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Amused to Death

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was less favorable, writing "The result is blurred structure (partly improved by the moving old-soldier's tale Waters uses as a framing device), too much repetition and a certain distance and overintellectualization. overall there's a dearth of the good old
507:. "I found it very moving," Waters remarked. "That original programme confronted the horrors of war and told the real story. It was an example of television taking its responsibilities seriously." The opening track also features the sound of several animals. 521:" is a two-part song about a world where live transmissions of wars are the main form of entertainment. The first part begins with a loud, unintelligible rant, then a backwards message from Waters: "Julia, however, in the light and visions of the issues of 525:, we changed our minds. We have decided to include a backward message. Stanley, for you, and for all the other book burners." The message climaxes with Waters yelling in the aggressive Scottish voice he used to depict the teacher in 1183:
On 15 April 2015, Waters announced that the album would be remastered and reissued on 24 July 2015 featuring a new 5.1 multichannel audio mix, as well as a new stereo mix. It was made available in a number of formats, including CD,
1205:. But it's nowhere near those other albums. The 2015 remastering makes it a good sounding album, but it's just not the kind of infinitely listenable album that Waters is capable of creating." In its review of the 2015 reissue, 816:. The image on the TV is a gigantic eyeball staring at the viewer. According to Waters, the ape was "a symbol for anyone who's been sitting with his mouth open in front of the network and cable news for the last 10 years." 591:" Waters sings, "I've looked over Jordan and I have seen, things are not what they seem"; in "The Bravery of Being Out of Range" he sings "I looked over Jordan and what did I see? I saw a U.S. Marine in a pile of debris." 746:, the film's director, turned him down on the basis that it would open the door to many other people using the sound sample. Others think that Kubrick refused because Pink Floyd had not allowed him to use music from 489:, he describes finding fellow soldier William "Bill" Hubbard – to whom the album is dedicated – severely wounded on the battlefield. After failed attempts to take him to safety, Razzell is forced to abandon him in 1240:. The winners were listed as follows: "James Guthrie, surround mix engineer; James Guthrie & Joel Plante, surround mastering engineers; James Guthrie, surround producer (Roger Waters) Label: Columbia/Legacy" 419:
to enhance the spatial feel of the audio, and the many sound effects on the album – rifle range ambience, sleigh-bells, cars, planes, distant horses, chirping crickets, and dogs – all make use of the
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and high-resolution downloads. In a review of the 2015 remastering of the album, journalist J.C. Maçek III of Spectrum Culture wrote that "Not every album can be a masterpiece, but Waters has stated that
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was and still is a powerful statement from one of rock music's most literate misanthropes. As time goes on, it gets harder and harder to believe that it slipped under everyone's radar so thoroughly."
1132:, writing "self-importance doesn't equal profundity, and the world's most mind-blowing engineering couldn't cover up the deterioration of Waters' singing and melodic sense since his days with Floyd." 493:. The tale is continued at the end of the title track, at the very end of the album, providing a coda to the tragic story, with Razzell describing how he finally found peace. The excerpts are from 4351: 455:
The album is loosely organized around the idea of an ape randomly switching channels on a television, but explores numerous political and social themes, including critiques of the
2840: 4344: 758:. Waters did use the samples of HAL describing his mind being taken away when performing live – specifically at the beginning of "Perfect Sense, Part I" during his 538:
narrates a war as if it were a basketball game. "My main inspiration behind the song 'Perfect Sense'," Waters explained, "came from thinking about the days of the
3578: 759: 662:," Waters explained. "That line originally read, 'Each man has his price, my friends…' – so make of that what you will. As a joke, I sang 'Bob' instead, and 4723: 4337: 2678: 1176:– the live one, which pulls together songs from all three albums – hopefully redresses the balance." On 19 September 2013, Waters told BBC HardTalk that 373:
In 2015, the album was remastered and re-released with new artwork and in different formats, including a new 5.1 surround sound mix by original engineer
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described the album as "a masterpiece in the sense that it brings together all of his obsessions in one grand, but not unwieldy, package".
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Amused to Death is the only studio album by Waters to not have a tour supporting it, though some songs were performed during the
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Roger Waters, once the lead singer of Pink Floyd, was sufficiently inspired by a book of mine to produce a CD called
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in which the film's characters wrestle over a flashlight. The title track begins with the lyric, "Doctor, Doctor". "
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Bargrizan, Navid (2017). "The Monkey is Amused to Death: Roger Waters' Masterpiece and its Commercial Failure".
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Popular Music Studies Today: Proceedings of the International Association for the Study of Popular Music 2017
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Dutilleux: Sur le Même Accord; Les Citations; Mystères de l'Instant & Timbres, Espace, Mouvement
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in 1987 when he first wrote "Perfect Sense." It was several years before the album was released.
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wrote that the album shows Waters "at his most bleakly inspired since the cautionary parable of
411:. The album was engineered by Hayden Bendall, Jerry Jordan, and Stephen McLaughlan and mixed by 4592: 4193: 4048: 1349: 1319: 1269: 669:
insisted that we leave it in. So, although it was unintentional, I'm happy that it's there for
293: 4329: 4125: 3100: 2483: 4318: 4217: 3799: 2805: 1854: 1543: 1334: 1134: 107: 1255:, Waters' first Top 10 as a solo artist in his homeland, and a career high of No. 21 on the 557: 4693: 4431: 4375: 4154: 4147: 3438: 2918: 2890: 2765: 2520: 2456:
The Great War on the Small Screen: Representing the First World War in Contemporary Britain
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pilot. The lyrics about "when you take the jeans from the refrigerator" reference a 1985
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Mussorgsky: Pictures At An Exhibition; Night On Bald Mountain; Prelude To Khovanshchina
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appeal that always lifted the better Pink Floyd records." A negative review came from
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was produced by Patrick Leonard, Waters, and was co-produced with Nick Griffiths in
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documentary, "A Game of Ghosts", marking the 75th anniversary of the start of the
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stands up on its own as one of the better, more intriguing post-Floyd records".
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interview on February 8, 1993, that he had wanted to use dialogue samples from
647:". It ends with an audio clip of Tom Bromley, an elderly WWI veteran, singing " 622: 511: 494: 480: 276: 244: 48: 3360: 3333: 3202: 2606: 2584: 2395: 607: 4682: 4436: 4415: 4408: 4293: 3736: 3653: 2495: 2397:
roger waters us+them - the bravery of being out of range 2018. live in moscow
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Reissue Review :: Music :: Reviews :: Roger Waters ::
4666: 4640: 4485: 4384: 4288: 3678: 2045: 1905: 1896: 1675: 1556: 1510: 1503: 1156:: "My view is that I've been involved in two absolutely classic albums – 535: 471: 124: 704:): The same song features a sample from the 1977 low-budget zombie film 635:. "What God Wants, Part III" musically references the Pink Floyd songs " 4527: 4501: 4400: 4380: 4273: 3727:
White, Timothy (1 August 1992). "Roger Waters' 'Death' & Rebirth".
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aged well musically, it has unfortunately aged well thematically too.
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The first track, "The Ballad of Bill Hubbard", features the voice of
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on lead guitar on several tracks. The album's title was inspired by
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Syndicated 1-hour radio special and transcript devoted to the album
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from the perspective of two "ordinary wives" and a young American
3679:"British album certifications – Roger Waters – Amused to Death" 3225:"Roger Waters announces newly remixed version of Amused to Death" 2611: 1189: 435:, and "The Bravery of Being Out of Range" was performed on the 4359: 3791: 1697: 1496: 547: 416: 396: 353: 720:, the first song written by Waters, opens with the same line. 1578: 1553: 451:
The album centers around the effects of televised mass media.
56: 2810:– Roger Waters | Songs, Reviews, Credits, Awards | AllMusic" 594:"Late Home Tonight, Part I", which opens with the song of a 3731:. Vol. 104, no. 31. Nielsen Business Media, Inc. 3392: 1750: 1746: 3380: 694:
In "It's a Miracle" Waters makes a scathing reference to
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Several tracks on the album comment on and criticize the
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Stan Farber (credited as Stan Laurel) – backing vocals
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is an underrated effort that serves as a third part to
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National Philharmonic Orchestra Limited – orchestra
3045: 3043: 2870: 2868: 1272:chart in 1992. It was also certified Silver by the 810:watching television in reference to Kubrick's film 3529:"Danishcharts.dk – Roger Waters – Amused to Death" 2881:(Reissue) / Reviews / Reviews // Drowned in Sound" 2834: 2832: 2272: 1920:Jessica Leonard, Jordan Leonard – screaming kids 4680: 3566:"Lescharts.com – Roger Waters – Amused to Death" 3194:BBC HARDtalk - Roger Waters - Musician (19/9/13) 3040: 2865: 2677:: CS1 maint: bot: original URL status unknown ( 2660:. Archived from the original on 17 November 2013 356:to enhance its spatial feel. The album features 3710:Roger Waters and Pink Floyd: The Concept Albums 3126: 2829: 2328:Shipments figures based on certification alone. 3517:"Ultratop.be – Roger Waters – Amused to Death" 3505:"Ultratop.be – Roger Waters – Amused to Death" 1070: 941: 886: 848: 613:At the beginning of "What God Wants, Part II" 340:is the third studio album by English musician 4345: 3807: 3608:"Irish-charts.com – Discography Roger Waters" 3010: 3008: 2658:"Who the hell does Roger Waters think he is?" 1818:John Dupree – strings arranger and conductor 766:album for the 2015 remaster / remix release. 4572:– Alexander Lipay & Dmitriy Lipay (2016) 4518:, Darcy Proper & Michael Friedman (2012) 3633:"ARIA Charts – Accreditations – 2015 Albums" 3399:"Charts.nz – Roger Waters – Amused to Death" 2911: 1034: 996: 655:. The clip is also from "A Game of Ghosts". 380: 4724:Grammy Award for Best Immersive Audio Album 4392:Brothers In Arms - 20th Anniversary Edition 4383:, Robert Hadley & Doug Sax, John Burk, 4361:Grammy Award for Best Immersive Audio Album 2943: 2941: 2799: 2797: 2693:"Amazon.com: Customer Reviews: Shock Waves" 2490:. No. 3523. 20 June 1991. p. 50. 2418:"Roger Waters Setlist at MVP Arena, Albany" 4352: 4338: 3814: 3800: 3622:. Hung Medien. Retrieved 26 October 2022. 3610:. Hung Medien. Retrieved 26 October 2022. 3568:. Hung Medien. Retrieved 26 October 2022. 3531:. Hung Medien. Retrieved 26 October 2022. 3433: 3431: 3425:. Hung Medien. Retrieved 26 October 2022. 3413:. Hung Medien. Retrieved 26 October 2022. 3401:. Hung Medien. Retrieved 26 October 2022. 3389:. Hung Medien. Retrieved 26 October 2022. 3005: 2787: 2785: 2783: 1234:Grammy Award for Best Surround Sound Album 1142:on their list "Top 100 90's Rock Albums". 689:protests for democracy in Tiananmen Square 47: 4002:Flickering Flame: The Solo Years Volume 1 3751: 3640:Australian Recording Industry Association 2440: 2438: 1243: 4719:Albums recorded at Olympic Sound Studios 4600:, Dave Donnelly & P.J. Olsson (2018) 2938: 2794: 2350: 2348: 2346: 806:The album's original artwork features a 556: 446: 3756:. Springer Fachmedien. pp. 25–33. 3428: 3014: 2780: 14: 4681: 2874: 2645:. Vol. 1, no. 3. p. 56. 2565:. Vol. 1, no. 3. p. 56. 2547:. Vol. 1, no. 3. p. 56. 2435: 2357: 1914:Lynn Fiddmont-Linsey – backing vocals 1595:(2, 5 (2015 reissue only), 10, 12, 14) 1462: 1451: 1440: 1429: 1418: 4333: 3795: 3726: 3369:from the original on 12 December 2021 3342:from the original on 12 December 2021 3315:from the original on 12 December 2021 3279: 3277: 3122: 3120: 3085: 3079: 2947: 2637: 2619:from the original on 12 December 2021 2599: 2557: 2539: 2514: 2512: 2453: 2343: 1473: 1407: 1396: 1385: 1374: 1359: 1344: 1329: 1314: 1303: 829: 36:1992 studio album by Roger Waters 3983:Another Brick in the Wall: The Opera 3870:Igor Stravinsky's The Soldier's Tale 3707: 3049: 2975: 2838: 2023: 1833:– orchestral arranger and conductor 1276:for sales of over 60,000 in the UK. 679:The song "Watching TV" (a duet with 4493:Layla and Other Assorted Love Songs 3243: 3201:. 20 September 2013. Archived from 2926:from the original on 9 October 2012 1284:All songs written by Roger Waters. 1172:, you haven't got the full set. So 1072: 943: 888: 850: 637:Shine On You Crazy Diamond (Part I) 24: 4714:Albums produced by Patrick Leonard 4625:Soundtrack of the American Soldier 3745: 3274: 3127:Maçek III, J.C. (11 August 2015). 3117: 2912:Sandow, Greg (11 September 1992). 2509: 774:The album's title was inspired by 25: 4735: 4584:/Darcy Proper/Jim Anderson & 4056:The Bravery of Being Out of Range 4021:The Pros and Cons of Hitch Hiking 3838:The Pros and Cons of Hitch Hiking 3785:on which the album draws, at the 3771: 3335:The Bravery of Being Out of Range 3092:The New Rolling Stone Album Guide 2976:Gaar, Gillian G. (28 July 2015). 2948:Boehm, Mike (13 September 1992). 2257: 1890:Natalie Jackson – backing vocals 1365:The Bravery of Being Out of Range 1036: 998: 649:Wait 'Till the Sun Shines, Nellie 461:The Bravery of Being Out of Range 307:The Bravery of Being Out of Range 4314: 4313: 4063:To Kill the Child/Leaving Beirut 3862:Is This the Life We Really Want? 3821: 2005:Stephen McLaughlin – engineering 1614:, Rickenbacker 12-string guitar 1279: 1180:has been completely underrated. 1091: 1086: 1081: 1076: 1071: 1055: 1050: 1045: 1040: 1035: 1017: 1012: 1007: 1002: 997: 957: 952: 947: 942: 902: 897: 892: 887: 869: 864: 859: 854: 849: 712:Take Up Thy Stethoscope and Walk 600:1986 US air strike against Libya 385:Roger Waters started working on 114:Johnny Yuma Recording (Burbank) 112:Ameraycan Studios (Los Angeles) 4709:Albums produced by Roger Waters 3886:The Dark Side of the Moon Redux 3571: 3534: 3456: 3353: 3326: 3299: 3217: 3185: 3160: 3146: 2969: 2905: 2875:Miller, Gavin (5 August 2015). 2839:Caro, Mark (3 September 1992). 2762:"ATD - Neil Postman's Response" 2754: 2728: 2710: 2685: 2649: 2641:, Mark (1992). "Still Waters". 2631: 2569: 2561:, Mark (1992). "Still Waters". 2551: 2543:, Mark (1992). "Still Waters". 2533: 344:, released 7 September 1992 on 4228:The Dark Side of the Moon Live 3286:Roger Waters - Amused To Death 3015:Garratt, John (23 July 2015). 2914:"Amused to Death Music Review" 2877:"Album Review: Roger Waters – 2476: 2447: 2410: 2388: 2366: 1732:– upright bass, electric bass 1291: 723: 717:The Piper at the Gates of Dawn 617:(better known as the voice of 546:and have fights between rival 234:Roger Waters studio chronology 13: 1: 4629:United States Army Field Band 3683:British Phonographic Industry 3257:British Phonographic Industry 2336: 1848:London Welsh Chorale – choir 1274:British Phonographic Industry 1029:The Rolling Stone Album Guide 676:. I hope he appreciates it." 3712:. Rowman & Littlefield. 2234: 2222: 2202: 2182: 2170: 2158: 2146: 2086: 2074: 2062: 2050: 1999:Hayden Bendall – engineering 1996:Nick Griffiths – co-producer 1741:& the Peking Brothers – 1486: 1389:"Late Home Tonight, Part II" 1307:"The Ballad of Bill Hubbard" 819: 801: 542:, when they would flood the 7: 4467:& Elaine Martone (2009) 2375:Roger Waters - In The Flesh 1944:Jon Joyce – backing vocals 1378:"Late Home Tonight, Part I" 789:, he remarks on the album: 738:on the album, specifically 377:, assisted by Joel Plante. 88:The Billiard Room (London) 10: 4740: 3700: 3154:"Top 100 '90s Rock Albums" 2804:Erlewine, Stephen Thomas. 2655:Q magazine, November 1992, 2460:Edinburgh University Press 2002:Jerry Jordan – engineering 1723:John Pierce – bass guitar 1422:"What God Wants, Part III" 781:Amusing Ourselves to Death 367:Amusing Ourselves to Death 29:Amusing Ourselves to Death 26: 4627:– Jim R. Keene & the 4617: 4484:– Keith O. Johnson & 4474: 4435:– Paul Hicks, Tim Young, 4387:& Herbert Walf (2004) 4367: 4309: 4251: 4210: 4180:The Wall – Live in Berlin 4171: 4139: 4012: 3993: 3966: 3932:The Wall – Live in Berlin 3923: 3896: 3829: 3362:Late Home Tonight, Pt. II 2325: 2310: 2295: 2280: 2269: 2266: 2239: 2227: 2215: 2207: 2195: 2187: 2175: 2163: 2151: 2139: 2134: 2131: 2101: 2091: 2079: 2067: 2055: 2043: 2038: 2035: 2018: 1775:Denny Fongheiser – drums 1602:– electric rhythm guitar 1562:, 2nd sportscaster voice 1411:"What God Wants, Part II" 1298: 1295: 1290: 1238:58th Annual Grammy Awards 1159:The Dark Side of the Moon 1145: 837: 834: 442: 381:Background and production 348:. Produced by Waters and 329: 286: 275: 238: 233: 229: 199:The Wall – Live in Berlin 192: 184: 163: 151: 135: 123: 84: 76: 68: 55: 46: 41: 4662:The Diary of Alicia Keys 4566:& Joel Plante (2015) 2736:"The Kubrick FAQ Part 4" 1571:(5, not on 2015 reissue) 785:In Postman's later book 769: 701:The Phantom of the Opera 585:Swing Low, Sweet Chariot 415:. The album is mixed in 299:Released: 24 August 1992 117:Devonshire Sound Studios 27:Not to be confused with 4704:Columbia Records albums 4279:The Bleeding Heart Band 4201:Roger Waters: Us + Them 3956:Roger Waters: Us + Them 2607:"(Refrigerator) (1988)" 1929:– TV evangelist speech 1606:acoustic rhythm guitar 1168:And if you haven't got 685:influence of mass media 405:Angel Recording Studios 98:Angel Recording Studios 4504:, Bill Levenson & 4194:Roger Waters: The Wall 4049:What God Wants, Part I 3948:Roger Waters: The Wall 3021:(Take 1) | PopMatters" 1685:John "Rabbit" Bundrick 1680:(5, 2015 reissue only) 1651:Rick DiFonzo – guitar 1350:Perfect Sense, Part II 1320:What God Wants, Part I 1270:Mainstream Rock Tracks 1244:Commercial performance 799: 742:'s 'dying' monologue. 621:) performs the greedy 566: 531:. In the second part, 512:What God Wants, Part I 452: 399:at The Billiard Room, 294:What God Wants, Part I 4423:, Darcy Proper & 4155:Perfect Sense, Pt. II 4105:Comfortably Numb 2022 3878:The Lockdown Sessions 3783:Alf Razzell interview 1908:– sportscaster voice 1814:(1, 3–4, 6–8, 10, 12) 1719:(3–4, 6–8, 10, 12–14) 1645:– pedal steel guitar 1335:Perfect Sense, Part I 1251:reached No. 8 on the 1209:wrote: "not only has 1199:Dark Side of the Moon 1135:Ultimate Classic Rock 813:2001: A Space Odyssey 791: 735:2001: A Space Odyssey 671:(Pink Floyd producer) 608:Levi's 501 commercial 560: 554:fuelled that idea." 450: 108:Compass Point Studios 95:CTS Studios (London) 4699:1990s concept albums 4376:Genius Loves Company 4218:K.A.O.S. On the Road 4148:Perfect Sense, Pt. I 3589:on 24 September 2015 3229:Consequence of Sound 3205:on 23 September 2013 3097:Simon & Schuster 2919:Entertainment Weekly 2722:4 April 2012 at the 2519:"A Game of Ghosts". 2454:Hanna, Emma (2009). 2208:German Albums Chart 2056:New Zealand Albums ( 1600:Andy Fairweather Low 1525:twelve-string guitar 924:Entertainment Weekly 825:Professional ratings 787:The End of Education 645:Breathe (In the Air) 4689:Roger Waters albums 4482:Britten's Orchestra 4243:This Is Not a Drill 4187:In the Flesh – Live 4042:The Tide Is Turning 3940:In the Flesh – Live 3913:When the Wind Blows 3905:Music from The Body 3787:Imperial War Museum 3708:Rose, Phil (2015). 3050:Rathbone, Oregano. 2587:on 21 February 2007 2581:www.rogerwaters.org 2263: 2188:Dutch Albums Chart 2044:Australian Albums ( 1767:(2–4, 6–10, 12, 14) 826: 728:Waters stated in a 696:Andrew Lloyd Webber 666:(Leonard, producer) 505:Battle of the Somme 437:This Is Not A Drill 217:In the Flesh – Live 4070:Hello (I Love You) 3443:officialcharts.com 3263:on 15 January 2013 3252:BPI Certifications 2853:on 1 February 2012 2768:on 2 November 2019 2484:"A Game of Ghosts" 2262: 2068:Norwegian Albums ( 1857:– choir conductor 1669:– acoustic guitar 1618:, acoustic guitar 824: 755:A Clockwork Orange 567: 510:The second song, " 485:. A member of the 453: 409:Abbey Road Studios 352:, it was mixed in 103:Abbey Road Studios 4676: 4675: 4327: 4326: 4300:The Madcap Laughs 4284:Carolyne Christie 4162:Each Small Candle 4077:We Shall Overcome 3763:978-3-658-17740-9 3129:"Amused to Death" 3087:Cross, Charles R. 2955:Los Angeles Times 2950:"Amused to Death" 2841:"Amused to Death" 2791:Rose 2015, p. 191 2444:Rose 2015, p. 200 2363:Rose 2015, p. 254 2334: 2333: 2329: 2254: 2253: 2247: 2246: 2140:Austrian Albums ( 2117: 2116: 2082:Sverigetopplistan 1971: 1962: 1959:– backing vocals 1953: 1947: 1941: 1932: 1927:Charles Fleischer 1923: 1917: 1911: 1902: 1893: 1887: 1884:– backing vocals 1878: 1877:(2, 8, 9, 12, 14) 1875:– backing vocals 1869: 1868:(2, 8, 9, 12, 14) 1866:– backing vocals 1860: 1851: 1845: 1836: 1827: 1821: 1815: 1806: 1799: 1787: 1778: 1772: 1768: 1756: 1735: 1726: 1720: 1711: 1702: 1690: 1681: 1672: 1663: 1654: 1648: 1639: 1630: 1621: 1617: 1613: 1609: 1605: 1596: 1592: 1583: 1576: 1572: 1565: 1561: 1551: 1541: 1529: 1522: 1515: 1508: 1501: 1483: 1482: 1466:"Amused to Death" 1118:Los Angeles Times 1100: 1099: 936:Los Angeles Times 760:In the Flesh tour 749:Atom Heart Mother 615:Charles Fleischer 333: 332: 271: 270: 225: 224: 16:(Redirected from 4731: 4651:Stewart Copeland 4354: 4347: 4340: 4331: 4330: 4317: 4316: 4252:Related articles 4098:The Last Refugee 3816: 3809: 3802: 3793: 3792: 3767: 3740: 3723: 3694: 3693: 3691: 3689: 3675: 3669: 3668: 3657: 3651: 3650: 3648: 3646: 3637: 3629: 3623: 3617: 3611: 3605: 3599: 3598: 3596: 3594: 3585:. Archived from 3575: 3569: 3563: 3557: 3556: 3554: 3552: 3538: 3532: 3526: 3520: 3514: 3508: 3502: 3496: 3490: 3484: 3483: 3481: 3479: 3470:. Archived from 3460: 3454: 3453: 3451: 3449: 3435: 3426: 3420: 3414: 3408: 3402: 3396: 3390: 3384: 3378: 3377: 3376: 3374: 3357: 3351: 3350: 3349: 3347: 3330: 3324: 3323: 3322: 3320: 3303: 3297: 3296: 3295: 3293: 3281: 3272: 3271: 3270: 3268: 3259:, archived from 3247: 3241: 3240: 3238: 3236: 3221: 3215: 3214: 3212: 3210: 3189: 3183: 3182: 3180: 3178: 3164: 3158: 3157: 3156:. 25 March 2015. 3150: 3144: 3143: 3141: 3139: 3133:Spectrum Culture 3124: 3115: 3114: 3095:(4th ed.). 3083: 3077: 3076: 3074: 3072: 3065:Record Collector 3058:Record Collector 3047: 3038: 3037: 3035: 3033: 3012: 3003: 3002: 3000: 2998: 2973: 2967: 2966: 2964: 2962: 2945: 2936: 2935: 2933: 2931: 2909: 2903: 2902: 2900: 2898: 2889:. Archived from 2886:Drowned in Sound 2872: 2863: 2862: 2860: 2858: 2849:. Archived from 2836: 2827: 2826: 2824: 2822: 2801: 2792: 2789: 2778: 2777: 2775: 2773: 2764:. Archived from 2758: 2752: 2751: 2749: 2747: 2738:. Archived from 2732: 2726: 2714: 2708: 2707: 2705: 2703: 2689: 2683: 2682: 2676: 2668: 2666: 2665: 2653: 2647: 2646: 2635: 2629: 2628: 2626: 2624: 2603: 2597: 2596: 2594: 2592: 2583:. Archived from 2573: 2567: 2566: 2555: 2549: 2548: 2537: 2531: 2530: 2516: 2507: 2506: 2504: 2502: 2480: 2474: 2473: 2451: 2445: 2442: 2433: 2432: 2430: 2428: 2414: 2408: 2407: 2406: 2404: 2392: 2386: 2385: 2384: 2382: 2370: 2364: 2361: 2355: 2354:White 1992, p. 5 2352: 2327: 2311:United Kingdom ( 2264: 2261: 2240:UK Albums Chart 2228:Italian Albums ( 2164:Belgian Albums ( 2152:Belgian Albums ( 2129: 2128: 2080:Swedish Albums ( 2033: 2032: 2029:Original release 2024: 1969: 1960: 1951: 1945: 1939: 1930: 1921: 1915: 1909: 1900: 1891: 1885: 1876: 1867: 1858: 1849: 1843: 1834: 1825: 1819: 1813: 1804: 1797: 1785: 1776: 1770: 1766: 1754: 1733: 1724: 1718: 1709: 1700: 1688: 1687:– Hammond organ 1679: 1678:– Hammond organ 1670: 1661: 1652: 1646: 1637: 1628: 1619: 1615: 1611: 1607: 1603: 1594: 1590: 1581: 1574: 1570: 1563: 1559: 1549: 1539: 1527: 1520: 1513: 1506: 1499: 1476: 1455:"It's a Miracle" 1293: 1288: 1287: 1268: 1219:Drowned in Sound 1115:". However, the 1108:Record Collector 1096: 1095: 1094: 1090: 1089: 1085: 1084: 1080: 1079: 1075: 1074: 1066:Spectrum Culture 1060: 1059: 1058: 1054: 1053: 1049: 1048: 1044: 1043: 1039: 1038: 1022: 1021: 1020: 1016: 1015: 1011: 1010: 1006: 1005: 1001: 1000: 991:Record Collector 962: 961: 960: 956: 955: 951: 950: 946: 945: 913:Drowned in Sound 907: 906: 905: 901: 900: 896: 895: 891: 890: 874: 873: 872: 868: 867: 863: 862: 858: 857: 853: 852: 827: 823: 596:Eurasian skylark 484: 322: 319: 313: 310: 300: 297: 281:Amused to Death 240: 239: 194: 193: 147: 146: 142: 130:Progressive rock 72:7 September 1992 51: 39: 38: 21: 4739: 4738: 4734: 4733: 4732: 4730: 4729: 4728: 4679: 4678: 4677: 4672: 4613: 4608:Morten Lindberg 4577:Early Americans 4559:Amused To Death 4544:Elliot Scheiner 4506:Elliot Scheiner 4498:Elliot Scheiner 4470: 4421:Elliot Scheiner 4363: 4358: 4328: 4323: 4305: 4247: 4206: 4167: 4135: 4084:Smell the Roses 4008: 3989: 3962: 3919: 3892: 3854:Amused to Death 3825: 3820: 3774: 3764: 3748: 3746:Further reading 3743: 3720: 3703: 3698: 3697: 3687: 3685: 3677: 3676: 3672: 3659: 3658: 3654: 3644: 3642: 3635: 3631: 3630: 3626: 3618: 3614: 3606: 3602: 3592: 3590: 3577: 3576: 3572: 3564: 3560: 3550: 3548: 3540: 3539: 3535: 3527: 3523: 3515: 3511: 3503: 3499: 3491: 3487: 3477: 3475: 3462: 3461: 3457: 3447: 3445: 3437: 3436: 3429: 3421: 3417: 3409: 3405: 3397: 3393: 3385: 3381: 3372: 3370: 3359: 3358: 3354: 3345: 3343: 3332: 3331: 3327: 3318: 3316: 3305: 3304: 3300: 3291: 3289: 3283: 3282: 3275: 3266: 3264: 3249: 3248: 3244: 3234: 3232: 3231:. 15 April 2015 3223: 3222: 3218: 3208: 3206: 3191: 3190: 3186: 3176: 3174: 3166: 3165: 3161: 3152: 3151: 3147: 3137: 3135: 3125: 3118: 3111: 3084: 3080: 3070: 3068: 3054:Amused to Death 3048: 3041: 3031: 3029: 3019:Amused to Death 3017:"Roger Waters: 3013: 3006: 2996: 2994: 2980:Amused to Death 2974: 2970: 2960: 2958: 2946: 2939: 2929: 2927: 2910: 2906: 2896: 2894: 2893:on 4 March 2020 2879:Amused to Death 2873: 2866: 2856: 2854: 2846:Chicago Tribune 2837: 2830: 2820: 2818: 2808:Amused to Death 2802: 2795: 2790: 2781: 2771: 2769: 2760: 2759: 2755: 2745: 2743: 2734: 2733: 2729: 2724:Wayback Machine 2715: 2711: 2701: 2699: 2691: 2690: 2686: 2670: 2669: 2663: 2661: 2656: 2654: 2650: 2636: 2632: 2622: 2620: 2605: 2604: 2600: 2590: 2588: 2575: 2574: 2570: 2556: 2552: 2538: 2534: 2525:. 1 July 1991. 2518: 2517: 2510: 2500: 2498: 2488:The Radio Times 2482: 2481: 2477: 2470: 2452: 2448: 2443: 2436: 2426: 2424: 2416: 2415: 2411: 2402: 2400: 2394: 2393: 2389: 2380: 2378: 2372: 2371: 2367: 2362: 2358: 2353: 2344: 2339: 2274:Certified units 2260: 2255: 2196:French Albums ( 2176:Danish Albums ( 2119: 2093:UK Albums Chart 2021: 1991:Patrick Leonard 1882:N'Dea Davenport 1859:(2, 10, 11, 13) 1850:(2, 10, 11, 13) 1634:Geoff Whitehorn 1573:, synthesisers 1533:Patrick Leonard 1518:acoustic guitar 1489: 1484: 1474: 1400:"Too Much Rope" 1282: 1266: 1253:UK Albums Chart 1249:Amused to Death 1246: 1230:Amused to Death 1223:Amused to Death 1215:Amused to Death 1211:Amused to Death 1195:Amused to Death 1178:Amused to Death 1170:Amused to Death 1148: 1140:Amused to Death 1129:Chicago Tribune 1092: 1087: 1082: 1077: 1056: 1051: 1046: 1041: 1018: 1013: 1008: 1003: 958: 953: 948: 903: 898: 893: 881:Chicago Tribune 870: 865: 860: 855: 822: 804: 795:Amused to Death 772: 764:Amused to Death 744:Stanley Kubrick 726: 687:on the Chinese 683:) explores the 487:Royal Fusiliers 478: 445: 433:Us + Them tours 403:, CTS Studios, 401:Olympic Studios 393:Amused to Death 387:Amused to Death 383: 350:Patrick Leonard 337:Amused to Death 325: 320: 317: 316: 311: 304: 303: 298: 291: 290: 266: 257: 254:Amused to Death 248: 220: 211: 208:Amused to Death 202: 180: 173:Patrick Leonard 144: 140: 139: 115: 113: 111: 106: 101: 96: 94: 91:Olympic Studios 89: 64: 42:Amused to Death 37: 32: 23: 22: 18:Amused To Death 15: 12: 11: 5: 4737: 4727: 4726: 4721: 4716: 4711: 4706: 4701: 4696: 4691: 4674: 4673: 4671: 4670: 4658: 4644: 4632: 4621: 4619: 4615: 4614: 4612: 4611: 4601: 4593:Eye in the Sky 4589: 4586:Jane Ira Bloom 4573: 4567: 4555: 4535: 4519: 4509: 4489: 4478: 4476: 4472: 4471: 4469: 4468: 4465:Michael Bishop 4461:Transmigration 4458: 4451:Michael Bishop 4444: 4428: 4412: 4388: 4371: 4369: 4365: 4364: 4357: 4356: 4349: 4342: 4334: 4325: 4324: 4322: 4321: 4310: 4307: 4306: 4304: 4303: 4296: 4291: 4286: 4281: 4276: 4271: 4266: 4261: 4255: 4253: 4249: 4248: 4246: 4245: 4240: 4238:Us + Them Tour 4235: 4230: 4225: 4220: 4214: 4212: 4208: 4207: 4205: 4204: 4197: 4190: 4183: 4175: 4173: 4169: 4168: 4166: 4165: 4158: 4151: 4143: 4141: 4137: 4136: 4134: 4133: 4122: 4115: 4108: 4101: 4094: 4087: 4080: 4073: 4066: 4059: 4052: 4045: 4038: 4031: 4024: 4016: 4014: 4010: 4009: 4007: 4006: 3997: 3995: 3991: 3990: 3988: 3987: 3979: 3970: 3968: 3964: 3963: 3961: 3960: 3952: 3944: 3936: 3927: 3925: 3921: 3920: 3918: 3917: 3909: 3900: 3898: 3894: 3893: 3891: 3890: 3882: 3874: 3866: 3858: 3850: 3846:Radio K.A.O.S. 3842: 3833: 3831: 3827: 3826: 3819: 3818: 3811: 3804: 3796: 3790: 3789: 3780: 3773: 3772:External links 3770: 3769: 3768: 3762: 3747: 3744: 3742: 3741: 3724: 3718: 3704: 3702: 3699: 3696: 3695: 3670: 3652: 3624: 3612: 3600: 3579:"Roger Waters" 3570: 3558: 3542:"Roger Waters" 3533: 3521: 3509: 3497: 3485: 3474:on 15 May 2019 3464:"Roger Waters" 3455: 3439:"ROGER WATERS" 3427: 3415: 3403: 3391: 3379: 3352: 3325: 3298: 3273: 3242: 3216: 3184: 3159: 3145: 3116: 3109: 3078: 3039: 3004: 2968: 2937: 2904: 2864: 2828: 2793: 2779: 2753: 2742:on 24 May 2013 2727: 2709: 2684: 2648: 2630: 2598: 2577:"ATD Analysis" 2568: 2550: 2532: 2527:BBC Television 2508: 2475: 2468: 2446: 2434: 2409: 2387: 2365: 2356: 2341: 2340: 2338: 2335: 2332: 2331: 2323: 2322: 2319: 2316: 2308: 2307: 2304: 2301: 2293: 2292: 2289: 2286: 2278: 2277: 2271: 2268: 2259: 2258:Certifications 2256: 2252: 2251: 2245: 2244: 2241: 2237: 2236: 2233: 2225: 2224: 2221: 2216:Irish Albums ( 2213: 2212: 2209: 2205: 2204: 2201: 2193: 2192: 2189: 2185: 2184: 2181: 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4182: 4181: 4177: 4176: 4174: 4170: 4163: 4159: 4156: 4152: 4149: 4145: 4144: 4142: 4138: 4131: 4127: 4123: 4120: 4116: 4113: 4109: 4106: 4102: 4099: 4095: 4092: 4088: 4085: 4081: 4078: 4074: 4071: 4067: 4064: 4060: 4057: 4053: 4050: 4046: 4043: 4039: 4036: 4032: 4029: 4025: 4022: 4018: 4017: 4015: 4011: 4004: 4003: 3999: 3998: 3996: 3992: 3985: 3984: 3980: 3977: 3976: 3972: 3971: 3969: 3965: 3958: 3957: 3953: 3950: 3949: 3945: 3942: 3941: 3937: 3934: 3933: 3929: 3928: 3926: 3922: 3915: 3914: 3910: 3907: 3906: 3902: 3901: 3899: 3895: 3888: 3887: 3883: 3880: 3879: 3875: 3872: 3871: 3867: 3864: 3863: 3859: 3856: 3855: 3851: 3848: 3847: 3843: 3840: 3839: 3835: 3834: 3832: 3830:Studio albums 3828: 3824: 3817: 3812: 3810: 3805: 3803: 3798: 3797: 3794: 3788: 3784: 3781: 3779: 3776: 3775: 3765: 3759: 3755: 3750: 3749: 3738: 3734: 3730: 3725: 3721: 3719:9781611477610 3715: 3711: 3706: 3705: 3684: 3680: 3674: 3666: 3662: 3656: 3641: 3634: 3628: 3621: 3616: 3609: 3604: 3588: 3584: 3583:German Charts 3580: 3574: 3567: 3562: 3547: 3543: 3537: 3530: 3525: 3518: 3513: 3506: 3501: 3494: 3489: 3473: 3469: 3468:billboard.com 3465: 3459: 3444: 3440: 3434: 3432: 3424: 3419: 3412: 3407: 3400: 3395: 3388: 3383: 3368: 3364: 3363: 3356: 3341: 3337: 3336: 3329: 3314: 3310: 3309: 3308:Too Much Rope 3302: 3288: 3287: 3280: 3278: 3262: 3258: 3254: 3253: 3246: 3230: 3226: 3220: 3204: 3200: 3196: 3195: 3188: 3173: 3169: 3163: 3155: 3149: 3134: 3130: 3123: 3121: 3112: 3110:0-7432-0169-8 3106: 3102: 3098: 3094: 3093: 3088: 3082: 3067: 3066: 3061: 3059: 3055: 3046: 3044: 3028: 3027: 3022: 3020: 3011: 3009: 2993: 2992: 2987: 2985: 2981: 2972: 2957: 2956: 2951: 2944: 2942: 2925: 2921: 2920: 2915: 2908: 2892: 2888: 2887: 2882: 2880: 2871: 2869: 2852: 2848: 2847: 2842: 2835: 2833: 2817: 2816: 2811: 2809: 2800: 2798: 2788: 2786: 2784: 2767: 2763: 2757: 2741: 2737: 2731: 2725: 2721: 2718: 2713: 2698: 2694: 2688: 2680: 2674: 2659: 2652: 2644: 2640: 2634: 2618: 2614: 2613: 2608: 2602: 2586: 2582: 2578: 2572: 2564: 2560: 2554: 2546: 2542: 2536: 2528: 2524: 2523: 2515: 2513: 2497: 2493: 2489: 2485: 2479: 2471: 2469:9780748633906 2465: 2461: 2457: 2450: 2441: 2439: 2423: 2419: 2413: 2399: 2398: 2391: 2377: 2376: 2369: 2360: 2351: 2349: 2347: 2342: 2330: 2324: 2320: 2317: 2314: 2309: 2305: 2302: 2299: 2294: 2290: 2287: 2284: 2279: 2275: 2270:Certification 2265: 2250: 2242: 2238: 2231: 2226: 2219: 2214: 2210: 2206: 2199: 2194: 2190: 2186: 2179: 2174: 2167: 2162: 2155: 2150: 2143: 2138: 2132:Chart (2015) 2130: 2127: 2126: 2122: 2120: 2112: 2110: 2107: 2106: 2100: 2096: 2094: 2090: 2083: 2078: 2071: 2066: 2059: 2054: 2047: 2042: 2036:Chart (1992) 2034: 2031: 2030: 2026: 2025: 2014: 2010: 2009:James Guthrie 2007: 2004: 2001: 1998: 1995: 1992: 1989: 1987: 1983: 1980: 1979: 1978: 1977: 1967: 1966:Rita Coolidge 1964: 1958: 1955: 1949: 1943: 1937: 1934: 1928: 1925: 1919: 1913: 1907: 1904: 1898: 1895: 1889: 1883: 1880: 1874: 1871: 1865: 1864:Katie Kissoon 1862: 1856: 1855:Kenneth Bowen 1853: 1847: 1841: 1838: 1832: 1831:Michael Kamen 1829: 1823: 1817: 1812:– percussion 1811: 1808: 1803: 1796: 1792: 1791:Brian Macleod 1789: 1783: 1780: 1774: 1769:, percussion 1765: 1761: 1758: 1752: 1748: 1744: 1740: 1737: 1731: 1728: 1722: 1716: 1715:Jimmy Johnson 1713: 1707: 1706:Randy Jackson 1704: 1699: 1695: 1694:Steve Sidwell 1692: 1686: 1683: 1677: 1674: 1668: 1667:Bruce Gaitsch 1665: 1659: 1656: 1650: 1644: 1641: 1635: 1632: 1629:(2, 5, 9, 12) 1626: 1623: 1601: 1598: 1588: 1585: 1580: 1569: 1568:Hammond organ 1560:(2, 9–11, 13) 1558: 1555: 1548: 1545: 1538: 1534: 1531: 1526: 1519: 1512: 1507:(2 intro, 13) 1505: 1500:(tracks 2–14) 1498: 1494: 1491: 1490: 1478: 1475:Total length: 1472: 1468: 1465: 1461: 1457: 1454: 1450: 1446: 1443: 1439: 1435: 1433:"Watching TV" 1432: 1428: 1424: 1421: 1417: 1413: 1410: 1406: 1402: 1399: 1395: 1391: 1388: 1384: 1380: 1377: 1373: 1369: 1366: 1362: 1358: 1354: 1351: 1347: 1343: 1339: 1336: 1332: 1328: 1324: 1321: 1317: 1313: 1309: 1306: 1302: 1289: 1285: 1280:Track listing 1277: 1275: 1271: 1265: 1261: 1259: 1254: 1250: 1241: 1239: 1235: 1231: 1226: 1224: 1220: 1216: 1212: 1208: 1204: 1200: 1196: 1191: 1187: 1181: 1179: 1175: 1171: 1167: 1166: 1161: 1160: 1155: 1154: 1143: 1141: 1137: 1136: 1131: 1130: 1125: 1120: 1119: 1114: 1110: 1109: 1104: 1069: 1067: 1064: 1063: 1033: 1031: 1030: 1026: 1025: 995: 993: 992: 988: 987: 983: 981: 978: 977: 973: 971: 970: 966: 965: 940: 938: 937: 933: 932: 928: 926: 925: 921: 920: 916: 914: 911: 910: 885: 883: 882: 878: 877: 847: 845: 842: 841: 833: 830:Review scores 828: 817: 815: 814: 809: 798: 796: 790: 788: 784: 782: 777: 767: 765: 761: 757: 756: 751: 750: 745: 741: 737: 736: 731: 721: 719: 718: 713: 709: 708: 703: 702: 697: 692: 690: 686: 682: 677: 675: 672: 668: 667: 661: 656: 654: 650: 646: 642: 638: 634: 633: 628: 627:nursery rhyme 624: 620: 616: 611: 609: 605: 601: 597: 592: 590: 586: 582: 578: 577: 572: 564: 559: 555: 553: 552:Gulf conflict 549: 545: 541: 537: 534: 530: 529: 524: 520: 519:Perfect Sense 515: 513: 508: 506: 502: 501: 496: 492: 491:no-man's land 488: 482: 477: 473: 468: 466: 465:Perfect Sense 462: 458: 449: 440: 438: 434: 430: 425: 423: 418: 414: 413:James Guthrie 410: 406: 402: 398: 394: 390: 388: 378: 376: 375:James Guthrie 371: 370: 368: 364:'s 1985 book 363: 359: 355: 351: 347: 343: 339: 338: 328: 315: 308: 302: 295: 289: 288: 285: 282: 278: 274: 265: 264: 260: 256: 255: 251: 247: 246: 242: 241: 237: 232: 228: 219: 218: 214: 210: 209: 205: 201: 200: 196: 195: 191: 187: 183: 176: 174: 171: 170: 168: 166: 162: 159: 156: 154: 150: 138: 134: 131: 128: 126: 122: 119:(Los Angeles) 118: 109: 104: 99: 92: 87: 83: 79: 75: 71: 67: 63: 58: 54: 50: 45: 40: 34: 30: 19: 4660: 4647:Divine Tides 4646: 4634: 4624: 4603: 4598:Alan Parsons 4591: 4582:Jim Anderson 4575: 4569: 4557: 4537: 4532:Tommy LiPuma 4521: 4516:Jim Anderson 4511: 4491: 4481: 4460: 4455:Robert Woods 4446: 4441:Giles Martin 4430: 4425:Donald Fagen 4414: 4405:Chuck Ainlay 4397:Chuck Ainlay 4390: 4374: 4298: 4269:Harry Waters 4223:In the Flesh 4199: 4192: 4185: 4178: 4035:Sunset Strip 4000: 3994:Compilations 3981: 3973: 3954: 3946: 3938: 3930: 3911: 3903: 3884: 3876: 3868: 3860: 3853: 3852: 3844: 3836: 3823:Roger Waters 3753: 3728: 3709: 3686:. 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Arnold 1840:Alf Razzell 1676:David Paich 1591:(1, 11, 13) 1557:arrangement 1547:programming 1540:(1–5, 8–14) 1511:synthesiser 1504:bass guitar 724:HAL samples 707:Shock Waves 583:", and to " 536:Marv Albert 479: [ 472:World War I 4683:Categories 4528:Al Schmitt 4502:Bob Ludwig 4401:Bob Ludwig 4381:Al Schmitt 4274:Pink Floyd 3688:24 January 3026:PopMatters 2717:Rock.co.za 2664:2009-11-20 2422:setlist.fm 2337:References 2168:Wallonia) 2156:Flanders) 2142:Ö3 Austria 1986:production 1976:Production 1936:Don Henley 1810:Luis Conte 1625:Tim Pierce 1610:, guitars 1604:(2, 9, 12) 1544:percussion 1207:PopMatters 1174:this album 980:PopMatters 808:chimpanzee 681:Don Henley 571:Pink Floyd 424:facility. 188:chronology 4655:Ricky Kej 4548:Tom Coyne 3737:0006-2510 3729:Billboard 3138:13 August 3060:Magazine" 2978:"Waters: 2496:0033-8060 2178:Hitlisten 2135:Position 2105:Billboard 2039:Position 1968:– vocals 1938:– vocals 1899:– vocals 1842:– speech 1662:(3, 4, 8) 1660:– guitar 1643:B.J. Cole 1636:– guitar 1627:– guitar 1589:– guitar 1587:Jeff Beck 1537:keyboards 1487:Personnel 1264:Billboard 1258:Billboard 1138:included 820:Reception 802:Packaging 674:Bob Ezrin 660:Bob Dylan 653:a capella 544:Colosseum 358:Jeff Beck 110:(Nassau) 105:(London) 100:(London) 93:(London) 80:1987–1992 4319:Category 3478:2 August 3448:2 August 3367:archived 3340:archived 3313:archived 3235:2 August 3209:2 August 3177:2 August 2930:2 August 2924:Archived 2821:2 August 2815:AllMusic 2772:2 August 2720:Archived 2702:2 August 2673:cite web 2617:Archived 2522:Everyman 2501:13 April 2296:Canada ( 2166:Ultratop 2154:Ultratop 2070:VG-lista 1957:Jim Haas 1784:– drums 1749:, zhen, 1743:dulcimer 1582:(11, 13) 1521:(11, 14) 1232:won the 1228:In 2016 1221:wrote: " 1203:The Wall 1165:The Wall 1124:pop-rock 1113:The Wall 1103:AllMusic 844:AllMusic 778:'s book 740:HAL 9000 730:Rockline 563:Gulf War 528:The Wall 500:Everyman 497:'s 1991 474:veteran 346:Columbia 165:Producer 158:Columbia 77:Recorded 69:Released 59: by 4552:Beyoncé 4539:Beyoncé 4130:Breathe 4091:Déjà Vu 4013:Singles 3701:Sources 3593:31 July 3551:31 July 3373:25 July 3346:25 July 3319:25 July 3292:16 June 3199:YouTube 2746:6 April 2612:YouTube 2427:28 July 2403:16 June 2381:16 June 2321:60,000 2318:Silver 2306:50,000 2291:35,000 2276:/sales 2267:Region 1844:(1, 14) 1753:, bass 1717:– bass 1708:– bass 1616:(8, 12) 1575:(5, 13) 1236:at the 1190:Blu-ray 643:" and " 587:". In " 576:Animals 548:galleys 523:Stanley 463:" and " 277:Singles 267:(2005) 258:(1992) 249:(1987) 221:(2000) 212:(1992) 203:(1990) 4669:(2023) 4657:(2022) 4653:& 4643:(2021) 4636:Alicia 4631:(2020) 4610:(2019) 4588:(2017) 4554:(2014) 4550:& 4534:(2013) 4530:& 4508:(2011) 4488:(2010) 4457:(2008) 4453:& 4443:(2007) 4439:& 4427:(2006) 4411:(2005) 4407:& 4005:(2002) 3986:(2017) 3978:(2005) 3975:Ça Ira 3967:Operas 3959:(2020) 3951:(2015) 3943:(2000) 3935:(1990) 3916:(1986) 3908:(1970) 3889:(2023) 3881:(2022) 3873:(2018) 3865:(2017) 3857:(1992) 3849:(1987) 3841:(1984) 3760:  3735:  3716:  3107:  2697:Amazon 2494:  2466:  2249: 2019:Charts 2013:mixing 1901:(3, 4) 1892:(2, 5) 1835:(7, 8) 1826:(7, 8) 1820:(3, 4) 1805:(3, 4) 1802:hi-hat 1798:(3, 4) 1771:(6, 7) 1739:Guo Yi 1710:(2, 9) 1701:(6, 7) 1698:cornet 1671:(3, 4) 1653:(3, 4) 1647:(3, 4) 1612:(6, 7) 1608:(2, 9) 1514:(2, 4) 1509:, EMU 1497:vocals 1299:Length 1267:'s 1146:Legacy 974:8.0/10 838:Rating 835:Source 641:Echoes 443:Themes 439:tour. 417:QSound 397:London 354:QSound 263:Ça Ira 136:Length 85:Studio 4618:2020s 4475:2010s 4368:2000s 4264:Songs 4211:Tours 4172:Films 4128:" / " 4112:Money 3636:(PDF) 3267:5 May 2991:Paste 2984:Paste 2639:Blake 2559:Blake 2541:Blake 2303:Gold 2288:Gold 1795:snare 1764:drums 1554:choir 1479:72:36 1296:Title 969:Paste 770:Title 714:" on 604:F-111 589:Sheep 581:Sheep 483:] 279:from 153:Label 125:Genre 4432:Love 4119:Time 3758:ISBN 3733:ISSN 3714:ISBN 3690:2023 3647:2021 3595:2015 3553:2015 3480:2015 3450:2015 3375:2021 3348:2021 3321:2021 3294:2022 3269:2010 3237:2015 3211:2015 3179:2015 3140:2015 3105:ISBN 3073:2016 3034:2016 2999:2017 2963:2016 2932:2015 2899:2016 2859:2016 2823:2015 2774:2015 2748:2011 2704:2015 2679:link 2625:2017 2593:2015 2503:2018 2492:ISSN 2464:ISBN 2429:2022 2405:2022 2383:2022 2283:ARIA 2230:FIMI 2218:IRMA 2198:SNEP 2058:RMNZ 2046:ARIA 1970:(14) 1961:(13) 1952:(13) 1946:(13) 1940:(11) 1786:(13) 1755:(11) 1751:oboe 1747:lute 1734:(11) 1689:(12) 1620:(11) 1528:(5) 1469:9:06 1458:8:30 1447:6:52 1436:6:06 1425:4:08 1414:3:39 1403:5:47 1392:2:12 1381:4:01 1370:4:44 1355:2:51 1340:4:14 1325:6:00 1310:4:20 1201:and 1186:SACD 1162:and 984:8/10 917:8/10 664:Pat 639:", " 459:in " 431:and 407:and 4604:Lux 3172:BBC 3101:864 2643:RCD 2563:RCD 2545:RCD 2313:BPI 2243:10 2235:22 2223:33 2203:59 2183:18 2171:35 2159:32 2147:25 2113:21 2109:200 2102:US 2087:10 2051:14 1931:(9) 1922:(8) 1916:(5) 1910:(4) 1886:(2) 1777:(5) 1725:(5) 1564:(4) 1550:(1) 1463:14. 1452:13. 1441:12. 1430:11. 1419:10. 1292:No. 1260:200 579:, " 467:". 422:3-D 4685:: 4665:– 4649:– 4639:– 4606:– 4596:– 4580:– 4562:– 4546:, 4542:– 4526:– 4514:– 4500:, 4496:– 4463:– 4449:– 4419:– 4403:, 4399:, 4395:– 4379:– 3681:. 3663:. 3638:. 3581:. 3544:. 3466:. 3441:. 3430:^ 3365:, 3338:, 3311:, 3276:^ 3255:, 3227:. 3197:. 3170:. 3131:. 3119:^ 3103:. 3062:. 3056:– 3042:^ 3023:. 3007:^ 2988:. 2952:. 2940:^ 2922:. 2916:. 2883:. 2867:^ 2843:. 2831:^ 2812:. 2796:^ 2782:^ 2695:. 2675:}} 2671:{{ 2615:. 2609:. 2579:. 2511:^ 2486:. 2462:. 2458:. 2437:^ 2420:. 2345:^ 2315:) 2300:) 2285:) 2232:) 2220:) 2211:4 2200:) 2191:1 2180:) 2144:) 2097:8 2084:) 2075:2 2072:) 2063:6 2060:) 2048:) 2011:– 1984:– 1800:, 1793:– 1762:– 1745:, 1696:– 1577:, 1566:, 1552:, 1542:, 1535:– 1523:, 1516:, 1502:, 1495:– 1408:9. 1397:8. 1386:7. 1375:6. 1360:5. 1345:4. 1330:3. 1315:2. 1304:1. 1188:, 929:A– 691:. 651:" 629:, 610:. 481:de 145:36 141:72 4353:e 4346:t 4339:v 4164:" 4160:" 4157:" 4153:" 4150:" 4146:" 4132:" 4124:" 4121:" 4117:" 4114:" 4110:" 4107:" 4103:" 4100:" 4096:" 4093:" 4089:" 4086:" 4082:" 4079:" 4075:" 4072:" 4068:" 4065:" 4061:" 4058:" 4054:" 4051:" 4047:" 4044:" 4040:" 4037:" 4033:" 4030:" 4026:" 4023:" 4019:" 3815:e 3808:t 3801:v 3766:. 3739:. 3722:. 3692:. 3667:. 3649:. 3597:. 3555:. 3482:. 3452:. 3239:. 3213:. 3181:. 3142:. 3113:. 3075:. 3052:" 3036:. 3001:. 2986:" 2965:. 2934:. 2901:. 2861:. 2825:. 2806:" 2776:. 2750:. 2706:. 2681:) 2667:. 2627:. 2595:. 2529:. 2505:. 2472:. 2431:. 1367:" 1363:" 1352:" 1348:" 1337:" 1333:" 1322:" 1318:" 783:. 565:. 517:" 369:. 309:" 305:" 296:" 292:" 143:: 31:. 20:)

Index

Amused To Death
Amusing Ourselves to Death

Studio album
Roger Waters
Olympic Studios
Angel Recording Studios
Abbey Road Studios
Compass Point Studios
Devonshire Sound Studios
Genre
Progressive rock
Label
Columbia
Producer
Patrick Leonard
Roger Waters
The Wall – Live in Berlin
In the Flesh – Live
Radio K.A.O.S.
Ça Ira
Singles
What God Wants, Part I
The Bravery of Being Out of Range
Roger Waters
Columbia
Patrick Leonard
QSound
Jeff Beck
Neil Postman

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