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Aliens (soundtrack)

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fell behind schedule in post-production, leaving Horner less than two weeks to write the score to the finished film, rather than the six weeks he had initially been promised. Despite the lack of time, Cameron and producer Gale Ann Hurd requested frequent changes to the music and made last-minute
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The film was the first of Cameron and Horner's three collaborations, though they were already acquaintances from their time at Roger Corman's New World Studios in the early 80s, where both men had started their careers.
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changes to the film's edit, which forced Horner to re-write the music. The combination of a lack of time and constant changes resulted in a falling-out between Horner and Cameron, who didn't work together again until
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The score features some of Horner's most complex and modernistic writing, making widespread use of dissonance, aleatoric and extended orchestral techniques and sound design. Horner also used
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The first 90 seconds of "Resolution and Hyperspace" (which was replaced by a repeat of "Bishop's Countdown" in the finished film) was later tracked onto the ending of
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has been widely used in other media - there were reportedly 24 different film trailers that used "Bishop's Countdown" alone. Some of those trailers include
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Despite the difficulties during the score's production, it was nominated for an
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to create "echoes" on some separately-recorded orchestral parts, a technique
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in 1986. The soundtrack album was released the following year, in 1987.
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and recorded at Abbey Road Studios in London between 15-26 April 1986.
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score. It also includes musical references to Gayane's Adagio from
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Index

Alien Soundtracks
Alien (soundtrack)

Soundtrack album
James Horner
Abbey Road Studios
Genre
Soundtrack
Label
Varèse Sarabande
Producer
Alien
Alien 3

Allmusic
Filmtracks
Filmtracks
James Cameron
Aliens
James Horner
London Symphony Orchestra
Titanic
tape delays
Jerry Goldsmith
Alien
Aram Khachaturian
Gayane
Stanley Kubrick
2001: A Space Odyssey
Academy Award

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