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In 1897 she was invited to give two lectures at the
University of Vienna on the cooperative movement in Great Britain, becoming the first woman to lecture at the university. Shortly afterwards, her interest turned from economics to art and culture, especially modern art which she had experienced
38:. Soon afterwards she concentrated on the history of art, especially modern art. In 1898 she founded a school in Vienna, based on those in England, with a focus on art and the English language. In addition to her contributions to art journals, she published a number of books on Austrian art.
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in support of the redevelopment of
Austria. She also contributed to the women's movement in Vienna, lecturing on education and the improvement of conditions for women and for the working classes.
30:(1853–1938) was a British-Austrian art historian, journalist, educator and feminist. After moving to Austria in 1891, she became the first woman to lecture at the
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who reflected the trends she had seen in
Britain. This encouraged her to contribute to become the Viennese correspondent not only for the London art magazine
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142:, she continued to teach, continuing the activities of the John Ruskin Club which promoted English conversation. This was later seen as evidence of the
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1853, Levetus grew up in an active Jewish family environment with strong religious, literary and cultural interests. After schooling in
Birmingham at
184:(in German). Spurensuche. Zeitschrift fĂĽr Geschichte der Erwachsenenbildung und Wissenschaftspopularisierung, 12. Jg., 2001, H. 1-4, S. 24-39. 2001
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119:, targeted at readers back in her native Britain. After articles on "Modern Decorative Art in Austria" and "The Art Revival in Austria" for
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but for several German-language periodicals. She also kept the
Viennese informed of trends in British art by contributing to
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s liberal outlook. In 1925, together with the historian
Friedrich Hertz, she launched the
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182:"Miss A. S. Levetus – eine grenzüberschreitende Volksbildnerin. Ein Porträt"
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Despite being considered by some as belonging to the enemy during the
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in 1911, one of the first detailed accounts in
English of Austrian
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when in
February 1897 she gave two public lectures on Britain's
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Imperial Vienna: An
Account of its History, Traditions and Arts
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before studying economics and teaching at the universities of
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where she taught
English and became active as a journalist.
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Holme, Charles; Levetus, A.S.; Haberlandt, Michael (2016).
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while still in England. She began to associate with the
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153:Levetus never married. She died in Vienna in 1938.
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98:group of modern artists and those from the
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299:People from Birmingham, West Midlands
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258:Peasant Art in Austria and Hungary
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228:Levetus, Amelia Sarah (1904).
16:British-Austrian art historian
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329:British emigrants to Austria
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314:British women journalists
209:. Mackintosh Architecture
324:British women historians
123:, she collaborated with
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115:In 1904, she published
110:Kunst und Kunsthandwerk
309:British art historians
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319:Women art historians
148:Revue Reconstruction
52:King Edward's School
36:cooperative movement
32:University of Vienna
28:Amelia Sarah Levetus
23:Amelia Sarah Levetus
304:Writers from Vienna
261:. Wentworth Press.
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100:Kunstgewerbeschule
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268:978-1-372-60092-0
125:Michael Haberland
56:Midland Institute
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211:. Retrieved
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127:to publish
88:John Ruskin
283:Categories
157:References
144:Volksheim'
121:The Studio
105:The Studio
68:St Andrews
64:Birmingham
96:Secession
72:Cambridge
42:Biography
133:folk art
86:through
76:Aberdeen
46:Born in
213:4 March
188:4 March
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80:Vienna
263:ISBN
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