: 763:Robert A. Heinlein 748:World Trade Center 700: 666:Future anachronism 651: 434: 417:Art and literature 354:, in his painting 348:Kingdom of Romania 342:(blue-red) and of 313:or writing with a 225: 193: 60: 32:Anachronism (game) 987:Benjamin Franklin 985:" (attributed to 983:Franklin Prophecy 862:Leopold von Ranke 686:cover has future 639:co-existing with 595:Renaissance-style 168: 167: 160: 16:(Redirected from 1895: 1874: 1853: 1851: 1850: 1836: 1822: 1810: 1801:Grafton, Anthony 1788: 1787: 1785: 1783: 1774:. Archived from 1767: 1761: 1760: 1758: 1757: 1746: 1740: 1739: 1718: 1712: 1709: 1703: 1702: 1681: 1675: 1674: 1666: 1660: 1659: 1652:Church Monuments 1647: 1641: 1640: 1638: 1637: 1617: 1611: 1610: 1608: 1607: 1590: 1584: 1583: 1581: 1579: 1564: 1558: 1557: 1555: 1554: 1537: 1531: 1530: 1528: 1527: 1510: 1504: 1503: 1480:Salvatore, R. A. 1472: 1466: 1465: 1463: 1462: 1445: 1439: 1430: 1424: 1423: 1421: 1420: 1411:. Archived from 1398: 1392: 1391: 1389: 1388: 1373: 1367: 1366: 1342: 1336: 1335: 1317: 1311: 1310: 1291: 1285: 1282: 1276: 1275: 1262: 1256: 1255: 1253: 1252: 1235: 1229: 1224: 1218: 1217: 1202: 1196: 1195: 1193: 1191: 1175: 1169: 1168: 1166: 1165: 1151: 1145: 1144: 1142: 1141: 1127: 1121: 1120: 1088: 944:The exposure by 913:(1697–1777) and 783:willingly accept 715:Saint Petersburg 688:space technology 626: 623: 606: 570: 549: 535: 532:, a painting of 524: 403: 384: 366: 363: 328:Constantin Lecca 308: 307: 302: 301: 281: 280: 276:, "before", and 275: 274: 250: 249: 244: 243: 163: 156: 152: 149: 143: 120: 112: 90: 85: 84: 80:, 'against' and 79: 74: 73: 21: 1903: 1902: 1898: 1897: 1896: 1894: 1893: 1892: 1878: 1877: 1863:, ed. (1911). " 1848: 1846: 1829: 1819: 1796: 1791: 1781: 1779: 1768: 1764: 1755: 1753: 1748: 1747: 1743: 1726:Dumont, Étienne 1722:Bentham, Jeremy 1719: 1715: 1710: 1706: 1699: 1685:Marwick, Arthur 1682: 1678: 1667: 1663: 1648: 1644: 1635: 1633: 1621:Safire, William 1618: 1614: 1605: 1603: 1591: 1587: 1577: 1575: 1565: 1561: 1552: 1550: 1538: 1534: 1525: 1523: 1511: 1507: 1500: 1473: 1469: 1460: 1458: 1446: 1442: 1431: 1427: 1418: 1416: 1399: 1395: 1386: 1384: 1374: 1370: 1363: 1343: 1339: 1318: 1314: 1292: 1288: 1283: 1279: 1263: 1259: 1250: 1248: 1236: 1232: 1227:Succulenta 2017 1225: 1221: 1204: 1203: 1199: 1189: 1187: 1184:Merriam-Webster 1177: 1176: 1172: 1163: 1161: 1153: 1152: 1148: 1139: 1137: 1129: 1128: 1124: 1089: 1078: 1074: 1061:Tiffany Problem 1007: 930: 895:Hermetic Corpus 879:Anthony Grafton 875: 846: 840: 825:and figures in 795: 775: 704:science fiction 683:Amazing Stories 674: 668: 656: 646:The Flintstones 628: 624: 607: 598: 571: 562: 550: 541: 525: 482:Waverley novels 447:Anthony Grafton 419: 412: 404: 395: 392:become Brothers 388:Moldavians and 385: 373:blown from guns 364: 323: 303:, "after", and 288: 261: 230: 217:Comerford Crown 213:green harp flag 164: 153: 147: 144: 133: 121: 110: 91:, 'time') is a 35: 28: 23: 22: 15: 12: 11: 5: 1901: 1891: 1890: 1876: 1875: 1861:Chisholm, Hugh 1844: 1828: 1827:External links 1825: 1824: 1823: 1817: 1795: 1792: 1790: 1789: 1762: 1741: 1713: 1704: 1697: 1676: 1661: 1642: 1623:(2000-03-26). 1612: 1585: 1559: 1532: 1505: 1498: 1476:Athans, Philip 1467: 1440: 1425: 1393: 1368: 1361: 1337: 1312: 1286: 1277: 1257: 1230: 1219: 1197: 1179:"Metachronism" 1170: 1146: 1122: 1103:(4): 435–455. 1075: 1073: 1070: 1069: 1068: 1063: 1058: 1053: 1048: 1043: 1038: 1033: 1028: 1023: 1018: 1013: 1006: 1003: 1002: 1001: 990: 975: 964: 961:Constantinople 940:Examples are: 919:Jeremy Bentham 887:Isaac Casaubon 874: 871: 866:Arthur Marwick 839: 836: 794: 791: 774: 771: 667: 664: 655: 652: 630: 629: 618:Albrecht Dürer 608: 601: 599: 584:Queen of Sheba 580:Claude Lorrain 572: 565: 563: 551: 544: 542: 526: 519: 418: 415: 414: 413: 405: 398: 396: 386: 379: 322: 319: 287: 284: 260: 257: 229: 226: 166: 165: 124: 122: 115: 109: 106: 57:Cesare Gennari 26: 9: 6: 4: 3: 2: 1900: 1889: 1886: 1885: 1883: 1872: 1871: 1866: 1862: 1857: 1856:public domain 1845: 1843:at Wiktionary 1842: 1841: 1835: 1831: 1830: 1820: 1814: 1809: 1808: 1802: 1798: 1797: 1778:on 2016-02-19 1777: 1773: 1766: 1751: 1745: 1737: 1733: 1732: 1727: 1723: 1717: 1708: 1700: 1698:0-333-96447-0 1694: 1690: 1686: 1680: 1672: 1665: 1657: 1653: 1646: 1632: 1631: 1626: 1622: 1616: 1602: 1601: 1596: 1589: 1574: 1570: 1563: 1549: 1548: 1543: 1536: 1522: 1521: 1516: 1509: 1501: 1499:9781440507298 1495: 1491: 1487: 1486: 1481: 1477: 1471: 1457: 1456: 1451: 1444: 1438: 1434: 1429: 1415:on 2021-04-29 1414: 1410: 1409: 1404: 1397: 1383: 1379: 1372: 1364: 1362:9781134848508 1358: 1354: 1350: 1349: 1341: 1333: 1329: 1325: 1324: 1316: 1308: 1304: 1300: 1296: 1290: 1281: 1273: 1272: 1267: 1266:Scott, Walter 1261: 1247: 1246: 1241: 1234: 1228: 1223: 1215: 1211: 1207: 1201: 1186: 1185: 1180: 1174: 1160: 1156: 1150: 1136: 1132: 1126: 1118: 1114: 1110: 1106: 1102: 1098: 1094: 1087: 1085: 1083: 1081: 1076: 1067: 1064: 1062: 1059: 1057: 1054: 1052: 1049: 1047: 1044: 1042: 1041:Retrofuturism 1039: 1037: 1034: 1032: 1029: 1027: 1024: 1022: 1019: 1017: 1014: 1012: 1009: 1008: 999: 995: 991: 988: 984: 980: 976: 973: 972:pre-Columbian 969: 965: 962: 958: 955: 951: 947: 946:Lorenzo Valla 943: 942: 941: 937: 935: 928: 922: 920: 916: 912: 908: 907:Jean Mabillon 904: 900: 896: 892: 888: 884: 880: 870: 867: 863: 859: 856: 852: 845: 835: 832: 828: 827:stained glass 824: 823:tomb effigies 821: 817: 816:cultural bias 808: 804: 799: 790: 788: 784: 779: 770: 768: 764: 759: 757: 753: 752:New York City 749: 744: 742: 738: 734: 733: 728: 724: 720: 717:in Russia as 716: 712: 707: 705: 697: 693: 689: 685: 684: 678: 673: 672:Retrofuturism 663: 660: 648: 647: 642: 638: 634: 619: 615: 611: 605: 600: 596: 592: 591:sailing ships 589: 585: 581: 577: 576: 569: 564: 560: 559: 554: 548: 543: 539: 531: 530: 523: 518: 517: 516: 513: 509: 505: 499: 497: 496: 491: 487: 483: 479: 475: 471: 467: 461: 459: 454: 452: 448: 443: 438: 431: 427: 423: 410: 409: 402: 397: 393: 391: 383: 378: 377: 376: 374: 370: 359: 358: 353: 349: 345: 341: 337: 333: 329: 318: 316: 312: 297: 293: 283: 270: 266: 256: 252: 239: 235: 222: 218: 214: 210: 206: 202: 197: 190: 186: 185:ancient Greek 183:(1493) shows 182: 181: 175: 171: 162: 159: 151: 148:December 2020 141: 137: 131: 130: 125:This section 123: 119: 114: 113: 105: 101: 98: 97:juxtaposition 94: 93:chronological 89: 78: 69: 65: 58: 54: 50: 46: 43: 42:Ancient Greek 39: 33: 19: 18:Anachronistic 1868: 1839: 1806: 1794:Bibliography 1780:. Retrieved 1776:the original 1765: 1754:. Retrieved 1744: 1730: 1716: 1707: 1688: 1679: 1670: 1664: 1655: 1651: 1645: 1634:. Retrieved 1628: 1615: 1604:. Retrieved 1598: 1588: 1576:. Retrieved 1572: 1562: 1551:. Retrieved 1545: 1535: 1524:. Retrieved 1518: 1508: 1484: 1470: 1459:. Retrieved 1453: 1443: 1437:Prado Museum 1428: 1417:. Retrieved 1413:the original 1406: 1396: 1385:. Retrieved 1371: 1347: 1340: 1322: 1315: 1298: 1295:Lewis, C. S. 1289: 1280: 1270: 1260: 1249:. Retrieved 1243: 1233: 1222: 1213: 1209: 1200: 1188:. Retrieved 1182: 1173: 1162:. Retrieved 1158: 1149: 1138:. Retrieved 1134: 1125: 1100: 1096: 1066:Whig history 979:anti-semitic 939: 933: 926: 924: 876: 847: 812: 776: 760: 745: 730: 711:Soviet Union 708: 701: 681: 657: 644: 612:wearing the 588:17th-century 573: 556: 527: 512:Carol Meyers 501: 493: 470:Elizabethans 463: 455: 442:Walter Scott 439: 435: 406: 387: 355: 336:Radu Voievod 324: 292:metachronism 291: 289: 286:Metachronism 264: 262: 253: 234:parachronism 233: 231: 228:Parachronism 205:coat of arms 187:philosopher 178: 169: 154: 145: 134:Please help 129:verification 126: 102: 63: 61: 1888:Anachronism 1865:Anachronism 1840:anachronism 1490:Adams Media 1408:Radio Times 899:diplomatics 838:In academia 831:antiquaries 767:slide rules 625: 1512 610:Charlemagne 508:Shakespeare 458:C. S. Lewis 365: 1884 265:prochronism 259:Prochronism 64:anachronism 1818:0691055440 1756:2013-02-01 1636:2014-07-31 1606:2014-06-11 1553:2014-06-11 1526:2014-06-11 1461:2014-06-11 1455:PopMatters 1419:2014-07-31 1387:2014-06-15 1251:2014-06-11 1245:PopMatters 1190:26 January 1164:2024-09-12 1140:2024-09-12 1072:References 1046:Skeuomorph 858:historians 855:Empiricist 851:presentism 842:See also: 737:retconning 694:alongside 670:See also: 597:buildings. 558:auto-da-fé 553:St Dominic 390:Muntenians 294:(from the 267:(from the 236:(from the 221:Bronze Age 201:Brian Boru 66:(from the 1752:. Adl.org 1658:: 124–32. 1353:Routledge 1117:1364-2529 1056:Steampunk 1021:Anatopism 807:U.S. flag 741:2009 film 732:Star Trek 719:Leningrad 637:Dinosaurs 472:. 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Index

Anachronistic
Anachronism (game)

Ancient Greek
Orpheus
violin
lyre
Cesare Gennari
Greek
chronological
juxtaposition

verification
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Nuremberg Chronicle
ancient Greek
Aristotle

Brian Boru
coat of arms
Anglo-Norman invasion
green harp flag
Comerford Crown
Bronze Age
Greek
Greek
Greek

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