574:
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1221:, however, the show was cancelled after 15 minutes due to fan bedlam that had surrounded the venue. Brian felt that audiences at Beach Boys concerts had become more uproarious as a result of the excitement that had been generated by the Beatles. He said, "e'd do a concert and the kids would scream at us but we'd think, 'Hey, wait a minute. You're screaming for the Beatles through us.
888:" portrays a young couple wishing to elope while their respective parents warn them against such an impulse. It was the last song that Wilson co-wrote with Gary Usher for many years, and had likely been written in 1962. Leaf notes that the "church-like sound of the Hammond organ", heard prominently at the end, was an unorthodox application of the instrument on a rock record.
1034:. To achieve this, he approached Wilson by asking him what he considered to be "the heaviest work" that he had ever done. Wilson suddenly became excited by the question and proceeded to give vivid recollections of the tracking date for "Drive-In", which he considered to be the best record he had ever made. The footage was not used in the documentary.
737:" is an autobiographical song that describes the group's reaction to their newfound fame and success. Mike Love said that it was "really about our own experiences: how we had this instant fame, some fortune, had traveled all over the country, but did any of that bring us happiness? Maybe we needed to find a different kind of place." Biographer
1623:, Wilson had entered "a period of aggressive experimentation" by mid-1964, and, by raising his creative ambitions with the Beach Boys, had established a successful career model that would itself be followed by the Beatles and other British Invasion acts throughout 1965 and 1966. Starr additionally writes that "I Get Around" and the
1116:
The back of the sleeve included written comments from each of the band members. Dennis wrote: "They say I live a fast life. Maybe I just like a fast life. I wouldn't give it up for anything in the world. It won't last forever, either. But the memories will." Brian answered a frequently asked question
695:
On archive tapes we hear an exhausted Dennis imploring Brian to call it a day. "Sleep is very important," he ventures, but he is ignored and the taping continues. On the vocal overdubs for "Wendy," Brian is heard chastising Dennis for not reading the lyric properly. As another attempt is made at the
608:
to be a more refined and sophisticated effort. The album marked the band's most complex arrangements on a record to date, as well as their first that was not focused on themes of cars or surfing. Wilson remarked, "We needed to grow. Up to this point we had milked every idea dry. We milked it fucking
1111:
Unlike earlier album covers, Brian, Mike, Carl, Dennis, and Al look like a group of young men more at ease in their beach surroundings without the conspicuous surfboard or hot rod in the picture. They have fully grown into themselves as a group of individuals, appearing confident in the sort of way
1207:
selections: "I Get Around", "Wendy", and "Little Honda". At least two concert reviewers referred to the Beach Boys as "America's answer to the
Beatles". Every date was sold out, earning the group approximately $ 20,000 per show (equivalent to $ 196,000 in 2023). From the second summer tour alone,
564:
recalled, "The Beach Boys had been it for two years, but now people thought the
Beatles were the future. And loyalties ran thin at Capitol. Now they didn't have to cater to Murry and the Beach Boys, and so they didn't." In the meantime, Wilson continued working freelance, writing and producing
1202:
From July 3 to August 8, 1964, the Beach Boys embarked on a 36-date "Summer Safari" tour of the U.S., followed by a 30-date regional tour that lasted from August 21 to
September 30. This was the band's first extensive tour, as their prior public appearances had been limited by the scholastic
31:
1148:
Lead single "I Get Around" was issued on May 11, 1964, and subsequently became the Beach Boys' first chart-topping U.S. hit, as well as
America's first number-one hit by a native group since November 1963. In the UK, the single was released in June 1964 and reached number 7 on the
412:
and the
Beatles. Subsequent to this album, the Beach Boys rarely recorded songs about cars or surfing, but continued to be stereotyped as a group who exclusively sang about such subject matter, even as their musical sophistication continued to grow with such releases as
377:", the band's first number-one hit in the US, cementing the group's sustainability in a market then dominated by British acts. To support the album, the group embarked on their first extended tour, playing about 70 shows over the course of the summer. A version of "
931:"Wendy", stated that the song was musically influenced by the Four Seasons. Leaf suggests that the song has "one of the most unusual introductions of any record from the rock era", making it "one of the most distinctive Beach Boys tracks ever."
651:
referred to the album as "more autobiographical" than previous records and "the first time the Beach Boys recorded a complete album about their own
Southern California lifestyle." He suggested that the album qualified as one of "the first real
2185:
in 1994. Keightley states, "the fact that collaborators (including Love himself on 'Little Honda') were indeed listed on this LP in 1964 should give us pause when we read the songwriting credits on post-1994 releases that may seek to rewrite
1117:
about "how I come up with my ideas" by explaining that he drew inspiration from the "feelings" associated with common teenage experiences. He then remarked, “A sociologist might say I am trying to generate a feeling of social superiority."
1631:" reflected "the beginnings of a significant trend: namely, the increasing importance of album tracks, and eventually of albums themselves, in the development of adventurous popular music. Rock 'n' roll was on its way to becoming rock."
1555:
as one of the band's "strongest LPs ever". Mark Dillon opined that Wilson "took a Beach Boys album to new heights" and successfully "held his own against the
Beatles", with "Our Favorite Recording Sessions" being the only weak track. In
544:. After discussing the matter with Love, they concluded that competing with the Beatles in terms of public image was a pointless pursuit, leading them to concentrate their efforts on trying to outdo their rivals in the recording studio.
620:", with subject matter ranging from "car and motorbike racing" and "teen romance" to "the consumption of mass media forms of entertainment" and "various other forms of summer fun". None of the songs are about cars (although one track, "
1543:
as an improvement over their previous LP and "the most consistent and satisfying Beach Boys album to date", affording highlights to the title track, "I Get Around", "Wendy", and "Don't Back Down". Mike
Segretto, author of
1088:
style photo collage that depicts the band members fraternizing with young women on a beach. The photo shoot, conducted by
Capitol art directors and photographers George Jerman and Ken Veeder, was held at Paradise Cove in
770:
522:, who saw the Beatles as a challenge to his emerging position as a leader in pop music." Wilson said in a 1966 interview, "I knew we were good but it wasn't until the Beatles arrived that I knew we had to get going.
1642:
and the
Beatles. The vocals were tight, the production was sharper and more inventive than anything we'd done previously. We were in a higher harmonic place and generally more exciting musically." His 2016 memoir,
3668:
1155:
chart – the band's first UK hit to breach the top ten. The single represented both a successful response by Wilson to the British Invasion, and the launch of an unofficial rivalry between him and the Beatles.
969:", but more musically complex and sexualized. Stebbins cited the line "the sun in her hair / the warmth of the air", sung by Dennis, as "ne of the most perfect uses of sexy voice", and the closing
1652:
Subsequent to this album, the Beach Boys rarely recorded songs about cars or surfing, but continued to be stereotyped as a group who exclusively sang about such subject matter. Their 1965 release
5655:
631:
Biographer Mark Dillon states that the album generally projects "a whole season of teenaged good times" with the exception of "a couple of numbers that threaten to kill the buzz", listing "
784:, with its "jumpy rhythmic energy" and "interplay of vocal styles", as "a musical embodiment of everything good about a long summer filled with trips to the beach and 'miniature golf and
768:
2491:
Carlin similarly writes of an "erotic" quality in the song, reflected "both in the lyrics and in the voices themselves, which fall, climb, and tangle languidly through a series of
459:, and embarked on their first tour of Australia and New Zealand, lasting from January 13 to February 2. The tour was highly successful, but led to the dismissal of their manager,
821:, his girlfriend at the time, although in real life, he had accidentally spilled hot chocolate on her. The song later became popularly known for its use in the ending credits of
2181:
Mike Love was not originally credited for "I Get Around", "All Summer Long", "Wendy", "Do You Remember?", "Drive-In", and "Don't Back Down". His credits were awarded after his
927:" portrays a man's dejection after discovering that the woman whom he thought was his girlfriend was actually romantically involved with somebody else. Wilson, who later named
301:, it marked the Beach Boys' first LP that was not focused on themes of cars or surfing. Instead, the songs are semi-autobiographical and relate to the experiences of a typical
1533:
was the band's best album of the early 1960s, though he lamented the inclusion of "disposable filler" in the form of "Our Favorite Recording Sessions" and "Do You Remember?".
813:" encapsulated the album's general theme, with the lyrics offering a list of activities, events, and feelings associated with summertime. The line "Remember when you spilled
463:, who had frustrated the group with his overbearing practices and his disruptive behavior at recording sessions. Concurrently, the band were conscious of a new rival group,
1203:
obligations of one or more members (Carl Wilson, the final hold-out in the group, graduated from high school that June). The setlists at these concert dates included three
769:
5721:
1060:" is the last surfing-themed song that the Beach Boys recorded during this early era of the band's history. Initial pressings mislabeled the title as "Don't Break Down".
6154:
3672:
6253:
3292:
5641:
4877:
712:
5840:
1649:, calls it "a turning point for me and for the band—or maybe it makes more sense to say it's a turning point for how I understood how to write for the band."
5946:
6351:
6140:
6020:
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wrote of the album, "With their surfing and high pitched harmony sounds they have become extremely distinctive along with some kooky lyrics". In Britain,
1191:
in February 1965. In the UK, the album was issued in June that year, accompanied in March by the single "All Summer Long", both of which failed to chart.
983:, where the Beach Boys made a cameo appearance as themselves. Although the plot centered on the Beatles, the film featured scenes in which the Beach Boys
6040:
5808:
2516:
The women were two models who changed their clothes in between snapshots to appear as though there were more women on the beach than there actually were.
1020:
687:
augmented their sound on select tracks. At Brian's behest, the group also spent many more hours than usual refining their vocal performances. Biographer
869:-brand scooters, which are also mentioned in "All Summer Long" ("miniature golf and Hondas in the heat"). The song contains pioneering usage of guitar
5613:
1217:, where they performed "I Get Around" and "Wendy". Two days later, the band concluded their tour with a performance at the Memorial Auditorium in
1103:
cover art remained "much imitated to this day", although Kieghtley notes that the design was itself heavily indebted to the work of visual artist
1037:"Our Favorite Recording Sessions" is a collage of outtakes and studio chatter culled from the album's recording sessions. According to biographer
5578:
1046:
526:
When we saw how everybody was screaming for the Beatles, it was like, 'Whooa!' We couldn't believe it. I was shook up as hell." His 1991 memoir,
5832:
5481:
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5648:
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5045:
1593:
is in the way it enlarges the outlook of the group's brand of California pop to the point where genre labels seem unable to contain it."
870:
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5883:
1181:
that consisted of "Little Honda", "Hushabye", "Don't Back Down", and "Wendy". It sold at underwhelming volumes, charting at number 44.
4735:
2966:
873:. It was briefly considered for release as a Beach Boys single. After Capitol voiced objections, Wilson gave it to his collaborator,
3945:
1112:
that makes you believe there is something about growing up in Southern California that defines a person's attitude toward the world.
6346:
6035:
5157:
1326:
all night long and asked me many questions about them. Paul and John were fascinated by Brian’s style of composing and arranging."
6067:
6055:
5939:
4824:
1906:
935:
342:
contained the band's most complex arrangements and refined vocal performances on a record to date. Among the included songs are "
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5550:
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4775:
4598:
4568:
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4348:
4327:
4301:
4263:
4239:
4139:
4116:
4090:
1744:
810:
781:
668:
306:
5967:
5676:
5669:
5495:
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The only song that was not recorded in this timespan was "Drive-In" (the backing track was recorded on October 18, 1963 at
528:
1167:
charts on August 1 and remained there for 49 weeks, peaking at number 4 on August 22. On September 21, Capitol issued the
609:
dry. We had done every possible angle about surfing and then we did the car routine. But we needed to grow artistically."
560:(1963). Moreover, the record company had begun allocating much of their marketing resources to the Beatles. Band promoter
6060:
5734:
1548:, said that the album marked the point when the band "really entered the game" and delivered a "completely solid" album.
761:
4027:
5891:
5288:
4968:
4417:
4067:
1049:" by being "truly spontaneous. As such, it came closer than anything previously available to disclosing the Boys' taut
4004:
891:"Carl's Big Chance", recorded to showcase Carl's guitar-playing, is the album's only instrumental track and the final
741:
distinguished the song for its "jarring rhythmic shifts, fuzz guitar, off-kilter organ riffs, and Brian's own wailing
5302:
4982:
4629:
4516:
4464:
4438:
4394:
4371:
4192:
4166:
2539:
1053:(Mike jesting edgily about throwing Brian across the room) as tensions in their relentless studio regime escalated."
1015:
596:
in Hollywood. According to music historian Keith Badman, Wilson had been disappointed by the simplicity, reliance on
475:", then stalled at number five, with the Beatles occupying the top three positions. The fourth position was held by
6243:
5960:
5856:
5816:
5800:
5442:
5351:
5122:
5031:
2526:
4657:
6341:
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1662:, represented another leap forward in the group's musical sophistication, later to culminate with the 1966 album
1293:
reviewer stated, "The Beach Boys are an acquired taste which I don't have, but at least they produce some solid '
716:. The compilation also included many alternate versions and session highlights of other tracks, sourced from the
6316:
6204:
5337:
5017:
4542:
4218:
2195:
Per Craig Slowinski. These credits are incomplete, having been amalgamated from all tracks except "Drive-In", "
706:
6356:
6331:
6326:
5571:
4728:
2449:
1476:
1428:
443:
That's probably my most compelling motive for writing new songs—the urge to overcome an inferiority feeling.
328:, who sought to raise the quality of his group's repertoire and sound following the disappointing results of
3834:
2640:
5984:
5708:
5662:
5530:
5523:
5344:
5150:
5024:
2634:
1577:
1030:
573:
6147:
5792:
5407:
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550:, whose roster included both the Beach Boys and the Beatles, responded the next month by rush-releasing
6190:
6030:
5592:
4888:
4708:
4697:
4686:
4675:
3242:
1050:
659:
Production-wise, the album introduced exotic textures to the band's sound as exemplified by the use of
4255:
Inside the Music of Brian Wilson: The Songs, Sounds, and Influences of the Beach Boys' Founding Genius
6160:
5690:
5488:
5474:
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4870:
2495:
with a loving intimacy that communicates all the passion simmering beneath the words." Lambert says,
2266:
2092:
818:
625:
556:
297:. Regarded as their first artistically unified collection of songs, as well as one of the first true
229:
1585:, "None of the group's previous albums come close to the unity of vision and feeling they show here.
6336:
6222:
6004:
5764:
5435:
5115:
4721:
2433:
1218:
593:
578:
468:
77:
954:. It is essentially a revision of "The Big Beat", a song that Wilson had written and produced for
6295:
5585:
5502:
5386:
5143:
5066:
1244:
1003:
476:
4533:
The Nearest Faraway Place: Brian Wilson, the Beach Boys, and the Southern Californian Experience
2525:
Coincidentally, "I Get Around" made its entry at number one on the same day as America's annual
1228:
In October, recordings from the band's August 1 performance at the Civil Memorial Auditorium in
6169:
5899:
5757:
5414:
5094:
4910:
4896:
4526:
2062:
1229:
1173:
1038:
979:
390:
183:
710:(1968). "Let's Live (Before We Die)", a discarded track, was released on the 2014 compilation
6263:
6098:
5864:
5848:
5606:
5309:
5295:
4989:
4975:
4903:
4618:
4453:
4428:
4316:
4181:
3733:
1654:
1628:
1607:
955:
415:
1068:
6321:
5509:
5358:
5038:
4081:
The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio
2475:
1213:
1140:
2961:
435:
When I hear really fabulous material by other groups, I feel as small as the dot over the
8:
5932:
5740:
5516:
4360:
3953:
908:
644:
518:
recalled, "To varying degrees, all of us in the Beach Boys were rattled, but most of all
313:
style photo collage depicting the band members fraternizing with young women on a beach.
302:
4587:
4531:
4505:
4479:
4155:
4128:
4105:
895:
instrumental released on any of their studio albums. It serves as a companion piece to "
671:. The majority of the instrumentation was provided by the band members themselves, with
397:
was issued in June 1965 and failed to chart. By then, it had been certified gold by the
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6176:
5715:
5683:
5627:
5620:
5599:
5460:
5428:
5400:
5330:
5274:
5267:
5108:
5080:
5010:
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4947:
4848:
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4229:
4079:
4056:
4012:
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2377:
2302:
2029:
1997:
1927:
1526:
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1234:
1090:
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without paying for admission, among other things, and climaxes with a line alluding to
974:
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as "one of the group's finest moments". The song later served as the theme to the 1965
966:
962:
455:
386:
351:
330:
211:
165:
5989:
5953:
5634:
5421:
5246:
5101:
4926:
4796:
4625:
4594:
4564:
4557:
4538:
4512:
4486:
4460:
4434:
4413:
4390:
4367:
4344:
4323:
4297:
4290:
4259:
4235:
4214:
4207:
4188:
4162:
4135:
4112:
4100:
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2592:
2479:
2425:
2196:
1982:
1813:
1645:
1095:
885:
827:
738:
632:
3669:"Beach Boys Release Two Expansive Archival Digital Albums Featuring Music from 1964"
3243:"Brian Wilson Remembers: An In-Depth Interview with the Beach Boys' Resident Genius"
6238:
6233:
3775:
2199:", "Carl's Big Chance", "Do You Remember?", and "Our Favorite Recording Sessions'.
1007:
896:
582:
511:
321:
1261:
745:", while Leaf called it "a major, revolutionary step in Brian's use of dynamics".
6228:
6108:
6093:
5994:
5372:
5224:
5052:
4838:
4430:
33 1/3 Revolutions Per Minute: A Critical Trip Through the Rock LP Era, 1955–1999
4405:
4338:
4253:
3070:
2602:
2492:
2462:
2293:
1948:
1151:
999:
684:
547:
347:
294:
140:
133:
81:
1208:
they grossed a total of $ 328,693 (equivalent to $ 3.23 million in 2023).
373:
reached number 4 in the US during a 49-week chart stay and yielded one single, "
6271:
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5214:
5166:
4883:
4340:
The 100 Greatest Bands of All Time: A Guide to the Legends Who Rocked the World
4249:
3066:
2598:
2417:
2228:
2182:
1315:
1265:
943:
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as "a turning point" for the band, and his first LP that could compete against
290:
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152:
43:
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6118:
6083:
5185:
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1972:
1638:, "I finally felt the Beach Boys had put out an LP that was competitive with
1612:
1168:
1104:
1014:("If you say you watched the movie, you're a couple of liars / And remember,
1011:
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951:
939:
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653:
617:
616:
consists of seven "up-tempo/dance numbers", four "ballads", and one "novelty
499:
472:
298:
102:
4107:
Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson
3979:
817:
all over your blouse?" is a reference to Wilson's first meeting with singer
6277:
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6123:
6113:
6088:
5393:
5323:
5229:
5178:
5073:
5003:
4817:
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4704:
Untitled Jam / Let's Live Before We Die (Session Highlights / Instrumental)
4582:
4578:
4552:
4474:
4273:
4035:
3382:
Beard, David, ed. (Winter 2015). "Brian Wilson - The Andy Paley sessions".
3297:
3293:"Brian Wilson's early days chronicled on download-only 'The Big Beat 1963'"
2437:
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2298:
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April 2 – May 19, 1964 (except "Drive-In", October 18, 1963)
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554:, becoming the first Beach Boys LP to miss the top 10 since their second,
6103:
5727:
5379:
5260:
5219:
5192:
5059:
4940:
4500:
4448:
4337:
Perone, James E. (2015). "The Beach Boys". In Moskowitz, David V. (ed.).
4150:
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2324:
2308:
2245:
2232:
2212:
2101:
1840:
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1238:– their first LP to top the national charts. The album included only one
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teenage life", a theme that is reinforced by the front cover. Biographer
503:
464:
355:
335:
317:
89:
4231:
Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective
482:
471:" topped the U.S. charts on February 1. The Beach Boys' latest single, "
5316:
5206:
4996:
4646:
4410:
Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever
4285:
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3983:
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was their first album that completely avoided those subjects, and like
1465:
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The album was recorded between April and May 1964 during the height of
286:
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2833:
1546:
33 1/3 Revolutions Per Minute: A Critical Trip Through the Rock LP Era
1130:
1093:, the same setting used for the cover photo of the band's debut album
639:". He goes on to describe the lyrical content as "the entire scrapbook
479:, the act that most closely rivaled the Beach Boys before this point.
439:
in "nit." Then I just have to create a new song to bring me up on top.
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had officially commenced with the Beatles' arrival in New York City.
487:
366:
310:
97:
30:
2248:– harmony, backing, and second tenor vocals, lead and rhythm guitars
624:", is about a motorcycle), and the only reference to surfing is in "
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4228:
Keightley, Keir (2016). "Summer of '64". In Lambert, Philip (ed.).
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2277:
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835:
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359:
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4157:
Brian Wilson and the Beach Boys: The Complete Guide to Their Music
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4651:
2240:
1611:
The Beach Boys accepting gold record sales certifications at the
1572:
1025:
847:
660:
4016:. August 22, 1964. p. 23 – via WorldRadioHistory.com.
1002:" was inspired by the group's outings at the Studio Drive-In in
4039:. August 15, 1964. p. 5 – via WorldRadioHistory.com.
2499:'Girls on the Beach' is less romantic and more lecherous, sung
4358:
Rucker, Leland (1999). Graff, Gary; Durchholz, Daniel (eds.).
4130:
Fifty Sides of the Beach Boys: The Songs That Tell Their Story
1028:
attempted to coax Wilson into discussing the unfinished album
4187:(4th ed.). New York, NY: Fireside/Simon & Schuster.
2538:
The band did not revisit these themes until the 1968 single "
2255:
1072:
The photos on the album cover were taken at Paradise Cove in
866:
785:
38:
3913:
3583:
3475:
3339:
2258:; brushed drums; percussion; opening voice on "Little Honda"
4058:
Back to the Beach: A Brian Wilson and the Beach Boys Reader
3925:
3901:
3692:
3690:
3671:. WFJA Classic Hits 105.5. December 7, 2014. Archived from
3595:
2943:
2941:
2779:
2728:
1188:
565:
several singles for other acts, none of which became hits.
453:
Early in 1964, the Beach Boys completed their fifth album,
398:
4620:
What's That Sound? An Introduction to Rock and Its History
3627:
3625:
3463:
3197:
3195:
3030:
3028:
2482:", is called "the greatest" among the rock 'n' roll stars.
1248:(2014), added performances of "Wendy" and "Little Honda".
592:
was largely recorded between April 2 and May 19, 1964, at
3877:
3841:
3317:
3315:
3212:
3210:
3087:
3085:
3083:
1286:
1211:
On September 27, the band made their first appearance on
4179:(2004). Brackett, Nathan; with Hoard, Christian (eds.).
3960:
3889:
3687:
3649:
3637:
3612:
3610:
3559:
3547:
3535:
3508:
3451:
3441:
3439:
3437:
3351:
3180:
2938:
2609:
2321:
Bob (surname unknown) – engineer on "Girls on the Beach"
3707:
3705:
3622:
3525:
3523:
3498:
3496:
3494:
3492:
3490:
3424:
3422:
3420:
3395:
3393:
3192:
3170:
3168:
3166:
3164:
3162:
3160:
3025:
2991:
2989:
2987:
2985:
2983:
2981:
2979:
2977:
2928:
2926:
2911:
2860:
2850:
2848:
2796:
2794:
2769:
2767:
2740:
2704:
2668:
2554:
1006:. The song gives the listener advice on how to enter a
965:" is a ballad in a similar vein to Wilson's 1963 song "
5841:
Beautiful Dreamer: Brian Wilson and the Story of Smile
4624:(4th ed.). New York: W. W. Norton & Company.
3853:
3312:
3260:
3222:
3207:
3133:
3080:
2692:
2656:
2227:– lead, harmony, backing, and falsetto vocals; piano;
2211:– harmony, backing, and second tenor/baritone vocals;
696:
song, Dennis snaps, "My brother was a teenage faggot!"
5947:
Heroes and Villains: The True Story of the Beach Boys
4671:
The Beach Boys "I Get Around" on The Ed Sullivan Show
4209:
Heroes and Villains: The True Story of The Beach Boys
3607:
3434:
3097:
305:
teenager, a theme encapsulated by the title track, "
6141:
The Beach Boys with the Royal Philharmonic Orchestra
4878:
Keep an Eye on Summer – The Beach Boys Sessions 1964
3865:
3802:
3790:
3702:
3571:
3520:
3487:
3417:
3405:
3390:
3363:
3327:
3272:
3157:
3109:
3051:
3001:
2974:
2923:
2899:
2845:
2818:
2791:
2764:
713:
Keep an Eye on Summer – The Beach Boys Sessions 1964
4459:(2nd ed.). New York: Oxford University Press.
3121:
2752:
2716:
700:It was their last album for which Brian approved a
540:than rock and roll stars" and considered scrapping
4617:
4586:
4556:
4530:
4504:
4478:
4452:
4382:
4359:
4315:
4289:
4206:
4180:
4154:
4127:
4104:
4078:
4055:
3814:
3013:
2639:
4278:The Virgin Encyclopedia of Popular Music, Concise
3835:"The Beach Boys - All Summer Long (album review)"
2680:
1194:
6308:
5809:Brian Wilson: I Just Wasn't Made for These Times
3047:
3045:
3043:
1021:Brian Wilson: I Just Wasn't Made for These Times
5579:Good Vibrations: Thirty Years of The Beach Boys
2254:– lead, harmony, backing, and baritone vocals;
1018:"). During the filming of the 1995 documentary
877:, who produced a version that became a hit for
4682:The Beach Boys "Wendy" on The Ed Sullivan Show
4577:
4455:American Popular Music: From Minstrelsy to MP3
3919:
3151:
2621:
1318:had been "infatuated with the Beach Boy sound.
5151:
4729:
4408:. In Schinder, Scott; Schwartz, Andy (eds.).
3040:
3980:"CHUM Hit Parade (week of October 12, 1964)"
1482:
1434:
1396:
1358:
6352:Albums recorded at United Western Recorders
5833:Good Timin': Live at Knebworth England 1980
5482:Good Timin': Live at Knebworth England 1980
4366:. Farmington Hills, MI: Visible Ink Press.
3724:
3722:
3720:
1242:track: "I Get Around. An expanded reissue,
1041:, it distinguished itself from the similar
5884:Summer Dreams: The Story of the Beach Boys
5649:Beach Boys' Party! Uncovered and Unplugged
5158:
5144:
4736:
4722:
4551:
4412:. Westport, Connecticut: Greenwood Press.
4362:MusicHound Rock: The Essential Album Guide
3952:. Endless Summer Quarterly. Archived from
3907:
2785:
2583:
2581:
2579:
2577:
2575:
2573:
2571:
2569:
29:
4227:
4148:
3966:
3833:Watson, Oliver Thatcher (June 24, 2023).
3696:
3481:
3457:
3386:. Vol. 29, no. 112. p. 24.
3240:
3201:
3186:
2947:
2560:
2221:– lead, harmony, backing, and bass vocals
1125:
1107:. Music historian Luis Sanchez comments,
532:, states that he had "suddenly felt unhip
324:. It was produced and largely written by
309:", and the often-imitated front cover, a
4473:
4426:
4403:
4062:(1st ed.). London: Helter Skelter.
3931:
3859:
3847:
3717:
3469:
3091:
3034:
1606:
1260:
1129:
1067:
907:speculates that the track was based on "
572:
481:
5940:Good Vibrations: My Life as a Beach Boy
4380:
4318:Good Vibrations: My Life as a Beach Boy
4248:
3728:
3445:
3321:
3266:
3228:
3216:
3139:
2953:
2566:
568:
6309:
5919:The Beach Boys and the California Myth
4499:
4357:
4336:
4292:The Beach Boys and the California Myth
4272:
4201:
4125:
4099:
4076:
4053:
3871:
3832:
3808:
3796:
3711:
3655:
3643:
3631:
3616:
3601:
3589:
3577:
3565:
3553:
3541:
3529:
3514:
3502:
3411:
3399:
3369:
3357:
3345:
3333:
3290:
3115:
3103:
3007:
2995:
2959:
2932:
2917:
2905:
2872:
2866:
2854:
2839:
2824:
2812:
2800:
2773:
2746:
2734:
2710:
2674:
2662:
2615:
2280:with brush, rim with thin stick, drums
2136:
2110:
2087:
2057:
1551:Among biographers, Jon Stebbins cited
1099:(1962). Dillon wrote in 2012 that the
987:to this song, "Little Honda", and the
5825:Endless Harmony: The Beach Boys Story
5139:
4717:
4525:
4447:
3895:
3883:
3428:
3381:
3278:
3174:
2962:"The Popdose Guide to the Beach Boys"
2162:
2013:
1992:
1964:
1943:
1922:
1901:
1880:
1832:
1808:
1787:
1760:
1739:
1712:
1619:In the estimation of music historian
1568:is praised for its "fine harmonies".
1339:
1251:
6254:1968 tour with Maharishi Mahesh Yogi
5677:I Can Hear Music: The 20/20 Sessions
5670:Wake the World: The Friends Sessions
4310:
4284:
4175:
3820:
3759:
3127:
3019:
2758:
2722:
2698:
2686:
2628:Staton, Scott (September 22, 2005).
2594:Little Deuce Coupe / All Summer Long
2587:
1596:
612:Academic Kier Keightley writes that
389:" later served as the theme for the
5735:Merry Christmas from the Beach Boys
4743:
4511:. Woodstock, N.Y.: Overlook Press.
2478:" was reconfigured by Wilson into "
2444:" by Larry Denton, "Sacramento" by
486:The Beach Boys in 1964. From left:
285:is the sixth album by the American
13:
5926:Becoming the Beach Boys, 1961–1963
5366:Carl and the Passions – "So Tough"
5165:
5046:Carl and the Passions – "So Tough"
4609:
4296:. New York: Grosset & Dunlap.
3764:Little Deuce Coupe/All Summer Long
3241:Kubernick, Harvey (July 3, 2021).
2960:Holmes, Chris (October 25, 2011).
2140:"Don't Back Down" (alternate take)
1335:Retrospective professional ratings
750:
14:
6368:
5968:Wouldn't It Be Nice: My Own Story
5303:Summer Days (And Summer Nights!!)
4983:Summer Days (And Summer Nights!!)
4844:"Our Favorite Recording Sessions"
4639:
4559:Wouldn't It Be Nice: My Own Story
4481:Dennis Wilson: The Real Beach Boy
4183:The New Rolling Stone Album Guide
3291:Gnerre, Sam (December 20, 2013).
2034:1990/2001 CD reissue bonus tracks
1968:"Our Favorite Recording Sessions"
1539:co-editor Scott Schinder praised
1484:
1436:
1398:
1360:
1047:'Cassius' Love vs. 'Sonny' Wilson
1016:only you can prevent forest fires
401:, indicating 500,000 units sold.
6291:
6290:
6021:Bootlegs and unreleased material
5961:Inside the Music of Brian Wilson
5857:Brian Wilson: Long Promised Road
5496:Live – The 50th Anniversary Tour
4234:. University of Michigan Press.
4020:
3997:
3972:
1671:
1503:
1498:
1493:
1488:
1483:
1455:
1450:
1445:
1440:
1435:
1417:
1412:
1407:
1402:
1397:
1379:
1374:
1369:
1364:
1359:
1329:
1232:were released as the live album
800:Problems playing this file? See
766:
600:, and overall rushed quality of
334:. Also intended as a riposte to
6347:Albums produced by Brian Wilson
6068:Songs covered by the Beach Boys
5289:The Beach Boys' Christmas Album
4969:The Beach Boys' Christmas Album
4507:100 Great Albums of the Sixties
4046:
3943:
3937:
3826:
3753:
3661:
3375:
3284:
3234:
2878:
2532:
2519:
2510:
2485:
2468:
2455:
2410:
2311:– 6-string electric bass guitar
2286:– 6-string electric bass guitar
2114:"Little Honda" (alternate take)
1634:Wilson's 1991 memoir states of
1562:100 Great Albums of the Sixties
1256:
679:on guitars, Brian on bass, and
4616:Covach, John Rudolph (2015) .
4054:Abbott, Kingsley, ed. (1997).
3760:Wolk, Douglas (October 2004).
2039:
1862:
1694:
1:
5443:That's Why God Made the Radio
5123:That's Why God Made the Radio
4280:(4th ed.). Virgin Books.
2842:, pp. 49, 52–53, 55, 57.
2548:
1477:The Rolling Stone Album Guide
1429:Encyclopedia of Popular Music
1280:A reviewer from the magazine
428:
5985:Beach Boys Historic Landmark
5531:The Beach Boys On Tour: 1968
4693:Little Saint Nick (Drive In)
4433:. Rowman & Littlefield.
4322:. Penguin Publishing Group.
3993:– via chumtribute.com.
2815:, pp. 35, 41–42, 53–54.
2635:The New York Review of Books
2190:
1571:Luis Sanchez, author of the
1063:
938:" is a celebration of 1950s
385:became a top 10 hit, while "
293:, released July 13, 1964 on
201:The Beach Boys UK chronology
16:1964 album by the Beach Boys
7:
6148:Brian Wilson Presents Smile
4589:I Am Brian Wilson: A Memoir
4563:. New York: HarperCollins.
4213:. New York: Da Capo Press.
3059:; Slowinski, Craig (2014).
2183:songwriting credits lawsuit
1134:The Beach Boys performing "
918:
728:
10:
6373:
6191:A Postcard from California
5642:Keep an Eye on Summer 1964
5572:Lost & Found (1961–62)
5489:Songs from Here & Back
3920:Wilson & Greenman 2016
3152:Wilson & Greenman 2016
3062:Keep an Eye On Summer 1964
2887:. Endless Summer Quarterly
1677:All tracks are written by
1600:
1272:were reportedly amazed by
1187:was certified gold by the
1120:
723:
536:as if we looked more like
391:1965 film of the same name
6286:
6214:
6132:
6076:
6013:
5977:
5910:
5875:
5774:
5749:
5700:
5540:
5475:The Beach Boys in Concert
5452:
5238:
5173:
4920:
4871:All Dressed Up for School
4862:
4809:
4760:
4753:
4258:. Bloomsbury Publishing.
2331:
2093:All Dressed Up for School
2052:
2049:
2046:
2043:
2038:
1875:
1872:
1869:
1866:
1861:
1707:
1704:
1701:
1698:
1693:
1347:
1344:
1177:, a truncated version of
274:
253:
242:
205:
200:
196:
159:
151:
139:
127:
111:
88:
73:
65:
50:
37:
28:
23:
6223:Brian Wilson is a genius
6005:United Western Recorders
5765:Mount Vernon and Fairway
5663:1967 – Sunshine Tomorrow
5436:Stars and Stripes Vol. 1
5408:Keepin' the Summer Alive
5116:Stars and Stripes Vol. 1
5088:Keepin' the Summer Alive
4404:Schinder, Scott (2007).
3384:Endless Summer Quarterly
2404:
2215:; electric rhythm guitar
1936:B. Wilson with D. Wilson
1219:Worcester, Massachusetts
594:United Western Recorders
469:I Want to Hold Your Hand
6249:1967 Summer Spectacular
5722:Charles Manson sessions
5656:Becoming the Beach Boys
5586:The Pet Sounds Sessions
5503:Live in Sacramento 1964
5387:The Beach Boys Love You
5067:The Beach Boys Love You
4427:Segretto, Mike (2022).
4389:. Bloomsbury Academic.
2450:Thinkin' 'Bout You Baby
1245:Live in Sacramento 1964
1004:Culver City, California
54:July 13, 1964
6342:Capitol Records albums
6259:1975 tour with Chicago
6170:Looking Back with Love
5758:Four by the Beach Boys
4911:Four by the Beach Boys
4897:The Girls on the Beach
4381:Sanchez, Luis (2014).
4077:Badman, Keith (2004).
3908:Wilson & Gold 1991
3592:, pp. 62, 85, 93.
3348:, pp. 55, 91, 93.
2786:Wilson & Gold 1991
2063:Be True to Your School
1616:
1277:
1230:Sacramento, California
1174:Four by the Beach Boys
1145:
1126:Commercial performance
1114:
1077:
980:The Girls on the Beach
755:
698:
586:
507:
445:
354:", and a rendition of
266:Released: May 11, 1964
184:Four by the Beach Boys
6317:The Beach Boys albums
6264:The 50th Reunion Tour
6099:James William Guercio
5691:Sail On Sailor – 1972
5296:The Beach Boys Today!
4976:The Beach Boys Today!
4555:; Gold, Todd (1991).
4385:The Beach Boys' Smile
4126:Dillon, Mark (2012).
3604:, pp. 59–63, 66.
3202:Doe & Tobler 2004
2879:Doe, Andrew Grayham.
2737:, pp. 1, 18, 24.
2630:"A Lost Pop Symphony"
1655:The Beach Boys Today!
1629:The Warmth of the Sun
1610:
1264:
1159:Released on July 13,
1133:
1109:
1071:
929:his second-born child
850:standard, written by
754:
693:
604:, and endeavored for
576:
485:
433:
416:The Beach Boys Today!
6357:Collage album covers
6332:Rock-and-roll albums
6327:1960s concept albums
5524:1967 – Live Sunshine
5510:Live in Chicago 1965
3886:, pp. 251, 253.
3154:, pp. 120, 123.
2644:on December 24, 2015
2476:Sweet Little Sixteen
2235:; Hammond B3 organ;
1214:The Ed Sullivan Show
1163:debuted on the U.S.
1144:(September 27, 1964)
1141:The Ed Sullivan Show
911:", a recent hit for
842:, is a rendition of
838:", the album's only
569:Style and production
303:Southern Californian
5741:Andy Paley sessions
5517:Graduation Day 1966
4802:"Carl's Big Chance"
4666:(official playlist)
3934:, pp. 110–113.
3898:, pp. 253–254.
3730:Unterberger, Richie
3484:, pp. 106–107.
2701:, pp. 146–147.
2618:, pp. 114–115.
2035:
2006:Love with B. Wilson
1975:, C. Wilson, Love,
1915:Love with B. Wilson
1858:
1836:"Carl's Big Chance"
1780:B. Wilson with Love
1690:
1336:
1080:The front cover of
942:performers such as
909:Can I Get a Witness
529:Wouldn't It Be Nice
510:By February 7, the
448:—Brian Wilson, 1964
404:Wilson later cited
6177:Pacific Ocean Blue
5892:An American Family
5628:Made in California
5621:The Smile Sessions
5600:Ultimate Christmas
5461:Beach Boys Concert
5429:Summer in Paradise
5401:L.A. (Light Album)
5310:Beach Boys' Party!
5275:Shut Down Volume 2
5268:Little Deuce Coupe
5109:Summer in Paradise
5081:L.A. (Light Album)
4990:Beach Boys' Party!
4955:Shut Down Volume 2
4948:Little Deuce Coupe
4904:The Monkey's Uncle
4832:Girls on the Beach
4654:(list of releases)
4101:Carlin, Peter Ames
4085:. Backbeat Books.
3956:on March 24, 2012.
3658:, pp. 62, 67.
3646:, pp. 59, 62.
3568:, pp. 59, 63.
3556:, pp. 42, 47.
3544:, pp. 55, 57.
3517:, pp. 55, 59.
3472:, pp. 17, 40.
3360:, pp. 91, 93.
3247:Best Classic Bands
2713:, pp. 52, 54.
2677:, pp. 51, 54.
2452:" by Sharon Marie.
2303:baritone saxophone
2065:" (single version)
2030:Little Deuce Coupe
2027:
1928:Girls on the Beach
1856:
1688:
1685:except where noted
1625:Shut Down Volume 2
1617:
1589:The brilliance of
1527:Richie Unterberger
1334:
1278:
1252:Critical reception
1235:Beach Boys Concert
1197:Beach Boys Concert
1146:
1091:Malibu, California
1078:
1074:Malibu, California
975:Paramount Pictures
963:Girls on the Beach
901:Shut Down Volume 2
756:
602:Shut Down Volume 2
587:
552:Shut Down Volume 2
542:Shut Down Volume 2
508:
456:Shut Down Volume 2
387:Girls on the Beach
331:Shut Down Volume 2
212:Beach Boys Concert
166:Shut Down Volume 2
6304:
6303:
6244:Live performances
5990:Beach Boys Studio
5954:I Am Brian Wilson
5635:The Big Beat 1963
5133:
5132:
4858:
4857:
4600:978-0-306-82307-7
4593:. Da Capo Press.
4570:978-0-06018-313-4
4492:978-1-55022-404-7
4350:978-1-4408-0340-6
4329:978-0-698-40886-9
4303:978-0-448-14626-3
4265:978-1-4411-0748-0
4241:978-0-472-11995-0
4141:978-1-77090-198-8
4118:978-1-59486-320-2
4092:978-0-87930-818-6
3910:, pp. 95–96.
3850:, pp. 39–40.
3734:"All Summer Long"
3634:, pp. 62–63.
3065:(Digital Liner).
2920:, pp. 57–59.
2869:, pp. 54–55.
2788:, pp. 89–90.
2749:, pp. 50–52.
2665:, pp. 49–51.
2507:the other guys."
2426:She Rides with Me
2402:
2401:
2305:; piccolo or fife
2267:the Wrecking Crew
2265:(later known as "
2263:Session musicians
2172:
2171:
2032:/ All Summer Long
2023:
2022:
1852:
1851:
1646:I Am Brian Wilson
1597:Impact and legacy
1520:
1519:
828:American Graffiti
771:
762:"All Summer Long"
739:Peter Ames Carlin
704:master mix until
278:
277:
238:
237:
192:
191:
6364:
6294:
6293:
6239:California sound
6234:California Music
5900:Love & Mercy
5817:Nashville Sounds
5801:An American Band
5614:Sounds of Summer
5160:
5153:
5146:
5137:
5136:
4863:Related articles
4825:Do You Remember?
4758:
4757:
4738:
4731:
4724:
4715:
4714:
4705:
4694:
4683:
4672:
4635:
4623:
4604:
4592:
4574:
4562:
4548:
4536:
4522:
4510:
4496:
4484:
4470:
4458:
4444:
4423:
4406:"The Beach Boys"
4400:
4388:
4377:
4365:
4354:
4333:
4321:
4307:
4295:
4281:
4269:
4245:
4224:
4212:
4198:
4186:
4172:
4160:
4145:
4133:
4122:
4110:
4096:
4084:
4073:
4061:
4041:
4040:
4032:
4024:
4018:
4017:
4009:
4005:"Top 100 Albums"
4001:
3995:
3994:
3992:
3990:
3976:
3970:
3964:
3958:
3957:
3941:
3935:
3929:
3923:
3917:
3911:
3905:
3899:
3893:
3887:
3881:
3875:
3869:
3863:
3857:
3851:
3845:
3839:
3838:
3830:
3824:
3818:
3812:
3806:
3800:
3794:
3788:
3787:
3785:
3783:
3778:on June 30, 2006
3774:. Archived from
3762:"The Beach Boys
3757:
3751:
3750:
3748:
3746:
3726:
3715:
3709:
3700:
3694:
3685:
3684:
3682:
3680:
3665:
3659:
3653:
3647:
3641:
3635:
3629:
3620:
3614:
3605:
3599:
3593:
3587:
3581:
3575:
3569:
3563:
3557:
3551:
3545:
3539:
3533:
3527:
3518:
3512:
3506:
3500:
3485:
3479:
3473:
3467:
3461:
3455:
3449:
3443:
3432:
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2696:
2690:
2684:
2678:
2672:
2666:
2660:
2654:
2653:
2651:
2649:
2643:
2638:. Archived from
2625:
2619:
2613:
2607:
2606:
2585:
2564:
2558:
2543:
2536:
2530:
2527:Independence Day
2523:
2517:
2514:
2508:
2498:
2493:augmented chords
2489:
2483:
2472:
2466:
2459:
2453:
2414:
2336:
2335:
2165:
2041:
2036:
2026:
2016:
1907:Do You Remember?
1864:
1859:
1855:
1696:
1691:
1687:
1588:
1508:
1507:
1506:
1502:
1501:
1497:
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1373:
1372:
1368:
1367:
1363:
1362:
1337:
1333:
1321:
1292:
1224:
1008:drive-in theater
936:Do You Remember?
791:
773:
772:
753:
685:Studio musicians
642:
583:Sunset Boulevard
535:
525:
512:British Invasion
477:the Four Seasons
449:
442:
322:British Invasion
267:
264:
248:All Summer Long
207:
206:
161:
160:
123:
122:
118:
61:
59:
33:
21:
20:
6372:
6371:
6367:
6366:
6365:
6363:
6362:
6361:
6337:Teen pop albums
6307:
6306:
6305:
6300:
6282:
6229:Brother Records
6210:
6184:Pet Sounds Live
6162:Good Vibrations
6128:
6109:Jerry Schilling
6094:Jeffrey Foskett
6072:
6036:Song recordings
6009:
5995:Brother Studios
5973:
5906:
5871:
5785:
5781:
5770:
5745:
5716:Lei'd in Hawaii
5696:
5593:Endless Harmony
5542:
5536:
5448:
5282:All Summer Long
5234:
5225:Blondie Chaplin
5169:
5164:
5134:
5129:
5128:
4962:All Summer Long
4916:
4854:
4849:Don't Back Down
4805:
4776:All Summer Long
4749:
4746:All Summer Long
4742:
4703:
4692:
4681:
4670:
4659:All Summer Long
4647:All Summer Long
4642:
4632:
4615:
4612:
4610:Further reading
4607:
4601:
4571:
4545:
4519:
4493:
4467:
4441:
4420:
4397:
4374:
4351:
4330:
4304:
4266:
4250:Lambert, Philip
4242:
4221:
4195:
4169:
4142:
4119:
4093:
4070:
4049:
4044:
4030:
4026:
4025:
4021:
4007:
4003:
4002:
3998:
3988:
3986:
3978:
3977:
3973:
3965:
3961:
3946:"Album Archive"
3944:Doe, Andrew G.
3942:
3938:
3930:
3926:
3918:
3914:
3906:
3902:
3894:
3890:
3882:
3878:
3870:
3866:
3858:
3854:
3846:
3842:
3837:. Sputnikmusic.
3831:
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3819:
3815:
3807:
3803:
3795:
3791:
3781:
3779:
3758:
3754:
3744:
3742:
3727:
3718:
3710:
3703:
3695:
3688:
3678:
3676:
3675:on May 12, 2015
3667:
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3146:
3138:
3134:
3126:
3122:
3114:
3110:
3102:
3098:
3090:
3081:
3071:Capitol Records
3050:
3041:
3033:
3026:
3018:
3014:
3006:
3002:
2994:
2975:
2958:
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2673:
2669:
2661:
2657:
2647:
2645:
2627:
2626:
2622:
2614:
2610:
2603:Capitol Records
2586:
2567:
2559:
2555:
2551:
2546:
2537:
2533:
2524:
2520:
2515:
2511:
2496:
2490:
2486:
2473:
2469:
2463:Radio Recorders
2460:
2456:
2416:This included "
2415:
2411:
2407:
2381:Top 100 Albums
2353:'s Album Index
2343:
2334:
2316:Technical staff
2294:tenor saxophone
2193:
2173:
2163:
2152:
2126:
2077:
2024:
2014:
1998:Don't Back Down
1894:Love with group
1853:
1753:Love with group
1745:All Summer Long
1674:
1660:All Summer Long
1636:All Summer Long
1615:(December 1966)
1605:
1599:
1591:All Summer Long
1586:
1583:All Summer Long
1566:All Summer Long
1553:All Summer Long
1541:All Summer Long
1531:All Summer Long
1504:
1499:
1494:
1489:
1456:
1451:
1446:
1441:
1418:
1413:
1408:
1403:
1380:
1375:
1370:
1365:
1332:
1324:All Summer Long
1319:
1290:
1274:All Summer Long
1259:
1254:
1240:All Summer Long
1222:
1205:All Summer Long
1200:
1185:All Summer Long
1179:All Summer Long
1161:All Summer Long
1152:Record Retailer
1128:
1123:
1101:All Summer Long
1082:All Summer Long
1076:(pictured 2014)
1066:
1058:Don't Back Down
971:block harmonies
956:Bob & Sheri
921:
903:. Musicologist
811:All Summer Long
807:
806:
798:
796:
795:
794:
793:
789:
782:the title track
774:
767:
764:
757:
751:
731:
726:
718:All Summer Long
669:the title track
640:
626:Don't Back Down
614:All Summer Long
606:All Summer Long
590:All Summer Long
571:
548:Capitol Records
533:
523:
451:
447:
440:
431:
406:All Summer Long
395:All Summer Long
371:All Summer Long
352:Don't Back Down
340:All Summer Long
307:All Summer Long
295:Capitol Records
282:All Summer Long
270:
265:
258:
257:
233:
224:
221:All Summer Long
215:
187:
178:
175:All Summer Long
169:
120:
116:
115:
107:
57:
55:
46:
24:All Summer Long
17:
12:
11:
5:
6370:
6360:
6359:
6354:
6349:
6344:
6339:
6334:
6329:
6324:
6319:
6302:
6301:
6299:
6298:
6287:
6284:
6283:
6281:
6280:
6275:
6272:Love v. Wilson
6268:
6267:
6266:
6261:
6256:
6251:
6241:
6236:
6231:
6226:
6218:
6216:
6212:
6211:
6209:
6208:
6201:
6194:
6187:
6180:
6173:
6166:
6158:
6151:
6144:
6136:
6134:
6130:
6129:
6127:
6126:
6121:
6116:
6111:
6106:
6101:
6096:
6091:
6086:
6080:
6078:
6074:
6073:
6071:
6070:
6065:
6064:
6063:
6058:
6053:
6048:
6043:
6033:
6028:
6026:Cover versions
6023:
6017:
6015:
6011:
6010:
6008:
6007:
6002:
6000:Radiant Radish
5997:
5992:
5987:
5981:
5979:
5975:
5974:
5972:
5971:
5964:
5957:
5950:
5943:
5936:
5929:
5922:
5914:
5912:
5908:
5907:
5905:
5904:
5896:
5888:
5879:
5877:
5873:
5872:
5870:
5869:
5865:The Beach Boys
5861:
5853:
5849:Doin' It Again
5845:
5837:
5829:
5821:
5813:
5805:
5797:
5788:
5786:
5784:
5783:
5779:
5775:
5772:
5771:
5769:
5768:
5761:
5753:
5751:
5747:
5746:
5744:
5743:
5738:
5731:
5724:
5719:
5712:
5704:
5702:
5698:
5697:
5695:
5694:
5687:
5680:
5673:
5666:
5659:
5652:
5645:
5638:
5631:
5624:
5617:
5610:
5603:
5596:
5589:
5582:
5575:
5568:
5565:Made in U.S.A.
5561:
5554:
5551:Endless Summer
5546:
5544:
5538:
5537:
5535:
5534:
5527:
5520:
5513:
5506:
5499:
5492:
5485:
5478:
5471:
5468:Live in London
5464:
5456:
5454:
5450:
5449:
5447:
5446:
5439:
5432:
5425:
5422:Still Cruisin'
5418:
5415:The Beach Boys
5411:
5404:
5397:
5390:
5383:
5376:
5369:
5362:
5355:
5348:
5341:
5334:
5327:
5320:
5313:
5306:
5299:
5292:
5285:
5278:
5271:
5264:
5257:
5254:Surfin' U.S.A.
5250:
5247:Surfin' Safari
5242:
5240:
5236:
5235:
5233:
5232:
5227:
5222:
5217:
5215:Bruce Johnston
5211:
5210:
5203:
5196:
5189:
5182:
5174:
5171:
5170:
5167:The Beach Boys
5163:
5162:
5155:
5148:
5140:
5131:
5130:
5127:
5126:
5119:
5112:
5105:
5102:Still Cruisin'
5098:
5095:The Beach Boys
5091:
5084:
5077:
5070:
5063:
5056:
5049:
5042:
5035:
5028:
5021:
5014:
5007:
5000:
4993:
4986:
4979:
4972:
4965:
4958:
4951:
4944:
4937:
4934:Surfin' U.S.A.
4930:
4927:Surfin' Safari
4922:
4921:
4918:
4917:
4915:
4914:
4907:
4900:
4893:
4892:
4891:
4884:The Beach Boys
4881:
4874:
4866:
4864:
4860:
4859:
4856:
4855:
4853:
4852:
4845:
4842:
4835:
4828:
4821:
4813:
4811:
4807:
4806:
4804:
4803:
4800:
4797:We'll Run Away
4793:
4786:
4779:
4772:
4764:
4762:
4755:
4751:
4750:
4741:
4740:
4733:
4726:
4718:
4712:
4711:
4700:
4689:
4678:
4667:
4655:
4641:
4640:External links
4638:
4637:
4636:
4630:
4611:
4608:
4606:
4605:
4599:
4575:
4569:
4549:
4543:
4527:White, Timothy
4523:
4517:
4497:
4491:
4471:
4465:
4445:
4439:
4424:
4419:978-0313338458
4418:
4401:
4395:
4378:
4372:
4355:
4349:
4334:
4328:
4308:
4302:
4282:
4276:, ed. (2002).
4270:
4264:
4246:
4240:
4225:
4219:
4203:Gaines, Steven
4199:
4193:
4173:
4167:
4146:
4140:
4123:
4117:
4097:
4091:
4074:
4069:978-1900924023
4068:
4050:
4048:
4045:
4043:
4042:
4019:
3996:
3971:
3969:, p. 135.
3967:Keightley 2016
3959:
3950:Bellagio 10452
3936:
3924:
3912:
3900:
3888:
3876:
3864:
3852:
3840:
3825:
3813:
3801:
3789:
3752:
3716:
3701:
3699:, p. 127.
3697:Keightley 2016
3686:
3660:
3648:
3636:
3621:
3619:, p. 115.
3606:
3594:
3582:
3570:
3558:
3546:
3534:
3519:
3507:
3486:
3482:Keightley 2016
3474:
3462:
3460:, p. 116.
3458:Keightley 2016
3450:
3433:
3431:, p. 208.
3416:
3404:
3389:
3374:
3362:
3350:
3338:
3326:
3324:, p. 159.
3311:
3283:
3281:, p. 253.
3271:
3269:, p. 158.
3259:
3233:
3231:, p. 156.
3221:
3219:, p. 150.
3206:
3191:
3189:, p. 118.
3187:Keightley 2016
3179:
3177:, p. 207.
3156:
3144:
3142:, p. 157.
3132:
3130:, p. 160.
3120:
3108:
3106:, p. 222.
3096:
3079:
3067:The Beach Boys
3039:
3037:, p. 110.
3024:
3012:
3000:
2973:
2952:
2950:, p. 115.
2948:Keightley 2016
2937:
2922:
2910:
2898:
2885:Bellagio 10452
2871:
2859:
2844:
2829:
2817:
2805:
2790:
2778:
2763:
2761:, p. 147.
2751:
2739:
2727:
2725:, p. 157.
2715:
2703:
2691:
2679:
2667:
2655:
2620:
2608:
2599:The Beach Boys
2565:
2563:, p. 108.
2561:Keightley 2016
2552:
2550:
2547:
2545:
2544:
2531:
2518:
2509:
2506:
2503:the girls but
2502:
2484:
2480:Surfin' U.S.A.
2474:Berry, whose "
2467:
2454:
2408:
2406:
2403:
2400:
2399:
2396:
2386:
2385:
2382:
2372:
2371:
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2340:
2333:
2330:
2329:
2328:
2322:
2313:
2312:
2306:
2296:
2287:
2281:
2260:
2259:
2249:
2243:
2229:electric piano
2222:
2216:
2203:The Beach Boys
2197:We'll Run Away
2192:
2189:
2188:
2187:
2170:
2169:
2166:
2160:
2159:
2156:
2153:
2151:
2150:
2147:
2143:
2141:
2138:
2134:
2133:
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2066:
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2042:
2025:
2021:
2020:
2017:
2011:
2010:
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2001:
1994:
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1962:
1961:
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1955:
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1877:
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1854:
1850:
1849:
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1837:
1834:
1830:
1829:
1826:
1823:
1817:
1814:We'll Run Away
1810:
1806:
1805:
1802:
1799:
1796:
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1778:
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1509:
1480:
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1471:
1468:
1462:
1461:
1432:
1424:
1423:
1394:
1386:
1385:
1356:
1350:
1349:
1346:
1342:
1341:
1331:
1328:
1316:Paul McCartney
1266:Paul McCartney
1258:
1255:
1253:
1250:
1199:
1193:
1127:
1124:
1122:
1119:
1096:Surfin' Safari
1065:
1062:
989:Surfin' U.S.A.
944:Little Richard
920:
917:
905:Philip Lambert
886:We'll Run Away
881:in late 1964.
819:Marilyn Rovell
797:
778:Philip Lambert
775:
765:
760:
759:
758:
749:
748:
747:
730:
727:
725:
722:
654:concept albums
633:We'll Run Away
579:Western Studio
570:
567:
557:Surfin' U.S.A.
432:
430:
427:
393:. In the UK,
365:Heralding the
299:concept albums
291:the Beach Boys
276:
275:
272:
271:
269:
268:
254:
251:
250:
240:
239:
236:
235:
230:Surfin' U.S.A.
226:
217:
203:
202:
198:
197:
194:
193:
190:
189:
180:
171:
157:
156:
153:The Beach Boys
149:
148:
143:
137:
136:
131:
125:
124:
113:
109:
108:
106:
105:
100:
94:
92:
86:
85:
75:
71:
70:
67:
63:
62:
52:
48:
47:
44:the Beach Boys
42:
35:
34:
26:
25:
15:
9:
6:
4:
3:
2:
6369:
6358:
6355:
6353:
6350:
6348:
6345:
6343:
6340:
6338:
6335:
6333:
6330:
6328:
6325:
6323:
6320:
6318:
6315:
6314:
6312:
6297:
6289:
6288:
6285:
6279:
6276:
6274:
6273:
6269:
6265:
6262:
6260:
6257:
6255:
6252:
6250:
6247:
6246:
6245:
6242:
6240:
6237:
6235:
6232:
6230:
6227:
6224:
6220:
6219:
6217:
6213:
6207:
6206:
6202:
6200:
6199:
6195:
6193:
6192:
6188:
6186:
6185:
6181:
6179:
6178:
6174:
6172:
6171:
6167:
6165:
6163:
6159:
6157:
6156:
6155:Caroline Now!
6152:
6150:
6149:
6145:
6143:
6142:
6138:
6137:
6135:
6133:Related media
6131:
6125:
6122:
6120:
6119:Michael Vosse
6117:
6115:
6112:
6110:
6107:
6105:
6102:
6100:
6097:
6095:
6092:
6090:
6087:
6085:
6084:David Anderle
6082:
6081:
6079:
6075:
6069:
6066:
6062:
6059:
6057:
6054:
6052:
6049:
6047:
6044:
6042:
6039:
6038:
6037:
6034:
6032:
6029:
6027:
6024:
6022:
6019:
6018:
6016:
6012:
6006:
6003:
6001:
5998:
5996:
5993:
5991:
5988:
5986:
5983:
5982:
5980:
5976:
5970:
5969:
5965:
5963:
5962:
5958:
5956:
5955:
5951:
5949:
5948:
5944:
5942:
5941:
5937:
5935:
5934:
5930:
5928:
5927:
5923:
5921:
5920:
5916:
5915:
5913:
5909:
5902:
5901:
5897:
5894:
5893:
5889:
5886:
5885:
5881:
5880:
5878:
5876:Fictionalized
5874:
5867:
5866:
5862:
5859:
5858:
5854:
5851:
5850:
5846:
5843:
5842:
5838:
5835:
5834:
5830:
5827:
5826:
5822:
5819:
5818:
5814:
5811:
5810:
5806:
5803:
5802:
5798:
5795:
5794:
5790:
5789:
5787:
5782:concert films
5780:
5777:
5776:
5773:
5767:
5766:
5762:
5760:
5759:
5755:
5754:
5752:
5748:
5742:
5739:
5737:
5736:
5732:
5730:
5729:
5725:
5723:
5720:
5718:
5717:
5713:
5711:
5710:
5706:
5705:
5703:
5699:
5693:
5692:
5688:
5686:
5685:
5681:
5679:
5678:
5674:
5672:
5671:
5667:
5665:
5664:
5660:
5658:
5657:
5653:
5651:
5650:
5646:
5644:
5643:
5639:
5637:
5636:
5632:
5630:
5629:
5625:
5623:
5622:
5618:
5616:
5615:
5611:
5609:
5608:
5607:Hawthorne, CA
5604:
5602:
5601:
5597:
5595:
5594:
5590:
5588:
5587:
5583:
5581:
5580:
5576:
5574:
5573:
5569:
5567:
5566:
5562:
5560:
5559:
5555:
5553:
5552:
5548:
5547:
5545:
5539:
5533:
5532:
5528:
5526:
5525:
5521:
5519:
5518:
5514:
5512:
5511:
5507:
5505:
5504:
5500:
5498:
5497:
5493:
5491:
5490:
5486:
5484:
5483:
5479:
5477:
5476:
5472:
5470:
5469:
5465:
5463:
5462:
5458:
5457:
5455:
5451:
5445:
5444:
5440:
5438:
5437:
5433:
5431:
5430:
5426:
5424:
5423:
5419:
5417:
5416:
5412:
5410:
5409:
5405:
5403:
5402:
5398:
5396:
5395:
5391:
5389:
5388:
5384:
5382:
5381:
5377:
5375:
5374:
5370:
5368:
5367:
5363:
5361:
5360:
5356:
5354:
5353:
5349:
5347:
5346:
5342:
5340:
5339:
5335:
5333:
5332:
5328:
5326:
5325:
5321:
5319:
5318:
5314:
5312:
5311:
5307:
5305:
5304:
5300:
5298:
5297:
5293:
5291:
5290:
5286:
5284:
5283:
5279:
5277:
5276:
5272:
5270:
5269:
5265:
5263:
5262:
5258:
5256:
5255:
5251:
5249:
5248:
5244:
5243:
5241:
5239:Studio albums
5237:
5231:
5228:
5226:
5223:
5221:
5218:
5216:
5213:
5212:
5209:
5208:
5204:
5202:
5201:
5197:
5195:
5194:
5190:
5188:
5187:
5186:Dennis Wilson
5183:
5181:
5180:
5176:
5175:
5172:
5168:
5161:
5156:
5154:
5149:
5147:
5142:
5141:
5138:
5125:
5124:
5120:
5118:
5117:
5113:
5111:
5110:
5106:
5104:
5103:
5099:
5097:
5096:
5092:
5090:
5089:
5085:
5083:
5082:
5078:
5076:
5075:
5071:
5069:
5068:
5064:
5062:
5061:
5057:
5055:
5054:
5050:
5048:
5047:
5043:
5041:
5040:
5036:
5034:
5033:
5029:
5027:
5026:
5022:
5020:
5019:
5015:
5013:
5012:
5008:
5006:
5005:
5001:
4999:
4998:
4994:
4992:
4991:
4987:
4985:
4984:
4980:
4978:
4977:
4973:
4971:
4970:
4966:
4964:
4963:
4959:
4957:
4956:
4952:
4950:
4949:
4945:
4943:
4942:
4938:
4936:
4935:
4931:
4929:
4928:
4924:
4923:
4919:
4913:
4912:
4908:
4906:
4905:
4901:
4899:
4898:
4894:
4890:
4887:
4886:
4885:
4882:
4880:
4879:
4875:
4872:
4868:
4867:
4865:
4861:
4850:
4846:
4843:
4840:
4836:
4833:
4829:
4826:
4822:
4819:
4815:
4814:
4812:
4808:
4801:
4798:
4794:
4791:
4787:
4784:
4780:
4777:
4773:
4770:
4766:
4765:
4763:
4759:
4756:
4752:
4748:
4747:
4739:
4734:
4732:
4727:
4725:
4720:
4719:
4716:
4710:
4706:
4701:
4699:
4695:
4690:
4688:
4684:
4679:
4677:
4673:
4668:
4665:
4661:
4660:
4656:
4653:
4649:
4648:
4644:
4643:
4633:
4631:9780393937251
4627:
4622:
4621:
4614:
4613:
4602:
4596:
4591:
4590:
4584:
4583:Greenman, Ben
4580:
4579:Wilson, Brian
4576:
4572:
4566:
4561:
4560:
4554:
4553:Wilson, Brian
4550:
4546:
4540:
4537:. Macmillan.
4535:
4534:
4528:
4524:
4520:
4518:9780879515690
4514:
4509:
4508:
4502:
4498:
4494:
4488:
4485:. ECW Press.
4483:
4482:
4476:
4475:Stebbins, Jon
4472:
4468:
4466:9780195300536
4462:
4457:
4456:
4450:
4446:
4442:
4440:9781493064601
4436:
4432:
4431:
4425:
4421:
4415:
4411:
4407:
4402:
4398:
4396:9781623562588
4392:
4387:
4386:
4379:
4375:
4373:1-57859-061-2
4369:
4364:
4363:
4356:
4352:
4346:
4342:
4341:
4335:
4331:
4325:
4320:
4319:
4313:
4309:
4305:
4299:
4294:
4293:
4287:
4283:
4279:
4275:
4274:Larkin, Colin
4271:
4267:
4261:
4257:
4256:
4251:
4247:
4243:
4237:
4233:
4232:
4226:
4222:
4216:
4211:
4210:
4204:
4200:
4196:
4194:0-7432-0169-8
4190:
4185:
4184:
4178:
4174:
4170:
4168:9781844494262
4164:
4159:
4158:
4152:
4149:Doe, Andrew;
4147:
4143:
4137:
4134:. ECW Press.
4132:
4131:
4124:
4120:
4114:
4109:
4108:
4102:
4098:
4094:
4088:
4083:
4082:
4075:
4071:
4065:
4060:
4059:
4052:
4051:
4038:
4037:
4029:
4028:"Top 100 LPs"
4023:
4015:
4014:
4006:
4000:
3985:
3981:
3975:
3968:
3963:
3955:
3951:
3947:
3940:
3933:
3932:Schinder 2007
3928:
3922:, p. 88.
3921:
3916:
3909:
3904:
3897:
3892:
3885:
3880:
3874:, p. 24.
3873:
3868:
3862:, p. 68.
3861:
3860:Stebbins 2000
3856:
3849:
3848:Segretto 2022
3844:
3836:
3829:
3823:, p. 46.
3822:
3817:
3811:, p. 83.
3810:
3805:
3799:, p. 87.
3798:
3793:
3777:
3773:
3772:
3767:
3765:
3756:
3741:
3740:
3735:
3731:
3725:
3723:
3721:
3714:, p. 27.
3713:
3708:
3706:
3698:
3693:
3691:
3674:
3670:
3664:
3657:
3652:
3645:
3640:
3633:
3628:
3626:
3618:
3613:
3611:
3603:
3598:
3591:
3586:
3580:, p. 84.
3579:
3574:
3567:
3562:
3555:
3550:
3543:
3538:
3532:, p. 38.
3531:
3526:
3524:
3516:
3511:
3505:, p. 66.
3504:
3499:
3497:
3495:
3493:
3491:
3483:
3478:
3471:
3470:Stebbins 2000
3466:
3459:
3454:
3448:, p. 29.
3447:
3442:
3440:
3438:
3430:
3425:
3423:
3421:
3414:, p. 51.
3413:
3408:
3402:, p. 55.
3401:
3396:
3394:
3385:
3378:
3372:, p. 47.
3371:
3366:
3359:
3354:
3347:
3342:
3336:, p. 49.
3335:
3330:
3323:
3318:
3316:
3300:
3299:
3294:
3287:
3280:
3275:
3268:
3263:
3248:
3244:
3237:
3230:
3225:
3218:
3213:
3211:
3204:, p. 26.
3203:
3198:
3196:
3188:
3183:
3176:
3171:
3169:
3167:
3165:
3163:
3161:
3153:
3148:
3141:
3136:
3129:
3124:
3118:, p. 48.
3117:
3112:
3105:
3100:
3094:, p. 69.
3093:
3092:Stebbins 2000
3088:
3086:
3084:
3077:
3072:
3068:
3064:
3063:
3058:
3057:Linette, Mark
3054:
3048:
3046:
3044:
3036:
3035:Schinder 2007
3031:
3029:
3022:, p. 50.
3021:
3016:
3010:, p. 36.
3009:
3004:
2998:, p. 37.
2997:
2992:
2990:
2988:
2986:
2984:
2982:
2980:
2978:
2969:
2968:
2963:
2956:
2949:
2944:
2942:
2935:, p. 54.
2934:
2929:
2927:
2919:
2914:
2908:, p. 53.
2907:
2902:
2886:
2882:
2875:
2868:
2863:
2857:, p. 43.
2856:
2851:
2849:
2841:
2836:
2834:
2827:, p. 50.
2826:
2821:
2814:
2809:
2803:, p. 35.
2802:
2797:
2795:
2787:
2782:
2776:, p. 52.
2775:
2770:
2768:
2760:
2755:
2748:
2743:
2736:
2731:
2724:
2719:
2712:
2707:
2700:
2695:
2689:, p. 92.
2688:
2683:
2676:
2671:
2664:
2659:
2648:September 12,
2642:
2637:
2636:
2631:
2624:
2617:
2612:
2604:
2600:
2596:
2595:
2590:
2584:
2582:
2580:
2578:
2576:
2574:
2572:
2570:
2562:
2557:
2553:
2541:
2535:
2528:
2522:
2513:
2504:
2500:
2494:
2488:
2481:
2477:
2471:
2464:
2458:
2451:
2447:
2443:
2442:Endless Sleep
2439:
2435:
2431:
2430:Paul Peterson
2427:
2423:
2419:
2413:
2409:
2397:
2394:
2393:
2388:
2387:
2383:
2380:
2379:
2374:
2373:
2369:
2367:
2365:
2360:
2359:
2355:
2352:
2348:
2347:
2341:
2339:Chart (1964)
2338:
2337:
2326:
2323:
2320:
2319:
2318:
2317:
2310:
2307:
2304:
2300:
2297:
2295:
2291:
2290:Steve Douglas
2288:
2285:
2284:Glen Campbell
2282:
2279:
2275:
2272:
2271:
2270:
2268:
2264:
2257:
2253:
2252:Dennis Wilson
2250:
2247:
2244:
2242:
2238:
2234:
2230:
2226:
2223:
2220:
2217:
2214:
2210:
2207:
2206:
2205:
2204:
2200:
2198:
2184:
2180:
2179:
2178:
2177:
2167:
2164:Total length:
2161:
2157:
2154:
2148:
2145:
2144:
2142:
2139:
2135:
2131:
2128:
2122:
2119:
2118:
2116:
2113:
2109:
2105:
2103:
2100:
2097:
2094:
2090:
2086:
2082:
2079:
2073:
2070:
2069:
2067:
2064:
2060:
2056:
2050:Lead vocal(s)
2037:
2033:
2031:
2018:
2015:Total length:
2012:
2008:
2005:
2002:
1999:
1995:
1991:
1987:
1985:
1984:
1980:
1978:
1974:
1973:Dennis Wilson
1970:
1967:
1963:
1959:
1956:
1953:
1950:
1946:
1942:
1938:
1935:
1932:
1929:
1925:
1921:
1917:
1914:
1911:
1908:
1904:
1900:
1896:
1893:
1890:
1887:
1883:
1879:
1873:Lead vocal(s)
1860:
1847:
1844:
1842:
1838:
1835:
1831:
1827:
1824:
1822:
1818:
1815:
1811:
1807:
1803:
1800:
1797:
1794:
1790:
1786:
1782:
1779:
1777:
1773:
1770:
1767:
1763:
1759:
1755:
1752:
1749:
1746:
1742:
1738:
1734:
1732:
1728:
1725:
1722:
1719:
1715:
1711:
1705:Lead vocal(s)
1692:
1686:
1684:
1680:
1672:Track listing
1669:
1667:
1666:
1661:
1657:
1656:
1650:
1648:
1647:
1641:
1637:
1632:
1630:
1626:
1622:
1614:
1613:Capitol Tower
1609:
1604:
1594:
1592:
1584:
1580:
1579:
1574:
1569:
1567:
1563:
1559:
1554:
1549:
1547:
1542:
1538:
1537:Icons of Rock
1534:
1532:
1528:
1524:
1515:
1512:
1511:
1481:
1479:
1478:
1474:
1473:
1469:
1467:
1464:
1463:
1433:
1431:
1430:
1426:
1425:
1395:
1393:
1392:
1388:
1387:
1357:
1355:
1352:
1351:
1343:
1340:Review scores
1338:
1330:Retrospective
1327:
1325:
1317:
1313:
1309:
1308:
1303:
1298:
1296:
1289:
1288:
1283:
1275:
1271:
1267:
1263:
1249:
1247:
1246:
1241:
1237:
1236:
1231:
1226:
1220:
1216:
1215:
1209:
1206:
1198:
1192:
1190:
1186:
1182:
1180:
1176:
1175:
1170:
1169:extended play
1166:
1162:
1157:
1154:
1153:
1143:
1142:
1137:
1132:
1118:
1113:
1108:
1106:
1105:Piet Mondrian
1102:
1098:
1097:
1092:
1087:
1083:
1075:
1070:
1061:
1059:
1054:
1052:
1048:
1044:
1040:
1039:Timothy White
1035:
1033:
1032:
1027:
1023:
1022:
1017:
1013:
1012:contraception
1009:
1005:
1001:
996:
994:
990:
986:
982:
981:
976:
972:
968:
964:
959:
957:
953:
952:Elvis Presley
949:
945:
941:
940:rock 'n' roll
937:
932:
930:
926:
916:
914:
910:
906:
902:
898:
897:Denny's Drums
894:
889:
887:
882:
880:
876:
872:
868:
864:
859:
857:
853:
849:
845:
841:
837:
832:
830:
829:
825:'s 1973 film
824:
820:
816:
812:
805:
803:
788:in the hills.
787:
783:
779:
776:Musicologist
763:
746:
744:
740:
736:
721:
719:
715:
714:
709:
708:
703:
697:
692:
690:
686:
682:
681:Dennis Wilson
678:
674:
670:
666:
662:
657:
655:
650:
646:
638:
634:
629:
627:
623:
619:
618:sound collage
615:
610:
607:
603:
599:
595:
591:
584:
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566:
563:
559:
558:
553:
549:
545:
543:
539:
531:
530:
521:
517:
513:
505:
501:
500:Dennis Wilson
497:
493:
489:
484:
480:
478:
474:
473:Fun, Fun, Fun
470:
466:
462:
458:
457:
450:
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423:
418:
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308:
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186:
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177:
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158:
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150:
147:
144:
142:
138:
135:
132:
130:
126:
114:
110:
104:
103:rock and roll
101:
99:
96:
95:
93:
91:
87:
83:
79:
76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
19:
6278:Sea of Tunes
6270:
6215:Other topics
6203:
6198:Smiling Pets
6196:
6189:
6182:
6175:
6168:
6161:
6153:
6146:
6139:
6124:Murry Wilson
6114:Derek Taylor
6089:Irving Azoff
5966:
5959:
5952:
5945:
5938:
5933:Catch a Wave
5931:
5924:
5917:
5898:
5890:
5882:
5863:
5855:
5847:
5839:
5831:
5823:
5815:
5807:
5799:
5791:
5763:
5756:
5733:
5726:
5714:
5707:
5689:
5682:
5675:
5668:
5661:
5654:
5647:
5640:
5633:
5626:
5619:
5612:
5605:
5598:
5591:
5584:
5577:
5570:
5563:
5556:
5549:
5543:compilations
5529:
5522:
5515:
5508:
5501:
5494:
5487:
5480:
5473:
5466:
5459:
5441:
5434:
5427:
5420:
5413:
5406:
5399:
5394:M.I.U. Album
5392:
5385:
5378:
5371:
5364:
5357:
5350:
5343:
5336:
5329:
5324:Smiley Smile
5322:
5315:
5308:
5301:
5294:
5287:
5281:
5280:
5273:
5266:
5259:
5252:
5245:
5230:Ricky Fataar
5205:
5198:
5191:
5184:
5179:Brian Wilson
5177:
5121:
5114:
5107:
5100:
5093:
5086:
5079:
5074:M.I.U. Album
5072:
5065:
5058:
5051:
5044:
5037:
5030:
5023:
5016:
5009:
5004:Smiley Smile
5002:
4995:
4988:
4981:
4974:
4967:
4961:
4960:
4953:
4946:
4939:
4932:
4925:
4909:
4902:
4895:
4876:
4790:Little Honda
4769:I Get Around
4745:
4744:
4658:
4645:
4619:
4588:
4558:
4532:
4506:
4501:Tobler, John
4480:
4454:
4449:Starr, Larry
4429:
4409:
4384:
4361:
4343:. ABC-CLIO.
4339:
4317:
4291:
4277:
4254:
4230:
4208:
4182:
4156:
4151:Tobler, John
4129:
4106:
4080:
4057:
4047:Bibliography
4036:Record World
4034:
4022:
4011:
3999:
3987:. Retrieved
3974:
3962:
3954:the original
3949:
3939:
3927:
3915:
3903:
3891:
3879:
3867:
3855:
3843:
3828:
3816:
3804:
3792:
3780:. Retrieved
3776:the original
3769:
3763:
3755:
3743:. Retrieved
3737:
3677:. Retrieved
3673:the original
3663:
3651:
3639:
3597:
3585:
3573:
3561:
3549:
3537:
3510:
3477:
3465:
3453:
3446:Sanchez 2014
3407:
3383:
3377:
3365:
3353:
3341:
3329:
3322:Lambert 2007
3302:. Retrieved
3298:Daily Breeze
3296:
3286:
3274:
3267:Lambert 2007
3262:
3250:. Retrieved
3246:
3236:
3229:Lambert 2007
3224:
3217:Lambert 2007
3182:
3147:
3140:Lambert 2007
3135:
3123:
3111:
3099:
3061:
3015:
3003:
2965:
2955:
2913:
2901:
2889:. Retrieved
2884:
2874:
2862:
2820:
2808:
2781:
2754:
2742:
2730:
2718:
2706:
2694:
2682:
2670:
2658:
2646:. Retrieved
2641:the original
2633:
2623:
2611:
2597:(CD Liner).
2593:
2556:
2534:
2521:
2512:
2487:
2470:
2457:
2438:the Castells
2412:
2395:Top 100 LPs
2392:Record World
2390:
2376:
2363:
2315:
2314:
2299:Jay Migliori
2262:
2261:
2225:Brian Wilson
2202:
2201:
2194:
2175:
2174:
2028:
1983:audio vérité
1981:
1845:instrumental
1793:Little Honda
1731:Brian Wilson
1718:I Get Around
1679:Brian Wilson
1676:
1663:
1659:
1653:
1651:
1644:
1635:
1633:
1624:
1618:
1590:
1582:
1576:
1570:
1565:
1561:
1552:
1550:
1545:
1540:
1536:
1535:
1530:
1521:
1513:Sputnikmusic
1475:
1427:
1389:
1323:
1322:They played
1305:
1302:Peggy Lipton
1299:
1285:
1281:
1279:
1273:
1257:Contemporary
1243:
1239:
1233:
1227:
1212:
1210:
1204:
1201:
1196:
1195:Touring and
1184:
1183:
1178:
1172:
1164:
1160:
1158:
1150:
1147:
1139:
1136:I Get Around
1115:
1110:
1100:
1094:
1081:
1079:
1055:
1042:
1036:
1029:
1019:
997:
988:
978:
960:
933:
922:
900:
890:
883:
879:the Hondells
863:Little Honda
860:
833:
826:
823:George Lucas
808:
799:
735:I Get Around
732:
717:
711:
705:
699:
694:
689:Jon Stebbins
658:
643:of mid-'60s
630:
622:Little Honda
613:
611:
605:
601:
589:
588:
577:Entrance of
555:
551:
546:
541:
538:golf caddies
527:
509:
506:(front row).
494:(back row),
492:Brian Wilson
461:Murry Wilson
454:
452:
446:
436:
434:
420:
414:
410:Phil Spector
405:
403:
394:
383:the Hondells
379:Little Honda
375:I Get Around
370:
364:
358:' 1959 hit "
339:
329:
326:Brian Wilson
315:
281:
280:
279:
261:I Get Around
247:
228:
220:
219:
210:
182:
174:
173:
164:
146:Brian Wilson
39:Studio album
18:
6322:1964 albums
6104:Jack Rieley
6031:Discography
5778:Documentary
5728:Adult/Child
5453:Live albums
5380:15 Big Ones
5261:Surfer Girl
5220:David Marks
5193:Carl Wilson
5060:15 Big Ones
4941:Surfer Girl
4889:discography
4286:Leaf, David
4177:Fine, Jason
3872:Tobler 1994
3809:Rucker 1999
3797:Larkin 2002
3712:Abbott 1997
3656:Badman 2004
3644:Badman 2004
3632:Badman 2004
3617:Gaines 1986
3602:Badman 2004
3590:Badman 2004
3578:Badman 2004
3566:Badman 2004
3554:Perone 2015
3542:Badman 2004
3530:Dillon 2012
3515:Badman 2004
3503:Badman 2004
3412:Carlin 2006
3400:Badman 2004
3370:Carlin 2006
3358:Badman 2004
3346:Badman 2004
3334:Carlin 2006
3116:Carlin 2006
3104:Badman 2004
3008:Dillon 2012
2996:Dillon 2012
2933:Badman 2004
2918:Badman 2004
2906:Badman 2004
2867:Badman 2004
2855:Carlin 2006
2840:Badman 2004
2825:Carlin 2006
2813:Badman 2004
2801:Dillon 2012
2774:Badman 2004
2747:Badman 2004
2735:Dillon 2012
2711:Badman 2004
2675:Badman 2004
2663:Badman 2004
2616:Gaines 1986
2589:Leaf, David
2540:Do It Again
2418:He's a Doll
2325:Chuck Britz
2309:Ray Pohlman
2246:Carl Wilson
2233:harpsichord
2213:bass guitar
2102:Carl Wilson
1971:B. Wilson,
1841:Carl Wilson
1839:B. Wilson,
1819:B. Wilson,
1776:Mort Shuman
1621:Larry Starr
1581:, wrote of
1575:book about
1558:John Tobler
1529:wrote that
1312:John Lennon
1297:' sounds."
1282:Record Mail
1270:John Lennon
1051:tête-à-tête
1024:, director
967:Surfer Girl
948:Chuck Berry
913:Marvin Gaye
865:" is about
856:Mort Shuman
844:the Mystics
780:highlights
702:true stereo
673:Carl Wilson
504:Carl Wilson
465:the Beatles
419:(1965) and
356:the Mystics
336:the Beatles
318:Beatlemania
84:, Hollywood
6311:Categories
6041:Unreleased
5701:Unreleased
5684:Feel Flows
5331:Wild Honey
5317:Pet Sounds
5207:Al Jardine
5011:Wild Honey
4997:Pet Sounds
4544:0333649370
4312:Love, Mike
4220:0306806479
4111:. Rodale.
3896:Starr 2007
3884:Starr 2007
3429:White 1996
3279:Starr 2007
3175:White 1996
3053:Boyd, Alan
2549:References
2446:Gary Usher
2422:the Honeys
2327:– engineer
2274:Hal Blaine
2237:xylophones
2209:Al Jardine
1977:Al Jardine
1821:Gary Usher
1665:Pet Sounds
1601:See also:
1466:MusicHound
993:Lonely Sea
875:Gary Usher
840:cover song
802:media help
720:sessions.
683:on drums.
677:Al Jardine
649:David Leaf
496:Al Jardine
429:Background
422:Pet Sounds
155:chronology
58:1964-07-13
6164:(musical)
6077:Personnel
5359:Surf's Up
5352:Sunflower
5200:Mike Love
5039:Surf's Up
5032:Sunflower
4451:(2007) .
3821:Fine 2004
3128:Love 2016
3020:Leaf 1978
2759:Love 2016
2723:Love 2016
2699:Love 2016
2687:Love 2016
2364:Billboard
2349:Canadian
2344:position
2219:Mike Love
2191:Personnel
2186:history."
2098:B. Wilson
2047:Writer(s)
1870:Writer(s)
1825:B. Wilson
1772:Doc Pomus
1727:Mike Love
1702:Writer(s)
1683:Mike Love
1603:Album era
1525:reviewer
1165:Billboard
1086:modernist
1064:Packaging
1043:Shut Down
958:in 1963.
871:fuzz tone
852:Doc Pomus
665:xylophone
562:Fred Vail
516:Mike Love
488:Mike Love
467:, whose "
367:album era
311:modernist
6296:Category
5793:It's OK!
5558:Rarities
5541:Selected
4839:Drive-In
4810:Side two
4783:Hushabye
4761:Side one
4585:(2016).
4529:(1996).
4503:(1994).
4477:(2000).
4314:(2016).
4288:(1978).
4252:(2007).
4205:(1986).
4153:(2004).
4103:(2006).
4013:Cash Box
3989:June 28,
3745:July 15,
3739:AllMusic
2891:July 26,
2881:"GIGS63"
2591:(1990).
2529:holiday.
2378:Cash Box
2278:timbales
1949:Drive-In
1857:Side two
1766:Hushabye
1689:Side one
1564:(1994),
1523:AllMusic
1354:AllMusic
1307:Teen Set
1300:Actress
1000:Drive-In
985:lip sync
919:Side two
836:Hushabye
743:falsetto
729:Side one
691:writes,
425:(1966).
360:Hushabye
348:Drive-In
320:and the
141:Producer
66:Recorded
51:Released
41: by
5373:Holland
5338:Friends
5053:Holland
5018:Friends
4709:YouTube
4698:YouTube
4687:YouTube
4676:YouTube
4664:YouTube
4652:Discogs
3782:June 2,
3771:Blender
3679:May 11,
3304:May 20,
3252:May 20,
2967:Popdose
2448:, and "
2366:Top LPs
2241:marimba
1640:Spector
1627:track "
1391:Blender
1295:beatful
1171:record
1121:Release
1045:track "
1026:Don Was
991:track "
899:" from
848:doo-wop
846:' 1959
724:Content
707:Friends
661:piccolo
635:" and "
244:Singles
234:(1965)
225:(1965)
216:(1965)
188:(1964)
179:(1964)
170:(1964)
134:Capitol
78:Western
56: (
6205:Spring
6056:Dennis
5978:Places
5903:(2014)
5895:(2000)
5887:(1990)
5868:(2024)
5860:(2021)
5852:(2012)
5844:(2004)
5836:(2002)
5828:(1998)
5820:(1996)
5812:(1995)
5804:(1985)
5796:(1976)
4628:
4597:
4567:
4541:
4515:
4489:
4463:
4437:
4416:
4393:
4370:
4347:
4326:
4300:
4262:
4238:
4217:
4191:
4165:
4138:
4115:
4089:
4066:
3076:Mirror
2332:Charts
2146:Wilson
2120:Wilson
2071:Wilson
2053:Length
2003:
1954:
1933:
1912:
1891:
1876:Length
1798:
1750:
1723:
1708:Length
1587:
1348:Rating
1345:Source
1320:
1291:'s
950:, and
786:Hondas
641:
598:filler
585:(2019)
534:
524:
520:Brian
502:, and
441:
112:Length
74:Studio
6046:Brian
6014:Lists
5911:Books
5709:Smile
5345:20/20
5025:20/20
4818:Wendy
4754:Songs
4031:(PDF)
4008:(PDF)
2501:about
2436:" by
2428:" by
2420:" by
2405:Notes
2389:U.S.
2375:U.S.
2361:U.S.
2256:drums
2176:Notes
2168:33:51
2044:Title
2019:25:10
1886:Wendy
1867:Title
1729:with
1699:Title
1578:Smile
1516:4.5/5
1470:3.5/5
1310:that
1304:told
1138:" on
1084:is a
1031:Smile
977:film
925:Wendy
867:Honda
645:SoCal
637:Wendy
381:" by
344:Wendy
289:band
246:from
129:Label
90:Genre
82:Radio
6061:Mike
6051:Carl
4626:ISBN
4595:ISBN
4565:ISBN
4539:ISBN
4513:ISBN
4487:ISBN
4461:ISBN
4435:ISBN
4414:ISBN
4391:ISBN
4368:ISBN
4345:ISBN
4324:ISBN
4298:ISBN
4260:ISBN
4236:ISBN
4215:ISBN
4189:ISBN
4163:ISBN
4136:ISBN
4113:ISBN
4087:ISBN
4064:ISBN
3991:2022
3984:CHUM
3784:2017
3747:2013
3681:2022
3306:2022
3254:2022
2893:2014
2650:2013
2434:I Do
2351:CHUM
2342:Peak
2158:1:39
2155:Love
2149:Love
2132:2:13
2129:Love
2123:Love
2106:2:24
2083:2:10
2080:Love
2074:Love
2009:1:52
1988:2:00
1960:1:49
1957:Love
1939:2:28
1918:1:40
1897:2:21
1848:2:03
1828:2:02
1804:1:52
1801:Love
1783:2:41
1756:2:08
1735:2:14
1681:and
1314:and
1268:and
1189:RIAA
893:surf
854:and
815:Coke
675:and
663:and
399:RIAA
350:", "
346:", "
287:rock
80:and
5750:EPs
4707:on
4696:on
4685:on
4674:on
4662:on
4650:at
2440:, "
2432:, "
2424:, "
2269:")
2239:or
2137:16.
2111:15.
2088:14.
2058:13.
2040:No.
1863:No.
1695:No.
1573:33⅓
1560:'s
1287:NME
995:".
667:in
656:".
628:".
581:on
362:".
98:Pop
6313::
4581:;
4161:.
4033:.
4010:.
3982:.
3948:.
3768:.
3736:.
3732:.
3719:^
3704:^
3689:^
3624:^
3609:^
3522:^
3489:^
3436:^
3419:^
3392:^
3314:^
3295:.
3245:.
3209:^
3194:^
3159:^
3082:^
3069:.
3055:;
3042:^
3027:^
2976:^
2964:.
2940:^
2925:^
2883:.
2847:^
2832:^
2793:^
2766:^
2632:.
2601:.
2568:^
2542:".
2505:to
2465:).
2398:3
2384:4
2370:4
2356:2
2301:–
2292:–
2276:–
2231:,
1993:6.
1965:5.
1944:4.
1923:3.
1902:2.
1881:1.
1833:6.
1809:5.
1788:4.
1774:,
1761:3.
1740:2.
1713:1.
1668:.
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4171:.
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119::
60:)
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