284:, Adimari claims that his verses might help husbands to accept the imperfections of their wives; he reminds his reader that just as there is no beauty without a flaw, so there is no flaw that does not also encompass beauty. The sonnets are masterfully witty rhetorical celebrations of such fancied paramours, sometimes savagely ridiculed by Adimari, who shows himself a master of the sonnet and highly attuned to the principal poetic tendencies of late
459:
292:'s translation of Adimari's “Terpsichore” appeared in the 1704 collection as “Schertz-Sonnette oder Kling-Gedichte über die auch bey ihren Mängeln vollkommene und Lieb-würdige Schönheit des Frauenzimmers” (Playful Sonnets or Songs on the Perfect and Amiable Beauty of Women Even If Flawed). Adimari died in 1649.
305:
Ode Di
Pindaro Antichissimo Poeta: Cioè, Olimpie & Pithie & Nemee & Istmie Tradotte in Parafrasi, & in Rima Toscana Da Alessandro Adimari, e dichiarate dal medesimo. Con osseruazioni, e confronti d'alcuni luoghi immitati, ò tocchi Da Orazio
374:
227:, says that he spent sixteen years about it. He inserted synoptical sketches for the purpose of explaining the plan and order of the Greek poet in his odes.
196:
Alessandro
Adimari was born of a noble Florentine family in 1579. He held minor government offices and was a member of the Accademia degli Alterati, the
221:
Le Odi di
Pindaro tradotte in parafrasi e in rima Toscana e dichiarate con osservazione e confronti di alcuni luoghi imitati e tocchi da Orazio
598:
588:
534:
248:
La Mono-Grecia ove sono raccolti i nomi di tutti i Poeti dal principio della Poesia del Mondo sino al principio della Poesia
Toscana
603:
280:
flattery, purporting to celebrate beauty in women who are too young or too old to be loved or who are ill or deformed. Following
353:
523:
509:
593:
583:
563:
224:
419:
504:
613:
239:, falsely charges him with having borrowed them from Erasmus Schmidt's Latin version of Pindar, published 1616.
608:
265:: “Terpsichore”, “Clio”, “Melpomene”, “Calliope”, “Urania”, and “Polyhymnia”. Particularly notable is the
393:
440:
Le glorie de gli
Incogniti: o vero, Gli huomini illustri dell'Accademia de' signori Incogniti di Venetia
261:
Between 1637 and 1640 he published six collections of fifty sonnets each, under the names of six of the
197:
443:
390:
The Ugly Woman: Transgressive
Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque
578:
442:, In Venetia : appresso Francesco Valuasense stampator dell'Accademia, 1647, pp. 14–17 (
228:
61:
39:
450:
369:
289:
573:
568:
205:
201:
8:
491:
281:
519:
470:
415:
349:
266:
185:
173:
122:
303:
452:
The
Biographical Dictionary of the Society for the Diffusion of Useful Knowledge
557:
463:
411:
455:. Vol. 1. Longman, Brown, Green, and Longmans. 1843. pp. 349–350.
243:
285:
212:
140:
495:
254:(1614) ; and other minor works. He also wrote a religious drama,
270:
515:
348:. Arizona Center for Medieval and Renaissance Studies. p. 41.
277:
57:
35:
408:
Dictionary of
Literary Biography: German Baroque Writers 1661-1730
462:
This article incorporates text from this source, which is in the
178:
153:
273:
216:
135:
93:
262:
118:
482:
Gabrieli, Giuseppe (1940). "Di
Alessandro Adimari Linceo".
326:
324:
181:
309:(in Italian). Pisa: nella stamperia di Francesco Tanagli.
321:
477:. Vol. 2. Cambridge University Press. p. 282.
269:“Terpsichore” (1637), composed of fifty-three highly
375:
Alexander
Chalmers' General Biographical Dictionary
343:
555:
378:. Vol. 1. London: J. Nichols and Son. 1812.
219:in Italian verse, with notes and illustrations,
346:Pindar and the Renaissance Hymn-ode, 1450-1700
223:. Adimari, who dedicated his work to Cardinal
502:
330:
204:. In 1633 he was appointed secretary of the
438:«Alessandro Adimari Fiorentino». In :
539:The Oxford Companion to Italian Literature
301:
532:
481:
556:
469:
172:
510:Dizionario Biografico degli Italiani
516:Istituto dell'Enciclopedia Italiana
13:
475:A History of Classical Scholarship
252:Esequie di don Francesco de Medici
16:Italian poet and classical scholar
14:
625:
599:17th-century Italian male writers
589:16th-century Italian male writers
457:
432:
604:Members of the Lincean Academy
399:
382:
362:
336:
276:. The sonnets are parodies of
177:; 1579 – 1649) was an Italian
174:[ale's:androadiˈma:ri]
1:
314:
242:Adimari wrote also a kind of
512:, Volume 1: Aaron–Albertucci
406:"Hans Aßmann von Abschatz".
344:Stella Purce Revard (2001).
302:Alessandro, Adimari (1631).
211:In 1631 he published a free
191:
7:
503:D'Addario, Arnaldo (1960).
394:University of Toronto Press
103:Bernardo di Tommaso Adimari
10:
630:
594:17th-century Italian poets
584:16th-century Italian poets
564:Italian classical scholars
541:. Oxford University Press
484:Archivio Storico Italiano
198:Accademia degli Incogniti
159:
149:
128:
114:
107:
99:
88:
68:
46:
28:
21:
388:See: Patrizia Bettella,
295:
92:Italian translation of
614:Italian Baroque people
533:Slawinski, M. (2002).
233:Biographie Universelle
62:Grand Duchy of Tuscany
40:Grand Duchy of Tuscany
609:Writers from Florence
535:"Adimari, Alessandro"
505:"ADIMARI, Alessandro"
370:"ADIMARI (Alexander)"
256:L'adorazione de' Magi
229:Pierre-Louis Ginguené
514:(in Italian). Rome:
396:, 2005), p. 130 sqq.
206:Accademia Fiorentina
202:Accademia dei Lincei
225:Francesco Barberini
471:Sandys, John Edwin
166:Alessandro Adimari
23:Alessandro Adimari
355:978-0-86698-263-4
267:poetry collection
186:classical scholar
163:
162:
150:Literary movement
78:Classical scholar
54:(aged 69–70)
621:
550:
548:
546:
529:
525:978-8-81200032-6
499:
478:
461:
460:
456:
426:
425:
403:
397:
386:
380:
379:
366:
360:
359:
340:
334:
328:
310:
176:
171:
53:
19:
18:
629:
628:
624:
623:
622:
620:
619:
618:
579:Baroque writers
554:
553:
544:
542:
526:
458:
449:
435:
430:
429:
422:
405:
404:
400:
387:
383:
368:
367:
363:
356:
341:
337:
329:
322:
317:
298:
194:
169:
145:
84:
64:
55:
51:
42:
33:
24:
17:
12:
11:
5:
627:
617:
616:
611:
606:
601:
596:
591:
586:
581:
576:
571:
566:
552:
551:
530:
524:
500:
486:(in Italian).
479:
467:
447:
434:
431:
428:
427:
420:
398:
381:
361:
354:
335:
331:D'Addario 1960
319:
318:
316:
313:
312:
311:
297:
294:
193:
190:
161:
160:
157:
156:
151:
147:
146:
144:
143:
138:
132:
130:
126:
125:
116:
112:
111:
109:Writing career
105:
104:
101:
97:
96:
90:
89:Known for
86:
85:
83:
82:
79:
76:
72:
70:
66:
65:
56:
48:
44:
43:
34:
30:
26:
25:
22:
15:
9:
6:
4:
3:
2:
626:
615:
612:
610:
607:
605:
602:
600:
597:
595:
592:
590:
587:
585:
582:
580:
577:
575:
572:
570:
567:
565:
562:
561:
559:
540:
536:
531:
527:
521:
517:
513:
511:
506:
501:
497:
493:
489:
485:
480:
476:
472:
468:
465:
464:public domain
454:
453:
448:
445:
441:
437:
436:
423:
421:9780810393639
417:
413:
412:Gale Research
409:
402:
395:
391:
385:
377:
376:
371:
365:
357:
351:
347:
339:
332:
327:
325:
320:
308:
307:
300:
299:
293:
291:
287:
283:
279:
275:
272:
268:
264:
259:
257:
253:
249:
245:
240:
238:
234:
230:
226:
222:
218:
214:
209:
207:
203:
199:
189:
187:
183:
180:
175:
167:
158:
155:
152:
148:
142:
139:
137:
134:
133:
131:
127:
124:
120:
117:
113:
110:
106:
102:
98:
95:
91:
87:
80:
77:
74:
73:
71:
67:
63:
59:
49:
45:
41:
37:
31:
27:
20:
543:. Retrieved
538:
508:
490:(1): 84–89.
487:
483:
474:
451:
439:
433:Bibliography
407:
401:
389:
384:
373:
364:
345:
338:
304:
260:
255:
251:
247:
244:bibliography
241:
236:
232:
220:
210:
195:
165:
164:
108:
52:(1649-00-00)
574:1649 deaths
569:1579 births
286:Renaissance
271:manneristic
213:translation
141:translation
69:Occupations
558:Categories
392:(Toronto:
315:References
278:Petrarchan
81:Translator
288:culture.
246:of poets
231:, in the
192:Biography
496:26242707
473:(1908).
414:. 1996.
258:(1642).
250: ;
200:and the
170:Italian:
115:Language
58:Florence
36:Florence
444:on-line
274:sonnets
237:Adimari
235:, art.
179:Baroque
154:Baroque
123:Italian
545:7 June
522:
494:
418:
352:
306:Flacco
290:Aßmann
282:Seneca
217:Pindar
136:Poetry
100:Father
94:Pindar
492:JSTOR
342:See:
296:Works
263:muses
129:Genre
119:Latin
547:2023
520:ISBN
416:ISBN
350:ISBN
184:and
182:poet
75:Poet
50:1649
47:Died
32:1579
29:Born
215:of
560::
537:.
518:.
507:.
488:98
446:).
410:.
372:.
323:^
208:.
188:.
121:,
60:,
38:,
549:.
528:.
498:.
466:.
424:.
358:.
333:.
168:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.