127:
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1027:
With a horrendous crash, the shell crash-lands on a house and Vlan, Caprice and
Microscope get out, as the "sélénites" hide. The three men get observe what seem a desolate planet, and their mood blackens, since only apples remain for provisions. Some "sélénites" get up, and Cosmos reappears to ask the "terriens" where they have come from. Their insolent reply makes him condemn them to prison, but Cosmos's wife Popotte and daughter Fantasia arrive. It is Fantasia's birthday, and she asks her father to take pity on the prisoners and free them as her birthday present. Cosmos accepts and proposes that the "terriens" visit his palace.
1101:
but
Microscope happens to be passing at that moment and she has instead fallen in love with him! Vlan and Caprice arrive in search of Fantasia. Vlan stops for dinner, whilst Caprice finds Fantasia again and flees with her. Furious at being in love and at being trumped by his wife, Cosmos arrives... The inn goes mad, Vlan and Microscope are unmasked despite their fake paunches. The royal guards go in pursuit of Caprice and Fantasia and bring them back. Quipasseparla renounces the princess. Winter immediately follows summer in this country and so they only get back to the capital under the snow.
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31:
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1980:
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intoxicated to prevent him from participating in the sale. Vlan and
Caprice arrive, dressed as charlatans. They suggest an elixir that will, among other things, slim down fat people. This elixir is very precious, and only a king is worthy of it, so Cosmos is its happy beneficiary. Cosmos tastes it and panics, believing himself poisoned – in fact, they have made him discover alcohol. Quipasseparla wins Fantasia at the sale.
1953:
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2059:
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to marry but instead to have liberty, movement, air, space... The Moon, then rising, gives him an idea for his next destination. He asks his father to get him to this unknown and unexplored place. Vlan gives in and asks
Microscope, the kingdom's greatest scholar, to find a way of getting there. Microscope replies that this mission regards the observatory.
1373:
label. The singers are
Violette Polchi, Sheva Tehoval, Matthieu Lécroart, Pierre Derhet, Raphaël Brémard, Marie Lenormand, Thibaut Desplantes, Ludivine Gombert and Christophe Poncet de Solages, with the Chœur et Orchestre national Montpellier Occitanie conducted by Pierre Dumoussau. Extracts from the
1052:
Caprice, despairing of princess
Fantasia and her inability to love him, eats an apple. The princess, astonished by his absence, goes to look for him. Attracted by this fruit (unknown to her), she tastes it. Calling it a "charming gift that she formerly ate on the Earth", she immediately falls in love
1026:
The "sélénites" (Moon-dwellers) fearfully observe a black point in the sky, and one asks another if it may be something sent by the "terriens" (Earth-people) to exterminate them. Cosmos, king of the Moon, and his counsellor Cactus calm their people – science has proved that the Earth is uninhabited.
984:
Questioned, the astronomers do not reply and demand a commission. Furious at this evasion, Caprice crosses them off and proposes to do the same to
Microscope if he does not find a way to the Moon. Microscope arranges that they meet 8 days later in his forge, and says he will find a way to the Moon in
975:
On some part of the Earth, on a large square in the capital, King Vlan is preparing a festival in honour of his son, Prince
Caprice, who has returned from a long journey undertaken for his education. On Caprice's arrival, King Vlan cedes him the crown, but Caprice refuses it, not wanting to govern or
1100:
Quipasseparla and his harem arrive in the land of the paunchy where they stop at an inn. Microscope arrives, followed by
Popotte, who is in turn by Cosmos, who has fallen madly in love with her. Popotte does not return his love and so he had made her drink the elixir that will make her fall in love,
280:
No expense had been spared on the scenery – the 24 majestic sets by Cornil, Fromont and Chéret replicated places (such as the
Observatory of Paris, a high-furnace, a lunar passage or a volcano) and created original architectural conceits (such as a glass palace or mother-of-pearl galleries). The use
229:
as a demonstration of Offenbach's flair for topicality, and here "mixing science and fairy-tales, and building modern Utopias into the traditional framework of the pantomime". This included a huge gun to send the characters to the Moon in the first act, a fantastic evocation of life on the Moon, and
1091:
On the Moon, the women market is the equivalent of the stock market. Microscope is charged by Caprice with buying the princess and, visiting Quipasseparla ("Who Goes There", king of the stockmarket), he negotiates with him just in case the 'stock price' goes up. Quipasseparla does not accept and is
1082:
The kingdom's doctors examine Fantasia, shut up in her chamber, mad with love. She escapes and finds Caprice. To save her, Caprice suggests making Cosmos amorous by giving him an apple-based drink. Due to her incurable sickness of love, Cosmos proposes to sell Fantasia, as is the habit on the Moon
1145:
Arriving at the bottom, Popotte cuts the cord, reproaching her husband for want to cause Microscope to perish. Fantasia is found to have stowed away in the basket, wanting to die with Caprice. In this desperate situation, Cosmos promises the prisoners their liberty if they can find a way out.
1128:
The Moon-women discover love, but King Cosmos does not hear of it. Vlan, Caprice and Microscope are brought before a court and condemned "to pass five years inside an extinct volcano, where they will be wholly deprived of any kind of nourishment".
1043:
Caprice courts Fantasia, but she does not understand, not knowing what love is, since it does not exist on the Moon other than as a disease – when one wants to have a child, one asks oneself if there is an area of commerce in which it can prosper.
212:
as the point of departure and from "Centre of the Earth" as the dénouement seem to me incontestable.". This dispute does not seem to have continued, or may have been settled amicably, for by 1877, Offenbach based his
997:
launched by a cannon. Due to the probability that the mission will go wrong, Microscope is forced to accompany Caprice. Vlan accedes to his son's insistent demands and also joins them on the trip.
1035:
Cosmos and Cactus show Vlan, Caprice and Microscope the Moon's civil service. On the Moon, working for the king is not a happy job and if there are no candidates the fattest person is picked.
1693:
394:
The last performance at the Théâtre de la Gaîté occurred on 25 April 1876 after 185 performances and 965,000 francs in ticket receipts. The work was revived within the year at the
1753:
398:
from 31 March 1877 with many of the original cast. After two months, with ticket receipts of 226,457 francs, its 247th and last performance night was on 31 May 1877.
1177:
Caprice, Fantasia, Cosmos and Vlan lying on the ground, having fainted. Microscope has hidden in a crevice, and wakes them. Popotte rushes to them – they are saved.
1246:
Final: 'En route pour la lune!' (Chorus, Microscope, Vlan, Caprice), Chorus des artilleurs: 'Nous sommes les petits artilleurs' (Chorus, Vlan, Microscope, Caprice)
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As night falls, the scenery changes and phantom-like creatures appear through the creepers and suddenly lights shine in their heads, then everything disappears.
1677:
1192:
The earth rises and shines on the stage as a aurora borealis – people rush on and sing the final chorus, greeting earth whose light shines through space.
377:
noted: "Thérésa and her songs produced a great effect. There were two especially, in the third act, that she detailed with an exquisite finesse and art."
1957:
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17:
2892:
1005:
Vlan, Caprice and Microscope get into the shell. The artillery-men light the fuse and, with a huge detonation, the shell hurtles towards the Moon.
131:
1162:
The scene fills with fire and smoke; Microscope is sent into space by an explosion; Vlan and Cosmos try to find a way out. Lava fills the stage.
313:, interpreted by Zulma Bouffar and Christian, won an encore. The front of the theatre had a large model of the Moon to advertise the new opera.
316:
The success of the show, whose première raised 3,898 francs, led to the theatre's receipts passing 10,018 francs with its seventh performance.
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2131:
1966:
2015:
359:
was portrayed by Mme Peschard from 16 December 1875 until 16 February 1876, since Zulma Bouffar had to honour a two-month engagement at
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993:
The forge-workers finish their work when Vlan and Caprice arrive 8 days later. Microscope unveils his means of getting to the Moon: a
126:
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1973:
150:
111:
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3001:
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Adieux des demoiselles d'honneur: 'Adieu notre compagne!' (Chorus, Fantasia, Cactus, Popotte, Quipasseparla), Scène de la vente
1840:
1231:
Chorus: 'Rataplan, rataplan' (Chorus, Vlan, Microscope), Couplets of prince Caprice: 'Ah ! j'en ai vu!' (Caprice, Chorus)
2330:
2287:
2194:
184:
3086:
2885:
1109:
Grand ballet of the snowflakes: this scene gave rise to the popularity of snow dances, the most famous of which is that in
418:
in Geneva staged another production by Savary, described as "non-stop pantomime peppered with deliberate bad taste", with
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2870:
2430:
281:
of "trucs", trap-doors and artifices accentuated the surprise-effects on the spectators. The producers even borrowed a
2963:
2936:
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1935:
1437:
157:, the new directeur of the Gaîté, took up the idea, and Offenbach's contribution was limited to that of composer.
3121:
3116:
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2008:
1486:(translated from the German by Gwenda David and Eric Mosbacher). Constable and Company, London 1937, pp. 315–317.
1137:
Brought to the top of the volcano, they take their places in a basket with Cosmos to be lowered into the crater.
179:
2214:
1324:
Chorus: 'Ah ! quelle musique' (Chorus), Ronde des charlatans: 'Ohé, ohé petits et grands' (Caprice, Chorus)
415:
3037:
3030:
3009:
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423:
2804:
957:
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where a "mad world of the moon is a reflection of mayhem on earth". This production was later mounted at the
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3101:
2794:
2420:
1988:
1788:
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role of Prince Caprice – reviews stated she "sang with esprit and acted with intelligence and finesse"),
395:
115:
3051:
2906:
2001:
1804:
59:
2663:
2340:
2307:
2174:
286:
468:
in Paris using members of the house's youth programme, conducted by Alexandra Cravero and staged by
2563:
2184:
1886:
1822:
1739:
1651:
1330:
Final de la neige: 'Courons tous' (Chorus, Quipasseparla, Fantasia, Caprice, Popotte, Vlan, Cosmos)
2450:
1382:
2350:
85:
2553:
2440:
2154:
1524:
1286:
Morceau d'ensemble: 'Ne jamais rien faire' (Flamma, Chorus, Cosmos, Popotte, Microscope, Vlan)
153:, but due to the need to raise the necessary money he did not take up the project. Eventually
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2510:
2089:
2052:
368:
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1410:
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2400:
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427:
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261:
occurred on 26 November 1875 at Théâtre de la Gaîté in Paris. The French correspondent for
83:. This was another prolific year for the composer, that included also the third version of
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In grand gardens with flowers and water features everywhere the stars and chimères dance.
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450:
8:
2900:
2716:
2623:
2410:
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1905:
1219:(the canon) – one in a set of twelve stereo cards showing scenes from this work (c. 1885)
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Citizens, Courtiers, Astronomers, Blacksmiths, Artillery men, Moon-Dwellers, Counsellors,
388:
238:
164:
76:
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1923:
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1154:
They search for a way out amidst rumbles and detonations. The volcano begins to erupt.
994:
407:
293:, and the two ballets choreographed by M. Justament. The principal roles were taken by
222:
198:
complained about its similarities to his work: "Two days after the first production of
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2257:
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2686:
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2224:
2121:
2024:
1931:
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A complete studio recording, recorded in September 2021, was released in 2022 on the
534:
458:
173:), wrote the libretto. They were hoping for a repeat of the success of the novels of
149:
The idea for the work was presented to Offenbach while he was head (director) of the
136:
54:
49:
2543:
1605:
1312:
Couplets of the maids of honour: 'Elle disait: ah! viens encore' (Flamma, Chorus SA)
2774:
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1844:
1808:
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503:
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when a woman ceases to please. Caprice promises Fantasia that he will buy her.
309:(Microscope), Tissier (Cosmos) et Mlle Marcus (Fantasia). At the première, the
80:
2533:
3075:
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2500:
1874:
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Rondo of the shell: 'Dans un obus qui fend l'air' (Caprice, Microscope, Vlan)
824:
797:
569:
469:
419:
306:
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wrote "The piece is, I think, a success, less great, probably, than that of
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215:
160:
72:
30:
1401:– Antonio de Almeida – Philips 1987 (Ouverture, Ballet des Flocons de neige)
1350:
Ronde des pommiers: 'Holà ! que chaque fillette' (Adja, Flamma, Chorus)
320:
left its mark on the year in which it first appeared: seven Parisian winter
3065:
2737:
2480:
1781:
in the third act parodies the number of the same name in the opéra-comique
1387:
Ouverture, Ariette de la Princesse, Final de la neige, Ronde des Charlatans
1289:
Duo des pommes: 'Mon Dieu ! qu'ai-je ressenti là?' (Fantasia, Caprice)
1252:
476:
in Vienna in November 2023, again using studio, youth and children groups.
461:
in 2016 directed by Olivier Desbordes and conducted by Dominique Trottein.
439:
2643:
99:
2901:
2573:
2390:
1321:
Rondo de Quipasseparla: 'Le prince Quipasseparla' (Quipasseparla, Chorus)
195:
174:
64:
2144:
457:
was seen at the 34th Festival de Saint-Céré. There were performances at
2747:
1984:
1881:
1466:
BNF, Département des Manuscrits, N.A.Fr. 17.004, pp. 278–280, cited in
1395:– Marc Minkowski – Archiv Produktion 2006 (Ballet des Flocons de neige)
495:
464:
In January 2023 a new production with adapted dialogue was seen at the
2603:
1636:
1622:
1592:
1578:
1564:
1550:
1510:
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373:
282:
263:
187:
by Verne himself in 1874) and the public taste for grand spectacles.
169:
1993:
1018:
Hearing mysterious voices, we see a town with strange architecture.
1370:
1201:
516:
68:
1979:
2360:
1243:
Valse chantée/Rondeau: 'Monde charmant que l'on ignore' (Caprice)
792:
27:
1875 opéra-féerie in four acts and 23 scenes by Jacques Offenbach
1274:
Couplets de Fantasia: 'Tu devais, le jour de ma fête' (Fantasia)
2070:
1952:
1228:
Couplets du roi Vlan: 'Vlan, Vlan, je suis Vlan' (Vlan, Chorus)
593:
2164:
2032:
550:
321:
3060:
1359:
Clair de terre (finale): 'Nous te saluons, ô terre' (Chorus)
1407:– Quatuor gastronomique – Maguelone 1993 ("Duo des pommes")
1527:
of the four authors being blown up into the moon (Gallica)
273:
204:
1841:"Les Contes d'Hoffmann - Un opéra à géométrie variable"
1838:
was written in 1905 for its Berlin production. Source:
1540:. Faber & Faber, London & Boston, 1980, p. 186.
1240:
Chorus of foundrymen and women: 'À l'ouvrage!' (Chorus)
1453:, Albert Vanloo, librairie Ollendorff, s. d. cited in
1411:
Recordings listed on operadis-opera-discography.org.uk
1315:
Ariette of the princess: 'Je suis nerveuse' (Fantasia)
945:
Maids of Honour, Guards, Stockbrokers and Speculators
3049:
414:
which was also seen in Cologne. In December 1985 the
1174:
22nd scene: The volcano's summit after the eruption
371:. For her, Offenbach added four airs to the score.
167:, in association with Arnold Mortier (columnist at
1234:Romance de Caprice: 'Ô reine de la nuit' (Caprice)
219:on another Jules Verne novel, with his agreement.
130:1875 poster from the première of the operetta, by
1435:, "Jacques Offenbach (List of stage works)". In:
1309:Chorus of the guards: 'Je suis le garde' (Chorus)
1237:Chorus of astronomers: 'Les cieux...' (Chorus TB)
1124:16th scene: The imprisonment of the apple-bearers
1053:with Caprice, sending the palace into an uproar.
3073:
1353:Chorus du tribunal: 'Voici le tribunal' (Chorus)
1318:Chorus of the market: 'C'est le marché' (Chorus)
438:as Vlan, Richard Cassinelli as Quipassparla and
1283:Madrigal: 'Je regarde vos jolis yeux' (Caprice)
2795:Le barbier de Séville ou La précaution inutile
1277:Chorus et marche: 'Salut à notre roi' (Chorus)
2886:
2132:Tromb-al-ca-zar, ou Les criminels dramatiques
2009:
1184:
401:
1987:has original text related to this article:
1428:
1426:
2893:
2879:
2837:
2823:
2016:
2002:
1451:Sur le plateau, souvenirs d'un librettiste
1170:Ash rains down, covering all the scenery.
3097:Works based on From the Earth to the Moon
2805:La folle journée, ou Le mariage de Figaro
1974:International Music Score Library Project
1568:, 3 February 1876, Courrier des Théâtres.
1514:, 28 November 1875, Courrier des Théâtres
1554:, 3 November 1875, Courrier des Théâtres
1423:
1265:Chorus (off-stage): 'Ah !' (Chorus)
1225:Chorus: 'Quelle splendide fête' (Chorus)
1211:
1039:8th scene: The mother-of-pearl galleries
961:Sheet music showing scene from the piece
956:
237:
183:, had been adapted for the stage at the
125:
110:It premiered on 26 November 1875 at the
29:
1668:July 1986, vol. 27, no. 7, pp. 840–841.
1582:, 29 February 1876, La Soirée Théâtrale
1441:. Macmillan, London and New York, 1997.
1150:19th scene: The interior of the volcano
230:a volcanic eruption in the fourth act.
14:
3074:
1737:Persché, Gerhard. Report from Vienna.
1596:, 19 April 1876, Courrier des Théâtres
1268:Chorus: 'C'est un point noir' (Chorus)
269:Le Tour de monde en quatre-vingt jours
180:Le Tour du monde en quatre-vingt jours
2979:Space Mountain: De la Terre à la Lune
2874:
2331:Croquefer, ou Le dernier des paladins
2023:
1997:
363:. From 28 February 1876, the rôle of
3127:Operas based on works by Jules Verne
1655:, June 1980, vol. 31, no. 6, p. 567.
387:on 15 April 1876, and Vienna at the
289:. The 673 costumes were designed by
208:] the loans to the authors from
114:. The production was revived at the
34:Jacques Offenbach by Nadar, c. 1860s
2371:M. Choufleuri restera chez lui le …
1922:
1820:The air "Scintille, diamant!" from
1792:
1764:. L'Almanacco di Gherardo Casaglia
1743:, February 2024, Vol.75 No.2, p203.
1724:Canning, Hugh. Reports from Paris.
1664:Clark, Andrew. Report from Geneva.
1626:, 1 April 1877, La Soirée Théâtrale
1484:Offenbach and the Paris of His Time
1467:
1454:
1096:14th scene: The land of the paunchy
324:in 1875–1876 made reference to it (
24:
2288:Vent du soir, ou L'horrible festin
1728:, April 2023, Vol. 74 No. 4, p412.
1678:Report by Jean-Charles Hoffelé on
1640:, 2 June 1877, La Soirée Théâtrale
1195:
57:. Loosely based on the 1865 novel
25:
3138:
1945:
1438:The New Grove Dictionary of Opera
1379:Entre Nous: Celebrating Offenbach
1105:15th scene: 50 degrees below zero
486:Roles, voice types, premiere cast
383:was also put on in London at the
277:] but which will be marked."
257:The première of the opéra-féerie
190:A few days after the premiere of
18:Le voyage dans la lune (operetta)
3059:
2945:Jules Verne's Rocket to the Moon
2853:
2852:
2836:
2822:
2761:(conversation alsacienne) (1863)
2431:La Grande-Duchesse de Gérolstein
2195:La chatte métamorphosée en femme
2057:
1978:
1951:
1865:Notes to Bru Zane CD set BZ 1048
445:In 2014 a co-production between
185:Théâtre de la Porte Saint-Martin
2986:Voyage: Inspired by Jules Verne
1893:
1890:, November 2007, pp. 1388–1390.
1868:
1859:
1814:
1798:
1771:
1746:
1731:
1718:
1686:
1671:
1658:
1643:
1629:
1615:
1599:
1585:
1571:
1557:
1500:, No. 28,457, 27 November 1875.
1057:10th scene: The roaming shadows
508:Cast (Châtelet), 31 March 1877
500:Premiere cast, 26 November 1875
3038:The Purchase of the North Pole
3031:Journey Through the Impossible
1543:
1530:
1517:
1503:
1489:
1473:
1460:
1444:
424:Orchestre de la Suisse Romande
346:Allons voir la Lune, mon gars!
53:in four acts and 23 scenes by
13:
1:
2751:(chinoiserie musicale) (1855)
1416:
1364:
1181:23rd scene: Le clair de terre
980:2nd scene: At the observatory
338:Les Voyageurs pour Belleville
233:
1909:, January 2012 (598), p. 93.
1834:. This apocryphal number of
1183:(The earth-light – a pun on
1087:13th scene: The women market
1078:12th scene: The consultation
1065:11th scene: Cosmos's gardens
7:
3087:Operas by Jacques Offenbach
2584:La permission de dix heures
2268:Le financier et le savetier
1166:21st scene: The rain of ash
1031:7th scene: The glass palace
952:
10:
3143:
3002:From the Earth to the Moon
2937:From the Earth to the Moon
2907:From the Earth to the Moon
2471:La princesse de Trébizonde
1805:Victoria and Albert Museum
1752:Casaglia, Gherardo (2005).
1343:
1302:
1258:
1207:
410:made a production for the
342:Les Voyageurs pour la Lune
253:, in the charlatans scene.
210:From the Earth to the Moon
144:
121:
60:From the Earth to the Moon
3020:
2955:
2920:
2816:
2773:
2741:(légende bretonne) (1855)
2728:
2685:
2664:La fille du tambour-major
2522:
2319:
2308:Apothicaire et perruquier
2256:
2175:Une demoiselle en loterie
2143:
2112:
2105:
2069:
2031:
1903:, Maguelone CD MAG11188.
1280:Entrée of the counsellors
971:1st scene: Prince Caprice
941:
402:Later performance history
326:Voyage de la Lune à Paris
177:(another, the 1872 novel
2564:Monsieur et Madame Denis
2185:Le mariage aux lanternes
1811:Exhibition, January 2010
1374:opera are available on:
1348:
1333:Ballet of the snowflakes
1307:
1158:20th scene: The eruption
1118:
1072:
1008:
1001:4th scene: The departure
965:
891:A forge worker (female)
479:
95:La boulangère a des écus
1899:Laurent, F., Review of
1826:has its origins in the
1683:. Accessed 8 July 2019.
1263:
1133:17th scene: The glacier
989:3rd scene: At the forge
3122:Operas set on the Moon
3117:Science fiction operas
3107:French science fiction
3092:French-language operas
3010:Le voyage dans la lune
2964:Le voyage dans la lune
2707:Le voyage dans la lune
2554:La chanson de Fortunio
2155:La rose de Saint-Flour
1968:Le voyage dans la lune
1959:Le voyage dans la lune
1930:. Éditions Gallimard.
1832:Le voyage dans la lune
1756:Le voyage dans la lune
1696:Le Voyage dans la Lune
1680:Le Voyage dans la lune
1649:Opera Diary, Germany.
1612:, 23 August 1891, p. 2
1606:"Le succès au théâtre"
1220:
1185:
1141:18th scene: The crater
1022:6th scene: The arrival
962:
547:Prince Quipasserparla
381:Le Voyage dans la Lune
330:Mme Angot dans la Lune
318:Le Voyage dans la Lune
287:Jardin d'Acclimatation
259:Le voyage dans la lune
254:
251:Le voyage dans la Lune
141:
40:Le voyage dans la Lune
35:
2113:Bouffonnerie musicale
2053:The Tales of Hoffmann
1836:Les contes d'Hoffmann
1823:Les contes d'Hoffmann
1787:, written in 1825 by
1356:Le volcan (melodrama)
1215:
960:
241:
129:
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2828:List of compositions
2785:Le malade imaginaire
2758:Lischen et Fritzchen
2351:Geneviève de Brabant
2298:Mesdames de la Halle
2245:Pierrette et Jacquot
1963:at Wikimedia Commons
1393:Offenbach Romantique
1385:– Opera Music 2007 (
725:A male forge-worker
412:Komische Oper Berlin
311:Ronde des Charlatans
249:(Prince Caprice) in
86:Geneviève de Brabant
2624:La jolie parfumeuse
2381:Le pont des soupirs
1480:Kracauer, Siegfried
1292:Ballet des chimères
1048:9th scene: The park
1014:5th scene: The Moon
488:
396:Théâtre du Châtelet
389:Theater an der Wien
334:Le Voyage du Soleil
227:Voyage dans la lune
192:Voyage dans la lune
151:Théâtre de la Gaîté
116:Théâtre du Châtelet
112:Théâtre de la Gaîté
2972:A Trip to the Moon
2929:A Trip to the Moon
2451:L'île de Tulipatan
2205:Un mari à la porte
1901:Offenbach au menu!
1536:Faris, Alexander.
1405:Offenbach au menu!
1221:
963:
807:Princess Fantasia
484:
391:on 16 April 1876.
255:
223:Siegfried Kracauer
142:
118:on 31 March 1877.
45:A Trip to the Moon
36:
3047:
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2994:Autour de la Lune
2868:
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2842:List of operettas
2769:
2768:
2491:Madame l'archiduc
2441:Le château à Toto
2421:La vie parisienne
2391:Bavard et bavarde
2341:Orphée aux enfers
2278:La bonne d'enfant
2225:Il signor Fagotto
2122:Les deux aveugles
2106:Other stage works
2025:Jacques Offenbach
1956:Media related to
1928:Jacques Offenbach
1779:Scène de la vente
1762:26 November 1875"
1538:Jacques Offenbach
1523:Henri Meyer drew
950:
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917:Microma (or Ita)
764:A slave merchant
451:Opéra de Lausanne
55:Jacques Offenbach
16:(Redirected from
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1972:: Scores at the
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504:Albert Vizentini
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385:Alhambra Theatre
361:Saint Petersburg
200:Voyage à la lune
165:Eugène Leterrier
155:Albert Vizentini
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105:Tarte à la crême
103:and a waltz for
77:Eugène Leterrier
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985:the interim.
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843:Blanche Méry
842:
839:
836:
835:
831:
829:Adèle Cuinet
828:
826:
825:mezzo-soprano
823:
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798:Zulma Bouffar
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704:J. Vizentini
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570:Pierre Grivot
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470:Laurent Pelly
467:
466:Opéra-Comique
462:
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452:
448:
443:
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434:as Fantasia,
433:
429:
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421:
420:Marc Soustrot
417:
416:Grand Theatre
413:
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408:Jérôme Savary
399:
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307:Pierre Grivot
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299:principal boy
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295:Zulma Bouffar
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291:Alfred Grévin
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161:Albert Vanloo
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91:Les hannetons
88:
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73:Albert Vanloo
70:
67:, its French
66:
62:
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52:
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47:) is an 1875
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3005:(miniseries)
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2989:(video game)
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2858:Compositions
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2783:
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2738:Le violoneux
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2509:
2499:
2489:
2481:Les brigands
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2461:La Périchole
2459:
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2424:(1866, 1873)
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2339:
2329:
2321:Opéra bouffe
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2079:
2051:
2041:
1967:
1958:
1927:
1916:
1915:
1904:
1900:
1895:
1885:
1878:
1877:. Review of
1870:
1861:
1849:. Retrieved
1845:the original
1835:
1831:
1827:
1821:
1816:
1800:
1782:
1778:
1773:
1766:(in Italian)
1755:
1748:
1738:
1733:
1725:
1720:
1708:. Retrieved
1704:
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942:
769:Van-de-Gand
699:A bourgeois
660:Coefficient
463:
455:Opéra Éclaté
444:
440:Jules Bastin
430:as Caprice,
428:Joseph Evans
405:
393:
380:
379:
372:
367:returned to
364:
356:
355:The rôle of
354:
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104:
98:
94:
90:
84:
58:
50:opéra-féerie
48:
44:
39:
38:
37:
3112:1875 operas
2956:Other media
2902:Jules Verne
2729:Other types
2717:Whittington
2574:Les bergers
2411:Barbe-bleue
2235:Pomme d'api
2081:Le papillon
1970:(Offenbach)
1961:(Offenbach)
1856:Forum Opéra
1795:, p. )
1710:26 December
1383:David Parry
777:A Sélénite
691:É. Scipion
629:Colleuille
626:Colleuille
616:Beuzeville
563:Microscope
502:Conductor:
442:as Cosmos.
245:(Vlan) and
196:Jules Verne
175:Jules Verne
135: [
65:Jules Verne
3076:Categories
2967:(operetta)
2748:Ba-ta-clan
2093:(arranged
1985:Wikisource
1882:Opera Rara
1879:Entre Nous
1851:2008-04-17
1705:Cndp-reims
1470:, p.
1457:, p.
1417:References
1365:Recordings
746:Prudhomme
743:Chevalier
738:Grosbedon
733:Thuillier
720:Chevalier
717:Chevalier
668:Prudhomme
665:Chevalier
634:Rectangle
621:Phichipsi
526:Christian
513:King Vlan
496:Voice type
271: [
234:Production
202: [
2975:(TV film)
2644:La créole
2634:Bagatelle
2604:Vert-Vert
1875:Milnes, R
1828:Ouverture
1809:Diaghilev
1789:Boieldieu
1637:Le Figaro
1623:Le Figaro
1610:Le Figaro
1593:Le Figaro
1579:Le Figaro
1565:Le Figaro
1551:Le Figaro
1525:a cartoon
1511:Le Figaro
1497:The Times
1339:Entr'acte
1298:Entr'acte
1253:Entr'acte
925:Capiglia
832:Marcelle
782:Bousquet
730:Barsagol
707:Jacquier
694:Jacquier
673:A-Plus-B
613:Legrenay
608:Parabase
603:Jacquier
522:Christian
474:Volksoper
374:Le Figaro
303:Christian
285:from the
283:dromedary
264:The Times
243:Christian
170:Le Figaro
100:La créole
3023:by Verne
2788:(1851/2)
2614:Fantasio
2534:L'alcôve
2145:Opérette
1989:Libretto
1926:(2000).
1906:Diapason
1884:CD set.
1793:Yon 2000
1468:Yon 2000
1371:Bru Zane
1217:Le Canon
1202:Overture
953:Synopsis
904:Hyperba
899:Rébecca
896:Z. Bied
883:Davenay
870:Dareine
854:soprano
840:soprano
810:soprano
757:Gravier
686:A guard
655:Auguste
642:Guimier
588:Courtès
585:Laurent
574:Guillot
542:Tissier
539:Tissier
517:baritone
406:In 1980
305:(Vlan),
297:(in the
69:libretto
3013:(album)
2997:(album)
2361:Barkouf
2071:Ballets
2056:(1881)
1917:Sources
1455:Yon2000
1433:Lamb A.
1399:Can Can
922:Blount
912:Durand
878:Stella
865:Phoebé
837:Flamma
816:Lynnès
793:soprano
772:Gillot
712:A poet
652:Mallet
594:Cosinus
579:Cactus
531:Cosmos
369:Thérésa
365:Popotte
357:Caprice
145:Genesis
122:History
71:was by
3082:Operas
3052:Portal
2981:(ride)
2948:(1967)
2940:(1958)
2932:(1902)
2808:(1852)
2798:(1852)
2720:(1874)
2710:(1875)
2700:(1872)
2677:(1880)
2667:(1879)
2657:(1878)
2647:(1875)
2637:(1874)
2627:(1873)
2617:(1872)
2607:(1869)
2597:(1867)
2587:(1867)
2577:(1865)
2567:(1862)
2557:(1861)
2547:(1853)
2544:Pépito
2537:(1847)
2514:(1878)
2504:(1877)
2494:(1874)
2484:(1869)
2474:(1869)
2464:(1868)
2454:(1868)
2444:(1868)
2434:(1867)
2414:(1866)
2404:(1864)
2394:(1862)
2384:(1861)
2374:(1861)
2364:(1860)
2354:(1859)
2344:(1858)
2334:(1857)
2311:(1861)
2301:(1858)
2291:(1861)
2281:(1856)
2271:(1856)
2248:(1876)
2238:(1873)
2228:(1863)
2218:(1860)
2208:(1859)
2198:(1858)
2188:(1857)
2178:(1857)
2168:(1856)
2158:(1856)
2135:(1856)
2125:(1855)
2046:(1864)
2033:Operas
1934:
1760:
935:Godin
930:Bella
909:Baudu
860:Géron
857:Maury
681:Panot
678:Henry
647:Oméga
582:tenor
566:tenor
558:Habay
555:Habay
449:, the
322:revues
225:views
3066:Opera
2165:Le 66
1887:Opera
1830:from
1740:Opera
1726:Opera
1701:(PDF)
1666:Opera
1652:Opera
1344:Act 4
1303:Act 3
1259:Act 2
1208:Act 1
1119:Act 4
1073:Act 3
1009:Act 2
995:shell
966:Act 1
873:Lévy
851:Adja
846:Noel
754:bass
551:tenor
492:Role
480:Roles
139:]
2910:and
1932:ISBN
1777:The
1712:2017
535:bass
453:and
163:and
79:and
2904:'s
352:).
274:sic
205:sic
63:by
3078::
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1703:.
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1482:.
1425:^
1381:–
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344:,
340:,
336:,
332:,
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1714:.
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1389:)
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