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Vizentini organised a massive music festival in
December 1878 at the Paris Hippodrome with at least 15,000 spectators, where he shared the podium with contemporary composers conducting their own works. On 18 May 1879 Vizentini was part of the group gathered at Offenbach's house for the first private
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by
Offenbach. The following year he attempted to rekindle the spirit and repertoire of the Théâtre Lyrique, by bringing on more substantial operas. He had much support, in particular from composers, the press and public administration, and secured a subsidy towards the running costs. The major
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He undertook musical studies at the
Conservatoire in Brussels, under Leonard and Fétis, achieving first prize in violin in 1860 and a first prize in composition in 1861. After briefly acting as assistant conductor at the theatre in Antwerp he returned to Paris.
95:(9 November 1841 – 21 October 1906) was a French violinist, composer, conductor and music writer. His main centre of activity was the French capital, but he also worked for ten years in Russia and toured in Britain and Ireland.
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Vizentini took over from
Offenbach there in 1875, where he acted as both music director and administrator. He started with a lavish premiere production on 26 October of
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From 1865 to 1873 Vizentini wrote about the theatre and music for various journals, displaying a lively wit and solid knowledge. His articles appeared in
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as stage director, which he did from 1898. After a three-month illness he died before the start of the 1906-07 season.
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355:, etc. He also published fantasies for violin and piano, a great ballet "Ordre du Roi", and a lot of song and dances.
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119:. His father Augustin worked at the Vaudeville Theatre in Paris, then became stage manager in the last season of the
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362:. Faure, 1868, recounts his observations of the different theatres in Paris and pen-portraits of famous artists.
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Vizentini came from an
Italian musical family active in the theatre, one of whom had established himself at the
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and toured with another French operetta troupe to London, English provincial towns and
Ireland,
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from 1861 to 1866, as well as appearing as a concert soloist. He began conducting at the
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Derrière la toile (Foyers, Coulisses, Comédiens) Physiologies des théâtres
Parisiens
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by
Salvayre which was not a success, and arranged the music for the ballet
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From 1879 to 1889 Vizentini was chief conductor and stage manager of the
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Les
Annales du Théâtre et de la Musique, 32ème édition, 1906.
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Second Empire Opera: The Théâtre
Lyrique Paris 1851–1870.
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which enjoyed a major success, followed by works such as
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French violinist, composer, conductor and music writer
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281:Back in France he became the administrator of the
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383:Nos artistes ; portraits et biographies.
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451:Massenet: a chronicle of his life and times.
467:Un demi-siècle d'Opéra-Comique (1900–1950).
424:John Calder (Publishers Ltd), London, 1981.
293:. In 1897 Vizentini became director of the
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499:G Charpentier et Cie, Paris, 1907, p115-6.
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111:, making his debut on 31 December 1847 in
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592:Recipients of the Order of St. Anna
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513:Works by or about Albert Vizentini
440:G Charpentier et Cie, Paris, 1876.
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567:19th-century French violinists
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453:Amadeus Press, Portland, 1997.
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469:André Bonne, Paris, 1953.
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323:(Folies-Marigny, 1865),
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329:La Plantation Thomassin
268:concerts. He premiered
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237:L'Aumônier du régiment
185:Le voyage dans la lune
38:Background information
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295:Grand Théâtre de Lyon
250:Les contes d'Hoffmann
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283:Théâtre des Variétés
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189:premiere was to be
358:His humorous book
291:Théâtre du Gymnase
235:by Salivaire, and
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228:Le Timbre d'argent
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109:Théâtre de l'Odéon
300:Die Meistersinger
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153:L'Entr'acte
536:Categories
449:Irvine D.
381:Martin J.
366:References
321:La Tsigane
201:, Michot,
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465:Wolff S.
278:in 1886.
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285:and the
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233:Le Bravo
215:Heilbron
169:L'Éclair
75:, France
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